禪 Chan · 書目Bibliography
一、本編底本
- 《信心銘》 一卷 · 卷端無署名 · T48n2010。本文自
0376b18首題至0377a11尾題；四言一百四十七句，含0377a04夾注八字；大正校記十一條。
本編一個原典單元與所有銘句頁錨皆回到此一漢文流。
二、對勘本
- 《景德傳燈錄》卷三十『銘記箴歌』 · T51n2076（
0457a18「三祖僧璨大師信心銘」全文；異文十五處並錄）。
三、承衍古鏡
本銘無逐文古疏，誠實記無。
四、古德拈提與後出見證
- 《佛果圜悟禪師碧巖錄》 · T48n2003（首聯十三見；【五七】【五八】【五九】三則以首聯為問頭；
0141c07``0191a09等）。 - 《續傳燈錄》 · T51n2077（首聯六見；另引「二由一有」「六塵不惡」「迷生寂亂」等聯）。
- 《五燈會元》 · X80n1565（
0044c05僧璨章載全文；獨異四處並錄）。 - 《景德傳燈錄》卷二十七 · T51n2076（
0436b29洞山「三祖信心銘弟子擬注」條）。
五、引用方式
逐字引文用雙角引號，附頁錨：底本短式〔T48 0376b20〕，他本全式〔T48n2003 0191a09〕。錨取所引首字所在之行。
六、取用範圍
引據以銘、對勘本與古德拈提為限。不引現代註本，不引現代學者，不作梵形還原。
I. Base Text of This Edition
- Inscription on Faith in Mind · one fascicle · unsigned at the head · T48n2010. The text runs from the title at
0376b18to the closing title at0377a11; one hundred and forty-seven four-character lines, including the eight characters of the interlinear note at0377a04; eleven Taishō collation notes.
The single base-text unit of this edition and every anchor to the inscription return to this one Chinese stream.
II. Collation Text
- Record of the Transmission of the Lamp of the Jingde Era, fascicle thirty, “Inscriptions, Records, Admonitions, and Songs” · T51n2076 (full text at
0457a18under “Inscription on Faith in Mind by the Great Master Sengcan, Third Patriarch”; fifteen variants recorded side by side).
III. Old Mirrors Carried Forward
The inscription has no old line-by-line commentary; this is recorded honestly as none.
IV. The Old Masters’ Citations and Later Witnesses
- Blue Cliff Record of Chan Master Foguo Yuanwu · T48n2003 (the first couplet thirteen times; cases 57, 58, and 59 take it as the question;
0141c07,0191a09, and others). - Continued Record of the Transmission of the Lamp · T51n2077 (the first couplet six times; also “two exists because of one,” “with the six sense-objects not hated,” “in delusion, quiet and disorder arise,” and other couplets).
- Compendium of the Five Lamps · X80n1565 (full text in the chapter on Sengcan at
0044c05; four readings peculiar to it recorded). - Record of the Transmission of the Lamp, fascicle twenty-seven · T51n2076 (
0436b29, Dongshan on a disciple’s wish to annotate the inscription).
V. Manner of Citation
Verbatim quotation stands in double corner brackets with a page anchor: short form for the base text, 〔T48 0376b20〕, full form for other texts, 〔T48n2003 0191a09〕. The anchor is the line on which the first quoted character stands.
VI. Scope of Sources
Sources are limited to the inscription, the collation text, and the old masters’ citations. No modern commentary and no modern scholar is cited, and no Sanskrit form is reconstructed.
一、本編底本
- 《永嘉證道歌》 一卷 · 卷端署唐慎水沙門玄覺撰 · T48n2014。歌自
0395c06首題至0396c29尾題，一百零七行二百六十七句；後附楊億〈無相大師行狀〉0397a03至0397a25；大正校記十九條。
本編二個原典單元與所有歌句、行狀頁錨皆回到此一漢文流。
二、對勘本
- 《景德傳燈錄》卷三十『銘記箴歌』 · T51n2076（
0460a14「永嘉真覺大師證道歌」全文；異文並錄；該本「訣」作「決」）。
三、承衍古鏡
- 《證道歌註》 一卷 · X63n1241（逐文之鏡；卷端署侍者德最集、浮梁參學慧光錄；卷內序題「梵天琪和尚註」，另「妙空佛海和尚」序；經錄作宋彥琪註，並錄不判）。
註唯鏡用，不另譯。引用時附頁錨；正文稱「註」。
四、古德拈提與後出見證
- 《證道歌註》 · X65n1292（對勘鏡；經錄作宋知訥述）。
- 《證道歌頌》 · X65n1291（法泉繼頌；入古德拈頌）。
- 《證道歌註》 · X65n1293（誌錄；經錄作元永盛述）。
- 《景德傳燈錄》卷五 · T51n2076（
0241b12玄覺章；『著證道歌一首…目為永嘉集』）。 - 《宋高僧傳》 · T50n2061（
0758b16玄覺傳；『號永嘉集』而全書無「證道歌」之名）。 - 《宗鏡錄》 · T48n2016（
0670a11引「有人問我解何宗」）。 - 《續傳燈錄》 · T51n2077（
0598a29引「有人問我解何宗」）。 - 《佛果圜悟禪師碧巖錄》 · T48n2003（
0181a06引首句）。
五、引用方式
逐字引文用雙角引號，附頁錨：底本短式〔T48 0395c09〕，註與他本全式〔X63n1241 0261b10〕。錨取所引首字所在之行。
六、取用範圍
引據以歌、行狀、註、對勘本與古德拈提為限。不引現代註本，不引現代學者；梵形唯取註所出者。
I. Base Text of This Edition
- Song of Realizing the Way of Yongjia · one fascicle · head reads “composed by the śramaṇa Xuanjue of Shenshui, of the Tang” · T48n2014. The song runs from the title at
0395c06to the closing title at0396c29, one hundred and seven lines and two hundred and sixty-seven verses; appended is Yang Yi’s Account of the Conduct of Great Master Wuxiang,0397a03to0397a25; nineteen Taishō collation notes.
The two base-text units of this edition and every anchor to the song and the account return to this one Chinese stream.
II. Collation Text
- Record of the Transmission of the Lamp of the Jingde Era, fascicle thirty, “Inscriptions, Records, Admonitions, and Songs” · T51n2076 (full text at
0460a14under “Song of Realizing the Way of Great Master Zhenjue of Yongjia”; variants recorded; that recension reads the final “settle” with a different character).
III. Old Mirrors Carried Forward
- Commentary on the Song of Realizing the Way · one fascicle · X63n1241 (line-by-line mirror; head reads “compiled by the attendant Dezui, recorded by Huiguang, a student from Fuliang”; preface title within the volume reads “commentary by the Venerable Qi of Fantian,” with a further preface by “the Venerable Miaokong Fohai”; the catalogue reads “commentary by Yanqi of the Song”; recorded without adjudication).
The commentary is used as mirror only and is not translated separately. It is cited with page anchors; the body refers to it as “the commentary.”
IV. The Old Masters’ Citations and Later Witnesses
- Commentary on the Song of Realizing the Way · X65n1292 (collation mirror; the catalogue reads “expounded by Zhine of the Song”).
- Verses on the Song of Realizing the Way · X65n1291 (verses by Fayuan; among the old masters’ verse-citations).
- Commentary on the Song of Realizing the Way · X65n1293 (recorded; the catalogue reads “expounded by Yongsheng of the Yuan”).
- Record of the Transmission of the Lamp, fascicle five · T51n2076 (
0241b12, the chapter on Xuanjue; “composed the Song of Realizing the Way, one piece … titled the Yongjia Collection”). - Song Biographies of Eminent Monks · T50n2061 (
0758b16, the biography of Xuanjue; “called the Yongjia Collection,” while the title Song of Realizing the Way appears nowhere in the work). - Record of the Source-Mirror · T48n2016 (
0670a11, citing “someone asks me what school I understand”). - Continued Record of the Transmission of the Lamp · T51n2077 (
0598a29, citing “someone asks me what school I understand”). - Blue Cliff Record of Chan Master Foguo Yuanwu · T48n2003 (
0181a06, citing the first line).
V. Manner of Citation
Verbatim quotation stands in double corner brackets with a page anchor: short form for the base text, 〔T48 0395c09〕, full form for the commentary and other texts, 〔X63n1241 0261b10〕. The anchor is the line on which the first quoted character stands.
VI. Scope of Sources
Sources are limited to the song, the account, the commentary, the collation text, and the old masters’ citations. No modern commentary and no modern scholar is cited; Sanskrit forms are given only where the commentary gives them.