華嚴經 義疏通講 · 冊21Avataṃsaka Sūtra · Exposition Throughout · Vol. 21
品三十九 入法界品 · 師子嚬申比丘尼(寄至一切處迴向)Entering the Dharma Realm · The Nun Lion's Stretching (Assigned to the Dedication That Reaches Every Place)
全文五層 →Full five layers →先問路:善財找的是一個人,不是一個地方
本節起手,善財「漸次遊行,至彼國城,周遍推求此比丘尼」。他已經到了國城,還要「周遍推求」——可見到了地方不等於見到人。
為什麼經文要把找人這一節寫出來?因為本會的體例是一友一參,而參的第一步不是聽法,是找。前一位善友所指的是國、是城、是人,並教他到了那裡要問什麼;而人之所在,仍須到了地方再問。善財到了城裡,是靠「周遍推求」,又靠無量人「咸告之言」,才問出去處的。這一位比丘尼在城中是眾所共知的。
要排一個誤解:以為善知識難尋是因為他隱居。此處恰恰相反——無量人都知道她在哪裡,難的是善財肯不肯一路推求。落到地上:可參之人往往不遠,遠的是「周遍推求」這四個字所需要的那份氣力。
眾人告的那句話:她在王捨的園子裡說法
眾人的回答只有一句:「此比丘尼在勝光王之所捨施日光園中說法利益無量眾生。」一句話裡有三件事:處所是王所捨施的園、事業是說法、所及是無量眾生。
為什麼要點明「勝光王之所捨施」?澄觀解此云「準律,尼之頭陀多在王園,藉外護故」——依戒律之制,比丘尼修頭陀行多在王家園林,是為了有外護。他又進一層作表法之釋:「表因實際勝光,令其善根遍法界之園苑故。並皆即智,故有光名。」勝光是王名,日光是園名,兩處都帶「光」,澄觀就這一點說「並皆即智」。李通玄讀這一段則全作表法:比丘表忍、尼表慈、勝光王表智,三法總會而成此位之精進行;園之體亦即此三法——他直說「日光園者,以忍智慈為園體」。同一座園,澄觀取其「光」而歸之於智,李通玄取其所從來而歸之於忍智慈三法,二家各有其軌,誌錄不判。
排一個誤解:以為善知識住王園是受供養而享安樂。經文明說園是「捨施」來的,人在其中作的是「說法利益無量眾生」。落到地上:外護是為了讓法行得住,不是為了讓行人住得好。
詣園觀察:善財看見的第一件事是八棵樹
善財到了園子,經文說他「周遍觀察」。觀察什麼?先看見的是樹——滿月、普覆、華藏、甘露果樹、毘盧遮那藏、清淨、歡喜、普莊嚴,一共八棵。
為什麼一部經要花這麼多字寫樹?澄觀科這一段時,把它列為見依報六分的第一分,說「一無漏林樹,無漏法行而建立故。文中有八,各有所表,思之」。他判定其數為八,說各有所表,卻沒有逐棵解釋,把話留給讀者去「思之」。法藏就六十本讀,也說「一見大樹莊嚴,略舉八種」,二家於數目一致。
排一個誤解:以為這是文學鋪陳,可以跳過去讀對話。此處八棵樹是善財「所見」的第一批東西,經文把它排在人之前——先見依報,後見正報,這是本節的次第。落到地上:一個人所處的環境,本身就在說他是什麼人。
泉池與六種師子座:座是給誰坐的
樹之後是水,水之後是座。泉流陂池「八功德水具足盈滿」,池上四種蓮華遍覆;諸寶樹下敷師子座,而其中六座別有其名——蓮華藏、香王摩尼藏、龍莊嚴摩尼王藏、寶師子聚摩尼王藏、毘盧遮那摩尼王藏、十方毘盧遮那摩尼王藏。
八功德水是哪八功德?澄觀傳其目為「輕、冷、濡、美、淨而不臭、調適無患」,法藏傳作八目「一輕、二冷、三軟、四美、五淨、六不臭、七飲時調適、八飲已無患」——二家所傳大同而開合小異。座之一段,澄觀判為「敷法空座,而隨法嚴異。於中,有標、列及結」。
排一個誤解:以為六種座是給六位客人預備的。經文接著說「其一一座各有十萬寶師子座周匝圍遶」——座不是六,是六類。落到地上:後文三十處眾會坐的正是這些座;此處寫座,是為後文寫人先鋪好位子。
園之總莊嚴:為什麼要一路拿天上作比
第三段寫園之總相,用了八個比方:眾寶遍滿猶如大海寶洲、妙華常雨猶如帝釋雜華之園、香王普熏猶如帝釋善法之堂、鈴網妙音如善口天女歌音、諸如意樹妙衣垂布猶如大海、樓閣如忉利天宮善見大城、寶蓋如須彌峯、光明如梵王宮。
為什麼多半拿天上作比?八個比方之中,五個取天上之相——帝釋雜華之園、帝釋善法之堂、善口天女之歌音、忉利天宮善見大城、梵王宮;二個取大海,一個取須彌之峯。天上之相所以居多,是因為讀經的人心裡最勝的相就是天上的相;經文取讀者已有的極勝之相,來說一個人間園子。澄觀判這一段為依報六分之第四,說「雜明諸嚴,萬行非一故」——園中之嚴雜而不一,正表所修之行雜而不一。
排一個誤解:以為這是誇飾。誇飾是把小的說大,此處是把讀者能想像的最大之物拿來作比,而經文說園「猶如」之——是以天況園,不是以園比天。落到地上:萬行之所以要「非一」,是因為所化之機非一;下文三十座正是這句話的兌現。
出其所因:這一園莊嚴是從哪裡來的
寫完園,經文自己回答了一個問題:這些是哪裡來的。答語有四:「皆是菩薩業報成就,出世善根之所生起,供養諸佛功德所流,一切世間無與等者」,末歸於一人——「如是皆從師子頻申比丘尼了法如幻集廣大清淨福德善業之所成就」。
要注意「了法如幻」四字的位置。它不在福德之外,正在福德之中:所集的是「廣大清淨福德善業」,而集之者是「了法如幻」的人。福德與如幻不是兩截。澄觀判此段為「出其所因」,下一段「三千」為「明果用自在」——三千大千世界的天龍八部無量眾生「皆入此園而不迫窄」,經文自設問自作答:「此比丘尼不可思議威神力故。」
排一個誤解:以為園大所以容得下。經文明說不是園大,是威神力。落到地上:一個小地方能容多少人,看的不是地方,是主人的心量。
見正報:十一個比方說一個人的德
依報寫完,人才出場。經文說善財見她「遍坐一切諸寶樹下大師子座」,接著用十一個比方說她的德:諸根調順如大象王、心無垢濁如清淨池、普濟所求如如意寶、不染世法猶如蓮華、心無所畏如師子王、護持淨戒不可傾動如須彌山、令見者清涼如妙香王、能除煩惱熱如雪山中妙栴檀香、見者諸苦消滅如善見藥王、見者不空如婆樓那天、能長善根芽如良沃田。
婆樓那是什麼?澄觀說「此云水也,此天能滿人願故」;法藏說「此名水,應是水天佛,見已成益故也」。二家皆以「水」為釋,而所指之天略異。
排一個誤解:以為十一喻只是形容詞的堆疊。細看其序:前六喻說她自身之相(調順、無垢、能濟、不染、無畏、持戒),後五喻說見者所得(清涼、除熱、滅苦、不空、長善根)——自前而後,是從自德轉到化他。落到地上:一個人的德要到別人身上才看得出來,這十一句正是這樣排的。
三十座之總:一身遍坐,眾別法別
接下來是本節最長的一段。經文用一句總起:「在一一座,眾會不同,所說法門亦各差別。」然後三十次重複同一個句式。
這裡要先站定一件事:坐在三十個座上的是同一個人。經文前面已說她「遍坐一切諸寶樹下大師子座」,此處說「在一一座,眾會不同」——不是三十個化身輪流去,是一時俱遍。澄觀判見正報一分為四,說「初總明遍坐,勝德顯彰;二別明所遍,演法各異;三總結多類聞法發心;四通顯所因,釋成自在」;他又就三十座立三分之判:「有三十處,分三:初十六為八部人非人等、次二為二乘、後十二為菩薩。」
排一個誤解:以為一人一時只能說一法,其餘皆是次第。落到地上:本節所示的不是分身術,是一法遍應——同一個成就一切智的解脫,落到不同的機上,就成了三十個名字不同的法門。
天七座:對治與隨宜,兩把不同的尺
三十座之首是七處天眾:淨居天(無盡解脫)、梵天(普門差別清淨言音輪)、他化自在天(菩薩清淨心)、善變化天(一切法善莊嚴)、兜率陀天(心藏旋)、須夜摩天(無邊莊嚴)、三十三天(厭離門)。
澄觀逐座出其所以。淨居天說「無盡」,他釋為「治彼那含求盡身智故」——淨居是阿那含所居,那含之病在求盡身智,故以無盡治之。梵天說「普門」,他釋為「普應但於己眾,廣及三千為說普門則無不應。梵音清妙但是世間,為說法界勝流方為淨妙」。以下五座他一路點過:「三他化天,令得出世淨心,超世自在故。四化樂,樂具莊嚴不及善故。五旋歸如來藏心,則真喜足故。六遍嚴法界,方盡時分之樂。七釋天,耽欲甚故。」
排一個誤解:以為說法只是揀好聽的說。七座之中,或補其所缺(他化之出世淨心),或治其所偏(釋天之耽欲)。落到地上:說法之難,難在先看清這一群人現在卡在哪裡。
八部餘七座:說法或治其病,或就其能
天之後是龍、夜叉、乾闥婆、阿脩羅、迦樓羅、緊那羅、摩睺羅伽七座。澄觀仍逐座出義:「次一為龍,龍能通變,耀電雨莊嚴故。三夜叉,性好飛空害物故。四乾闥婆眾,能奏樂,喜樂故。」又:「五修羅,善幻,為莊嚴故。六迦樓羅,動海怖龍故。七緊那羅,是歌神,以佛行光明破其著故。又頭有一角,亦云疑神,令同佛覺,離疑光明故。八摩睺羅伽,多瞋毒故。」
看這七座所說之名,就見出兩種取法。乾闥婆善奏樂,說的是「無盡喜」——這是就其所能而轉之。夜叉好害物,說的是「救護眾生藏」;摩睺羅伽多瞋毒,說的是「生佛歡喜心」——這是治其所病。緊那羅一座,澄觀列之於對治一邊,說「以佛行光明破其著故」,而復云「通其二義」——歌神之能可就而轉,其所著亦須破,二義並行。澄觀把這兩種取法明白分開,說「上來八部,除第一第七及夜叉眾、摩睺羅伽約對治說,餘皆約隨便宜,隨其世能轉入出世故。緊那羅眾,通其二義」。
餘三座之名亦各貼其性。龍能通變而耀電雨嚴,說的是『佛神通境界光明莊嚴』——通變之性轉成佛之神通境界。阿脩羅善幻而好諍,說的是『速疾莊嚴法界智門』——幻力之疾轉成入法界之速。迦樓羅能動海怖龍,說的是『怖動諸有海』——所怖者本是龍,今所怖者是諸有之海。
排一個誤解:以為凡說法皆是對治。落到地上:一個人的長處也是門——不必先把它打掉再教,可以就它轉。
人與羅剎二座:世間的仁義,還不夠
第十五座是「無量百千男子、女人」,說『殊勝行』;第十六座是諸羅剎眾,說『發生悲愍心』。這兩座在三十座中最不起眼,卻各有其所以。
澄觀釋人一座云「人多行不善行,設行仁義亦非勝故,故令起出世勝行」。這句話下得重:不只是說人多行不善,而是說即使行了仁義,仍「非勝」,所以要為他們說『殊勝行』。羅剎一座他釋為「則是非人,亦治多殘害故」——羅剎殘害,故說『發生悲愍心』。
排一個誤解:以為世間善法與出世法只是程度之差,行久了自然會通。澄觀的判語不是這樣:仁義是善,但不是「勝」,所以另有一門要說。落到地上:做好人與學菩薩行是兩件事,前者不會自動長成後者。
二乘二座:智劣與智未亡緣
第十七、十八兩座是信樂聲聞乘與信樂緣覺乘的眾生,所說之法是『勝智光明』與『佛功德廣大光明』。
為什麼二乘要說「光明」?澄觀出其所以:「次二為二乘者,聲聞智劣故,緣覺修福止百劫故,緣起智光未能亡緣故。」聲聞之病在智劣,故說「勝智」;緣覺之病有二,一在修福止於百劫,二在雖有緣起之智光而「未能亡緣」——還守著緣在,故為他說「佛功德廣大」。
排一個誤解:以為二乘所缺的是慈悲,只要發心迴小向大即可。澄觀此處指的是智——一個是智不夠勝,一個是智還黏在緣上。落到地上:迴小向大不只是換一個發心,是要把所依的那個智也換掉。
地前一座與地上十座:從定慧之光到十地
第十九座是信樂大乘的眾生,說『普門三昧智光明門』;第二十座是初發心諸菩薩,說『一切佛願聚』;其下第二地至第十地各一座,共九座。
澄觀判此一段云「後十二為菩薩,分三:初一為地前,說定慧之光。次十為地上。初發心者,證發心也,發十大願故」。要留意兩件事。其一,信樂大乘一座所說之名正含「三昧」與「智」,故澄觀以「定慧之光」當之。其二,經文的「初發心」不是初信之發心,澄觀直說是「證發心」,理由是「發十大願故」——十大願是初地菩薩之事,故此座屬地上之首。
地上十座之中,澄觀別下釋文者二座:初地與第五地。初地之釋即上節所引「初發心者,證發心也,發十大願故」;五地說『妙華藏』,他釋云「華謂十種平等淨心,故晉經云淨心華藏。華藏者,以真俗雙修,於難得勝為因含藏故」,並直引晉譯之本作證——六十本此座正作「淨心華藏法門」。餘八座他說「餘八可知」,不別出義。澄觀說「餘八可知」而不出義,《演義鈔》則代為補足,逐地出其所以:二地三聚圓滿、三地修八禪、四地無行無生而行是慧光、六地般若現前而遍照普得、七地於有中行殊勝行修一切菩提分故名普莊嚴、八地得無生忍而於三世間皆自在、九地以無所得為方便而力度偏增、十地十障已摧十度已滿三祇已圓。所謂「可知」,不是無義可說,是疏體從略;鈔補之而後見其一一貼地。
排一個誤解:以為地地所說之法愈高愈玄。看名即知不然:二地『離垢輪』、三地『寂靜莊嚴』、四地『生一切智境界』——每一名都貼著那一地的行相。落到地上:說法之高低不由說者定,由聽者現在站的地方定。
執金剛神一座:末座說的是金剛喻定
第三十座是執金剛神,說『金剛智那羅延莊嚴』。這一座在三十座之末,澄觀給了它一個不小的位置:「後一義當等覺,說金剛喻定,壞散塵習故。既為等覺而說,明此位非小。」
金剛喻定是等覺入妙覺之際所起之定,能壞最後之塵沙習氣;執金剛神之名正帶「金剛」,所說之法又帶「金剛智」,故澄觀以等覺當之。而他接著補了一句更要緊的話:「言迴向者,約寄位耳。他皆倣此。」
這一句要說清楚。本節在澄觀的科中繫於「至一切處迴向」一位,是澄觀承古德之寄位科而立,經文自身並沒有標任何位名。澄觀自己在此明說這只是「約寄位」而言,並以「他皆倣此」通貫本會諸友——寄位是一套讀法,不是經文的自判。澄觀於本會總科處早已把這件事說得持平:古來意法師及臺山論隨文散釋而不別配位,光統等師則皆配地位。
澄觀明判
二說既列,澄觀自下明判——「二皆有理,謂隨一一位具多法門,豈容凡心不得習求善友之法,故不配有理。然無次位中不礙次位,顯位是常規,配亦無失」——配與不配兩存,故本節之寄位不可讀作定判。李通玄讀同一位而配法不同,他說「以此比丘尼位,同十住中第四住、十地中第四地」,又以第四精進波羅蜜當之。二家所配互異,各有其軌,誌錄不判。
排一個誤解:以為既是「迴向位」,末座就不該說等覺之法。澄觀正就此下語「明此位非小」。落到地上:位是為了讀者好懂而設的階,不是給經文設的限。
總結多類:來的都是已經熟了的人
三十座說完,經文作一總結:善財見「一切諸趣所有眾生已成熟者、已調伏者,堪為法器,皆入此園,各於座下圍遶而坐」;而比丘尼「隨其欲解勝劣差別而為說法,令於阿耨多羅三藐三菩提得不退轉」。澄觀判此為「總結多類聞法發心」。
這裡有一個容易滑過去的限定:「已成熟者、已調伏者,堪為法器」。三十座不是全世界都來了,是熟了的人來了。而所說之法雖三十不同,所至之果只有一個——「得不退轉」。
排一個誤解:以為既是大善知識,就該一切眾生無不得度。經文自己設了限,而這個限不在說者,在聽者熟不熟。落到地上:教與不教之間還隔著一層「堪為法器」;急的人常在這一層上使錯了力。
十般若波羅蜜門:能化這一邊的所以
總結之後,經文設一「何以故」自問——何以能如此。澄觀判此答為二因:「一由能化具般若故、二「此日光」下由彼所化根已熟故。」先說能化這一邊。
經文列十門:普眼捨得、說一切佛法、法界差別、散壞一切障礙輪、生一切眾生善心、殊勝莊嚴、無礙真實藏、法界圓滿、心藏、普出生藏;末以「此十般若波羅蜜門為首,入如是等無數百萬般若波羅蜜門」收之。
要看清這個「為首」。十門不是全部,是首;所入的是「無數百萬」。經文用一個可數的十,來領一個不可數的無數。
排一個誤解:以為列了十門就是十種法門並列。十門之名,各自指著一事。「普眼捨得」是眼普而能捨能得——所見無不周,而於所見不留。「說一切佛法」是所說無遺,一切佛法皆說得出。「法界差別」是於一法界中照見其種種差別而不混。「散壞一切障礙輪」是障礙輪要散壞。「生一切眾生善心」是眾生善心要生起。「殊勝莊嚴」是所現之相勝於世間之嚴。「無礙真實藏」是真實藏要無礙。「法界圓滿」是差別既照而還歸於全,不落在一邊。「心藏」是一切收於一心而為藏。「普出生藏」是從此一藏而普出生,無數百萬門即由此出。要說明限度:此十門,古德未逐門別釋——法藏但云「略舉十門般若,則是前所說之法門等」,李通玄但云「如經具明」。故上來十名之分別,只就經文字面說到這裡,不更代古德立義。落到地上:般若不是一種本事,是在每一處各自現出的那個「無礙」。
初勸發心:所化這一邊的所以
第二因在所化:「此日光園中所有菩薩及諸眾生,皆是師子頻申比丘尼初勸發心,受持正法,思惟修習,於阿耨多羅三藐三菩提得不退轉。」
這一句回答了上一節留下的問題——那些人為什麼「已成熟」。答案是:當初勸他們發心的就是這一位。所以三十座之會不是偶然聚攏來的聽眾,是她自己一路帶到今天的人。而經文列了三事:初勸發心、受持正法、思惟修習——發心之後還有兩重工夫,然後才是不退轉。
排一個誤解:以為善知識的功用在一次開示。此處經文所記的是一條長線:從最初勸他發心,到今日在座下聽三十門法。落到地上:所謂成就一個人,是同一個人從頭陪到尾。
設敬:先起念,光才放
善財見了園林、床座、經行、眾會、神力、辯才,又聞法門,經文說「廣大法雲潤澤其心」,於是「便生是念:「我當右遶無量百千匝。」」念一起,比丘尼就放大光明,普照園中眾會莊嚴;善財於是自見己身與園中眾樹,都在右繞這位比丘尼,經無量百千萬匝。
次第要看清:是善財先起念,比丘尼後放光。澄觀判此段為三:「初覩勝發心、次放光攝受、後正申敬儀。」覩勝而發心在先,放光攝受在後。
排一個誤解:以為神變是善知識用來攝人的手段。經文的次第正相反——人先有那一念,光才來成就那一念。落到地上:想繞一百千匝是善財的心,能與眾樹一同繞是她的加持;沒有前者,後者無處可加。
善財的問句:本會多數善友前都用的兩句話
繞畢,善財合掌而住,說:「聖者!我已先發阿耨多羅三藐三菩提心,而未知菩薩云何學菩薩行?云何修菩薩道?我聞聖者善能誘誨,願為我說!」
這是本會五十餘參中反覆出現的問句,形貌幾乎不變:先陳已發心,次陳未知,末陳所求。為什麼問了二十幾家還問同一句?因為所問的不是知識——若是知識,問過一次就不必再問。所問的是「云何學」「云何修」,這是行;行沒有一個總答案,只有在每一位善知識身上的一種活法。
要留意此處多出的一句:「我聞聖者善能誘誨。」善財不是隨便撞進來的,他是聽說了才來的。排一個誤解:以為重複的問句是經文的套語。落到地上:同一個問題問到第二十四次還肯照樣問,這件事本身就是行。
成就一切智:解脫之名與名之所以
比丘尼的答只有一句:「善男子!我得解脫,名:成就一切智。」善財接著追問名之所以:「聖者!何故名為:成就一切智?」答:「善男子!此智光明,於一念中普照三世一切諸法。」
澄觀判此二節云「初標名。一切智者,同佛智故。二「善財言」下徵釋其體,一念普照故」。標名一節說的是果之名,徵釋一節說的是體——體就在「一念中普照三世」七個字上。
要問一句:為什麼善財要追問名的所以?因為名可以聽過就算,體不能。經文的問答次第是名、體、用三層,一層一層往下逼,是本節問答的骨。四十本此處別標一名,作「滅除一切微細分別門」,而於末後結語處把兩頭合起來說,作「滅除一切微細分別,成就一切智菩薩解脫門」——八十本唯標所成之「成就一切智」,四十本則把所離(滅除微細分別)與所成(成就一切智)並標。所離與所成本是一事之兩面,二本各取一面立名,並錄不判。
排一個誤解:以為「一切智」是知道一切事。澄觀在後文分明說一切智有二義,一是遍知三世一切事,二是「對於種智名根本智,知一切事皆一實故」——後一義說的不是知得多,是知得透。落到地上:知道很多與看破一實,是兩種完全不同的知。
法藏讀的是六十本,六十本此友之法門名多一個「底」字,作「菩薩一切智底法門」。他就這一個字立了三義:一約位——她能為等覺地菩薩說法,非下地所能,故說盡佛一切智之原底;二約智——智光頓照三際,窮盡種智之境;三約行——廣興供養,盡佛八相智之原底。八十本無這一個字,所以澄觀不立此三義。一字之有無,開出一整段義理,這是異本對讀之所以要做。
問境界:第三問問的是用
善財再問:「聖者!此智光明境界云何?」這是三問中的第三問。澄觀判云「三「善財白言」下辨其業用,先問、後答」,並判答文為二:「先明通用、後明智用。」
為什麼問了體還要問境界?因為體是一句話就說完的(一念普照三世),而用是說不完的。經文下文一路寫意生身遍供養、寫五句不分別,全是這一問引出來的。
排一個誤解:以為問到體就到了底,用只是應用題。本節的分量恰好倒過來——標名與徵體合起來不足五十字,辨用一段占了全子問答的絕大部分。落到地上:一個法門值不值得學,看它說出來的體有多高沒有用,看它在境界上使得出多少。
三昧王與意生身:為什麼叫「王」
答用之首說:「我入此智光明門,得出生一切法三昧王;以此三昧故,得意生身。」
為什麼叫「三昧王」?澄觀引論作證:「王三昧者,《智論》第八云「一切三昧皆入中故。」」一切三昧都入在它裡面,所以稱王。他又進一層說其體:「體即如如,如體本寂,真智契此,故名三昧。」《演義鈔》更引出所引之論的下文:論中先有一說以王三昧在第四禪,又有一說以佛之三昧唯佛能知、非餘所測;澄觀於此下一語斷之——「此但歎勝耳」,謂後一說是歎其勝,不是別立一個處所。
而意生身從哪裡來?澄觀直繫於王三昧之體遍:「又由王三昧體無不遍,故意生身隨類能成。」——身之所以能隨類而現,是因為定之體本來無所不遍。
排一個誤解:以為意生身是一種神通,修得了就有。此處的次第是:入智光明門,得三昧王,因三昧王故得意生身。身在最後,智在最先。落到地上:能到多少地方去,看的是心已經遍到哪裡。
供養:一直供到佛入涅槃為止
意生身作什麼?經文說她往十方一切世界兜率天宮一生所繫菩薩之所,「一一菩薩前現不可說佛剎微塵數身,一一身作不可說佛剎微塵數供養」。供具經文逐一列出:現天王身乃至人王身,執持華雲、鬘雲,燒香、塗香、末香,衣服、瓔珞、幢幡、繒蓋、寶網、寶帳、寶藏、寶燈。
更要緊的是供養的時段。經文說:如在住兜率宮之菩薩所一樣,於住胎、出胎、在家、出家、往詣道場、成等正覺、轉正法輪、入於涅槃——八相之中,處處如是;而八相之間的中間時分,「或住天宮,或住龍宮,乃至或復住於人宮」,也一樣供養。
排一個誤解:以為供養是在佛成道說法之時才有的事。經文明說從兜率一生所繫起,到入涅槃止,連中間住處都不放過。落到地上:供養不是趕在最盛的那一場,是從頭到尾都在。
顯益:知道的人與來的人
供養一段之末,經文說了兩種益:「若有眾生,知我如是供養佛者,皆於阿耨多羅三藐三菩提得不退轉;若有眾生來至我所,我即為說般若波羅蜜。」
兩句一對。前一句是知我者之益——只要知道她如此供佛,就得不退轉;後一句是來我所者之益——來了的人,她就為說般若波羅蜜。前者不必見面,後者要見面。
排一個誤解:以為聽說一件事不算修行。經文此處把「知」單獨列為一益,其所以在所知之事本身有力——知道有人如此供佛,這件事就在人心裡起作用。落到地上:善知識的用有兩重,一重在他做給人看,一重在人來到他跟前。
五句「不分別」:見得清楚,才談得上不分別
答用之第二段,經文以五句同式說盡:見一切眾生不分別眾生相,因智眼明見故;聽一切語言不分別語言相,因心無所著故;見一切如來不分別如來相,因了達法身故;住持一切法輪不分別法輪相,因悟法自性故;一念遍知一切法不分別諸法相,因知法如幻故。
澄觀判此段云「二「善男子我見」下明其智用。又前即差別智用,今即無分別智用,故觸境無取」。前一段意生身遍供養是差別智之用,此段五句是無分別智之用;二段合起來,才是一個完整的答。
要排一個大誤解:以為「不分別」是看不清楚、混作一團。看經文所繫之「故」就知不然——第一句的所以正是「智眼明見故」。是明明白白見到了,才說不分別。落到地上:分不清而說不分別,是糊塗;見得徹而不取相,才是這裡說的無分別。
謙己推勝:她說不上來的那些事
答用之後,比丘尼說:「善男子!我唯知此成就一切智解脫。」接著列諸菩薩摩訶薩之所行——心無分別普知諸法、一身端坐充滿法界、於自身中現一切剎、一念悉詣一切佛所、於自身內普現一切諸佛神力、一毛遍舉不可言說諸佛世界、於一毛孔中現不可說世界成壞、於一念中與不可說不可說眾生同住、於一念中入不可說不可說一切諸劫——末以一問收之:「而我云何能知能說彼功德行?」
這是本會多數善友都有的一段。要排的誤解是:以為這是客套。若是客套,何必列出這九句具體到毛孔與劫數的事?每一句都指出一個她說不上來的實事。
落到地上:知道自己所知的是「此一門」,比知道得多要難。而她所推之勝,恰好都在『一與多不礙』上——一身充滿法界、一毛舉諸世界、一念入諸劫。這也正是善財下一段路要走的方向。
指示後友:往南,去問一個女人
末後她指路:「善男子!於此南方,有一國土,名曰:險難;此國有城,名:寶莊嚴;中有女人,名:婆須蜜多。汝詣彼問:菩薩云何學菩薩行、修菩薩道?」
三名俱出:國名險難、城名寶莊嚴、人名婆須蜜多。澄觀之科於本節止於辨業用一段,此段未別立科目,據實標闕。而經文本身有一處值得停一下:所指之國名「險難」,而其中之城名「寶莊嚴」——險難之中有寶莊嚴。
排一個誤解:以為參學是一路往愈來愈好的地方去。此處明說下一站在險難國。落到地上:本節的比丘尼坐在王捨的日光園裡,而她指的路是往險難去——善知識指的不是他自己那樣的地方。
戀德禮辭
末段極簡:「時,善財童子頂禮其足,遶無數匝,慇懃瞻仰,辭退而去。」四事而已——頂禮、繞行、瞻仰、辭去。
本會諸友之末段,或詳列所得、或詳記所持,本節皆無,只有這四個動作。要排一個誤解:以為文短即義薄。此處之簡,正對著前文之繁——前面三十座三十法門寫了三分之一子,末了辭別只用了二十一字。
落到地上:所得已在前面看盡了,走的時候不必再說一遍。而「慇懃瞻仰」四字是唯一帶情的一筆——看夠了,還要再看一眼。
承衍
本節之文,向下所開之流有三條線。
其一是門數之線。澄觀就八十本判三十座,智儼《搜玄記》就六十本說「總有二十九門」——二本座數本異:八十本逐字數之為三十,六十本逐字數之為二十九,二疏各與其所釋之本相符。八十本別有夜叉一座而六十本無,六十本則於摩睺羅伽二處出座。二本並錄不判。
其二是寄位之線。本節繫「至一切處迴向」,出澄觀承古德之科;澄觀自明「言迴向者,約寄位耳。他皆倣此」。李通玄於同一位上更配「十住中第四住、十地中第四地」,並以第四精進波羅蜜當之,又釋國名輸那為勇猛、為精進義。二家所配互異,各有其軌,誌錄不判。
其三是釋名之線。善友之名,底本經文作「師子頻申」,澄觀作「師子嚬申」而釋為「舒展自在,無不至故」;李通玄作「師子頻申」而釋為「明慈悲適悅,行遍十方教化眾生,無有疲勞」;法藏與智儼就六十本作「師子奮迅」,法藏釋為「淨惠無畏,決定說法」。同一位善友,三種名形、四種釋義,皆古德成說,誌錄不判。國城之名亦然——澄觀作輸那、迦陵迦林,法藏就六十本作難忍、迦陵迦婆提,而八十本經文於本節唯作「彼國城」,不出其名。
一節之文,前半是坐,後半是說。一個人坐滿了整座園子的座位,才說得出『我唯知此一門』——這一節的次第,全在這一個『唯』字上。
First, Asking the Way: What Sudhana Is Looking For Is a Person, Not a Place
This section begins with Sudhana traveling on by stages, reaching that country’s city, and searching everywhere after this nun. He has already arrived at the country’s city, and still he must search everywhere — which shows that arriving at the place is not the same as meeting the person.
Why does the scripture text write out this passage of looking for a person? Because the manner of this assembly is one friend to one visit, and the first step of a visit is not hearing the Dharma but finding. The friend before this pointed out the land, the city, and the person, and taught him what to ask once he arrived; where she was, however, still had to be asked once he had reached the place. Sudhana, once inside the city, found out where she was by searching everywhere, and by the measureless people who all told him. This nun was known to everyone in that city.
One misreading must be cleared away: that good friends are hard to find because they live in seclusion. Here it is exactly the opposite — measureless people all knew where she was, and what was hard was whether Sudhana was willing to go on searching the whole way. Bringing it to the ground: the person one may visit is often not far off; what is far off is the strength that those four words of searching everywhere demand.
The Sentence the People Told Him: She Is Expounding the Dharma in the King’s Donated Grove
The people’s answer was one sentence only: this nun is in the Sunlight Grove that King Excellent Light gave away in charity, expounding the Dharma there and benefiting measureless sentient beings. Within that one sentence there are three matters: the place is a grove given away by a king, the work is expounding the Dharma, and what it reaches is measureless sentient beings.
Why point out that it was given away in charity by King Excellent Light? Chengguan glosses this, saying that according to the discipline, nuns practicing the austerities are for the most part in royal groves, because they thereby have outward protection — by the rule of the precepts, nuns who practice the austere disciplines are mostly in the groves of royal houses, and this is so that they may have protection from without. He goes a step further and glosses it as a setting forth of the Dharma: it figures that because the true state is an excellent light, their roots of goodness are made to reach throughout the grove-park of the Dharma realm; and both alike are knowledge itself, and so both have the name of light. Excellent Light is the king’s name, Sunlight is the grove’s name, and both places carry the graph for light, and upon just this point Chengguan says that both alike are knowledge itself. Li Tongxuan reads this passage wholly as a setting forth of the Dharma: the monk figures forbearance, the nun kindness, King Surpassing Light knowledge, the three dharmas gathered together making the practice of vigor of this position; and the substance of the grove too is just these three dharmas — he says outright that as for the Sunlight Grove, forbearance, knowledge, and kindness are taken as the substance of the grove. Of one and the same grove, Chengguan takes its light and traces it back to knowledge, while Li Tongxuan takes where it comes from and traces it back to the three dharmas of forbearance, knowledge, and kindness; each house has its own track, and both are recorded without adjudication.
Clearing away one misreading: that a good friend who dwells in a royal grove is receiving offerings and enjoying ease. The scripture text states plainly that the grove was given away in charity, and what the person within it does is to expound the Dharma and benefit measureless sentient beings. Bringing it to the ground: outward protection is so that the Dharma may stand and be practiced, not so that the practitioner may live well.
Going to the Grove and Looking Through It: The First Thing Sudhana Sees Is Eight Trees
Sudhana reached the grove, and the scripture text says that he looked all through it. Looked at what? What he saw first were the trees — Full Moon, Universal Covering, Flower Treasury, the sweet-dew fruit tree, Vairocana Treasury, Pure, Joy, Universal Adornment: eight in all.
Why should a scripture spend so many graphs writing about trees? When Chengguan outlines this passage, he sets it down as the first of the six divisions of seeing the dependent recompense, saying: first, the grove of trees that is without outflows, because it is established by the practice of the dharma that is without outflows; within the text there are eight, each having something it sets forth — ponder it. He judges their number to be eight, says that each sets something forth, yet does not gloss them tree by tree, leaving the matter to the reader to ponder. Fazang, reading the sixty-fascicle version, likewise says: first, the seeing of the adornment of the great trees, briefly raising eight kinds — the two houses agreeing as to the number.
Clearing away one misreading: that this is literary elaboration and may be skipped over so as to read the dialogue. Here the eight trees are the first batch of things Sudhana sees, and the scripture text places them before the person — first the dependent recompense is seen, and afterward the direct recompense; this is the sequence of this section. Bringing it to the ground: the surroundings a person stands in are themselves already telling what sort of person that is.
The Springs and Pools and the Six Kinds of Lion Throne: Whom Are the Seats For?
After the trees comes water, and after the water the seats. The flowing springs and pools are brimming full with water of the eight qualities, and four kinds of lotus flower cover the surface of the pools; beneath the jewel trees lion thrones are spread, and among them six seats have names of their own — the lotus treasury, the treasury of the maṇi king of fragrance, the treasury of the maṇi king of dragon adornment, the treasury of the maṇi king of the gathering of jeweled lions, the treasury of the Vairocana maṇi king, and the treasury of the Vairocana maṇi king of the ten directions.
Which eight qualities are the eight qualities of the water? Chengguan transmits their items as light, cool, soft, sweet, clean and without stench, agreeable and free of harm, while Fazang transmits eight items — first light, second cool, third soft, fourth sweet, fifth clean, sixth without stench, seventh agreeable when drunk, eighth free of harm after drinking — the two houses transmitting much the same, with a small difference in the opening out and the closing up. As for the one passage of the seats, Chengguan judges it as the spreading of the seats of the emptiness of dharmas, with the adornments differing according to the dharma; and within it there are the setting forth, the listing, and the closing.
Clearing away one misreading: that the six kinds of seat were prepared for six guests. The scripture text goes on to say that each and every one of those seats has a hundred thousand jeweled lion thrones surrounding it on every side — the seats are not six, they are six classes. Bringing it to the ground: it is upon just these seats that the assemblies at thirty places sit in the passage that follows; writing about the seats here is laying out the places beforehand for the people written about afterward.
The Whole Adornment of the Grove: Why Are the Comparisons Drawn From the Heavens Throughout?
The third passage writes the whole aspect of the grove, using eight comparisons: the manifold jewels everywhere, as upon an island of jewels in the great ocean; the wondrous flowers raining down constantly, as in Śakra’s grove of mingled flowers; the king of fragrance perfuming everything everywhere, as in Śakra’s hall of good dharma; the lovely sound of the nets of bells, like the singing of the goddess Fair Mouth; the wish-granting trees with wondrous garments hanging down and spread out, like the great ocean; the storeyed pavilions, like the great city Well-Seeing of the palaces of the Heaven of the Thirty-Three; the jeweled canopies, like the peaks of Sumeru; the radiance, like the palace of the Brahmā king.
Why are most of the comparisons made with the heavens? Of the eight comparisons, five take an aspect of the heavens — Śakra’s grove of mingled flowers, Śakra’s hall of good dharma, the singing voice of the goddess Fair Mouth, the great city Well-Seeing of the palaces of the Heaven of the Thirty-Three, and the palace of the Brahmā king; two take the great ocean, and one the peaks of Sumeru. The aspects of the heavens are the more numerous because the most excellent aspect in the mind of one who reads a scripture is the aspect of the heavens; the scripture text takes the utterly excellent aspect the reader already has, in order to tell of a grove in the human world. Chengguan judges this passage as the fourth of the six divisions of the dependent recompense, saying: a mingled setting forth of the manifold adornments, because the myriad practices are not one — the adornments within the grove are mingled and not one, and this figures that the practice cultivated is mingled and not one.
Clearing away one misreading: that this is exaggeration. Exaggeration makes the small out to be great; here the greatest thing the reader can imagine is taken as the term of comparison, and the scripture text says that the grove is like it — it is the heavens that are used to figure the grove, not the grove that is set beside the heavens. Bringing it to the ground: the myriad practices must be not one because the capacities to be converted are not one; the thirty seats below are the making good of this very sentence.
Bringing Out the Cause of It: Where the Adornment of This Grove Comes From
Having written the grove, the scripture text answers a question of its own: where do these things come from. The answer has four parts — all accomplished by the karmic recompense of a bodhisattva, given rise to by roots of goodness that go beyond the world, flowed forth from the merit and virtue of making offerings to the buddhas, and nothing in all the worlds their equal — and at the end it comes home to one person: all of it in this way accomplished by the nun Lion’s Stretching, who has fathomed that dharmas are like an illusion and has gathered the vast and pure good karma of merit.
Note where the four graphs for fathoming that dharmas are like an illusion stand. They are not outside the merit but right within it: what is gathered is vast and pure good karma of merit, and the one who gathers it is a person who has fathomed that dharmas are like an illusion. Merit and being like an illusion are not two separate stretches. Chengguan judges this passage as the bringing out of the cause of it, and the next passage, beginning with the three-thousandfold world-system, as the making clear of the sovereignty of the working of the fruit — the gods, dragons, and eight kinds of beings of the three-thousandfold great-thousand world-system and measureless sentient beings all entered this grove and did not feel it pressing or narrow, and the scripture text sets its own question and gives its own answer: because this nun has the inconceivable power of majestic spirit.
Clearing away one misreading: that they were held because the grove was large. The scripture text states plainly that it is not the largeness of the grove but the power of majestic spirit. Bringing it to the ground: how many people a small place can hold depends not on the place but on the largeness of heart of the one who owns it.
Seeing the Direct Recompense: Eleven Comparisons Telling One Person’s Virtue
The dependent recompense written, the person at last comes forward. The scripture text says that Sudhana saw her sitting throughout upon the great lion thrones beneath all the jewel trees, and then tells her virtue with eleven comparisons: her faculties tamed and compliant, like the great elephant king; her mind without stain or turbidity, like a pool of pure water; relieving universally all that is sought after, like a wish-granting jewel; unstained by the dharmas of the world, like a lotus flower; her mind without dread, like a lion king; keeping the pure precepts unshakably, like Mount Sumeru; making those who see her cool, like the king of wondrous fragrances; able to take away the burning of the afflictions, like the wondrous candana fragrance in the snow mountains; those who see her having their sufferings extinguished, like the king of medicines Well-Seeing; those who see her not doing so in vain, like the god Poluona; able to grow the sprouts of good roots, like a good and fertile field.
What is Poluona? Chengguan says that this means water here, and that this god is able to fulfill what people wish for; Fazang says that this name means water, and that it should be the water-god buddha, since seeing him one is already benefited. Both houses gloss it as water, while what god is meant differs a little.
Clearing away one misreading: that the eleven similes are only a heaping up of adjectives. Look closely at their order: the first six similes tell the aspect of her own person (tamed, unstained, able to relieve, unclinging, without dread, keeping the precepts), and the latter five tell what those who see her obtain (coolness, the taking away of burning, the extinguishing of suffering, not being in vain, the growth of good roots) — moving from the former to the latter is a turn from her own virtue to the converting of others. Bringing it to the ground: a person’s virtue can only be seen once it has reached another person, and these eleven clauses are laid out in exactly that way.
The Whole of the Thirty Seats: One Body Sitting Throughout, the Assemblies Differing and the Dharmas Differing
What comes next is the longest passage in this section. The scripture text opens with one sentence for the whole: upon each and every seat the assembly gathered was not the same, and the Dharma gate expounded also differed in each case. And then the same clause-pattern is repeated thirty times.
Here one thing must be settled first: the one sitting upon the thirty seats is one and the same person. The scripture text has already said above that she sits throughout upon the great lion thrones beneath all the jewel trees, and here it says that upon each and every seat the assembly gathered is not the same — it is not thirty transformation-bodies going by turns, but one body reaching everywhere at one time. Chengguan judges the one division of seeing the direct recompense into four, saying: first, the setting forth as a whole of her sitting throughout, her surpassing virtue made manifest; second, the setting forth in particular of what she reaches throughout, the Dharmas expounded differing in each; third, the gathering up as a whole of the many kinds hearing the Dharma and giving rise to the mind; fourth, the setting forth in common of the cause of it, glossing how the sovereignty comes about. And upon the thirty seats he sets up a judgment in three divisions: there are thirty places, divided into three — the first sixteen are the eight kinds of beings, humans, non-humans, and the rest; the next two are the two vehicles; the last twelve are bodhisattvas.
Clearing away one misreading: that one person at one time can expound only one Dharma, and that all the rest must be in sequence. Bringing it to the ground: what this section shows is not a trick of dividing the body, but one Dharma responding everywhere — the same one liberation of the accomplishing of omniscient knowledge, falling upon different capacities, becomes thirty Dharma gates with thirty different names.
The Seven Heavenly Seats: Counteracting and Suiting the Occasion, Two Different Measuring Rods
At the head of the thirty seats are the seven places of the hosts of gods: the Pure Abodes (Inexhaustible Liberation), the Brahmā gods (The Wheel of Pure Speech-Sounds Differentiated in Every Gate), the Heaven of Free Enjoyment of Others’ Emanations (The Pure Mind of a Bodhisattva), the Heaven of Good Transformation (The Good Adornment of All Dharmas), the Tuṣita Heaven (The Whirling of the Treasury of the Mind), the Suyāma Heaven (Boundless Adornment), and the Heaven of the Thirty-Three (The Gate of Weariness and Renunciation).
Chengguan brings out the reason for each seat in turn. For the Pure Abodes what is expounded is the inexhaustible, and he glosses this as counteracting the seeking of those non-returners for the exhausting of body and knowledge — the Pure Abodes are where the non-returners dwell, and the ailment of a non-returner lies in seeking the exhausting of body and knowledge, and so the inexhaustible is used to counteract it. For the Brahmā gods what is expounded is every gate, and he glosses it thus: their responding everywhere is only to their own host, but reaching broadly to the three-thousandfold world-system, expounding for them every gate is then to leave nothing unanswered; the Brahmā sounds are clear and subtle, but they are only of this world, and expounding for them the excellent outflow of the Dharma realm is only then pure and subtle. The five seats that follow he passes over one after another: third, the Heaven of Free Enjoyment of Others’ Emanations, so that they may gain the pure mind that goes beyond the world, being sovereign beyond the world; fourth, the Heaven of Enjoying Emanations, since their adornments of pleasure-things do not reach as far as the good; fifth, the whirling back to the Tathāgata-womb mind, which is then true contentment; sixth, adorning the Dharma realm throughout, which alone exhausts the pleasure of the divisions of time; seventh, the gods of Śakra, since their craving of desires is very great.
Clearing away one misreading: that expounding the Dharma is only picking out what is pleasant to hear. Within the seven seats, some supply what is lacking (the pure mind beyond the world for the Heaven of Free Enjoyment of Others’ Emanations), and some counteract what is one-sided (the craving of desires of the gods of Śakra). Bringing it to the ground: the hardness of expounding the Dharma lies in first seeing clearly where this crowd of people is stuck just now.
The Remaining Seven Seats of the Eight Kinds of Beings: Expounding Either Counteracts Their Ailment or Takes Up Their Ability
After the gods come the seven seats of the dragons, the yakṣas, the gandharvas, the asuras, the garuḍas, the kiṃnaras, and the mahoragas. Chengguan still brings out the sense of each seat in turn: next, one for the dragons, since dragons are able to pass through changes, with lightning flashing and rain adorning; third, the yakṣas, since by nature they delight in flying through the air and harming things; fourth, the host of gandharvas, since they are able to make music and delight in joy. And again: fifth, the asuras, since they are good at illusion, for the sake of adornment; sixth, the garuḍas, since they stir the ocean and terrify the dragons; seventh, the kiṃnaras, who are gods of song, breaking their clinging by the radiance of the practice of a buddha; and further, they have a single horn upon the head and are also called the gods of doubt, and they are made the same as the awakening of a buddha, by the radiance that leaves doubt behind; eighth, the mahoragas, since they have much of the poison of anger.
Looking at the names of what is expounded upon these seven seats, two ways of taking them up may be seen. The gandharvas are good at making music, and what is expounded is Inexhaustible Joy — this is taking up what they are able to do and turning it. The yakṣas delight in harming things, and what is expounded is The Treasury of Rescuing and Guarding Sentient Beings; the mahoragas have much of the poison of anger, and what is expounded is Giving Rise to a Mind of Delight in the Buddha — this is counteracting what they are ailing from. On the one seat of the kiṃnaras, Chengguan lists them on the side of counteracting, saying that their clinging is broken by the radiance of the practice of a buddha, and yet says further that the two senses run through it — the ability of gods of song may be taken up and turned, and their clinging must also be broken, both senses going together. Chengguan separates these two ways of taking them up plainly, saying: of the eight kinds of beings above, apart from the first and the seventh, and the host of yakṣas and the mahoragas, which are spoken of with reference to counteracting, the rest are all with reference to suiting the convenient occasion, since their worldly abilities are turned so as to enter what goes beyond the world; and as for the host of kiṃnaras, the two senses run through it.
The names upon the remaining three seats likewise fit their natures each in turn. The dragons are able to pass through changes, with lightning flashing and rain adorning, and what is expounded is ‘The Radiant Adornment of the Objective Realm of a Buddha’s Spiritual Powers’ — the nature of passing through changes turned into the objective realm of a buddha’s spiritual powers. The asuras are good at illusion and fond of contention, and what is expounded is ‘The Gate of Swiftly Adorning the Knowledge of the Dharma Realm’ — the swiftness of the power of illusion turned into swiftness in entering the Dharma realm. The garuḍas are able to stir the ocean and terrify the dragons, and what is expounded is ‘Terrifying and Stirring the Ocean of All Existences’ — what they terrified was originally the dragons, and what is now terrified is the ocean of all existences.
Clearing away one misreading: that all expounding of the Dharma is counteracting. Bringing it to the ground: a person’s strong point is also a gate — there is no need to knock it down first and then teach; one may take it up and turn it.
The Two Seats of Humans and Rākṣasas: The Benevolence and Righteousness of the World Are Still Not Enough
The fifteenth seat is measureless hundreds of thousands of men and women, for whom is expounded ‘Surpassing Practice’; the sixteenth seat is the host of rākṣasas, for whom is expounded ‘Giving Rise to a Mind of Pity and Compassion.’ These two seats are the least conspicuous among the thirty, and yet each has its reason.
Chengguan glosses the one seat of humans thus: humans mostly carry out unwholesome practices, and even if they carry out benevolence and righteousness it is still not surpassing, and so they are made to give rise to a surpassing practice that goes beyond the world. That sentence falls heavily: it says not only that humans mostly carry out unwholesome practices, but that even having carried out benevolence and righteousness they are still not surpassing, and so ‘Surpassing Practice’ must be expounded for them. The one seat of rākṣasas he glosses as: these then are non-humans, and it also counteracts their much harming — the rākṣasas do harm, and so ‘Giving Rise to a Mind of Pity and Compassion’ is expounded.
Clearing away one misreading: that the good dharmas of the world and the dharma that goes beyond the world differ only in degree, and that practicing long enough one will naturally pass over into the other. Chengguan’s judgment is not like that: benevolence and righteousness are good, but they are not surpassing, and so there is another gate that must be expounded. Bringing it to the ground: being a good person and studying the practice of a bodhisattva are two different things, and the former does not grow of itself into the latter.
The Two Seats of the Two Vehicles: Knowledge Being Inferior, and Knowledge Not Yet Having Let Go of Conditions
The seventeenth and eighteenth seats are sentient beings who believe in and delight in the vehicle of the śrāvakas and in the vehicle of the pratyekabuddhas, and the Dharmas expounded are ‘The Radiance of Surpassing Knowledge’ and ‘The Vast Radiance of the Merit and Virtue of a Buddha.’
Why must radiance be expounded for the two vehicles? Chengguan brings out the reason: next, the two for the two vehicles — because the knowledge of the śrāvakas is inferior; because the pratyekabuddhas cultivate merit only up to a hundred kalpas; and because the radiance of their knowledge of dependent origination is not yet able to let go of conditions. The ailment of the śrāvakas lies in inferior knowledge, and so surpassing knowledge is expounded; the ailment of the pratyekabuddhas is twofold, one that their cultivation of merit stops at a hundred kalpas, and one that though they have the radiance of the knowledge of dependent origination they are not yet able to let go of conditions — still keeping conditions in place, and so the vast merit and virtue of a buddha is expounded for them.
Clearing away one misreading: that what the two vehicles lack is compassion, and that it is enough to give rise to the mind and turn from the small toward the great. What Chengguan points to here is knowledge — the one has knowledge not sufficiently surpassing, the other has knowledge still stuck upon conditions. Bringing it to the ground: turning from the small toward the great is not merely exchanging one aspiration for another; the very knowledge one relies upon must also be exchanged.
The One Seat Before the Grounds and the Ten Seats Upon the Grounds: From the Radiance of Concentration and Wisdom to the Ten Grounds
The nineteenth seat is sentient beings who believe in and delight in the Great Vehicle, for whom is expounded ‘The Gate of the Radiance of the Knowledge of the Samādhi of Every Gate’; the twentieth seat is the bodhisattvas who have first given rise to the mind, for whom is expounded ‘The Gathering of the Vows of All Buddhas’; and below these, the second ground through the tenth ground have one seat each, nine seats in all.
Chengguan judges this one passage thus: the last twelve are bodhisattvas, divided into three — the first one is for those before the grounds, expounding the radiance of concentration and wisdom; the next ten are for those upon the grounds; as for those who first give rise to the mind, this is the giving rise to the mind that is realization, because they give rise to the ten great vows. Two things are to be noted. First, the name expounded upon the one seat of those who believe in and delight in the Great Vehicle contains just samādhi and knowledge, and so Chengguan matches it with the radiance of concentration and wisdom. Second, the first giving rise to the mind in the scripture text is not the giving rise to the mind of first faith; Chengguan says outright that it is the giving rise to the mind that is realization, on the ground that they give rise to the ten great vows — the ten great vows being the business of a bodhisattva of the first ground, and so this seat belongs to the head of those upon the grounds.
Among the ten seats of the grounds, Chengguan sets down a separate gloss upon two: the first ground and the fifth. The gloss upon the first ground is the one already quoted in the section above — as for those who first give rise to the mind, this is the giving rise to the mind that is realization, because they give rise to the ten great vows. The fifth ground expounds ‘The Treasury of Wondrous Flowers,’ and he glosses it thus: the flower means the ten kinds of equal and pure mind, and therefore the Jin scripture says the treasury of the flower of the pure mind; and as for the treasury of the flower, it is because the true and the conventional are cultivated together, and being the cause upon the hard-to-conquer ground it holds them within. And he draws in the Jin translation directly as his witness — the sixty-fascicle version at this seat has just the Dharma gate of the treasury of the flower of the pure mind. Of the other eight seats he says that the remaining eight may be known, and brings out no separate sense for them. Chengguan says that the remaining eight may be known and brings out no sense for them, but the Yanyi chao fills this out on his behalf, bringing out the reason ground by ground: the second ground because the three collections of precepts are full; the third because the eight dhyānas are cultivated; the fourth because it is without practice and without birth and its practice is the radiance of wisdom; the sixth because prajñā is made manifest and the illumining everywhere is universally gained; the seventh because within existence it practises the surpassing practice and cultivates all the limbs of awakening, and so is named universally adorned; the eighth because it gains the forbearance of non-arising and is sovereign in all three worlds; the ninth because it takes non-attainment as its means and the perfection of power increases above the rest; the tenth because the ten obstructions are crushed, the ten perfections full, and the three incalculable ages complete. What is meant by their being knowable is not that there is no sense to tell, but that the Shu is brief by its own manner; once the chao fills it out, one sees how each comes home to its own ground.
Clearing away one misreading: that the higher the ground, the loftier and more abstruse the Dharma expounded. Looking at the names one sees it is not so: the second ground ‘The Wheel of Freedom from Defilement,’ the third ‘Still Adornment,’ the fourth ‘Giving Birth to the Objective Realm of Omniscient Knowledge’ — every name fits close to the aspect of practice of that ground. Bringing it to the ground: the height or lowness of the Dharma expounded is not fixed by the one who expounds, but by where the one who listens is standing now.
The One Seat of the Vajra-Holding Spirits: What the Last Seat Expounds Is the Vajra-Like Concentration
The thirtieth seat is the vajra-holding spirits, for whom is expounded ‘The Nārāyaṇa Adornment of Vajra Knowledge.’ This seat stands at the end of the thirty, and Chengguan gives it no small place: the last one in its sense answers to equal awakening, expounding the vajra-like concentration, because it destroys and scatters the perfumings of the dust; since it is expounded for equal awakening, it makes clear that this position is not a small one.
The vajra-like concentration is the concentration that arises at the point where equal awakening enters wondrous awakening, and is able to destroy the last of the perfumings fine as dust and sand; the name of the vajra-holding spirits carries just the graph for vajra, and the Dharma expounded carries vajra knowledge as well, and so Chengguan matches it with equal awakening. And then he adds one sentence that matters more: as for the words about the dedication, they are with reference to an assigned position only; the rest are all to be taken after this manner.
That sentence must be made clear. This section is fastened, in Chengguan’s outline, to the one position of the dedication that reaches every place, which Chengguan set up in succession from the outline of assigned positions of the ancient worthies; the scripture text itself sets forth no name of any position. Chengguan himself states plainly here that this is with reference to an assigned position only, and with the words about the rest being taken after this manner he runs it through all the friends of this assembly — the assigned positions are a way of reading, not the scripture text’s own judgment upon itself. In the place where he outlines this assembly as a whole, Chengguan had already spoken of this matter evenhandedly: from of old, the Dharma master Yi and the Taishan treatise glossed the text as it ran and did not match the positions separately, while Guangtong and the other masters all matched the ground positions.
Chengguan’s Explicit Judgment
The two sayings having been set out, Chengguan then passes his own explicit judgment — both have their reason, that is, since each and every position is complete in many Dharma gates, how could an ordinary mind be barred from studying and seeking the dharma of the good friends, and so not matching them has its reason; yet within the absence of sequence of positions the sequence of positions is not obstructed, and to make the positions manifest is the constant rule, so that matching them is likewise not amiss — the matching and the not matching both preserved, and so the assigned position of this section may not be read as a settled judgment. Li Tongxuan reads the same position and matches the dharma differently, saying that the position of this nun is the same as the fourth abode among the ten abodes and the fourth ground among the ten grounds, and matching it further with the fourth perfection, that of vigor. The two houses match differently, each having its own track; recorded without adjudication.
Clearing away one misreading: that since this is a position of dedication, the last seat ought not to expound the Dharma of equal awakening. Chengguan speaks upon just this point, saying that it makes clear that this position is not a small one. Bringing it to the ground: the positions are steps set up so that the reader may understand, not limits set upon the scripture text.
Gathering Up the Many Kinds: Those Who Came Were All Already Ripe
The thirty seats told, the scripture text makes one gathering up: Sudhana saw that all the sentient beings of every destiny who were already ripened and already tamed, and who were fit to be vessels of the Dharma, all entered this grove and sat surrounding her, each beneath her seat; and the nun, following upon the differences of their wishes, their understanding, and their superiority or inferiority, expounded the Dharma for them, causing them to attain non-retrogression with respect to anuttarā-samyak-saṃbodhi. Chengguan judges this as the gathering up as a whole of the many kinds hearing the Dharma and giving rise to the mind.
Here there is one limiting condition easily slipped over: already ripened, already tamed, fit to be vessels of the Dharma. It is not that the whole world came to the thirty seats; it is that those who were ripe came. And though the Dharmas expounded were thirty and different, the fruit they arrive at is one only — the attaining of non-retrogression.
Clearing away one misreading: that since she is a great good friend, there should be no sentient being at all who is not delivered. The scripture text sets its own limit, and that limit lies not in the one who expounds but in whether the one who listens is ripe. Bringing it to the ground: between teaching and not teaching there lies yet the one layer of being fit to be a vessel of the Dharma; those in a hurry often misapply their strength upon just this layer.
The Ten Gates of Prajñā-Pāramitā: The Reason on the Side of the One Who Converts
After the gathering up, the scripture text sets up a question of its own, asking why — why she is able to be like this. Chengguan judges this answer as two causes: first, because the one who converts is complete in prajñā; second, from the words about this Sunlight Grove onward, because the faculties of those to be converted are already ripe. First, the side of the one who converts.
The scripture text lists ten gates: the universal eye that relinquishes and obtains, expounding all the Buddha-dharma, the differentiation of the Dharma realm, scattering and destroying the wheel of all obstructions, giving birth to the good minds of all sentient beings, surpassing adornment, the unobstructed treasury of reality, the fullness of the Dharma realm, the treasury of the mind, and the treasury that brings forth universally; and it closes with with these ten prajñā-pāramitā gates at their head and entering numberless millions of prajñā-pāramitā gates such as these.
The words ‘at their head’ must be seen clearly. The ten gates are not the whole; they are the head; and what is entered is numberless millions. The scripture text uses a countable ten to lead an uncountable numberlessness.
Clearing away one misreading: that having listed ten gates there are then ten Dharma gates standing side by side. The name of each of the ten gates points to one matter. The universal eye that relinquishes and obtains: the eye is universal and can both let go and take up — nothing seen is left out, and nothing seen is held on to. Expounding all the Buddha-dharma: nothing of what is to be expounded is left unsaid. The differentiation of the Dharma realm: within one Dharma realm its manifold differences are seen clearly and not confused. Scattering and destroying the wheel of all obstructions: the wheel of obstructions is to be scattered and destroyed. Giving birth to the good minds of all sentient beings: the good minds of sentient beings are to be given birth to. Surpassing adornment: the aspect made manifest surpasses the adornments of the world. The unobstructed treasury of reality: the treasury of reality is to be unobstructed. The fullness of the Dharma realm: the differences having been seen, they return to the whole, and it does not fall to one side. The treasury of the mind: all of it is gathered into one mind and is a treasury. The treasury that brings forth universally: from this one treasury all is brought forth universally, and the numberless millions of gates come out from here. The limit must be said plainly: the ancient worthies do not gloss these ten gates one by one — Fazang says only that ten gates of prajñā are raised in brief, and that they are the Dharma gates expounded above and the rest; Li Tongxuan says only that the scripture sets them forth in full. So the distinctions among the ten names above are drawn only so far as the face of the scripture text goes, and no sense is set up on the ancient worthies’ behalf beyond it. Bringing it to the ground: prajñā is not one particular ability, but that unobstructedness which appears in each and every place after its own manner.
First Exhorting Them to Give Rise to the Mind: The Reason on the Side of Those Converted
The second cause lies in those converted: all the bodhisattvas and all the sentient beings within this Sunlight Grove were those whom the nun Lion’s Stretching first exhorted to give rise to the mind, to uphold the true Dharma, to ponder it and cultivate it, and to attain non-retrogression with respect to anuttarā-samyak-saṃbodhi.
This sentence answers the question left over from the section before — why those people were already ripened. The answer is that the one who exhorted them to give rise to the mind in the beginning was this very person. And so the gathering at the thirty seats is not an audience assembled by chance; they are people she has herself brought along the whole way until today. And the scripture text lists three matters: first exhorting them to give rise to the mind, upholding the true Dharma, pondering and cultivating — after giving rise to the mind there are still two layers of work, and only then non-retrogression.
Clearing away one misreading: that the working of a good friend lies in one instruction. What the scripture text records here is a long line: from first exhorting him to give rise to the mind, to today’s hearing of thirty gates of Dharma beneath her seat. Bringing it to the ground: what is called accomplishing a person is the same person accompanying him from beginning to end.
Paying Respects: The Thought Arises First, and Only Then Is the Radiance Sent Out
Sudhana saw the grove, the couches and seats, the walking, the assemblies, the spiritual power, and the eloquence, and heard the Dharma gates besides, and the scripture text says that a vast cloud of Dharma moistened his mind, and thereupon he gave rise to a thought such as this: “I ought to circle her to the right measureless hundreds of thousands of times.” The thought once arisen, the nun sent out a great radiance illumining everywhere the adornments of the assemblies in the grove; and Sudhana thereupon saw his own body and the manifold trees within the grove all circling this nun to the right, passing measureless hundreds of thousands of myriads of times.
The sequence must be seen clearly: Sudhana gives rise to the thought first, and the nun sends out the radiance afterward. Chengguan judges this passage into three: first, beholding what is surpassing and giving rise to the mind; next, sending out radiance and gathering him in; last, setting out the observance of respect directly. Beholding what is surpassing and giving rise to the mind comes first, and sending out radiance and gathering him in comes after.
Clearing away one misreading: that spiritual transformations are a means a good friend uses to draw people in. The sequence of the scripture text is precisely the reverse — the person has that one thought first, and only then does the radiance come and accomplish that thought. Bringing it to the ground: wanting to circle a hundred thousand times is Sudhana’s own mind; being able to circle together with the manifold trees is her sustaining power; without the former, the latter has nothing to be added to.
Sudhana’s Question: The Two Sentences He Uses Before Most Friends of This Assembly
The circling done, Sudhana stood with his palms joined and said: “Holy one! I have already first given rise to the mind of anuttarā-samyak-saṃbodhi, and yet I still do not know: how is a bodhisattva to study the practice of a bodhisattva? How is he to cultivate the path of a bodhisattva? I have heard that you, holy one, are good at drawing others on and instructing them. I pray you will expound it for me!”
This is the question that appears again and again through the more than fifty visits of this assembly, and its shape is almost unchanged: first setting out that he has already given rise to the mind, next that he does not yet know, and last what he seeks. Why, having asked more than twenty houses, does he still ask the same sentence? Because what is asked is not knowledge — if it were knowledge, having asked once there would be no need to ask again. What is asked is how to study and how to cultivate, and this is practice; and practice has no single general answer, only a way of living it out in each and every good friend.
One added sentence here is to be noted: I have heard that you, holy one, are good at drawing others on and instructing them. Sudhana did not blunder in at random; he came because he had heard. Clearing away one misreading: that the repeated question is a set formula of the scripture text. Bringing it to the ground: that the same question is still asked in the same way at the twenty-fourth time is itself the practice.
The Accomplishing of Omniscient Knowledge: The Name of the Liberation, and the Reason for the Name
The nun’s answer is one sentence only: “Son of good family! I have gained a liberation named: the accomplishing of omniscient knowledge.” Sudhana then presses on to ask the reason for the name: “Holy one! Why is it named: the accomplishing of omniscient knowledge?” The answer: “Son of good family! This radiance of knowledge, within a single thought, illumines everywhere all the dharmas of the three times.”
Chengguan judges these two subsections thus: first, the setting forth of the name; as for omniscient knowledge, it is because it is the same as the knowledge of a buddha. Second, from the words about Sudhana speaking onward, the inquiring into and glossing of its substance, because within a single thought it illumines everywhere. The one subsection of setting forth the name tells the name of the fruit, and the one subsection of inquiring and glossing tells the substance — and the substance lies just in the seven graphs about illumining the three times everywhere within a single thought.
One question must be asked: why does Sudhana press on to ask the reason for the name? Because a name may be let go once it is heard, but a substance may not. The sequence of question and answer in the scripture text is the three layers of name, substance, and working, pressing down layer by layer, and this is the bone of the questions and answers of this section. The forty-fascicle version sets forth a different name here, the gate of extinguishing all subtle differentiation, and at the closing joins the two ends together, the bodhisattva’s gate of liberation that extinguishes all subtle differentiation and accomplishes omniscient knowledge — the eighty sets forth only what is accomplished, the accomplishing of omniscient knowledge, while the forty sets forth both what is departed from, the extinguishing of subtle differentiation, and what is accomplished, the accomplishing of omniscient knowledge. What is departed from and what is accomplished are two faces of one matter, and each version takes one face in setting up the name; both are recorded without adjudication.
Clearing away one misreading: that omniscient knowledge means knowing all things. Chengguan states plainly further on that omniscient knowledge has two senses, one that it knows throughout all the things of the three times, and the second that as against specific knowledge it is called fundamental knowledge, since it knows that all things are alike one reality — the latter sense telling not of knowing much but of knowing through. Bringing it to the ground: knowing a great deal and seeing through to one reality are two wholly different kinds of knowing.
Fazang reads the sixty-fascicle version, whose name for this friend’s Dharma gate carries one graph more — the bottom — and reads the Dharma gate of the bottom of a bodhisattva’s omniscient knowledge. Upon that one graph he sets up three senses: one with reference to position — she can expound the Dharma for bodhisattvas of the ground of equal awakening, which those of the lower grounds cannot do, and so it is said that she exhausts the original bottom of a buddha’s omniscient knowledge; one with reference to knowledge — the radiance of knowledge illumines the three times all at once and exhausts the objective realm of the knowledge of all modes; one with reference to practice — she raises offerings extensively and exhausts the original bottom of the knowledge of a buddha’s eight aspects. The eighty-fascicle version has no such graph, and so Chengguan sets up no such three senses. The presence or absence of a single graph opens a whole passage of doctrine; this is why the parallel versions are read side by side.
Asking About the Objective Realm: The Third Question Asks About the Working
Sudhana asks again: “Holy one! What is the objective realm of this radiance of knowledge like?” This is the third of the three questions. Chengguan judges it thus: third, from the words about Sudhana speaking onward, the discerning of its working, first the question and afterward the answer; and he judges the text of the answer into two: first the setting forth of the common working, afterward the setting forth of the working of knowledge.
Why, having asked about the substance, must he still ask about the objective realm? Because the substance is told out in a single sentence (within a single thought illumining the three times everywhere), while the working cannot be told to an end. All that the scripture text writes below — the mind-made body making offerings everywhere, the five clauses of not differentiating — is drawn out by this one question.
Clearing away one misreading: that having asked as far as the substance one has reached the bottom, and that the working is only an exercise in application. The weight of this section falls exactly the other way: the setting forth of the name and the inquiring into the substance together do not amount to fifty graphs, while the one passage discerning the working takes up the greatest part of the whole subsection’s questions and answers. Bringing it to the ground: whether a Dharma gate is worth studying is not seen from how lofty a substance it can state, but from how much it can do within the objective realm.
The King of Samādhis and the Mind-Made Body: Why Is It Called ‘King’?
The head of the answer as to the working says: “I have entered this gate of the radiance of knowledge and have gained the king of samādhis that brings forth all dharmas; and because of this samādhi I have gained a mind-made body.”
Why is it called the king of samādhis? Chengguan draws in a treatise as his witness: as for the king of samādhis, the Zhi lun, in its eighth fascicle, says that all samādhis enter into it. All samādhis enter within it, and therefore it is called king. And he goes a step further and tells its substance: its substance is just suchness; the substance of suchness is fundamentally still, and true knowledge accords with this, and so it is named samādhi. The Yanyi chao draws out what follows in the treatise he cites: within the treatise one saying places the king of samādhis in the fourth dhyāna, and another holds that a buddha’s samādhi can be known by a buddha alone and is beyond the measure of others; and upon this Chengguan sets down a single settling word — this is only praising its surpassingness — meaning that the latter saying praises its surpassingness and does not set up a separate place for it.
And where does the mind-made body come from? Chengguan fastens it directly to the pervasiveness of the substance of the king of samādhis: and further, because the substance of the king of samādhis is nowhere not pervading, therefore the mind-made body is able to be accomplished according to kind — the reason a body is able to appear according to kind is that the substance of the concentration is fundamentally without anything it does not pervade.
Clearing away one misreading: that the mind-made body is a spiritual power that one has once one has cultivated it. The sequence here is: entering the gate of the radiance of knowledge, gaining the king of samādhis, and because of the king of samādhis gaining the mind-made body. The body comes last, the knowledge comes first. Bringing it to the ground: how many places one can go to depends on how far the mind has already pervaded.
The Offerings: Making Offerings All the Way Until the Buddha Enters Nirvāṇa
What does the mind-made body do? The scripture text says that she goes to the bodhisattvas bound to one more birth in the palaces of the Tuṣita Heaven in all the worlds of the ten directions, and before each and every bodhisattva manifests bodies as many as the dust-motes of unspeakable buddha-lands, and with each and every body makes offerings as many as the dust-motes of unspeakable buddha-lands. The implements of offering the scripture text lists one by one: manifesting the body of a god-king and so on down to the body of a human king, holding clouds of flowers and clouds of garlands, incense to be burned, unguents, and powdered fragrance, garments, necklaces, banners and pennants, silken canopies, jeweled nets, jeweled curtains, jeweled treasuries, and jeweled lamps.
What matters more is the span of time of the offerings. The scripture text says: just as at the place of the bodhisattvas dwelling in the Tuṣita palaces, so also at the dwelling in the womb, the coming forth from the womb, the being at home, the leaving home, the going to the place of awakening, the accomplishing of perfect awakening, the turning of the wheel of the true Dharma, and the entering into nirvāṇa — everywhere within the eight aspects it is thus; and in the intervals between the eight aspects, whether dwelling in the palaces of the gods, or dwelling in the palaces of the dragons, or on down to dwelling again in the palaces of humans, there too it is the same offering.
Clearing away one misreading: that making offerings is a matter of the time when a buddha accomplishes the way and expounds the Dharma. The scripture text says plainly that it runs from the being bound to one more birth in Tuṣita to the entering into nirvāṇa, and does not let go even of the dwellings in between. Bringing it to the ground: making offerings is not hurrying to be at the grandest occasion; it is being there from beginning to end.
Setting Forth the Benefit: Those Who Know and Those Who Come
At the end of the passage of offerings the scripture text tells two benefits: if there are sentient beings who know that I make offerings to the buddhas in this way, they all attain non-retrogression with respect to anuttarā-samyak-saṃbodhi; if there are sentient beings who come to where I am, I then expound prajñā-pāramitā for them.
The two sentences make a pair. The former is the benefit for those who know her — merely knowing that she makes offerings to the buddhas in this way, one attains non-retrogression; the latter is the benefit for those who come to where she is — for those who have come, she expounds prajñā-pāramitā. The former needs no meeting; the latter needs a meeting.
Clearing away one misreading: that hearing of a matter does not count as practice. The scripture text here lists knowing separately as one benefit, and the reason lies in the strength of the matter known itself — that one knows there is someone who makes offerings to the buddhas in this way is a thing that works within a person’s mind. Bringing it to the ground: the working of a good friend has two layers, one in what he does for people to see, and one in people’s coming into his presence.
The Five Clauses of ‘Not Differentiating’: Only Seeing Clearly Makes It Possible to Speak of Not Differentiating
In the second passage of the answer as to the working, the scripture text tells the whole with five clauses of one pattern: seeing all sentient beings and not differentiating the mark of a sentient being, because the eye of knowledge sees clearly; hearing all speech and not differentiating the mark of speech, because there is no clinging within the mind; seeing all tathāgatas and not differentiating the mark of a tathāgata, because the dharma-body has been fathomed; upholding and maintaining all wheels of the Dharma and not differentiating the mark of a wheel of the Dharma, because the own-nature of dharmas has been awakened to; within a single thought knowing throughout all dharmas and not differentiating the marks of dharmas, because dharmas are known to be like an illusion.
Chengguan judges this passage thus: second, from the words about a son of good family and her seeing onward, the setting forth of the working of her knowledge; and further, the former is the working of differentiating knowledge, and the present is the working of non-differentiating knowledge, and therefore in meeting objects there is no grasping. The former passage of the mind-made body making offerings everywhere is the working of differentiating knowledge, and the five clauses of this passage are the working of non-differentiating knowledge; the two passages together are one complete answer.
One great misreading must be cleared away: that not differentiating means not seeing clearly, blurring everything into one lump. Look at the reasons the scripture text fastens to each clause and one knows it is not so — the reason of the first clause is precisely that the eye of knowledge sees clearly. It is because it has been seen plainly and clearly that not differentiating is spoken of. Bringing it to the ground: to speak of not differentiating when one cannot tell things apart is muddle; to see through and not grasp at marks is what is here called non-differentiating.
Humbling Herself and Pointing to the Superior: The Things She Cannot Tell Of
After the answer as to the working, the nun says: “Son of good family! I know only this liberation of the accomplishing of omniscient knowledge.” Then she lists what the bodhisattva-mahāsattvas practice — no differentiating within the mind and knowing all dharmas everywhere, with one body sitting upright filling the Dharma realm, manifesting all lands within their own bodies, in a single thought going to all the places of the buddhas, manifesting everywhere within their own bodies the spiritual power of all the buddhas, with a single hair lifting up unspeakable buddha-worlds throughout, within a single pore manifesting the coming to be and the falling away of unspeakable worlds, in a single thought dwelling together with unspeakably unspeakable sentient beings, in a single thought entering unspeakably unspeakable kalpas — and she closes with one question: and how could I be able to know or be able to tell of their practice of merit and virtue?
This is a passage that most friends of this assembly have. The misreading to be cleared away is this: that it is mere courtesy. If it were courtesy, why list nine clauses of matters as concrete as pores and numbers of kalpas? Every one of them points out a real matter she cannot tell of.
Bringing it to the ground: knowing that what one knows is this one gate is harder than knowing a great deal. And what she points to as superior lies exactly upon the non-obstruction of the one and the many — one body filling the Dharma realm, one hair lifting up the worlds, one thought entering the kalpas. And this is just the direction of the road Sudhana is to walk in the passage that follows.
Pointing Out the Next Friend: Southward, to Ask a Woman
At the last she points out the road: “Son of good family! Going from here toward the south there is a land named: Perilous Hardship; within that land there is a city named: Jeweled Adornment; within it there is a woman named: Vasumitrā. Go there and ask her: how is a bodhisattva to study the practice of a bodhisattva and to cultivate the path of a bodhisattva?”
All three names are brought out: the land named Perilous Hardship, the city named Jeweled Adornment, the person named Vasumitrā. Chengguan’s outline for this section stops at the one passage of discerning the working, and for this passage he sets up no separate heading; the lack is recorded as it stands. And within the scripture text itself there is one place worth pausing over: the land pointed to is named Perilous Hardship, and the city within it is named Jeweled Adornment — within perilous hardship there is jeweled adornment.
Clearing away one misreading: that in visiting and studying one goes all the way toward places that are better and better. Here it says plainly that the next station is in the land of Perilous Hardship. Bringing it to the ground: the nun of this section sits in the Sunlight Grove given away by a king, and the road she points to goes toward perilous hardship — a good friend does not point toward a place like his own.
Cherishing Her Virtue and Taking Leave
The last passage is exceedingly simple: at that time, Sudhana the youth bowed to her feet, circled her numberless times, gazed up at her with earnest devotion, and only then took his leave and departed. Four matters and no more — bowing, circling, gazing up, taking leave.
The last passages of the several friends of this assembly either list at length what was gained or record at length what was upheld; this section has none of that, only these four actions. One misreading must be cleared away: that where the text is short the sense is thin. The simplicity here faces exactly the fullness of what came before — the thirty seats and the thirty Dharma gates above take up a third of the subsection, and at the end the taking of leave uses twenty-one graphs only.
Bringing it to the ground: what was gained has all been seen above, and there is no need to say it over again when leaving. And the four graphs about gazing up with earnest devotion are the one stroke that carries feeling — having looked his fill, he must look once more.
Lineage
From the text of this section three lines of lineage open downward.
The first is the line of the number of gates. Chengguan, upon the eighty-fascicle version, judges thirty seats, while Zhiyan’s Souxuan ji, upon the sixty-fascicle version, says that there are twenty-nine gates in all — the number of seats differing in the two versions from the outset: the eighty comes to thirty, the sixty comes to twenty-nine, and the two commentaries each agree with the version each glosses. The eighty has besides the one seat of the yakṣas, which the sixty does not have, while the sixty brings out seats for the mahoragas at two places. The two versions are recorded without adjudication.
The second is the line of the assigned position. This section is fastened to the dedication that reaches every place, which comes out of Chengguan’s outline received in succession from the ancient worthies; Chengguan himself states plainly that as for the words about the dedication, they are with reference to an assigned position only, and that the rest are all to be taken after this manner. Li Tongxuan, upon this same position, matches it further with the fourth abode among the ten abodes and the fourth ground among the ten grounds, and matches it with the fourth perfection, that of vigor, and further glosses the land’s name Śoṇa as valor, as the sense of vigor. The two houses match differently, each having its own track; recorded without adjudication.
The third is the line of the glossing of the name. As for the name of the good friend, the base text of the scripture has Lion’s Stretching written with one graph, while Chengguan writes it with another and glosses it as spreading out and being sovereign, since there is nowhere it does not reach; Li Tongxuan writes it as the base text does and glosses it as making clear that kindness and compassion are agreeable and delightful, that the practice reaches throughout the ten directions converting sentient beings without any weariness; Fazang and Zhiyan, upon the sixty-fascicle version, have the Lion’s Rousing, and Fazang glosses it as pure wisdom without dread, expounding the Dharma decisively. One and the same good friend, three shapes of the name and four glosses of its sense, all of them the settled sayings of the ancient worthies; recorded without adjudication. So too with the names of the land and the city — Chengguan has Śoṇa and the grove of Kaliṅga, Fazang upon the sixty-fascicle version has Hard to Endure and Kaliṅgavatī, while the eighty-fascicle scripture text in this section has only that country’s city and brings out no name for it.
In the text of one section, the former half is sitting and the latter half is expounding. Only one who has filled every seat in a whole grove says ‘I know only this one gate’ — and the sequence of this section lies wholly in that one word ‘only.’
品三十九 入法界品 · 婆須蜜多女(寄無盡功德藏迴向)Entering the Dharma Realm · The Woman Vasumitrā (Assigned to the Dedication of the Treasury of Inexhaustible Merit)
全文五層 →Full five layers →這一節為什麼難讀
善財一路南行,到這裡是第二十五位善知識。前面見過比丘、比丘尼、優婆夷、長者、居士、童子、外道、船師、王者——這一位,經文只給了一個名字與一座宅子:婆須蜜多女。她所說的法,緣是見我、與我語、執我手、昇我座、抱持於我、咂我脣吻。讀到這裡而不停一下的人,大概是沒有讀進去。
要先排一個誤解:這一段不是經文的旁枝,也不是後人竄入的怪文。它在八十、六十、四十三本裡都在;三本經文皆無寄位之文,位次唯出古德之科——澄觀、法藏、李通玄皆配第五無盡功德藏迴向,智儼作「第二十五無盡藏迴向菩薩位」。四家古德都逐段作了釋。也就是說,它是這部經自己要說的一件事,而且是諸家都認為必須解釋清楚的一件事。
落到地上:讀這一節,要把『她做了什麼』和『她說了什麼法』分開看。經文從頭到尾,她所現的是身,所授的是法;十種三昧的每一句,落點都在「則離貪欲」四個字上。
寄無盡功德藏迴向:這個位次的名目從哪裡來
先說一件事:經文本身沒有說這位善友是第五迴向。「無盡功德藏迴向」這個名,出在〈十迴向品〉;把婆須蜜多女配在這一位上的,是古德之科。澄觀科此子,起首即作「第五無盡功德藏迴向」;法藏作「第五無盡功德藏迴向知識中」;智儼作「第二十五無盡藏迴向菩薩位」;李通玄作「第五無盡功德藏迴向者,以禪波羅蜜為體」。四家皆配第五,而所立之名小異。
為什麼是這一位?澄觀是先立「第五無盡功德藏迴向」之科,而後於科下釋此城之名:「城名寶莊嚴者,逆隨世行,能生無盡功德藏故」——順著世間之行而逆行其道,所生的正是無盡的功德藏。次第是先科而後釋名,釋名與位名相應,不是以城名為配位之據。《演義鈔》牒此科而釋其位名,說是由迴向之力而能成無盡功德藏——藏之所以無盡,在迴向之力。
配與不配,澄觀自有持平之語。他在末會五相處說:「二皆有理,謂隨一一位具多法門,豈容凡心不得習求善友之法,故不配有理。然無次位中不礙次位,顯位是常規,配亦無失。」不配有其理,配亦無所失——他自己是這樣持的。
排一個誤解:以為寄位是經文自己標的。不是。落到地上:讀寄位之判,要記得那是古德讀出來的一條線,不是經文自道;線本身有其理據,而理據在疏不在經。
依教成益:他先得了八個門,才走這條路
本節起手不是走路,是得法。經文說善財「大智光明照啟其心,思惟觀察見諸法性」,接著八個「得」字句——了知一切言音陀羅尼門、受持一切法輪陀羅尼門、與一切眾生作所歸依大悲力、觀察一切法義理光明門、充滿法界清淨願、普照十方一切法智光明、遍莊嚴一切世界自在力、普發起一切菩薩業圓滿願。底本此段「得」字句逐字八見。
八門之義逐一可說:一了知一切言音陀羅尼門,所對是眾生之語,得此則凡所發之音皆知其義而不隔;二受持一切法輪陀羅尼門,所對是佛所轉之法,得此則所聞之法持而不失;三與一切眾生作所歸依大悲力,所對是眾生之苦,得此則能受人之投靠而不辭;四觀察一切法義理光明門,所對是法之義理,得此則於義能照而不昧;五充滿法界清淨願,所對是願之量,得此則所發之願盡法界而不雜;六普照十方一切法智光明,所對是十方之法,得此則智之照無方所之限;七遍莊嚴一切世界自在力,所對是剎土,得此則於莊嚴世界一事得自在;八普發起一切菩薩業圓滿願,所對是菩薩之業,得此則能發起諸業而所願不虧。前二在持,次二在悲與智,後四在願、智、力、業——八者不是八件零散之德,是實智與權智落到八處之相。
澄觀把這一段判為兩重利益。第一重是見到實理,他說這是「得見實法性益,由前實智故」;第二重是得到權巧之智,他說這是「得權智益,由前窮三世差別智故」。實智照理,權智照事——照理者見諸法性,照事者能於言音、法輪、眾生根欲上一一無礙。
排一個誤解:以為善財是先去見善知識、後得法。此段次第正好相反:先有八門之得,然後才「漸次遊行」。落到地上:一個人能在什麼樣的境界裡站得住,取決於他進去之前已經帶著什麼。要走這一段路,實智與權智缺一不可——沒有實智會被境轉,沒有權智看不懂法。
城裡不認得她的人:他們替善財擔心
善財到了寶莊嚴城,「處處尋覓婆須蜜多女」。城中的反應分成兩類,先出來的是不認得她的那一類人。經文說「城中有人不知此女功德智慧,作如是念」——注意這是心裡想,不是對善財說。
他們想的是什麼?他們把善財從頭到腳看了一遍,說他「諸根寂靜,智慧明了,不迷不亂」,說他「無所取著,目視不瞬,心無所動,甚深寬廣,猶如大海」。這一串話,句句是讚。他們正因為看出這位童子的好,才替他著急。
排一個誤解:以為這是城裡的閒人在說壞話。不是。經文寫得極清楚——他們是先肯定了善財的德,才轉出那個擔心。落到地上:真正令人為難的疑問,多半不是從惡意來的,是從一半的了解來的。看到了人的德,沒有看到境的深,就會生出這一種疑。
那個疑到底疑什麼
他們接著說「不應於此婆須蜜女,有貪愛心,有顛倒心,生於淨想,生於欲想」,又說「此童子者,不行魔行,不入魔境,不沒欲泥,不被魔縛」,最後落成一問——「有何等意而求此女」。
四個「不」字句,句句在說善財不是那種人;正因為不是那種人,所以那一問才成立:既然如此,你來求她做什麼?
澄觀判此段為「淺識致疑,逆行難知故」,並且特別點出一件事:疑的是城裡的人,不是善財自己。他說「不自疑者,貪順於悲,障行劣故,不同前二」,又說「又於前二已調伏故,此中不疑」。法藏把這件事寫成一組問答,問何以前面示瞋、示邪見的兩位善友,善財自己會起疑,這裡示貪相,卻是別人起疑;答云「以前二親障菩薩道故,貪愛順悲障行劣故」,並引《決定毘尼經》「菩薩寧起百千貪心,不起一瞋等」為據。
排一個誤解:以為經文在說貪不要緊。二疏所說的是另一件事——瞋與邪見直接違背菩薩之悲,貪則與悲同一個方向(都是趣向眾生),所以在障道的力量上分了輕重。這是就障行之強弱說,不是就染淨說。落到地上:分得清『他起疑』和『我起疑』,這一段才讀得下去。善財沒有疑,是因為前面兩位已經把他調伏過了。
城裡認得她的人:他們替善財高興
另一類人出場了。經文說「其中有人先知此女有智慧者,告善財言」——這一次不是心裡想,是開口說。而且第一句就是「善哉善哉」。
他說了四件「決定」的事:決定求佛果位、決定欲為一切眾生作所依怙、決定欲拔一切眾生貪愛毒箭、決定欲破一切眾生於女色中所有淨想。底本此段「決定」逐字四見。這四句不是泛泛的鼓勵,它們正好把前一類人的疑逐條頂回去了——你以為他要去染欲嗎?他是要去拔一切眾生的貪愛毒箭,是要去破一切眾生在女色上的淨想。
澄觀把這一段判作「深智讚教」,先讚而後示所在。所謂深智,就是識得這一位善友之行的人。
排一個誤解:以為同一件事有兩種看法,就代表這件事說不清。經文把兩種看法並排寫出來,不是要讀者選一個,是要讀者看清那條界線在哪裡——界線就在「知」與「不知此女功德智慧」。落到地上:同一個行為,在識得的人那裡是拔毒箭,在不識得的人那裡是沉欲泥。差別不在行為,在讀得懂讀不懂。
市集之北,她自己的家
指路的一句話極短:「善男子!婆須蜜女於此城內市鄽之北自宅中住。」市鄽就是市集街肆,是一座城裡最喧鬧的地方。
澄觀在這一句上放了三層釋。他說「市者喧雜。北主於滅。自宅即畢竟空寂,謂在欲行禪,處喧常寂」——市是喧、北主於滅、自宅是畢竟空寂。三個地名,就是三重行相:住在喧處,而所主是滅,而所住之宅是畢竟空。這一句是澄觀就八十本立的釋,因為六十本此處作「在此城中深宮之內」,沒有市鄽之北這一層文;法藏就六十本立釋,引《三法度經》而說「今此女人正證欲如,故在深宮」——二疏所據之本不同,所釋之相也就不同。
李通玄讀這一句走的是另一條軌。他以生死之煩多為市鄽,說「以生死煩多為市鄽」;又以方位配,說「北為坎位,是北方,主黑也,是眾迷愚眾生之位也」;末了歸到菩薩之住處,說「自宅中住者,以眾生生死海,是菩薩自所住宅」。
排一個誤解:以為這是後人在地名上做文章。這一句的分量在於它決定了整一子的讀法——若她住在深山,這法門就是另一種法門了。落到地上:住在最喧的地方而所主是滅,這是本節給「寂」下的定義。
見依報:那座宅子為什麼要寫這麼長
善財聞語歡喜,往詣其門,於是有一大段寫宅子——寶牆、寶樹、寶塹各十重圍繞,寶塹裡香水盈滿、金沙布地、五種水華遍覆水上,宮殿樓閣、門闥窓牖、網鐸幡幢、瑠璃為地、沈水栴檀、寶鈴風動成音、天華遍布,最後是「諸珍寶藏其數百千,十大園林以為莊嚴」。
為什麼要寫這麼長?澄觀給了一個理由:「見中,先見依報,畢竟空中無德不具,故廣顯其嚴;」上一段才說自宅是畢竟空寂,這一段就大寫其莊嚴——這不是自相矛盾,正是要顯畢竟空之中無一德不具足。空不是什麼都沒有,空是無所不容。
排一個誤解:以為這一段是舖排文采。若是舖排,寫三句也就夠了。落到地上:讀華嚴的莊嚴段,都要回頭問一句它前面剛說了什麼——莊嚴之文,多半是為了證前一句的義。
見正報:她這個人
接著寫人。經文說「顏貌端嚴,色相圓滿,皮膚金色,目髮紺青,不長不短,不麁不細」——四個「不」字,是以遮詮寫中道之相。再寫音聲,說她「一切眾生差別言音,悉皆具足,無不解了」;再寫其智,說她「深達字義,善巧談說,得如幻智,入方便門」;再寫眷屬,說他們「皆共善根同一行願」;末了寫光,說她「從其身出廣大光明,普照宅中一切宮殿」,而「遇斯光者,身得清涼」。
澄觀判此段云「後「爾時」下見正報,具有主伴德用」——主是她,伴是眷屬,德是所具,用是身出光明令人清涼。
要留意兩處。一是「得如幻智」:這是讀懂本節的鑰匙。如幻智者,知所現之相如幻,故能現而不著。二是那道光的落點——不是令人生欲,是令人身得清涼。經文自己先把方向定死了。
排一個誤解:以為經文寫她的色相是在寫她的美。四十本此句下多「心除惑熱」四字,可與八十本互看:光之所至,是熱惱之息。落到地上:一段文字說的是什麼,看它的落點,不看它的辭藻。
善財之問:他問的和前面每一位一樣
善財頂禮其足,合掌而住,說「聖者!我已先發阿耨多羅三藐三菩提心,而未知菩薩云何學菩薩行?云何修菩薩道?我聞聖者善能教誨,願為我說」。
這一問,和前面每一位善知識前所問的是同一問。澄觀把此段判入「見敬諮問」之末,一句「敬問,可知」帶過,因為它與諸子同式。
排一個誤解:以為到這一位面前,該問的是別的問題。經文偏偏一字不改。落到地上:到了這一位面前,所問仍是這同一句,說明求的是同一件事——所變的是善知識,不是所求之法。也正因為問是同一問,這一節與前面諸子才在同一條線上,不是一段插曲。
標名:離貪欲際
她開口第一句就標了法門之名:「善男子!我得菩薩解脫,名:離貪欲際,隨其欲樂而為現身。」
「離貪欲際」四字是全子的樞紐。澄觀在這裡下了一段三重簡別,說「離貪欲際者,凡夫染欲;二乘見欲可離;菩薩不斷貪欲而得解脫,智了性空,欲即道故」,末了收成一句「如是染而不染,方為究竟離欲之際」。
三重是:凡夫在欲中而被染;二乘見欲是可離之物,於是離之而出;菩薩不斷貪欲而得解脫,因為智照其性本空。所以「際」字不是『離開到某個邊界之外』,是『離貪欲的究竟處』——究竟處在於染而不染。
法藏就六十本之「離欲實際清淨法門」立二義:一約自行,說「雖悲願留惑示現欲處,然大智照欲則體性空,名實際淨也」,並引《淨名》「在欲而行禪」與《諸法無行經》「貪欲則是道,恚癡亦復然」為證;二約利生,說「雖留惑示現在欲,令處欲眾生要當離欲」。
此女之逆行何以與正法相並,二家各於品之科段處立一表。澄觀立五義:一當相即空,空故是道,而非說三毒即是佛法;二約幻用攝生,亦非即是;三在惑用心如俗流輩,此在觀心為道,亦非即道;四留惑潤生,長菩薩道,亦非即是;五當相即道,不同前四,以不思議故。前四皆歸於『不是即此三毒便是佛法』一句,第五則正面許其當相即道,而所許之據在不思議,不在可推之理——這一分際不可略去。法藏於同處立四義:一當相即空、二約巧攝生、三約留惑潤生,三者皆歸於『不是即此三事便是佛法』;四約當相則是,不同前三,其自言此極難解,以不思議故。二家各成一表,此處誌錄不判。
排一個誤解:以為這是說貪欲即是解脫,可以不斷。澄觀的句子有前後兩截,前截是「不斷貪欲而得解脫」,後截是「智了性空,欲即道故」——後截是前截的條件,抽掉後截,前截就成了另一件事。法藏於業用之結處更立一限:這一整段所說,是極位大菩薩所作,非下位之所知。落到地上:這一門的門檻不在膽量,在智,也在位。沒有那個「智了性空」,前面那半句誰也不許用。
身同類現:隨其欲樂而為現身
標名之後是業用,業用先說現身。經文說「若天見我,我為天女,形貌、光明殊勝無比;如是乃至人、非人等而見我者,我即為現人、非人女,隨其樂欲皆令得見」。
澄觀判此為「顯業用。於中,先身同類現」。同類現的意思是:眾生是什麼類,就現什麼類之身。天見則天女,人見則人女,非人見則非人女。這與前面「得如幻智」一句正好接上——能隨類而現的前提,是知所現非實。
排一個誤解:以為這是神通的展示。同類現的落點不在現,在「隨其樂欲」——是就著眾生現有的所樂而入,不是要眾生先改成別的樣子才能見。落到地上:接引一個人,第一步是站到他站的地方去,這一句就是那一步的經據。
十三昧之一與二:說法離欲·暫見歡喜
十種三昧從這裡開始。底本此段「若有眾生」逐字十見、「則離貪欲」逐字十見、「三昧」逐字十見——是整齊的十句。
第一句是「若有眾生欲意所纏來詣我所,我為說法,彼聞法已,則離貪欲,得菩薩無著境界三昧」。這一句最要緊,因為它是唯一明說了中間過程的一句:來的時候是被欲意所纏,中間有「我為說法」,聽了之後才離貪欲。第二句起,中間就不再重述說法,只留下「暫見於我,則離貪欲,得菩薩歡喜三昧」。
排一個誤解:以為後面九句是不必說法、逕由接觸而得道。第一句既已立了法,後九句是就緣之淺深遞說,說法一事並未撤去。澄觀總判這十句云「以法益生中,有十種三昧,皆隨受欲便宜,得斯甚深三昧,思之」——「以法益生」四字是這一整段的題目,「隨受欲便宜」是方便,不是替代。法藏所判同一機軸,說「於中有十種三昧,皆是以欲化處欲眾生,令得如此甚深三昧」。
落到地上:第一句所得是「無著境界」,第二句所得是「歡喜」——離欲之後所得的不是枯淡,是無著而歡喜。這是十句一路下去的基調。
十三昧之三與四:與語得無礙音聲·執手得遍往佛剎
第三句「若有眾生暫與我語,則離貪欲,得菩薩無礙音聲三昧」。緣是語,所得也在音聲上——這是本段一個明顯的體例:所緣之事與所得之三昧,義多相應。李通玄讀此句云「明從定發慧,了音聲無體」,把落點放在音聲之無自性上。
第四句「若有眾生暫執我手,則離貪欲,得菩薩遍往一切佛剎三昧」。手是接引之具,故所得是遍往一切佛剎。李通玄釋此句云此是引接之義。
排一個誤解:以為所緣與所得的對應是後人湊出來的。前段見正報時經文已先說「一切眾生差別言音,悉皆具足,無不解了」,語之一緣得音聲三昧,正是與那一句相貫。落到地上:讀這十句,可以逐句問一次『這個緣和這個三昧之間有什麼相應』,經文自己備了答案。
十三昧之五與六:昇座得解脫光明·暫觀得寂靜莊嚴
第五句「若有眾生暫昇我座,則離貪欲,得菩薩解脫光明三昧」。此句六十本作「共我宿者,得解脫光明三昧」,二本之緣辭不同而三昧之名同。李通玄釋昇座云「昇座是無相智增」。
第六句「若有眾生暫觀於我,則離貪欲,得菩薩寂靜莊嚴三昧」。緣是觀,所得是寂靜莊嚴。李通玄釋此句云「暫觀於我是觀照義」——觀之一緣,正對觀照之智。
排一個誤解:以為緣愈近則法愈粗。經文於十緣之下一緣一三昧,各立其名,並未以緣之親疏判其法之粗妙。落到地上:這一段的次第是逆著世間的判斷走的,讀不慣正是它要對治的地方。
十三昧之七與八:頻申摧伏外道·目瞬得佛境界光明
第七句「若有眾生見我頻申,則離貪欲,得菩薩摧伏外道三昧」。頻申是舒展身體之相。李通玄釋此句云「頻申是法悅義」。
第八句「若有眾生見我目瞬,則離貪欲,得菩薩佛境界光明三昧」。目瞬是眼睛一眨。李通玄釋此句云「目瞬是見諦入佛智境也」。
這兩句是全段最細的兩個緣——一個舒展身體,一眨眼睛。而所得者一是摧伏外道,一是佛境界光明。
排一個誤解:以為這是說姿態能度人。經文的主語自始至終是那個「得」——得的是眾生,能得的緣是他在這一位善友身上看見了什麼。落到地上:緣可以細到一眨眼,是因為那一眨眼裡有整個定的分量;不是那個動作本身有力量。
十三昧之九與十:抱持得攝一切眾生·咂脣吻得增長福德藏
第九句「若有眾生抱持於我,則離貪欲,得菩薩攝一切眾生恒不捨離三昧」;第十句「若有眾生咂我脣吻,則離貪欲,得菩薩增長一切眾生福德藏三昧」。
這是全段最近的兩個緣。六十本此二句存的是音寫之語,作「阿梨宜我者,得攝一切眾生三昧」「阿眾鞞我者,得諸功德密藏三昧」;法藏就其本傳其此方之名,說「阿梨宜者,此云抱持摩觸,是攝受之相,故得彼三昧也」,說「阿眾毘者,此云嗚口,得言教密藏之定」;智儼所傳作本欲、正欲。李通玄則直就八十本之文而釋,說「抱持於我者,攝受不捨眾生義。咂我脣吻者,受教說法義」。
要看清所得之名:抱持所得是「攝一切眾生恒不捨離」,抱持之相對攝受不捨之義;咂脣吻所得是「增長一切眾生福德藏」,口之相對言教之義。法藏與李通玄二說,一以口對密藏之定,一以口對受教說法,各自成軌。
排一個誤解:以為經文此處是在描寫事相之細節。六十本存音寫、八十本直譯;而明以攝受與言教解此二緣者,是法藏與李通玄二家——法藏以阿梨宜為攝受之相、以阿眾毘為言教密藏之定,李通玄以抱持為攝受不捨眾生義、以咂脣吻為受教說法義。智儼所傳作本欲、正欲,別是一軌;澄觀於本段唯總判十種三昧,未逐釋此二緣。落到地上:一段文字要怎麼讀,先看古來讀它的人往哪裡落。
業用總結:凡有眾生親近於我
十句之後是一句總收:「凡有眾生親近於我,一切皆得住離貪際,入菩薩一切智地現前無礙解脫。」前面十句都作「若有眾生」,這一句轉成「凡有眾生」——別緣轉為總緣,十種三昧收成一個「住離貪際」。
李通玄釋此句云「都舉諸有親近無空過者,皆獲一切智門」;他並就此對出一義,說「此明二乘及出纏菩薩但求離苦,未入大慈悲入於生死海同事接生」,說「不達法界自在智王處染淨而無垢」。
排一個誤解:以為十句之後各歸各處,別無總收。總結句說得明白:十種三昧之名各異,而所歸唯是一處——住離貪際、入菩薩一切智地。名各異而歸處是一,亦不以緣之淺深判其高下。落到地上:讀一段開列之文,末後那一句總收,往往比前面十句更要緊。
善財再問:您這是怎麼來的
善財沒有停在讚歎上,他問了第二個問題:「聖者種何善根、修何福業,而得成就如是自在?」
這一問問的是因。前一問問的是法(云何學菩薩行),這一問問的是這位善友何以能有此法。澄觀判此為「得法因緣,先問、後答」。
排一個誤解:以為這是好奇。本會諸節中,問得法因緣的並非每一子都有;此子有此一問,正因為所現之相太特殊,非知其因不能安心。落到地上:看見一個人能做到你做不到的事,問『你是怎麼來的』,比問『你在做什麼』更有用。
答:一枚寶錢
她的答是一段往事。過去有佛出世名為高行,王都之城名曰妙門。那位如來哀愍眾生,入王城而腳踏門檻,全城震動,忽然廣博,眾寶莊嚴,天樂齊奏,諸天充滿虛空。她在那時是一位長者的妻子,名叫善慧;見佛神力而心生覺悟,就與丈夫一同往詣佛所,「以一寶錢而為供養」。那時文殊師利童子是佛的侍者,為她說法,令她發起阿耨多羅三藐三菩提心。
澄觀就這枚寶錢立了二義,說「一寶錢施者,有二義:一寶而能捨,故得離貪;二一錢雖微,以菩提心故,成斯自在」。一約所捨之物——是寶而能捨,所以感得離貪之果;二約能捨之心——錢只有一枚,而心是菩提,所以感得如是自在。李通玄別作一分,說「明往因以捨所重寶錢,是離貪。文殊師利勸發無上菩提心,是離欲」,又說「如一寶錢,其所施不多,為心貴重故,能捨與多非異」。
這裡有一個異譯上的事實要記:六十本此處所供的不是寶錢,是「妙寶天冠」;八十本與四十本才作一寶錢。澄觀與李通玄的一寶錢二義,都是繫在八十本之文上的。
排一個誤解:以為要成就這樣的法門,因地必是什麼驚人的大事。經文給的是一枚錢。落到地上:因之為因,不在量,在那一念是不是菩提心。這一段是全子最能落腳的地方。
謙己推勝:我只知道這一個
她接著說「善男子!我唯知此菩薩離貪際解脫。如諸菩薩摩訶薩,成就無邊巧方便智,其藏廣大,境界無比;而我云何能知能說彼功德行?」
本會諸友多有這一段;澄觀就通例說,唯最初一友與最後三友缺謙己推勝二事。法藏把它別立為一門,稱「仰推勝進,諸大菩薩有無量廣大方便,我豈能知」;智儼作「仰推勝分」。
要留意一個字:標名時經文作「離貪欲際」,謙己時作「離貪際解脫」,少一個「欲」字——底本逐字如此,兩處不齊。
排一個誤解:以為謙己是客套。她所推的是「無邊巧方便智」——正是她自己一生所行的那一路。推勝而所推者與己同類,這比泛泛地說自己不足更難。落到地上:知道自己所知的是哪一門,比知道得多更要緊。
指示後友:善度城的鞞瑟胝羅
「善男子!於此南方有城,名:善度;中有居士,名:鞞瑟胝羅,彼常供養栴檀座佛塔。汝詣彼問:菩薩云何學菩薩行、修菩薩道?」
三名俱出——城名善度、人名鞞瑟胝羅、其行是常供養栴檀座佛塔。李通玄釋城名云「城名善度者,約此居士善度眾生故」。六十本此處作城名首婆波羅、長者名安住,四十本作城名淨達彼岸、居士名毘瑟底羅——三本之名互異。
排一個誤解:以為指示後友是換場的過場話。它其實是整部〈入法界品〉的骨——每一位善友把善財往下一位推,一百多城之行就是這樣連起來的。落到地上:一位真的善知識,必定會把人往他自己之外送。
戀德禮辭
末段極短:「時,善財童子頂禮其足,遶無量匝,慇懃瞻仰,辭退而去。」
此子之辭簡到只有四事——頂禮、遶匝、瞻仰、辭去。澄觀本節窗內之科止於得法因緣一段,未別立此三科;此三節之目,是依其六段通科名之。
排一個誤解:以為文短即事輕。這一節的分量已經全部落在中間那一大段上,末段不需要再加。落到地上:一段路走完了要往前走,這就是「辭退而去」四個字的全部意思。
承衍
本節之文,向下所開之流有三條線。
其一是譯本之線。此女之名,八十本與六十本皆作婆須蜜多,四十本作伐蘇蜜多。法門之名,八十本與四十本作離貪欲際,六十本作離欲實際;智儼所用之名同六十本,法藏行文亦用離欲實際清淨法門——用哪一個名,就繫著讀哪一個本。本生段所供之物,八十本與四十本作一寶錢,六十本作妙寶天冠;長者妻之名,八十本作善慧,六十本作善女,四十本作妙智。後友之城與人,三本亦各異名。四十本於十三昧總結之後別有一問一答,論女色之過患而歸於離欲,八十本與六十本此段皆無——據實誌其有無,不判其孰為原文。
其二是釋名之線。三家皆傳世友、天友二名(智儼於本節窗內未別釋名):澄觀云隨世人天方便化故,法藏云以巧能引攝諸世間故,李通玄云能與世人為師友故、能與諸天作師友。李通玄別傳二說,一云易寶,一云以寶易財;並就此女之行下一語,說「此是不染而染,唯普賢智所及」。三家釋名一致而所繫之義各有側重,誌錄不判。
其三是分科之線。澄觀作三分(依教趣求·見敬諮問·授已法界),法藏就六十本作四段而於示己法界後別立第五仰推勝進,智儼作三段而於正證中復開二(自說法門·仰推勝分),李通玄不逐子分科而立正入當位法門五門與推德昇進五門。所住之處,八十本作市鄽之北自宅而澄觀就喧寂立釋,六十本作深宮而法藏就三法度經之三境立釋——所據之本既異,所立之相亦異。此諸異釋皆古德成說,誌錄不判。
一城之中,兩種人,同看一件事。看不透的那一類替他擔心,看得透的那一類替他高興。經文把兩種聲音都留下來了,一句也沒有刪。要讀懂這一節,先要承認自己有可能是那一類。
Why This Section Is Hard to Read
Sudhana has been journeying southward all along, and at this point he comes to the twenty-fifth good friend. Before this he has seen monks, nuns, laywomen, elders, householders, a youth, an outsider, a shipmaster, a king — and of this one the scripture text gives only a name and a house: the woman Vasumitrā. As for the Dharma she expounds, the occasions of it are seeing her, speaking with her, taking her hand, mounting her seat, embracing her, sucking her lips. Anyone who reads this far without stopping for a moment has probably not been reading at all.
One misreading must be cleared away first: this passage is not a side-branch of the scripture, nor a strange text smuggled in by later hands. It stands in all three witnesses, the eighty, the sixty, and the forty; in the scripture text of none of the three is there any wording of an assigned position, and the position comes only out of the outlines of the ancient worthies — Chengguan, Fazang, and Li Tongxuan all match her to the fifth, the dedication of the treasury of inexhaustible merit, while Zhiyan makes it “the twenty-fifth, the bodhisattva-position of the dedication of the inexhaustible treasury.” All four houses of the ancient worthies have glossed it passage by passage. That is to say, it is a matter this scripture means of itself to speak of, and moreover a matter which every house held must be made clear.
Bringing it to the ground: in reading this section one must keep apart what she does and what Dharma she expounds. From beginning to end of the scripture text, what she manifests is a body and what she confers is the Dharma; and every clause of the ten samādhis comes down upon the four graphs “they then part from craving and desire.”
Assigned to the Dedication of the Treasury of Inexhaustible Merit: Where the Name of This Position Comes From
One thing must be said first: the scripture text itself nowhere says that this good friend is the fifth dedication. The name “the dedication of the treasury of inexhaustible merit” comes out of 〈The Ten Dedications〉; and what matches the woman Vasumitrā to that position is the outline of the ancient worthies. Chengguan, outlining this unit, sets down at the very head “the fifth, the dedication of the treasury of inexhaustible merit”; Fazang has “within the good friend of the fifth dedication of the treasury of inexhaustible merit”; Zhiyan has “the twenty-fifth, the bodhisattva-position of the dedication of the inexhaustible treasury”; Li Tongxuan has “as for the fifth, the dedication of the treasury of inexhaustible merit, it takes the perfection of meditation for its substance.” All four match her to the fifth, while the names they set up differ a little.
Why this position? Chengguan first sets up his outline heading, “the fifth, the dedication of the treasury of inexhaustible merit,” and only then, under that heading, glosses the name of this city: “as for the city being named Jeweled Adornment, it is because going contrary while following worldly conduct is able to give birth to the treasury of inexhaustible merit” — following the conduct of the world while going contrary to its way, and what that gives birth to is precisely the inexhaustible treasury of merit. The sequence is first the outline heading and afterward the gloss of the name; the gloss of the name answers to the name of the position, and the city’s name is not made the ground for matching the position. The Yanyi chao, taking up this heading, glosses the name of the position: it is by the power of dedication that the inexhaustible treasury of merit is accomplished — the treasury is inexhaustible because of the power of dedication.
As to matching and not matching, Chengguan keeps a word of even-handedness of his own. At the place of the five aspects of the final assembly he says: “both have their reason, that is, since each and every position possesses many Dharma gates, how could it be that the ordinary mind may not learn and seek the dharma of the good friend, and so there is reason in not matching them; yet within what has no sequence of positions the sequence of positions is not obstructed, and to make the positions manifest is the constant rule, so that to match them is likewise not at fault.” Not to match has its reason, and to match is likewise not at fault — this is how he himself holds it.
Clear away a misreading: to suppose that the assigned position is something the scripture text marks for itself. It is not. Bringing it to the ground: in reading the judgment of an assigned position, one must remember that it is a line the ancient worthies read out, not something the scripture says of itself; the line has its own grounds, and those grounds are in the commentaries, not in the scripture.
The Benefit Accomplished in Accord with the Teaching: He Gained Eight Gates First, and Only Then Walked This Road
This section begins not with walking but with gaining the Dharma. The scripture text says that Sudhana’s “mind was lit up and opened by the light of great knowledge, and he pondered and contemplated and saw the very nature of dharmas,” and then follow eight clauses each with the word “gained” — the dhāraṇī gate of comprehending all speech and sound, the dhāraṇī gate of upholding all the wheels of the Dharma, the strength of great compassion that makes him a refuge for all sentient beings, the gate of light that contemplates the sense and principle of all dharmas, the pure vow that fills the Dharma realm, the light of knowledge that shines everywhere upon all dharmas in the ten directions, the sovereign strength that adorns all worlds everywhere, the full and perfect vow that sets going everywhere the works of all bodhisattvas. In the base text this passage has the word “gained” eight times, graph for graph.
The sense of the eight gates may be told one by one. First, the dhāraṇī gate of comprehending all speech and sound: what it faces is the speech of sentient beings, and gaining it, whatever sound is uttered he knows its sense and is not shut out from it. Second, the dhāraṇī gate of upholding all the wheels of the Dharma: what it faces is the Dharma a buddha turns, and gaining it, the Dharma he has heard is held and not lost. Third, the strength of great compassion that makes him a refuge for all sentient beings: what it faces is the suffering of sentient beings, and gaining it, he can be leaned upon and turns no one away. Fourth, the gate of light that contemplates the sense and principle of all dharmas: what it faces is the sense and principle of the Dharma, and gaining it, he illumines the sense and is not left in the dark. Fifth, the pure vow that fills the Dharma realm: what it faces is the measure of the vow, and gaining it, the vow he sets going reaches to the end of the Dharma realm and is unmixed. Sixth, the light of knowledge that shines everywhere upon all dharmas in the ten directions: what it faces is the Dharma of the ten directions, and gaining it, the shining of knowledge has no limit of place. Seventh, the sovereign strength that adorns all worlds everywhere: what it faces is the buddha-lands, and gaining it, he is sovereign in the one matter of adorning worlds. Eighth, the full and perfect vow that sets going everywhere the works of all bodhisattvas: what it faces is the works of a bodhisattva, and gaining it, he can set those works going and his vow does not fall short. The first two lie in upholding, the next two in compassion and in knowledge, and the last four in vow, in knowledge, in strength, and in works — the eight are not eight scattered virtues but the mark of real knowledge and expedient knowledge coming down in eight places.
Chengguan judges this passage to be a benefit of two tiers. The first tier is the seeing of the real principle, of which he says it is “the benefit of gaining the sight of the real nature of dharmas, by reason of the real knowledge that went before”; the second tier is the gaining of the knowledge of expedient skill, of which he says it is “the benefit of gaining the expedient knowledge, by reason of the knowledge that went before and exhausted the differences of the three times.” Real knowledge illumines principle and expedient knowledge illumines matters — what illumines principle sees the nature of dharmas, and what illumines matters is unobstructed in each and every case of speech and sound, of the wheels of Dharma, and of the faculties and desires of sentient beings.
Clear away a misreading: to suppose that Sudhana first goes to see the good friend and afterward gains the Dharma. The sequence of this passage is exactly the reverse: first there is the gaining of the eight gates, and only then does he “little by little travel on.” Bringing it to the ground: what kind of objective realm a person can stand firm in depends on what he already carries with him before he enters it. To walk this stretch of road, real knowledge and expedient knowledge are both needed and neither can be lacking — without real knowledge one is turned about by the objective realm, and without expedient knowledge one cannot read the Dharma.
Those in the City Who Do Not Know Her: They Are Anxious for Sudhana
Sudhana arrives at the city Jeweled Adornment and “everywhere sought for the woman Vasumitrā.” The city’s response falls into two kinds, and the kind that comes out first is those who do not know her. The scripture text says “in the city there were some who did not know this woman’s merit, virtue, and wisdom, and they thought in this way” — and note that this is thinking in the mind, not speaking to Sudhana.
What is it that they think? They look this youth over from head to foot, saying that “his faculties are still, his wisdom is clear and bright, he is neither deluded nor scattered,” saying that he “grasps at nothing and clings to nothing, his eyes look and do not blink, his mind is not shaken, and he is deep and broad, just like the great sea.” This whole string of sayings is praise, clause by clause. It is precisely because they have seen the good in this youth that they grow anxious for him.
Clear away a misreading: to suppose that this is idlers in the city speaking ill. It is not. The scripture text writes it out with the utmost clarity — they first affirm Sudhana’s virtue, and only then turn out that anxiety. Bringing it to the ground: the questions that truly put a person in difficulty mostly do not come from ill will; they come from half an understanding. To have seen the virtue of the person and not to have seen the depth of the objective realm is what gives rise to this kind of doubt.
What Exactly Is Doubted in That Doubt
They go on to say “he ought not, toward this woman Vasumitrā, to give rise to a mind of craving and love, or to a mind turned upside down, to take her for an object pure and pleasing, to take her for an object of desire,” and again “this youth does not do what Māra does, does not enter Māra’s objective realm, does not sink into the mire of desire, is not bound by Māra,” and at last it comes down to a single question — “with what sort of intention has he come seeking this woman?”
Four clauses each with the word “not,” and every one of them says that Sudhana is not that kind of person; and it is precisely because he is not that kind of person that the question stands: since it is so, what have you come to seek her for?
Chengguan judges this passage to be “the doubt of the shallow in knowledge, because contrary practice is hard to know,” and he singles out one thing in particular: those who doubt are the people of the city, not Sudhana himself. He says “as for his not doubting of himself, craving accords with compassion, and its obstruction of practice is the weaker, unlike the two before”; and again “moreover, having already been disciplined by the two before, here he does not doubt.” Fazang sets this same matter down as a pair of question and answer, asking why it is that with the two good friends before, who displayed anger and displayed wrong views, Sudhana himself gave rise to doubt, while here, where the mark of craving is displayed, it is others who doubt; and he answers, “because the two before are close obstructions to the bodhisattva path, whereas craving and love accord with compassion and their obstruction of practice is the weaker,” citing the Jueding pini jing — “a bodhisattva had rather give rise to a hundred thousand minds of craving than give rise to one of anger, and the rest” — for his ground.
Clear away a misreading: to suppose that the scripture text is saying that craving does not matter. What the two commentaries say is another thing: anger and wrong views run directly counter to a bodhisattva’s compassion, while craving runs in the same direction as compassion (both being turned toward sentient beings), and so in the strength with which they obstruct the path a heavier and a lighter are distinguished. This is said with respect to the strength or weakness of the obstruction to practice, not with respect to defilement and purity. Bringing it to the ground: only when one can tell apart “they doubt” from “I doubt” can this passage be read through. Sudhana does not doubt, and it is because the two friends before had already disciplined him.
Those in the City Who Do Know Her: They Are Glad for Sudhana
The other kind now come on. The scripture text says “among those people there were some who had known beforehand that this woman has wisdom, and they told Sudhana” — this time it is not thinking in the mind but speaking aloud. And the very first thing they say is “excellent, excellent.”
He speaks of four matters that are “resolute”: resolutely to seek the fruit-station of a buddha, resolutely to wish to make himself a support and shelter for all sentient beings, resolutely to wish to pull out from all sentient beings the poisoned arrow of craving and love, resolutely to wish to break in all sentient beings that thought of purity which they hold toward the form of a woman. In the base text this passage has the word “resolutely” four times, graph for graph. These four clauses are not vague encouragement; they push back, item by item, the doubt of those who came before — you suppose he is going toward the staining of desire? He is going to pull out the poisoned arrow of craving and love from all sentient beings, going to break in all sentient beings the thought of purity toward the form of a woman.
Chengguan judges this passage to be “the praise and teaching of those deep in knowledge,” first praising and afterward showing where she is. What is meant by being deep in knowledge is simply knowing the practice of this good friend for what it is.
Clear away a misreading: to suppose that because one matter admits of two views it therefore cannot be settled. That the scripture text sets the two views side by side is not so that the reader may choose one, but so that the reader may see clearly where the dividing line runs — and the line runs exactly at knowing, or not knowing, “this woman’s merit, virtue, and wisdom.” Bringing it to the ground: one and the same act, with those who know, is the pulling out of a poisoned arrow, and with those who do not know, is a sinking into the mire of desire. The difference is not in the act but in whether it is read or not read.
North of the Market, Her Own House
The clause that points the way is extremely short: “son of good family, the woman Vasumitrā is within this very city, north of the market stalls and streets, dwelling in a house of her own.” The market stalls and streets are the noisiest place in a city.
Upon this one clause Chengguan lays three tiers of gloss. He says “the market is clamor and jumble; the north presides over extinction; her own house is ultimate emptiness and stillness, which is to say, practicing meditation while within desire, dwelling in clamor and constantly still” — the market is clamor, the north presides over extinction, and her own house is ultimate emptiness. Three names of places are three tiers in the mark of her practice: she dwells in the place of clamor, while what presides is extinction, and the house she dwells in is ultimate emptiness. This is a gloss Chengguan sets up upon the eighty, because in the sixty this place reads “within the deep palace inside this city,” and there is no such tier as “north of the market stalls”; Fazang sets up his gloss upon the sixty, citing the Sanfadu jing and saying “this woman is now truly realizing the suchness of desire, and therefore she is in the deep palace” — the two commentaries rest upon different witnesses, and so the marks they gloss differ as well.
Li Tongxuan reads this clause along another track. He makes the multitude and vexation of birth-and-death into the market stalls, saying “he takes the multitude and vexation of birth-and-death for the market stalls”; and he matches the quarters, saying “the north is the position of the trigram kan, and being the northern quarter it presides over blackness, and it is the position of the many deluded and foolish sentient beings”; and at the last he brings it home to a bodhisattva’s dwelling place, saying “as for her dwelling in a house of her own, the sea of birth-and-death of sentient beings is the house a bodhisattva dwells in of himself.”
Clear away a misreading: to suppose that this is a later hand making something out of a place-name. The weight of this clause lies in its settling how the whole unit is to be read — had she dwelt in a deep mountain, this Dharma gate would be a different Dharma gate. Bringing it to the ground: to dwell in the noisiest place while what presides is extinction — this is the definition that this section gives for stillness.
Seeing the Dependent Surroundings: Why That House Is Written Out at Such Length
Sudhana, hearing the words, is glad and goes to her gate, and then comes a long passage writing out the house — jeweled walls, jeweled trees, jeweled moats, each with ten rings of encirclement; within the jeweled moats scented water standing brimming, golden sand spread upon the bottom, five kinds of water-flowers covering the water everywhere; palaces and towered pavilions, doorways and windows, nets and bells and pennants and banners, beryl for the ground, aloeswood and sandalwood, jeweled bells becoming sound when the wind stirs them, the flowers of the gods strewn everywhere; and at the end, “the storehouses of the several precious things numbered in the hundreds of thousands, and ten great parks and groves served for adornment.”
Why write it out at such length? Chengguan gives a reason: “within the seeing, first is the seeing of the dependent surroundings; within ultimate emptiness there is no virtue not fully possessed, and therefore its adornment is widely displayed.” The passage just before said that her own house is ultimate emptiness and stillness, and this passage writes its adornment out large — this is not a self-contradiction; it is precisely meant to display that within ultimate emptiness there is not one virtue that is not fully possessed. Emptiness is not that there is nothing; emptiness is that there is nothing it does not hold.
Clear away a misreading: to suppose that this passage is a spreading-out of literary ornament. Were it a spreading-out, three clauses would have been enough. Bringing it to the ground: when reading a passage of adornment in the Avataṃsaka, one should always turn back and ask what the clause just before it said — a text of adornment is mostly there to bear out the sense of the clause before.
Seeing the Proper Recompense: The Person Herself
Next the person is written. The scripture text says “her face and features were upright and adorned, her form and marks were full and complete, her skin was golden in color, her eyes and her hair were of a deep blue-black, she was neither tall nor short, neither coarse nor fine” — four graphs “neither,” writing the mark of the middle way by way of denial. Then her voice and sound are written, saying that of “all the differing speech and sound of all sentient beings she was fully possessed, with not one that she did not comprehend”; then her knowledge, saying that she “penetrated deeply into the sense of the written word, was skilled and adroit in talk and exposition, had gained the knowledge that knows things as illusions, and had entered the gates of skillful means”; then her retinue, saying that they were “all of them of common roots of goodness and of one and the same practice and vow”; and at the last the light, saying that “she sent forth from her body a vast and great light, shining everywhere upon all the palaces within that house,” and that “those whom this light met gained coolness in their bodies.”
Chengguan judges this passage, saying “afterward, from ‘at that time’ onward, is the seeing of the proper recompense, which possesses the virtue and the working of the principal and the companions” — the principal is she herself, the companions are her retinue, the virtue is what she possesses, and the working is the light sent forth from her body that makes people cool.
Two places deserve attention. The first is “had gained the knowledge that knows things as illusions”: this is the key to reading this section. One who has the knowledge that knows things as illusions knows that the marks he manifests are as illusions, and therefore can manifest them without clinging to them. The second is where that light comes down — not to make people give rise to desire, but to make their bodies gain coolness. The scripture text has fixed the direction beforehand of itself.
Clear away a misreading: to suppose that the scripture text writes her form and marks in order to write of her beauty. In the forty, under this clause, there are four extra words, “the heat of confusion in the mind is removed,” which may be read alongside the eighty: where the light reaches, the fever of vexation ceases. Bringing it to the ground: what a passage of writing says is seen from where it comes down, not from its ornament of phrase.
Sudhana’s Question: He Asks What He Asked of Every One Before
Sudhana bows to her feet, joins his palms and stands, and says “holy one! I have already first given rise to the mind of anuttarā-samyak-saṃbodhi, and yet I do not know how a bodhisattva is to study the practice of a bodhisattva, or how a bodhisattva is to cultivate the path of a bodhisattva. I have heard that the holy one is good at instructing others — would that you would expound it for me.”
This question is the same question asked before every good friend that has gone before. Chengguan places this passage at the end of “the seeing, the paying of respects, and the inquiring,” passing over it with the one clause “the inquiring may be known of itself,” because it is of one form with the other units.
Clear away a misreading: to suppose that before this one good friend the thing to be asked ought to have been something else. The scripture text does not alter a single graph. Bringing it to the ground: that before this friend what is asked is still this same clause shows that what is sought is one and the same matter — what changes is the good friend, not the Dharma that is sought. And it is precisely because the question is the same question that this section stands on one line with the units before it, and is not an interlude.
The Setting Forth of the Name: The Limit Apart from Craving and Desire
The first thing she says on opening her mouth sets forth the name of the Dharma gate: “son of good family! I have gained a bodhisattva liberation named the Limit Apart from Craving and Desire, and I manifest a body according to what beings desire and delight in.”
The four graphs “the Limit Apart from Craving and Desire” are the pivot of the whole unit. Here Chengguan sets down a passage distinguishing three tiers, saying “as for the limit apart from craving and desire: ordinary beings are stained by desire; those of the two vehicles see desire as something that can be parted from; a bodhisattva gains liberation without cutting off craving and desire, because his knowledge comprehends that the nature of it is empty, and desire is itself the path,” and gathering it at the end into one clause, “being stained in this way and yet not stained is what makes it the ultimate limit of parting from desire.”
The three tiers are these: ordinary beings are within desire and are stained by it; those of the two vehicles see desire as a thing that can be parted from, and so part from it and get out; a bodhisattva gains liberation without cutting off craving and desire, because his knowledge illumines that its nature is fundamentally empty. And so the word “limit” does not mean ‘parting away to somewhere beyond a boundary’; it means ‘the ultimate place of parting from craving and desire’ — and the ultimate place lies in being stained and yet not stained.
Fazang, upon the sixty’s “the pure Dharma gate of the true limit apart from desire,” sets up two senses: the first with reference to her own practice, saying “though by compassion and vow she keeps confusion and displays herself in the place of desire, yet great knowledge illumines desire and its very substance is empty, and this is named the purity of the true limit,” and citing the Jingming’s “within desire and yet practicing meditation” and the Zhufa wuxing jing’s “craving and desire are the very path, and so likewise are anger and delusion” as his evidence; the second with reference to benefiting beings, saying “though she keeps confusion and displays herself within desire, she makes the sentient beings who dwell in desire necessarily part from desire.”
Why this woman’s contrary practice stands side by side with the right Dharma, each of two houses sets out in a table of its own at the outline passage of the chapter. Chengguan sets up five senses: first, that upon the mark itself it is empty, and being empty it is the path — which is not to say that the three poisons are themselves the Dharma of a buddha; second, with reference to the use of illusion in gathering beings in, which likewise is not to say that they are it; third, that within confusion the mind is used as the common run of the world uses it, and here it is in contemplating the mind that it becomes the path, which likewise is not to say that it is the path; fourth, that confusion is kept to moisten birth and to lengthen the bodhisattva path, which likewise is not to say that they are it; fifth, that upon the mark itself it is the path, unlike the four before, because it is beyond thought. The first four all come home to the one clause ‘it is not that these three poisons are themselves the Dharma of a buddha,’ while the fifth grants outright that upon the mark itself it is the path — and what that granting rests upon is its being beyond thought, not a principle that can be reasoned out; this dividing line must not be dropped. Fazang, at the same place, sets up four senses: first, that upon the mark itself it is empty; second, with reference to the adroit gathering in of beings; third, with reference to keeping confusion to moisten birth — all three coming home to ‘it is not that these three matters are themselves the Dharma of a buddha’; fourth, with reference to its being so upon the mark itself, unlike the three before, of which he says himself that it is exceedingly hard to understand, because it is beyond thought. The two houses each form a table of their own, and they are here recorded without adjudication.
Clear away a misreading: to suppose that this says craving and desire are themselves liberation and need not be cut off. Chengguan’s sentence has a first half and a second: the first half is “gains liberation without cutting off craving and desire,” and the second is “because his knowledge comprehends that the nature of it is empty, desire is itself the path” — the second half is the condition of the first, and pull the second half out and the first half becomes another matter altogether. Fazang, at the conclusion of the working, sets a further limit: all that this passage speaks of is what great bodhisattvas of the utmost position do, and is not what those of the lower positions know. Bringing it to the ground: the threshold of this gate is not daring but knowledge, and position as well. Without that “knowledge comprehending that the nature is empty,” no one whatever is permitted the half-sentence before it.
Manifesting a Body of the Same Kind: Manifesting a Body According to What They Desire and Delight In
After the setting forth of the name comes the working, and the working speaks first of manifesting a body. The scripture text says “if a god sees me, I am a goddess, and my form and my light are surpassing beyond compare; and so on in this way, down to humans and non-humans and the rest who see me: for them I manifest myself as a human woman or a non-human woman, and according to what they delight in and desire, I let them all see it.”
Chengguan judges this to be “the displaying of the working, within which first is the manifesting of a body of the same kind.” To manifest a body of the same kind means: whatever kind the sentient beings are, a body of that kind is manifested. Gods seeing her, a goddess; humans seeing her, a human woman; non-humans seeing her, a non-human woman. This joins exactly onto the earlier clause “had gained the knowledge that knows things as illusions” — the condition of being able to manifest according to kind is knowing that what is manifested is not real.
Clear away a misreading: to suppose that this is a display of spiritual penetration. Where the manifesting of a body of the same kind comes down is not on the manifesting but on “according to what they delight in and desire” — she enters by way of what the sentient beings already delight in, and does not require that sentient beings first change into something else before they may see her. Bringing it to the ground: in drawing a person in, the first step is to go and stand where he is standing, and this clause is the scriptural ground of that step.
The First and Second of the Ten Samādhis: The Dharma Expounded and Desire Parted From · A Moment’s Sight and Gladness
The ten samādhis begin here. In the base text this passage has “if there are sentient beings” ten times graph for graph, “they then part from craving and desire” ten times graph for graph, and “samādhi” ten times graph for graph — ten clauses in even order.
The first clause is “if there are sentient beings bound about by the intention of desire who come to where I am, I expound the Dharma for them, and having heard the Dharma they then part from craving and desire and gain the bodhisattva samādhi of the objective realm without attachment.” This clause matters most, because it is the only one that states the middle course expressly: when they come they are bound about by the intention of desire; in the middle there is “I expound the Dharma for them”; and only after they have heard do they part from craving and desire. From the second clause on, the expounding of the Dharma is not restated in the middle, and there remains only “merely see me for a moment, they then part from craving and desire and gain the bodhisattva samādhi of gladness.”
Clear away a misreading: to suppose that in the nine clauses that follow no Dharma need be expounded and the path is gained by contact alone. Since the first clause has already established the Dharma, the nine that follow speak in succession according to the shallowness or depth of the occasion, and the matter of expounding the Dharma has not been withdrawn. Chengguan judges these ten clauses as a whole, saying “within the benefiting of beings by the Dharma there are ten samādhis, all of them according to the convenience of the desire received, whereby such profound samādhis are gained — ponder it” — the words “benefiting beings by the Dharma” are the title of this whole passage, and “according to the convenience of the desire received” is a skillful means, not a substitute. Fazang judges by the same axis, saying “within it there are ten samādhis, all of them making use of desire to convert the sentient beings who dwell in desire, causing them to gain such profound samādhis as these.”
Bringing it to the ground: what is gained in the first clause is “the objective realm without attachment,” and what is gained in the second is “gladness” — what is gained after parting from desire is not a dry blandness but non-attachment and gladness. This is the keynote all the way down the ten clauses.
The Third and Fourth of the Ten Samādhis: Speaking and Gaining Unobstructed Voice and Sound · Taking the Hand and Gaining the Going to All Buddha-Lands
The third clause: “if there are sentient beings who merely speak with me for a moment, they then part from craving and desire and gain the bodhisattva samādhi of unobstructed voice and sound.” The occasion is speech and what is gained lies likewise in voice and sound — this is one plain rule of the passage: the matter that is the occasion and the samādhi that is gained mostly answer to each other in sense. Li Tongxuan reads this clause thus: “this makes clear the giving rise to wisdom out of concentration, and the comprehending that voice and sound have no substance,” setting the point down upon the absence of self-nature in voice and sound.
The fourth clause: “if there are sentient beings who merely take my hand for a moment, they then part from craving and desire and gain the bodhisattva samādhi of going everywhere to all buddha-lands.” The hand is the instrument of drawing in, and therefore what is gained is the going everywhere to all buddha-lands. Li Tongxuan glosses this clause as the sense of leading and drawing in.
Clear away a misreading: to suppose that the correspondence between the occasion and what is gained was pieced together by later hands. In the passage before, upon seeing the proper recompense, the scripture text had already said that of “all the differing speech and sound of all sentient beings she was fully possessed, with not one that she did not comprehend,” and that the one occasion of speech gains the samādhi of voice and sound runs through with that very clause. Bringing it to the ground: in reading these ten clauses one may ask of each in turn, ‘what is the answering between this occasion and this samādhi,’ and the scripture text has prepared the answer of itself.
The Fifth and Sixth of the Ten Samādhis: Mounting the Seat and Gaining the Light of Liberation · A Moment’s Looking and Gaining Still Adornment
The fifth clause: “if there are sentient beings who merely mount my seat for a moment, they then part from craving and desire and gain the bodhisattva samādhi of the light of liberation.” In the sixty this clause reads “those who lodge together with me gain the samādhi of the light of liberation,” the wording of the occasion differing in the two witnesses while the name of the samādhi is the same. Li Tongxuan glosses the mounting of the seat thus: “the mounting of the seat is the increase of the knowledge that is without marks.”
The sixth clause: “if there are sentient beings who merely look upon me for a moment, they then part from craving and desire and gain the bodhisattva samādhi of still adornment.” The occasion is looking, and what is gained is still adornment. Li Tongxuan glosses this clause thus: “‘merely looking upon me’ is the sense of contemplative illumination” — the one occasion of looking answers exactly to the knowledge of contemplative illumination.
Clear away a misreading: to suppose that the closer the occasion the coarser the Dharma. Under the ten occasions the scripture text sets one samādhi to each occasion and establishes the name of each, and nowhere judges the coarseness or fineness of the Dharma by the nearness or distance of the occasion. Bringing it to the ground: the sequence of this passage runs contrary to the judgment of the world, and finding it unaccustomed is exactly the place it means to cure.
The Seventh and Eighth of the Ten Samādhis: Stretching and Crushing the Outsider Paths · Blinking and Gaining the Light of a Buddha’s Objective Realm
The seventh clause: “if there are sentient beings who see me stretching, they then part from craving and desire and gain the bodhisattva samādhi of crushing the outsider paths.” Stretching is the mark of extending the body. Li Tongxuan glosses this clause thus: “stretching is the sense of delight in the Dharma.”
The eighth clause: “if there are sentient beings who see me blink, they then part from craving and desire and gain the bodhisattva samādhi of the light of a buddha’s objective realm.” To blink is for the eyes to close and open once. Li Tongxuan glosses this clause thus: “blinking is the seeing of the truth and the entering into the objective realm of a buddha’s knowledge.”
These two clauses are the two finest occasions in the whole passage — an extending of the body, a single blink of the eyes. And what is gained is, in the one, the crushing of the outsider paths, and in the other, the light of a buddha’s objective realm.
Clear away a misreading: to suppose that this says a posture can deliver people. The subject of the scripture text from first to last is that one word “gain” — those who gain are the sentient beings, and the occasion by which they can gain is what they have seen in this good friend. Bringing it to the ground: the occasion can be as fine as a single blink because within that blink there is the whole weight of her concentration; it is not that the gesture itself has power.
The Ninth and Tenth of the Ten Samādhis: Embracing and Gaining the Gathering In of All Sentient Beings · Sucking the Lips and Gaining the Increase of the Treasury of Merit
The ninth clause: “if there are sentient beings who embrace me, they then part from craving and desire and gain the bodhisattva samādhi of gathering in all sentient beings and never forsaking them”; the tenth clause: “if there are sentient beings who suck my lips, they then part from craving and desire and gain the bodhisattva samādhi of increasing the treasury of merit of all sentient beings.”
These are the two nearest occasions in the whole passage. In the sixty these two clauses keep transcribed words, reading “those who aliyi me gain the samādhi of gathering in all sentient beings” and “those who azhongbi me gain the samādhi of the secret treasury of all merit and virtue”; Fazang, upon that witness, transmits their names in this tongue, saying “as for aliyi, in this tongue it is embracing, holding, and touching, which is the mark of gathering in, and therefore that samādhi is gained,” and saying “as for azhongpi, in this tongue it is the mouthing of the mouth, and what is gained is the concentration of the secret treasury of the teaching in words”; what Zhiyan transmits reads as fundamental desire and right desire. Li Tongxuan glosses directly upon the wording of the eighty, saying “as for those who embrace me, it is the sense of gathering in sentient beings and not forsaking them; as for those who suck my lips, it is the sense of receiving the teaching and expounding the Dharma.”
The names of what is gained should be seen clearly: what embracing gains is “gathering in all sentient beings and never forsaking them,” and the mark of embracing answers to the sense of gathering in and not forsaking; what sucking the lips gains is “increasing the treasury of merit of all sentient beings,” and the mark of the mouth answers to the sense of teaching in words. Of the two sayings of Fazang and Li Tongxuan, the one matches the mouth to the concentration of the secret treasury and the other matches the mouth to receiving the teaching and expounding the Dharma, and each stands on a track of its own.
Clear away a misreading: to suppose that the scripture text here is describing the fine details of an outward matter. The sixty keeps the transcription and the eighty translates directly; and those who expressly gloss these two occasions by gathering in and by teaching in words are two houses, Fazang and Li Tongxuan — Fazang takes aliyi for the mark of gathering in and azhongpi for the concentration of the secret treasury of the teaching in words, while Li Tongxuan takes embracing for the sense of gathering in sentient beings and not forsaking them and the sucking of the lips for the sense of receiving the teaching and expounding the Dharma. What Zhiyan transmits reads as fundamental desire and right desire, a track of its own; and Chengguan, in this passage, judges the ten samādhis only in general and does not gloss these two occasions one by one. Bringing it to the ground: how a passage of writing is to be read is first seen from where those who have read it from of old bring it down.
The General Conclusion of the Working: Whatever Sentient Beings Draw Near to Me
After the ten clauses comes one clause of general gathering: “whatever sentient beings draw near to me, all of them are able to abide in the limit apart from craving, and to enter the liberation, present before them and unobstructed, of a bodhisattva’s ground of omniscient knowledge.” The ten clauses before all read “if there are sentient beings,” and this clause turns to “whatever sentient beings” — the particular occasion turns into the general occasion, and the ten samādhis are gathered into a single “abiding in the limit apart from craving.”
Li Tongxuan glosses this clause thus: “it raises them all together, that of all who draw near not one passes by in vain, and all obtain the gate of omniscient knowledge”; and upon this he draws out a further sense, saying “this makes clear that those of the two vehicles and the bodhisattvas who have come out of the bonds seek only to part from suffering, and have not entered into great kindness and compassion, entering the sea of birth-and-death to share in the work and draw beings in,” and saying “they do not reach the sovereign king of knowledge of the Dharma realm, who dwells in the defiled and the pure and yet is without stain.”
Clear away a misreading: to suppose that after the ten clauses each goes its own way and there is no general gathering. The concluding clause says it plainly: the names of the ten samādhis differ one from another, and yet what they come home to is one place only — abiding in the limit apart from craving, entering a bodhisattva’s ground of omniscient knowledge. The names differ and the coming home is one; nor is the shallowness or depth of the occasion made a judgment of high and low. Bringing it to the ground: in reading a passage that sets things out in a list, the clause of general gathering at the end is often weightier than the ten clauses before it.
Sudhana Asks Again: How Did You Come by This?
Sudhana does not stop at praising; he asks a second question: “holy one, what roots of goodness did you plant, what works of merit did you cultivate, that you have been able to accomplish such sovereignty as this?”
This question asks after the cause. The former question asked after the Dharma (how is a bodhisattva to study the practice of a bodhisattva), and this one asks how it is that this good friend can have such a Dharma. Chengguan judges this to be “the occasion by which the Dharma was gained, first the asking and afterward the answering.”
Clear away a misreading: to suppose that this is curiosity. Among the several units of this assembly, not every one has the asking after the occasion by which the Dharma was gained; this unit has this one question precisely because the mark she manifests is so far out of the ordinary that without knowing its cause the mind cannot be at rest. Bringing it to the ground: when you see a person able to do what you cannot do, to ask ‘how did you come by this’ is of more use than to ask ‘what are you doing.’
The Answer: One Jeweled Coin
Her answer is a passage of a bygone matter. In the past a buddha appeared in the world named Lofty Practice, and the city of his royal capital was called Wondrous Gate. That tathāgata, taking pity on sentient beings, entered the royal city and set his foot upon the threshold, and the whole city shook, and of a sudden became vast and broad, adorned with the many jewels, the music of the gods struck up together, and the gods filling the empty sky. At that time she was an elder’s wife named Excellent Wisdom; seeing the Buddha’s spiritual power, awakening arose in her mind, and together with her husband she went to where the Buddha was, and “made an offering of one jeweled coin.” At that time Mañjuśrī the youth was the Buddha’s attendant, and expounded the Dharma for her, causing her to give rise to the mind of anuttarā-samyak-saṃbodhi.
Upon this jeweled coin Chengguan sets up two senses, saying “as for the giving of one jeweled coin, there are two senses: first, that it was a jewel and yet she could give it away, and so she gained the parting from craving; second, that one coin though slight, being given with the mind of awakening, accomplished this sovereignty.” The first is with reference to the thing given away — it was a jewel and yet she could give it away, and so she called forth the fruit of parting from craving; the second is with reference to the mind that gave — the coin was but one, and the mind was awakening, and so she called forth such sovereignty as this. Li Tongxuan makes a separate division, saying “this makes clear that in the cause of the past, the giving away of the jeweled coin she held dear is the parting from craving, and Mañjuśrī’s urging her to give rise to the unsurpassed mind of awakening is the parting from desire,” and saying again “as with the one jeweled coin, what was given was not much, but because the mind held it dear, that she could give it away is no different from giving much.”
There is a fact of the parallel translations to be set down here: in the sixty what is offered at this place is not a jeweled coin but “a wondrous jeweled crown of the gods”; only the eighty and the forty have one jeweled coin. Chengguan’s and Li Tongxuan’s two senses of the one jeweled coin are both fastened to the wording of the eighty.
Clear away a misreading: to suppose that to accomplish such a Dharma gate the ground of the cause must have been some startling great affair. What the scripture text gives is one coin. Bringing it to the ground: a cause is a cause not by its quantity but by whether that one thought is the mind of awakening. This passage is the place in the whole unit where the foot finds surest ground.
Humbling Herself and Pointing to the Superior: I Know Only This One
She goes on to say “son of good family! I know only this bodhisattva liberation of the limit apart from craving. As for the bodhisattva-mahāsattvas, they have accomplished the boundless knowledge of skillful and adroit means, their treasury is vast and great, and their objective realm is beyond compare — how then could I be able to know, or be able to tell of, their practices of merit and virtue?”
Most of the good friends of this assembly have this passage; Chengguan, speaking of the common rule, says that only the first friend and the last three lack these two matters, the humbling of oneself and the pointing to the superior. Fazang sets it up as a heading of its own, calling it “looking up and pointing to the superior advance: the great bodhisattvas have measureless and vast skillful means, and how could I be able to know it”; Zhiyan makes it “looking up and pointing to the superior portion.”
One graph deserves attention: at the setting forth of the name the scripture text reads “the limit apart from craving and desire,” and at the humbling of herself it reads “the liberation of the limit apart from craving,” one graph, “desire,” being fewer — the base text is thus graph for graph, and the two places are not level with each other.
Clear away a misreading: to suppose that the humbling of herself is a courtesy. What she points to is “the boundless knowledge of skillful and adroit means” — precisely the very road she has walked all her life. To point to the superior where what is pointed to is of one kind with oneself is harder than to say vaguely that one falls short. Bringing it to the ground: to know which gate it is that one knows matters more than to know many things.
Pointing Out the Next Friend: Encompassing of the City Good Deliverance
“Son of good family! From here, going southward, there is a city named Good Deliverance; and within it there is a householder named Encompassing, who constantly makes offerings at the buddha-stūpa of the sandalwood seat. Go to him and ask: how is a bodhisattva to study the practice of a bodhisattva and to cultivate the path of a bodhisattva?”
Three names come out together — the city named Good Deliverance, the person named Encompassing, and his practice, which is constantly making offerings at the buddha-stūpa of the sandalwood seat. Li Tongxuan glosses the city’s name thus: “as for the city being named Good Deliverance, it is with reference to this householder’s good deliverance of sentient beings.” In the sixty this place has the city named Shoupoboluo and the elder named Abiding at Ease, and in the forty the city named Pure Arrival at the Other Shore and the householder named Encompassing in the other transcription — the names in the three witnesses differ from one another.
Clear away a misreading: to suppose that the pointing out of the next friend is a bridging phrase for a change of scene. It is in fact the bone of the whole of 〈Entering the Dharma Realm〉 — each good friend pushes Sudhana on to the next, and the journey of more than a hundred cities is strung together in just this way. Bringing it to the ground: a true good friend will always send a person on beyond himself.
Cherishing Her Virtue and Taking Leave
The last passage is extremely short: “at that time, Sudhana the youth bowed to her feet, circled her measureless times, gazed up at her earnestly, took his leave, and departed.”
The taking of leave in this unit is pared down to four matters only — bowing, circling, gazing up, departing. Chengguan’s outline within the window of this section stops at the passage of the occasion by which the Dharma was gained, and he sets up no separate headings for these three; the titles of these three sections are named after his common headings for the six passages.
Clear away a misreading: to suppose that where the text is short the matter is light. The whole weight of this section has already come down upon the long passage in the middle, and the last passage needs nothing added. Bringing it to the ground: when a stretch of road has been walked one goes on forward, and that is the whole meaning of the four graphs “took his leave and departed.”
Lineage
Of the text of this section, three streams are opened downward.
The first is the line of the witnesses. As for this woman’s name, the eighty and the sixty both have Vasumitrā and the forty has Vasumitrā in the other transcription. As for the name of the Dharma gate, the eighty and the forty have the limit apart from craving and desire, the sixty the true limit apart from desire; the name Zhiyan uses is the same as the sixty’s, and Fazang in his prose likewise uses the pure Dharma gate of the true limit apart from desire — which name is used is fastened to which witness is read. As for the thing offered in the passage of the former life, the eighty and the forty have one jeweled coin, the sixty a wondrous jeweled crown of the gods; as for the elder’s wife’s name, the eighty has Excellent Wisdom, the sixty Good Woman, the forty Wondrous Knowledge. The city and the person of the next friend likewise have their several names in the three. After the general conclusion of the ten samādhis the forty has a further question and answer of its own, discussing the faults and troubles of a woman’s form and coming home to the parting from desire, which passage neither the eighty nor the sixty has — the having and the not having are set down as they are, without judging which is the original text.
The second is the line of the gloss on the name. All three houses transmit the two names Friend of the World and Friend of the Gods (Zhiyan sets up no separate gloss of the name within the window of this section): Chengguan says it is because she converts by expedients according to the people of the world and the gods, Fazang says it is because she is adroit and able to lead in and gather up all the worlds, Li Tongxuan says it is because she can be a teacher and friend to the people of the world, and can be a teacher and friend to the gods. Li Tongxuan transmits two further sayings, the one that it is Exchanging Jewels and the other that it is exchanging jewels for goods; and upon this woman’s practice he sets down one word, saying “this is being unstained and yet stained, which only Samantabhadra’s knowledge reaches.” The three houses agree in the gloss of the name while the sense each fastens it to has its own leaning; recorded without adjudication.
The third is the line of the divisions of the outline. Chengguan makes three divisions (seeking in accord with the teaching · seeing, paying respects, and inquiring · conferring her own Dharma realm); Fazang, upon the sixty, makes four passages and after the showing of her own Dharma realm sets up a fifth, the looking up and pointing to the superior advance; Zhiyan makes three passages and within the true realization opens two further (expounding the Dharma gate of herself · looking up and pointing to the superior portion); Li Tongxuan does not outline unit by unit but sets up five gates of truly entering the Dharma gate of the present position and five gates of pointing to virtue and advancing upward. As for the place of dwelling, the eighty has north of the market stalls, in a house of her own, and Chengguan sets up his gloss upon clamor and stillness; the sixty has the deep palace, and Fazang sets up his gloss upon the three objective realms of the Sanfadu jing — the witnesses they rest upon differing, the marks they set up differ as well. These several divergent glosses are all the settled sayings of the ancient worthies, and are recorded without adjudication.
Within one city, two kinds of people, looking at one and the same matter. Those who cannot see through it are anxious for him; those who can see through it are glad for him. The scripture text has kept both voices and cut away not one clause. To read this section, one must first admit that one may well be among them.
品三十九 入法界品 · 鞞瑟胝羅居士(寄入一切平等善根迴向)Entering the Dharma Realm · The Householder Encompassing (Assigned to the Dedication of Entering All Equal Roots of Goodness)
全文五層 →Full five layers →善財這一次是自己走進門的
本節起手極快。善財「漸次遊行,至善度城,詣居士宅,頂禮其足,合掌而立」,接著就是那句他一路問了二十幾次的話:「我已先發阿耨多羅三藐三菩提心,而未知菩薩云何學菩薩行?云何修菩薩道?」
有一件事值得先問:前面幾位善友之處,經文多有一段『念前友之教』的文字,善財要在路上把上一位所給的法帶著走;這一節為什麼沒有?澄觀讀到這裡直說「文中第一依教趣求,闕無念法」——也就是說,缺的那一段,古德早已看見並且記下,不是傳寫脫落,而是此子之文本來如此。法藏就六十本讀到同一處,也說「第二依教趣入中,略無念法」。四十本於此處反有一段承前之文:善財聞前友之法門而一心隨順、憶念修行,歷十種三昧而後「念一切智」,然後才「漸次前行,至彼岸城」——八十與六十所闕的那一段,四十具之;三本之異,考據層並錄。
要排一個誤解:缺了念法,不等於善財這一站來得草率。經文緊接著就是頂禮、合掌、發問三事俱全,見敬諮問一分反而寫得整齊。落到地上:讀一段經而發現它『少了什麼』時,先看古德有沒有也看見——看見了而不補,往往正是要你留意此子的重心不在那裡。
他所得的解脫,名字就是全篇的題目
居士開口第一句不是講理,是報名字:「我得菩薩解脫,名:不般涅槃際。」
為什麼要先報名字?因為這一節所要破的,是一個看起來最不需要破的常識——佛入涅槃了。名字立在前面,下面三段才有著落。澄觀釋這個名字,把重量放在一個字上:「不般涅槃際者,般者入也,窮諸如來不入涅槃之實際故。」『般』在這裡不是音節而是義,是『入』;『不般涅槃』就是不入涅槃;『際』是窮到底的那個實際。他隨即引本經〈如來出現品〉為據,說「故〈出現品〉云「如實際涅槃,如來涅槃亦如是。」」
要排一個誤解:這不是說佛沒有示現過涅槃。名字說的是『際』——窮到實際處,如來未曾入。落到地上:一個法門的名字,往往就是它要你重新看一遍的那件事;名字聽起來越像常識的反面,越要把它讀完再判斷。
心裡不起這三句話
顯體一節,經文用了本節最整齊的一組排比:「我不生心言:『如是如來已般涅槃,如是如來現般涅槃,如是如來當般涅槃。』」
先問:不生心,是不去想它,還是想不起來?澄觀答得很短:「二「善男子我不生心」下顯體,謂心契實際,知佛常住。」不是壓住不想,是心已經契到那個實際上去了,所以那三句話生不起來——如同知道日不曾滅的人,不會在心裡起『日已沒了』的念。
要排一個誤解:三句遣的是三時之見,不是遣『示現』這件事。經文遣的是「如是如來已般涅槃」這類判定之心,不是說世間不曾見過佛的涅槃相。落到地上:修行上真正該檢查的,不是嘴上說不說佛入涅槃,是心裡起不起『他已經不在了』這一念。
畢竟無有般涅槃者——唯除示現
釋疑一節是本節的正面陳述:「我知十方一切世界諸佛如來,畢竟無有般涅槃者,唯除為欲調伏眾生而示現耳。」
先問:既然不曾涅槃,那雙林之下所見的是什麼?經文自己給了唯一的例外句——為調伏眾生而示現。澄觀於此段仍不獨立立義,而是把它繫回本經與《楞伽》:「三「唯除」下釋疑,並如〈出現品〉辨」,又說「《楞伽》亦云「無有佛涅槃,無有涅槃佛。」」法藏就六十本此處另下一喻,說「又佛月常住,但眾生心水影有現滅」——月不曾出沒,出沒的是水中的影。
要排一個誤解:『唯除示現』不是給常住之說留一個漏洞,恰恰是把示現安置成用而非體。法藏說得更直:「除化眾生者,但變異他心令見出歿,其實常身無出無滅。」落到地上:見佛涅槃而生悲,是眾生心水之事;把這一悲讀成『佛真的走了』,才是這一節要治的。
開塔門的那一刻
前四節都是說理,第五節忽然落到一件很具體的事上:「善男子!我開栴檀座如來塔門時,得三昧,名:佛種無盡。」
先問:這一段和前面的常住之義有什麼關係?澄觀判得很清楚,說「四「我開」下顯其業用。於中二:先辨用所依,亦是證前不涅槃義,舉現見故」——這不是另起一段神異,是為前面那句話舉現量。他解三昧之名時,就名而釋其義,說:「佛種無盡者,佛種從緣起。佛緣理生,見理湛然,故見佛無滅,以佛化身即是常身法身故。」法藏就開塔一事分事理二層,說「以開塔者,開其事相也。得定者,見理性也」。
要排一個誤解:不是塔有神力。澄觀就此塔說「常供佛塔者,善根中最故」,成熟的是這一顆常供之心。澄觀於居士何以偏供此塔一事,亦坦言「未詳何緣偏供此塔」,只錄一說而不強斷。落到地上:一件做了很久的小事,可能就是你的塔門。
念念入、念念知
得定不是一次。經文接著說:「我念念中入此三昧,念念得知一切無量殊勝之事。」
先問:為什麼要強調『念念』?因為前面說的是佛無滅,若這一位居士只在某一次入定中見到,那所見便成了一段回憶,回憶是有生滅的。念念入、念念知,所知才與所證之義相稱——無滅之佛,配的是不斷之見。
要排一個誤解:念念不是指他勤快,是指這個三昧不待起念而現前,正如前面所說的『不生心』——不生分別之心,而知不斷。落到地上:檢查一個所謂的『得力』,不看它最強的那一次,看它斷不斷。
善財為什麼還要追問
居士話說到這裡已經完整,善財卻沒有停下:「善財白言:「此三昧者,境界云何?」」
先問:這一問是好奇嗎?澄觀把它單列一節,說「後「善財白」下問答境界」——在他的科文裡,這一問不與標名、顯體、釋疑、業用四節同級,而是業用一節之下所開二項之後一項,與「先辨用所依」並列。也就是說,法門之名與體已經給了,善財要的是『所見』。法藏就六十本同樣把它獨立出來,說「三「白言」下明業用中,先問、後答」。
要排一個誤解:追問不是不信。前面居士說『我知諸佛畢竟無有般涅槃』,若善財不問境界,這句話對他就仍是一句傳聞。落到地上:聽到一個大的結論而不問『那你見到的是什麼』,多半是還沒有真的想要。
所見之一:隨其次第,見此世界一切諸佛
答問一開口就是名單:「我入此三昧,隨其次第,見此世界一切諸佛」,接著「所謂:迦葉佛、拘那含牟尼佛、拘留孫佛、尸棄佛、毘婆尸佛、提舍佛、弗沙佛、無上勝佛、無上蓮華佛」。
先問:所見何以有次第?經文自說「隨其次第」,見諸佛不是雜然並現,而是次第歷然。此次第之所以然,經與古德於此處皆無別釋,據實不代為判。
要排一個誤解:九尊佛不是清單的全部,是『上首』。經文緊接著就說「如是等而為上首」,下面還有一大段。落到地上:所謂見三世佛,起點永遠是離自己最近的那一尊。
所見之二:一念之頃,八級遞增
名單之後是數:「於一念頃,得見百佛,得見千佛,得見百千佛,得見億佛、千億佛、百千億佛、阿庾多億佛、那由他億佛,乃至不可說不可說世界微塵數佛,如是一切,次第皆見。」自百至那由他億凡八級,末以微塵數收。
先問:華嚴慣用大數,這一段的大數用在哪裡?用在『一念頃』上。八級遞增的是所見之佛,時間卻始終是那一念——數愈增而時不增,所以顯出的不是多,是無盡。
要排一個誤解:不是他看得快。經文說「次第皆見」,次第不亂而不費時,正因為所見者不落在時間的排列上。落到地上:凡把功德想成『累積得多』的,讀到這一段可以停一停——這裡增的是所見,不是所費。
所見之三:見的是一尊佛的一生
見佛不是見一個相,是見全程:「亦見彼佛,初始發心,種諸善根,獲勝神通,成就大願,修行妙行,具波羅蜜,入菩薩地,得清淨忍,摧伏魔軍,成正等覺,國土清淨,眾會圍遶,放大光明,轉妙法輪,神通變現」——自初發心至神通變現凡十五事;而後「種種差別,我悉能持,我悉能憶,悉能觀察,分別顯示」。
先問:為什麼要見得這麼細?因為前面所立之義是佛種從緣起。若只見成佛之果,佛便像是忽然有的;十五事逐一見過,才見得出『緣』——發心是緣,善根是緣,乃至轉法輪也是緣。
要排一個誤解:能持能憶不是記性好。持與憶之後還有觀察與分別顯示,末一事是能為他人開列出來——所以這是可傳的見,不是私有的經驗。落到地上:檢查自己對一位佛、一位師的認識,是只認得果相,還是連他怎麼走過來的都認得。
未來與現在,也都這樣
見過去之後,經文只用一句就把三世補齊:「未來彌勒佛等一切諸佛,現在毘盧遮那佛等一切諸佛,悉亦如是。」
先問:未來之佛尚未出世,怎麼見?若佛之為佛在於緣起而理常,那麼未來佛之所以為佛的那個『理』並不待時而有,所見者是此。澄觀於本節之義早已先立——「佛緣理生,見理湛然,故見佛無滅」;理不隨時,故三世同見。
要排一個誤解:不可把所見收成唯理而排開事。法藏就六十本科此一段,說「初見過去佛因果等事、二類未來現在」——先見過去佛之因果等事,未來與現在則以此類通;經文自身亦只說「悉亦如是」,所類通者正是前文所列之十五事。落到地上:三世之所以能打通,繫於那個不隨時間增減的理;而理既通,所見者仍是佛之因果行事,不是把事相抽掉。
十方三世,連二乘與菩薩眾也一樣
最後一句把範圍推到盡處:「如此世界,十方世界所有三世一切諸佛、聲聞、獨覺、諸菩薩眾,悉亦如是。」
先問:為什麼要把聲聞獨覺也算進來?因為本節所立之義是不入涅槃之實際;聲聞獨覺正是世間認定『入了涅槃就不再出現』的那一類。連他們也在所見之中,這一義才算窮到底。
要排一個誤解:這不是判二乘之高下,本節於此一字未評,只是列在所見之內。落到地上:一個法門是不是究竟,看它敢不敢把最難安置的那一類放進來。
我只得到這一個
答完境界,居士立刻轉口:「善男子!我唯得此菩薩所得不般涅槃際解脫。」
先問:見了那麼多佛,怎麼還說『唯得』?因為所得之法只有一個,所見之佛雖多,仍是這一個法門之用。本會諸友多有此一句,而各人所謙者不同;澄觀於本節點出他所未及之處,說「推勝中,長者雖知三世不滅,未能一念而知及能所平等」——他知三世不滅,這是他的所得;未能一念而知、未能能所平等,這是他的分限。
要排一個誤解:謙己不是客套。澄觀所指的兩件事,正是下文經文所舉之勝的頭兩句,經與疏在此對得很緊。落到地上:知道自己所得的邊在哪裡,這件事本身就要有相當的所得才做得到。
推勝之一:一念智普知三世
所推之勝,第一句是:「如諸菩薩摩訶薩,以一念智普知三世,一念遍入一切三昧。」
先問:居士不是也『念念得知』嗎?差別在『念念』與『一念』。念念得知是一念一念相續而不斷,一念普知是不待相續;念念遍入是入了又入,一念遍入是不待次第。法藏就六十本說得更清楚,他說長者「未能以能知之一念與所知之三際平等無二也」——差在能知的那一念與所知的三際還沒有平等成一。
要排一個誤解:這不是說居士的三昧不真,是說相續之見與無待之知有分限。落到地上:修行上最容易誤判的一處,就是把『很密的相續』當成『已經無待』。
推勝之二:智日恒照,佛與我與眾生無二
第二句更進:「如來智日恒照其心,於一切法無有分別,了一切佛悉皆平等、如來及我一切眾生等無有二。」
先問:前一句說知三世,這一句說什麼?說能所之平等。前面居士所見,是他見諸佛;這裡所舉,是如來與我與一切眾生無二——見者與所見不再是兩頭。澄觀所謂「未能一念而知及能所平等」,第二件正指此。
要排一個誤解:『等無有二』不是說眾生已經是佛,是說在這個智照之下沒有能所之隔。經文用的是『等無有二』,不是『即是』。落到地上:讀到一切平等之語就以為不必修,是把果地的所見當成因地的現況。
推勝之三:自性清淨,而能普入世間
第三句轉到用上:「知一切法自性清淨,無有思慮,無有動轉,而能普入一切世間,離諸分別,住佛法印,悉能開悟法界眾生。」
先問:無思慮無動轉,怎麼還能普入世間開悟眾生?這一句的關節在『而能』二字——不是先靜後動,是無動轉即是普入。本節開頭那位開栴檀座如來塔門而得佛種無盡三昧的居士,所行的正是這個方向的初階;此處所舉,是同一方向的極處。
要排一個誤解:『自性清淨』不是說眾生現在沒有煩惱,是說法之自性上無染,故開悟為可能。落到地上:一切度生之行若沒有這一句作底,就會變成推著人走;有了這一句,才是開,不是推。
那句反問,不是客套
推勝之後是一句反問:「而我云何能知能說彼功德行?」
先問:他明明已經說了一大段彼菩薩之功德,怎麼又說不能知不能說?所說者是聞而能舉,所不能者是知而能證;舉得出名目與親證其境,不是一事。這一問把前面那一整段所舉之勝,全部放回『我未到』的位置上。
要排一個誤解:這不是自貶以顯謙德。澄觀把謙己與推勝合為一科而稱「第四謙己推勝」,法藏則稱「仰推勝進」——推的是勝,向的是進,所以這一問是向上開路之語,不是收束之語。落到地上:一句『我說不出來』說在你已經說得很好之後,才有分量。
指示後友:山名補怛洛迦,友名觀自在
末分是送行:「善男子!於此南方有山,名:補怛洛迦;彼有菩薩,名:觀自在。汝詣彼問:菩薩云何學菩薩行、修菩薩道?」
先問:這位居士守塔而見佛常住,何以指去一位以大悲著稱的菩薩?澄觀就頌中之語下了一轉,說「言海上有山者,大悲隨順入生死海,而住涅槃山故」——海是生死,山是涅槃,而山在海上。前一站所得是知佛不入涅槃,下一站要看的是住涅槃而入生死。
要排一個誤解:指示後友不是本節之附錄。所指之人與所得之法向來相接,經文自身的次第即是修行的次第。落到地上:一個真的老師,會把你送到你還沒有的那一邊去。
為什麼這一位要另加一段偈頌
指示之後,經文說「即說頌言:」,接著四行頌。
先問:本會諸友指示後友多止於長行,何以此處加頌?澄觀直說其故:「第五「於此南」下指示後友中,先長行、後偈頌。以大悲菩薩眾尊重故,偏加於頌。」是為著所指之人尊重而加,不是文體之飾。四十本此處亦有頌四行,六十本則無偈而逕以長行收束——三本異形,考據層並錄。
要排一個誤解:加頌不等於長行說得不夠。長行已把方所與人名說完,頌所加的是境與勸。落到地上:對將要去見的人先起敬重,這一段路才走得成。
頌之一:海上有山
第一行:「海上有山多聖賢,眾寶所成極清淨,」
先問:為什麼先說山而不先說人?因為善財要去的是一個地方,也是一個境。『海上有山』四字既是實說南印度海畔之山,也承澄觀所指之表——住涅槃山而不離生死海。『多聖賢』一句先給善財一個安心:那不是一個孤僻之處。
要排一個誤解:眾寶所成不是說山有多貴,是說極清淨——寶在此處是清淨之喻,不是價值之喻。落到地上:起腳之前先知所往之處是清淨的,這一念本身就在減少路上的疑。
頌之二:華果泉池
第二行:「華果樹林皆遍滿,泉流池沼悉具足。」
先問:一段指路的偈,為什麼要寫花果泉池?因為所指之處若只有名而無相,善財所起的便是概念。華果者,因華而有果;泉池者,流而能積。所寫之相,句句與大悲之行相稱——遍滿是普,具足是不缺。
要排一個誤解:這不是風景描寫的閒筆。四十本此偈作先泉流而後華林,次第與八十本互倒,二本並存而所寫之相同——可見要緊的是相,不是排列。落到地上:想像一處你要去的道場,若想不出一點具體的相,多半是還沒有真的要去。
頌之三:勇猛丈夫,為利眾生住此山
第三行:「勇猛丈夫觀自在,為利眾生住此山;」
先問:大悲之人,何以稱『勇猛丈夫』?因為入生死海而不退,正需要勇猛;慈悲若無勇猛,只是不忍。經文於此不說他有多少神通,只說他為利眾生而住——住是不去,是長守一處而應一切來者。
要排一個誤解:勇猛不是剛強。整句的重心在『為利眾生』,勇猛是為此而有的德,不是自具的性格。落到地上:判斷一種悲心是不是站得住,看它在難處住不住得下來。
頌之四:汝應往問
第四行:「汝應往問諸功德,彼當示汝大方便。」
先問:所問者為何是『諸功德』?善財一路所問皆是『云何學菩薩行、修菩薩道』,此處頌語則指其所問之實——功德之行。而所許之答是『大方便』,正合觀自在之門。四十本此句作「彼當為汝廣宣說」,八十本作「彼當示汝大方便」,二本異形,考據層並錄。
要排一個誤解:『大方便』不是權宜之計。方便在此與大悲相應,是能入生死海而濟物之能。落到地上:帶著一個具體的問題去見人,比帶著一個籠統的仰慕有用得多。
禮辭:繞行無量匝
末句是善財之辭:「時,善財童子頂禮其足,遶無量匝已,慇懃瞻仰,辭退而去。」
先問:頂禮、繞行、瞻仰三事有何次第?頂禮是身之敬,繞行是不忍遽去,瞻仰是去而目猶在此。三事之後才是『辭退而去』——去得慢,正是所得之重。六十本此處作「辭退南行」,四十本與八十本同作「辭退而去」,三本並錄。
要排一個誤解:這不是禮數的套語。全子八百餘字,末句用了十餘字寫他怎麼離開,篇幅上便可見其非閒文。落到地上:離開一位善知識的方式,是你從他那裡真正帶走了多少的一個現成刻度。
承衍
本節之文,向下所開之流有三條線。
其一是佛不入涅槃之線。澄觀釋本節之名與釋疑二處,皆繫回本經〈如來出現品〉,並引《楞伽》之語為證;本節與〈出現品〉所立同是一義,而〈出現品〉廣說之,本節則以一位居士之所證現之。是以讀本節而覺其義太大者,可回〈出現品〉補其廣。澄觀所引《楞伽》之二句,《演義鈔》復溯其所出——那是彼經之初大慧讚佛之偈;鈔先錄其偈,次錄大雲一家之解,末乃自下「釋曰」而別出「今謂」一解,說初句遣所證之涅槃、次句遣能證之佛、第三句無能所之契合、第四句總結所由。偈是所解、大雲是一家之說、「釋曰」以下是澄觀自出之解,三層各有其人,讀時不可併為一說。
其二是佛種從緣起之線。澄觀釋三昧名時所用之九字,《演義鈔》按其所出,說「疏「佛種從緣起佛緣理生」者,上句是《法華經》,下句是生公釋」,又說「今引生公,正順經中佛種無盡之言」,並引《涅槃》為證。一句釋名之語而繫三典,可見此義非本節孤起。鈔所引《涅槃》之文,至「以是義故,如來實不畢竟涅槃」而止,鈔繼之而釋,明所引諸文皆顯「無永滅之涅槃」與常住真實之涅槃。
其三是諸家異釋之線,各有其軌,誌錄不判。本向之名,澄觀科作入一切平等善根迴向,法藏科作隨順平等善根迴向而訖語作堅固善根迴向位,李通玄與經文品二十五皆作隨順堅固一切善根迴向——四造異形。善友之名,澄觀傳纏裹與攝入二釋,法藏就六十本之安住釋為得佛法身常住供養,又別傳天竺本應名攝持或執持攝入,李通玄則分二字而釋,並傳其具足梵名。城名之釋,澄觀就善度立義,法藏就首婆波羅釋為善妙到彼岸,李通玄就化行釋之。常供此塔之緣,澄觀自言未詳,唯錄一說而不強斷。科之分數,澄觀作五分而首分闕念法一段,法藏就六十本於示己法界下別開四節、於仰推下別開八節;智儼亦就六十本立科,判本友為第二十六隨順堅固善根迴向菩薩位、長者名安住,而開進入四科·正入二分·自分三科,其所用之名形依六十本;李通玄則於〈十迴向品〉隨文釋名,別於本友立正入當位五門與推德昇進五門,至於前友推德昇進之一段,乃前友口中指向本友之語,非本友自身之科。李通玄釋本友,另有數義可教:一切眾生分別之心皆是如來智慧之種,同於諸佛智慧之種,無有生滅等相;居士之身處世化俗,塔室中唯置旃檀座而不置形像,表第六智慧門達無相之法;自佛、諸佛、眾生之智慧本來一際;此迴向以般若為體、餘九為伴,所治者是以出世智慧處生死之中、於大慈悲不得自在之障;後友山名小白花樹,表修慈悲行以謙下極小為行。此諸異釋皆古德成說。
至於寄位之配,屬古德之科而澄觀承之,經文本身不自標其位。澄觀於本會總科處先誌二說:意法師與臺山論「但隨文散釋,更無別配」,光統等師則「皆配地位」;二說並錄不判。
澄觀明判
二說之下,澄觀自下一判:「二皆有理,謂隨一一位具多法門,豈容凡心不得習求善友之法,故不配有理。然無次位中不礙次位,顯位是常規,配亦無失。」配與不配二說皆有其理,配之而不礙其非次第——此是澄觀自己的明判,不是並錄之一說。
一位居士,一座塔,一句『佛畢竟沒有般涅槃』。他所守的是最不起眼的一件事,所開的是最難信的一個門——本節之要,全在這個不相稱上。
This Time Sudhana Walks in at the Gate Himself
This section starts off very fast. Sudhana “traveled on little by little, came to the city Well Crossing, arrived at the householder’s dwelling, bowed to his feet, and joined his palms and stood,” and then comes at once that sentence he has already asked more than twenty times along his road: “I have already given rise, before this, to the mind of anuttarā-samyak-saṃbodhi, and yet I do not know how a bodhisattva is to learn the bodhisattva practice, or how he is to cultivate the bodhisattva path.”
There is one thing worth asking first. At the places of several friends before this, the scripture text often has a passage of ‘calling to mind the teaching of the friend before,’ where Sudhana must carry along the road the Dharma the last one gave him; why is there none of that here? Chengguan, reading to this place, says outright, “within the text, in the first, seeking in accord with the teaching, the calling to mind of the Dharma is absent” — which is to say that the passage that is missing was seen and set down by the ancient worthies long ago; it is not a dropping out in the copying, but the text of this unit being as it originally is. Fazang, reading the same place upon the sixty, likewise says, “within the second, entering in accord with the teaching, the calling to mind of the Dharma is abridged away.” The forty, on the contrary, has at this place a passage carried over from before: Sudhana, having heard the former friend’s Dharma gate, accords with it single-mindedly, calls it to mind and cultivates it, and passes through ten samādhis before “calling to mind all-knowing wisdom,” and only then does he “little by little go forward and come to the city of the Other Shore” — the very passage the eighty and the sixty lack, the forty has; the difference among the three witnesses is recorded side by side in the apparatus layer.
A misreading must be cleared away: that the calling to mind is missing does not amount to Sudhana coming to this station carelessly. What follows immediately in the scripture text is bowing, joining the palms, and asking — three matters all present, so that the one division of seeing, paying respects, and inquiring is on the contrary written out in good order. Bringing it to the ground: when you read a passage of scripture and find that it ‘is missing something,’ first look to see whether the ancient worthies saw it too — that they saw it and did not supply it is often just the way of telling you that the weight of this unit does not lie there.
The Liberation He Has Gained: Its Name Is the Title of the Whole Section
The householder’s first words are not a piece of reasoning; they are the announcing of a name: “I have gained a liberation of a bodhisattva, named the Limit of Not Entering Parinirvāṇa.”
Why announce the name first? Because what this section means to break is the one piece of common sense that looks least in need of breaking — that the Buddha entered nirvāṇa. The name being set up in front, the three passages below it have something to come down upon. Chengguan, glossing this name, puts the weight upon a single graph: “as for the Limit of Not Entering Parinirvāṇa, ‘entering’ means to enter, because it exhausts the true limit wherein the tathāgatas do not enter nirvāṇa.” The graph rendered ‘entering’ is here not a syllable of transcription but a sense: it is ‘to enter’; ‘not entering nirvāṇa’ is just not entering nirvāṇa; and ‘the limit’ is that true limit reached when the matter is pressed to the very bottom. He then cites the Chapter on the Appearance of the Tathāgata of this very scripture as his ground, saying, “therefore the Chapter on the Appearance says, ‘as the true limit is nirvāṇa, so likewise is the nirvāṇa of the Tathāgata.’”
A misreading must be cleared away: this is not to say that the Buddha never displayed a nirvāṇa. What the name speaks of is ‘the limit’ — pressed to the true limit, the Tathāgata has never entered. Bringing it to the ground: the name of a Dharma gate is often just that thing it wants you to look at over again; the more the name sounds like the opposite of common sense, the more it must be read through before it is judged.
In His Mind These Three Sentences Do Not Arise
In the passage displaying the substance, the scripture text uses the most orderly set of parallel clauses in this section: “in my mind there does not arise any such saying as this: ‘this tathāgata has already entered parinirvāṇa, this tathāgata is now entering parinirvāṇa, this tathāgata is going to enter parinirvāṇa.’”
Ask first: not to give rise to the thought — is it not to think of it, or is it to be unable to call it to mind? Chengguan answers very briefly: “second, from ‘son of good family, I do not give rise in mind’ onward is the displaying of the substance, that is, the mind is joined to the true limit and knows that the Buddha constantly abides.” It is not that he presses the thought down and will not think it; it is that the mind has already come to be joined to that true limit, and so those three sentences cannot arise — just as one who knows the sun has never gone out will not give rise in his mind to the thought ‘the sun has now set.’
A misreading must be cleared away: what the three clauses send away is the view of the three times, not the matter of ‘manifesting.’ What the scripture text sends away is a mind of judgment of the kind “this tathāgata has already entered parinirvāṇa”; it is not saying that the world has never seen the mark of a buddha’s nirvāṇa. Bringing it to the ground: what really wants examining in practice is not whether the mouth says the Buddha entered nirvāṇa, but whether the thought ‘he is no longer here’ arises in the mind.
There Is Finally None That Enters Parinirvāṇa — Except for the Manifesting
The passage resolving the doubt is the positive statement of this section: “I know that of the buddhas, the tathāgatas of all the worlds in the ten directions, there is finally none that enters parinirvāṇa, except only that, wishing to tame sentient beings, they manifest it.”
Ask first: if he has never entered nirvāṇa, then what was it that was seen beneath the twin trees? The scripture text itself gives the one and only clause of exception — manifesting for the taming of sentient beings. Chengguan even here does not set up a sense of his own, but fastens it back to this scripture and to the Lengqie: “third, from ‘except only’ onward is the resolving of the doubt, which is discerned as in the Chapter on the Appearance,” and again, “the Lengqie also says, ‘there is no nirvāṇa of a buddha, and no buddha of nirvāṇa.’” Fazang, at this place upon the sixty, sets down a simile besides, saying, “moreover the buddha-moon constantly abides; it is only that in the water of sentient beings’ minds the reflection has its appearing and its vanishing” — the moon has never risen or set; what rises and sets is the reflection in the water.
A misreading must be cleared away: ‘except for the manifesting’ is not a loophole left open in the doctrine of constant abiding; it is precisely the placing of the manifesting as function and not as substance. Fazang puts it more directly: “as for except for converting sentient beings, it is only that he alters the minds of others so that they see an appearing and a vanishing; in truth the constant body has no appearing and no vanishing.” Bringing it to the ground: to see a buddha’s nirvāṇa and give rise to grief is a matter of the water of sentient beings’ minds; to read that grief as ‘the Buddha has really gone away’ is what this section means to cure.
The Moment of Opening the Door of the Stūpa
The first four passages are all statements of principle; the fifth suddenly comes down upon a very concrete matter: “son of good family! At the time when I opened the door of the stūpa of the tathāgata of the sandalwood seat, I gained a samādhi, named the Lineage of the Buddhas Is Inexhaustible.”
Ask first: what has this passage to do with the sense of constant abiding before it? Chengguan judges it very clearly, saying, “fourth, from ‘I opened’ onward displays his working. Within it there are two: first, discerning what the working rests upon, which is also the verifying of the foregoing sense of not entering nirvāṇa, since it adduces present seeing” — this is not another passage of marvels starting up, but the adducing of a direct measure for that sentence above. When he explains the name of the samādhi, he glosses the sense from the name, saying: “as for the lineage of the buddhas being inexhaustible, the lineage of the buddhas arises from conditions. The buddhas are born conditioned upon the principle, and seeing the principle to be limpid one therefore sees that the buddhas have no ceasing, because the buddha’s emanation body is just the constant body, the dharma-body.” Fazang, upon the one matter of opening the stūpa, divides the phenomenal and the principle into two layers, saying, “as for opening the stūpa, it is the opening of its phenomenal aspect. As for gaining the concentration, it is the seeing of the nature that is principle.”
A misreading must be cleared away: it is not that the stūpa has spiritual power. Chengguan says of this stūpa, “as for constantly making offerings at the stūpa of the Buddha, it is because it is the foremost among roots of goodness” — what has ripened is this one mind of constant offering. As to why the householder should make offerings at this stūpa in particular, Chengguan frankly says, “it is not clear on what occasion he makes offerings at this stūpa in particular,” and merely records one saying without forcing a judgment. Bringing it to the ground: one small thing that has been done for a very long time may well be your own door of the stūpa.
Entering Thought-Moment after Thought-Moment, Knowing Thought-Moment after Thought-Moment
The gaining of the concentration is not a single occasion. The scripture text goes on to say: “in thought-moment after thought-moment I enter this samādhi, and in thought-moment after thought-moment I come to know all the measureless surpassing matters.”
Ask first: why is ‘thought-moment after thought-moment’ insisted upon? Because what was said above is that the buddhas have no ceasing; and if this householder saw them only within some one occasion of entering concentration, then what he saw would have become a piece of memory, and memory has arising and ceasing. Entering thought-moment after thought-moment and knowing thought-moment after thought-moment — only so does what is known answer to the sense he has realized: to buddhas without ceasing there answers a seeing without break.
A misreading must be cleared away: ‘thought-moment after thought-moment’ does not point to his diligence, but to this samādhi being present without waiting upon the rousing of a thought, just as was said above about ‘not giving rise in mind’ — no mind of discrimination arises, and yet the knowing does not break off. Bringing it to the ground: to examine any so-called ‘gaining of strength,’ do not look at its strongest single occasion; look at whether it breaks off.
Why Sudhana Presses On with a Further Question
The householder’s words are complete at this point, and yet Sudhana does not stop: “Sudhana said: ‘as for this samādhi, what is its objective realm?’”
Ask first: is this question curiosity? Chengguan sets it out as a passage of its own, saying, “afterward, from ‘Sudhana said’ onward, is the asking and answering about the objective realm” — within his outline this one question does not stand on the same level as the setting forth of the name, the displaying of the substance, the resolving of the doubt, and the working; it is the latter of the two items opened under the working itself, set beside the discerning of what the working rests upon. Which is to say: the name and the substance of the Dharma gate have been given, and what Sudhana wants is ‘what is seen.’ Fazang, upon the sixty, likewise sets it apart, saying, “third, from ‘he said’ onward makes clear the working, first the asking and afterward the answering.”
A misreading must be cleared away: to press the question is not to disbelieve. The householder said above, ‘I know that the buddhas finally do not enter parinirvāṇa’; and if Sudhana did not ask after the objective realm, that sentence would remain for him a piece of hearsay. Bringing it to the ground: to hear a great conclusion and not ask ‘then what is it that you have seen’ is for the most part not yet really to want it.
What He Sees (1): Following Their Sequence, He Sees All the Buddhas of This World
The answer opens with a roll of names: “I enter this samādhi, and following their sequence I see all the buddhas of this world,” and then, “that is to say: the buddha Kāśyapa, the buddha Kanakamuni, the buddha Krakucchanda, the buddha Śikhin, the buddha Vipaśyin, the buddha Tiṣya, the buddha Puṣya, the buddha Unsurpassed Victory, the buddha Unsurpassed Lotus.”
Ask first: why should what is seen have a sequence? The scripture text says of itself, “following their sequence”: the seeing of the buddhas is not a jumbled simultaneous appearing, but a sequence plainly kept. As for why this sequence should be so, neither the scripture nor the ancient worthies sets up any separate gloss at this place, and no judgment is here made on their behalf, as the case is.
A misreading must be cleared away: the nine buddhas are not the whole of the roll; they are ‘the foremost.’ The scripture text goes on immediately to say, “buddhas such as these taken as the foremost,” and there is a long passage below. Bringing it to the ground: as for seeing the buddhas of the three times, the starting point is always the one nearest to yourself.
What He Sees (2): Within the Space of a Single Thought, Eight Steps of Increase
After the roll of names comes number: “within the space of a single thought I come to see a hundred buddhas, I come to see a thousand buddhas, I come to see a hundred thousand buddhas, I come to see a koṭi of buddhas, a thousand koṭis of buddhas, a hundred thousand koṭis of buddhas, an ayuta of koṭis of buddhas, a nayuta of koṭis of buddhas, and on to buddhas as many as the dust motes of unspeakably unspeakable worlds; all such as these I see in their sequence.” From a hundred up to a nayuta of koṭis there are eight steps in all, gathered at the end by the number of dust motes.
Ask first: the Avataṃsaka is accustomed to great numbers, so where are the great numbers of this passage put to work? They are put to work upon ‘the space of a single thought.’ What increases through the eight steps is the buddhas seen, while the time is throughout that one single thought — the number increases and the time does not, and so what is displayed is not muchness but inexhaustibility.
A misreading must be cleared away: it is not that he looks quickly. The scripture text says “in their sequence I see them all”; that the sequence is not disordered and yet costs no time is precisely because what is seen does not fall within an arrangement in time. Bringing it to the ground: anyone who has been thinking of merit as ‘accumulating a great deal’ may pause a moment at this passage — what increases here is what is seen, not what is spent.
What He Sees (3): What Is Seen Is the Whole Course of a Single Buddha
To see a buddha is not to see one mark; it is to see the whole course: “I also see those buddhas at the first beginning when they roused the mind, planting the several roots of goodness, obtaining surpassing spiritual penetrations, accomplishing great vows, cultivating wondrous practices, being complete in the perfections, entering the grounds of a bodhisattva, gaining the pure forbearance, crushing the armies of the demons, accomplishing perfect awakening, their lands pure, the assembly gathered and surrounding them, sending forth a great light, turning the wondrous wheel of the Dharma, manifesting spiritual transformations” — from the first rousing of the mind to the manifesting of spiritual transformations, fifteen matters in all; and afterward, “the several differences within it I am all able to hold, I am all able to keep in mind, all able to contemplate, and to distinguish and display.”
Ask first: why must the seeing be so detailed? Because the sense set up above is that the lineage of the buddhas arises from conditions. If only the fruit of buddhahood were seen, a buddha would look like something that came to be all at once; only when the fifteen matters have been seen one by one can ‘the conditions’ be seen — the rousing of the mind is a condition, the roots of goodness are a condition, and on to the turning of the wheel of the Dharma, which is a condition too.
A misreading must be cleared away: to be able to hold and to keep in mind is not a good memory. After holding and keeping in mind there are still contemplating and distinguishing and displaying, and this last matter is being able to set it out for others — so this is a seeing that can be transmitted, not a private experience. Bringing it to the ground: examine your own acquaintance with a buddha or a teacher, and ask whether you know only the mark of the fruit, or know as well how he walked the road to it.
The Future and the Present Are Likewise So
Having seen the past, the scripture text fills out the three times with a single sentence: “all the buddhas of the future, Maitreya and the rest, and all the buddhas of the present, Vairocana and the rest, are likewise so.”
Ask first: the buddhas of the future have not yet appeared in the world, so how are they seen? If what makes a buddha a buddha lies in arising from conditions while the principle is constant, then that ‘principle’ by which a future buddha is a buddha does not wait upon time in order to be, and it is this that is seen. Chengguan set up the sense of this section beforehand — “the buddhas are born conditioned upon the principle, and seeing the principle to be limpid one therefore sees that the buddhas have no ceasing”; the principle does not follow upon time, and therefore the three times are seen together.
A misreading must be cleared away: the seeing is not to be narrowed down to the principle alone with the matters of causes and effects shut out. Fazang, outlining this passage upon the sixty, says, “first, the seeing of the matters of the causes and effects of the buddhas of the past; second, the classing together of future and present with them” — the causes and effects of the buddhas of the past are seen first, and the future and the present are classed together with them; and the scripture text itself says only “are likewise so,” what is classed together being just the fifteen matters listed above. Bringing it to the ground: what opens the three times through is that principle which neither increases nor decreases with time; and the principle being open, what is seen is still the buddhas’ matters of cause and effect, not the matters stripped away.
The Ten Directions and the Three Times, with the Two Vehicles and the Assemblies of Bodhisattvas as Well
The last sentence pushes the range to its furthest: “as it is with this world, so all the buddhas, śrāvakas, pratyekabuddhas, and assemblies of bodhisattvas of the three times in all the worlds of the ten directions are likewise so.”
Ask first: why should the śrāvakas and pratyekabuddhas be reckoned in as well? Because the sense set up in this section is the true limit of not entering nirvāṇa; and the śrāvakas and pratyekabuddhas are precisely that class of whom the world holds that ‘once they have entered nirvāṇa they appear no more.’ Only when even they are within what is seen is this sense pressed to the very bottom.
A misreading must be cleared away: this is not a judging of the two vehicles as high or low; this section passes not one word of appraisal upon them, but merely lists them within what is seen. Bringing it to the ground: whether a Dharma gate is ultimate may be told by whether it dares to put inside itself the class that is hardest to place.
I Have Gained This One Alone
The objective realm answered, the householder turns his words at once: “son of good family! I have gained this one liberation alone that a bodhisattva gains, the Limit of Not Entering Parinirvāṇa.”
Ask first: having seen so many buddhas, how can he still say ‘gained this alone’? Because the dharma he has gained is one only; the buddhas seen are many, yet they are still the working of this one Dharma gate. The friends of this assembly mostly have such a sentence, and what each humbles himself over differs; Chengguan at this section points out where he does not reach, saying, “within the pointing to the superior, though the elder knows that the three times do not cease, he is not yet able to know in a single thought, nor to make the knower and the known equal” — that he knows the three times do not cease is what he has gained; that he cannot know in a single thought and cannot make knower and known equal is the limit of his portion.
A misreading must be cleared away: humbling oneself is not a courtesy. The two matters Chengguan points to are precisely the first two clauses of what the scripture text below raises as superior, and here scripture and commentary answer one another closely. Bringing it to the ground: to know where the edge of one’s own gaining lies is itself a thing that takes a considerable gaining to do.
Pointing to the Superior (1): With the Knowledge of a Single Thought They Know the Three Times Everywhere
The first clause of what is pointed to as superior is: “as for those bodhisattva-mahāsattvas, with the knowledge of a single thought they know the three times everywhere, and in a single thought they enter all samādhis everywhere.”
Ask first: does not the householder too ‘know thought-moment after thought-moment’? The difference lies between ‘thought-moment after thought-moment’ and ‘a single thought.’ Knowing thought-moment after thought-moment is thought succeeding thought without break; knowing everywhere in a single thought waits upon no succession. Entering everywhere thought-moment after thought-moment is entering and entering again; entering everywhere in a single thought waits upon no sequence. Fazang, upon the sixty, says it more plainly, that the elder “is not yet able to make the single thought that knows and the three limits that are known equal and without two” — the difference is that the single thought that knows and the three limits that are known are not yet made equal into one.
A misreading must be cleared away: this is not to say that the householder’s samādhi is not real; it is to say that between a seeing that succeeds and a knowing that waits upon nothing there is a limit of portion. Bringing it to the ground: the place most easily misjudged in practice is just here — taking ‘a very close succession’ for ‘already waiting upon nothing.’
Pointing to the Superior (2): The Sun of Knowledge Shines Constantly; the Tathāgata, I, and Sentient Beings Are Without Two
The second clause goes further: “the sun of the Tathāgata’s knowledge shines constantly upon their minds; toward all dharmas they have no discrimination; they comprehend that all buddhas are utterly equal, and that the Tathāgata and I and all sentient beings are equal and without two.”
Ask first: the clause before spoke of knowing the three times; what does this one speak of? It speaks of the equality of knower and known. What the householder saw above was his seeing of the buddhas; what is raised here is that the Tathāgata and I and all sentient beings are without two — the seer and the seen are no longer two ends. What Chengguan called “not yet able to know in a single thought, nor to make knower and known equal” has its second matter pointed at just here.
A misreading must be cleared away: ‘equal and without two’ does not say that sentient beings are already buddhas; it says that under this shining of knowledge there is no partition of knower and known. What the scripture text uses is ‘equal and without two,’ not ‘is the very same.’ Bringing it to the ground: to read words of universal equality and think that no cultivation is needed is to take what is seen at the ground of the fruit for the present state at the ground of the cause.
Pointing to the Superior (3): The Self-Nature Is Pure, and Yet He Can Enter Everywhere into the World
The third clause turns to the working: “they know that the self-nature of all dharmas is pure, without pondering and without stirring, and are yet able to enter everywhere into all the worlds, far removed from the several discriminations, abiding in the seal of the Dharma of the buddhas, and able to awaken all the sentient beings of the Dharma realm.”
Ask first: without pondering and without stirring, how can one still enter the world everywhere and awaken sentient beings? The joint of this clause is in the words ‘and yet able’ — it is not first stillness and afterward motion; it is that the very absence of stirring is the entering everywhere. The householder at the head of this section, who opened the door of the stūpa of the tathāgata of the sandalwood seat and gained the samādhi named the Lineage of the Buddhas Is Inexhaustible, is walking the first stage of just this direction; and what is raised here is the furthest reach of that same direction.
A misreading must be cleared away: ‘the self-nature is pure’ does not say that sentient beings have no afflictions at present; it says that upon the self-nature of dharmas there is no defilement, and therefore awakening is possible. Bringing it to the ground: any practice of delivering beings that has not this clause beneath it will turn into pushing people along; with this clause, it is opening and not pushing.
That Question in Return Is Not a Courtesy
After the pointing to the superior comes a question in return: “and how could I know or tell those practices of merit and virtue?”
Ask first: he has plainly just said a long passage about the merit and virtue of those bodhisattvas, so how can he say again that he cannot know and cannot tell? What he has said is what he can adduce from hearing; what he cannot do is to know it in realization. To be able to bring out the names and headings, and to realize the realm itself, are not one matter. This one question puts that whole passage of what was raised as superior back into the position of ‘I have not arrived.’
A misreading must be cleared away: this is not self-belittling in order to display the virtue of humility. Chengguan joins the humbling of himself and the pointing to the superior into one heading and calls it “the fourth, humbling himself and pointing to the superior,” while Fazang calls it “looking up and pointing to the superior advance” — what is pointed to is the superior, and what it faces is the advance; so this question is a sentence that opens the road upward, not a sentence that closes things off. Bringing it to the ground: a sentence of ‘I cannot tell it’ carries weight only when it is said after you have already told it very well.
Pointing Out the Next Friend: The Mountain Named Potalaka, the Friend Named Avalokiteśvara
The last division is the sending on: “son of good family! Going south from here there is a mountain, named Potalaka; there is a bodhisattva there, named Avalokiteśvara. Go there and ask him: how is a bodhisattva to learn the bodhisattva practice and to cultivate the bodhisattva path?”
Ask first: this householder keeps a stūpa and sees that the buddhas constantly abide — why should he point on to a bodhisattva renowned for great compassion? Chengguan makes a turn upon the words within the verse, saying, “as for the words ‘upon the sea there is a mountain,’ it is because great compassion accords with and enters the sea of birth-and-death while dwelling upon the mountain of nirvāṇa” — the sea is birth-and-death, the mountain is nirvāṇa, and the mountain is upon the sea. What was gained at the station before is knowing that the buddhas do not enter nirvāṇa; what is to be looked at at the next station is dwelling in nirvāṇa and entering birth-and-death.
A misreading must be cleared away: the pointing out of the next friend is not an appendix to this section. The person pointed to and the dharma gained have always joined onto one another, and the sequence of the scripture text is itself the sequence of practice. Bringing it to the ground: a true teacher will send you off to the side you do not yet have.
Why for This One a Passage of Verse Is Added Besides
After the pointing, the scripture text says “thereupon he spoke a verse, saying,” and then four lines of verse follow.
Ask first: the friends of this assembly mostly stop at prose in pointing out the next friend, so why is verse added here? Chengguan says the reason outright: “fifth, from ‘to the south of here’ onward, within the pointing out of the next friend, first prose and afterward verse. Because the bodhisattva of great compassion is honored by the multitude, verse is added besides.” It is added for the sake of honoring the one pointed to, and is not an ornament of style. The forty at this place likewise has four lines of verse, while the sixty has no verse and closes directly with prose — the three witnesses differ in form, and the apparatus layer records them side by side.
A misreading must be cleared away: the adding of verse does not amount to the prose having said too little. The prose has already finished saying the place and the name; what the verse adds is the scene and the urging. Bringing it to the ground: to give rise beforehand to reverence for the person you are about to see is what makes that stretch of road walkable at all.
Verse (1): Upon the Sea There Is a Mountain
The first line: “upon the sea there is a mountain, with many holy and worthy ones; made of the many jewels, utterly pure.”
Ask first: why speak of the mountain before the person? Because what Sudhana is going to is a place, and also an objective realm. The four words ‘upon the sea there is a mountain’ are at once a plain statement of a mountain by the sea of southern India, and also carry the displaying Chengguan points to — dwelling upon the mountain of nirvāṇa without leaving the sea of birth-and-death. The clause ‘with many holy and worthy ones’ first gives Sudhana a settled mind: that is not some solitary and forbidding place.
A misreading must be cleared away: ‘made of the many jewels’ does not say how costly the mountain is; it says it is utterly pure — the jewels here are a simile of purity, not a simile of value. Bringing it to the ground: to know before setting out that the place you are going to is pure is itself a thought that lessens the doubts along the road.
Verse (2): Flowers and Fruit, Springs and Pools
The second line: “flowering trees and fruiting trees and groves fill it everywhere; springs that flow and pools and marshes are all of them there.”
Ask first: why should a verse that points out a road write of flowers and fruit and springs and pools? Because if the place pointed to had only a name and no mark, what Sudhana would give rise to would be a concept. Flowers and fruit: by flowering there is fruit. Springs and pools: flowing, they are able to gather. The marks written of answer clause by clause to the practice of great compassion — filling everywhere is universality, and being all of them there is lacking nothing.
A misreading must be cleared away: this is not idle scene-painting. In the forty this verse has the springs first and the flowering groves afterward, the sequence inverted from the eighty’s; the two witnesses stand side by side and the marks written of are the same — from which it may be seen that what matters is the marks, not the arrangement. Bringing it to the ground: imagine some place of practice you mean to go to, and if you cannot picture a single concrete mark of it, for the most part you do not yet really mean to go.
Verse (3): The Valorous Great Man, Dwelling upon This Mountain for the Benefit of Sentient Beings
The third line: “that valorous great man is named Avalokiteśvara, and for the benefit of sentient beings he dwells upon this mountain.”
Ask first: a person of great compassion — why is he called a ‘valorous great man’? Because entering the sea of birth-and-death without retreating is just what needs valor; kindness and compassion without valor are only a not-bearing-to-see. At this place the scripture text does not say how many spiritual penetrations he has; it says only that for the benefit of sentient beings he dwells — to dwell is not to leave, to keep one place long and to answer all who come.
A misreading must be cleared away: valor is not hardness. The weight of the whole line lies in ‘for the benefit of sentient beings’; valor is the virtue that exists for the sake of this, not a temperament possessed on its own. Bringing it to the ground: to judge whether a mind of compassion can stand, look at whether it can settle down in the hard place.
Verse (4): You Ought to Go and Ask
The fourth line: “you ought to go and ask about the several merits and virtues, and he will show you the vast skillful means.”
Ask first: why is what is to be asked after ‘the several merits and virtues’? All along the road Sudhana has asked ‘how is a bodhisattva to learn the bodhisattva practice and cultivate the bodhisattva path’; and the words of the verse here point to the substance of what he asks — the practice of merit and virtue. And what is promised as the answer is ‘the vast skillful means,’ which answers exactly to the gate of Avalokiteśvara. In the forty this clause reads “he will expound it for you at large,” and in the eighty “he will show you the vast skillful means”; the two witnesses differ in form, and the apparatus layer records them side by side.
A misreading must be cleared away: ‘vast skillful means’ is not a makeshift expedient. Skillful means here answers to great compassion; it is the capacity to enter the sea of birth-and-death and to succor beings. Bringing it to the ground: to go and see someone carrying one concrete question is far more use than going with a vague admiration.
Paying Respects and Taking Leave: Circling Him Measureless Times
The last sentence is Sudhana’s leave-taking: “at that time Sudhana the youth bowed to his feet, circled him measureless times, gazed up at him earnestly, took his leave, and departed.”
Ask first: what sequence is there in the three matters of bowing, circling, and gazing up? Bowing is the reverence of the body; circling is the not bearing to go at once; gazing up is going and yet keeping the eyes still here. Only after these three matters comes ‘took his leave and departed’ — that he goes slowly is just the weight of what he has gained. At this place the sixty has “took his leave and journeyed south,” while the forty and the eighty alike have “took his leave and departed”; the three witnesses are recorded side by side.
A misreading must be cleared away: this is not a set formula of manners. The whole unit runs to some eight hundred graphs, and the last sentence spends more than ten of them writing how he goes away; from the proportion alone it may be seen that this is no idle text. Bringing it to the ground: the way you leave a good friend is a ready measure of how much you have really carried away from him.
Lineage
For the text of this section there are three lines of the stream that opens on from it.
The first is the line of the buddhas not entering nirvāṇa. Chengguan, in glossing the name of this section and in resolving the doubt, fastens both places back to the Chapter on the Appearance of the Tathāgata of this scripture, and cites the words of the Lengqie in evidence; what this section sets up and what the Chapter on the Appearance sets up are one and the same sense, save that the Chapter on the Appearance expounds it at large while this section makes it present in the realization of a single householder. And so anyone who reads this section and finds its sense too large may go back to the Chapter on the Appearance to fill out its breadth. The two clauses of the Lengqie that Chengguan cites the Yanyi chao traces back to their source — they are from the verse at the opening of that scripture in which Mahāmati praises the Buddha; the chao first sets down the verse, next sets down the gloss of the one house of Dayun, and only at the end lays down its own “the gloss says,” bringing out a separate reading under “I now say”: that the first clause sends away the nirvāṇa that is realized, the second the buddha that realizes, the third has no joining of realizer and realized, and the fourth gathers up the reason for it all. The verse is what is glossed, Dayun is the saying of one house, and what follows “the gloss says” is Chengguan’s own reading; the three layers each have their own speaker, and in reading they may not be run together as one saying.
The second is the line of the lineage of the buddhas arising from conditions. Of the nine graphs Chengguan used in glossing the name of the samādhi, the Yanyi chao traces the source, saying, “as for the commentary’s ‘the lineage of the buddhas arises from conditions; the buddhas are born conditioned upon the principle,’ the upper clause is from the Fahua jing, and the lower clause is Sheng’s gloss,” and says further, “the citing of Sheng here accords rightly with the words of the scripture about the lineage of the buddhas being inexhaustible,” and cites the Niepan in evidence. One sentence glossing a name, and three works fastened to it — from which it may be seen that this sense does not arise alone in this section. The text of the Niepan that the chao cites runs to “for this reason the Tathāgata does not in truth finally enter nirvāṇa” and there stops, and the chao glosses on from it, making clear that all that is cited displays “a nirvāṇa that has no everlasting extinction” and the nirvāṇa that is constantly abiding and real.
The third is the line of the divergent glosses of the several houses, each with its own track, recorded without adjudication. As for the name of this dedication, Chengguan outlines it as the dedication of entering all equal roots of goodness; Fazang outlines it as the dedication of according with equal roots of goodness while his closing words read the position of the dedication of firm roots of goodness; Li Tongxuan and the scripture text of chapter twenty-five alike have the dedication of according with and making firm all roots of goodness — four houses differing in form. As for the name of the good friend, Chengguan transmits the two glosses of wrapping around and of gathering in; Fazang, upon the sixty’s Abiding Securely, glosses it as gaining the buddha’s dharma-body and making offerings to it as constantly abiding, and transmits besides that in the Indic text it should be named Upholding and Gathering, or else Holding Fast and Gathering In; while Li Tongxuan divides the two parts of the name and glosses them, and transmits the full form of the name in Sanskrit. As for the gloss of the city’s name, Chengguan sets up his sense upon Well Crossing, Fazang glosses the sixty’s Shoupoboluo as Good and Wondrous, Arriving at the Other Shore, and Li Tongxuan glosses it with reference to converting practice. As for the occasion of constantly making offerings at this stūpa, Chengguan says of himself that it is not clear, and records one saying alone without forcing a judgment. As for the number of the divisions of the outline, Chengguan makes five divisions with the first lacking the calling to mind of the Dharma; Fazang, upon the sixty, opens four passages under the showing of his own Dharma realm and eight passages under the looking up and pointing to the superior; Zhiyan too sets up his outline upon the sixty, judging this friend to be the twenty-sixth, the bodhisattva position of the dedication that accords with and makes firm the roots of goodness, the elder named Abiding Securely, and opening four headings of the entering, two divisions of the direct entering, and three headings of his own portion, the forms of the names he uses following the sixty; while Li Tongxuan glosses the names following upon the text in 〈The Ten Dedications〉, and for this friend sets up separately five gates of directly entering his own position and five gates of pointing to virtue and advancing upward — the one passage of the former friend’s pointing to virtue and advancing upward being words spoken by that former friend to point toward this one, and not an outline of this friend himself. Of what Li Tongxuan glosses upon this friend, several things bear teaching: that the discriminating minds of all sentient beings are one and all the seed of the tathāgatas’ wisdom, the same as the seed of the wisdom of the buddhas, without marks of arising and ceasing; that the householder’s body dwells in the world to convert the worldly, and that within the stūpa chamber only a sandalwood seat is set and no image, expressing that the sixth gate of wisdom reaches the markless dharma; that the wisdom of one’s own buddha, of the buddhas, and of sentient beings is from the first of one limit; that this dedication takes prajñā as its substance with the other nine as its companions, and cures the obstruction of not being at ease in great kindness and compassion while dwelling in birth and death with supramundane wisdom; and that the next friend’s mountain, named for the tree of small white flowers, expresses cultivating the practice of kindness and compassion with humbling oneself to the utmost smallness as its practice. These several divergent glosses are all the settled sayings of the ancient worthies.
As for the matching of the assigned position, it belongs to the outline of the ancient worthies and Chengguan takes it up in succession; the scripture text itself does not mark its own position. At the place of the general outline of this assembly Chengguan first sets down two sayings: Master Yi and the Taishan lun “gloss only as the text runs, scattered, and make no separate matching,” while masters such as Guangtong “all match the positions”; the two sayings are recorded side by side without adjudication.
Chengguan’s Explicit Judgment
Beneath the two sayings Chengguan lays down a judgment of his own: “both have their reason; that is, since each and every position possesses many Dharma gates, how could it be that the ordinary mind may not learn and seek the dharma of the good friend, and so there is reason in not matching them; yet within what has no sequence of positions the sequence of positions is not obstructed, and to make the positions manifest is the constant rule, so that to match them is likewise not at fault.” Both the saying that matches and the saying that does not have their reason, and to match them does not obstruct their not being sequential — this is Chengguan’s own explicit judgment, not one of two sayings merely set down side by side.
One householder, one stūpa, and one sentence: ‘the buddhas finally have not entered parinirvāṇa.’ What he keeps is the least conspicuous of matters, and what he opens is the hardest of gates to believe — the essential of this section lies wholly in that want of proportion.
品三十九 入法界品 · 觀自在菩薩(寄等隨順一切眾生迴向)Entering the Dharma Realm · The Bodhisattva Avalokiteśvara (Assigned to the Dedication That Accords Equally with All Sentient Beings)
全文五層 →Full five layers →善財到這裡的時候,手上已經有東西了
本節起手不是走路,是憶念。善財「一心思惟彼居士教」,接著憶佛七事——出現次第、相續次第、名號次第、所說妙法、具足莊嚴、成正等覺、不思議業。
為什麼要先寫這一段?因為參學不是換題目。前一位居士所示的是「菩薩解脫之藏」,善財把它「入」了、「得」了,才走得到下一座山。經文用「入彼」「得彼」「憶彼」「念彼」「持彼」「觀彼」「知彼」「見彼」「了彼」九個動詞排下來,動詞各不相同,所對的境也各不相同。
排一個誤解:以為這是套語式的過場。若是套場,何必把七件事逐一列名。落到地上:離開一位老師之後路上帶的是什麼,決定了下一位老師身上你看得見什麼。
走路這一段,經文只給了一句
「漸次遊行,至於彼山,處處求覓此大菩薩。」全段路程只有這十七個字,而「處處求覓」四字不可略過。
為什麼要「求覓」?因為這一位善知識沒有立招牌。前面幾位或住城、或住國、或有樓閣可尋,此友在山中巖谷,善財是找了才找到的。澄觀科此段為第一段「依教趣求」,趣是往、求是覓,二字即是這一句的骨。
排一個誤解:以為善知識是被指出來就自然遇上的。經文明明寫的是「處處」。落到地上:知道了名字與方位,還有一段自己要走、自己要找的路。
為什麼經文要記「西面」
見友之處,經文寫得極細:「見其西面巖谷之中,泉流縈映,樹林蓊欝,香草柔軟,右旋布地」,然後才是「觀自在菩薩於金剛寶石上結跏趺坐」。
一句一句都柔——泉是縈映的,林是蓊欝的,草是柔軟的,地是右旋鋪成的。所說既是大慈悲法,其處便無險無峻,境與法相應。而「西面」二字,澄觀另有取義,說「在西面者,西方主殺,顯悲救故」——正因西方主殺伐,於此示現,才顯出悲之為救。他又補一義「又令歸向,本所事故」。這是澄觀就八十本之文所立之表詮,不是經文自說。
排一個誤解:以為寫景是文飾。落到地上:一個人所住的地方,本身就在說他所行的法。
他正在說的,就是他所得的
經文接著寫他在做什麼——「而為宣說大慈悲法,令其攝受一切眾生」。這一句放在善財開口之前,位置要緊。
為什麼要緊?因為善財後面要問「云何學菩薩行」,而答案在他問之前就已經在演了。而且要注意所令者何事:不是令眾生得樂,是「令其攝受一切眾生」——聽法的無量菩薩,聽完之後所做的事,仍是攝受眾生。大慈悲法之所以是法,就在它教出來的還是能悲的人。
排一個誤解:以為慈悲是一種情緒。此處的慈悲是可說、可教、可傳的一門法。落到地上:受了慈悲的人,如果只停在被安慰,那一門法還沒有傳到他身上。
十句念善知識:善財自己說的話
還沒走近,善財先起了十念,句句以「善知識者」起:則是如來、一切法雲、諸功德藏、難可值遇、十力寶因、無盡智炬、福德根芽、一切智門、智海導師、至一切智助道之具。十句而已,不多不少。
前四句就人說——是佛、是雲、是藏、難遇;後六句就用說——是因、是炬、是芽、是門、是導師、是資具。首句最重,澄觀單取而釋之,說「善知識者則是如來者,引至究竟,同於佛故」:不是說善知識即是佛身,是說他所引之處與佛所引之處同一究竟,故就引導之極說「則是如來」。
排一個誤解:以為這是恭維話。十句之中沒有一句說善知識待我好,句句說的是他能把人帶到哪裡。落到地上:檢驗自己對一位善知識的心,看的不是感激多少,是你是否真把他當作到一切智去的那條路。
還沒問,先被說中了
善財一句話還沒說,觀自在「遙見善財」就開口了,一連十餘句,全是說善財自己:發大乘意、起正直心、大悲深重、普賢妙行相續現前、大願深心圓滿清淨、勤求佛法悉能領受、積集善根恒無厭足、順善知識不違其教。末後一段說他的來處——「從文殊師利功德智慧大海所生,其心成熟,得佛勢力」。
為什麼要有這一段?澄觀判此為見敬諮問一分之第三,說「友垂讚攝大悲深厚,隨順攝受故」——垂讚本身就是攝受,是大悲之用當場現行。法藏就六十本判這一段為十句而逐句配義。
排一個誤解:以為這是客套的招呼。經文所讚沒有一句是浮語,句句可以回頭對到善財一路走來的實事。落到地上:真正的攝受,是先讓人知道他已經站在哪裡,而不是先告訴他還差多少。
已經發心了,為什麼還要問怎麼學
善財請法的話很特別:「聖者!我已先發阿耨多羅三藐三菩提心,而未知菩薩云何學菩薩行?云何修菩薩道?」先承認已發心,再承認不知道怎麼學。
為什麼二者不衝突?因為發心是願,學行修道是路。願立而路不明,正是要問的時候;若以為發了心就自然會走,那心便只停在願上。這一問,本會五十餘位善友之前,善財問過一次又一次,字句幾乎不改——不改,正因為每一位所示之路都不同,而所問之心始終是同一個。
排一個誤解:以為問了這麼多次是重複。落到地上:同一個問題又一次還問得出口,這件事本身就是道。
先讚後授:法門的名字要等到這裡才出來
菩薩答話,第一句不是法門,是「善哉善哉!善男子!汝已能發阿耨多羅三藐三菩提心」。澄觀判授法一段為「先讚、後授」,讚在前,授在後。
為什麼要先讚?因為所授之法是大悲,而大悲之起在於能發心。若不先印定他的發心,後面十一種方便、十八種怖畏,都無處可安。這一「讚」不是禮貌,是授法的第一步。
排一個誤解:以為稱讚是為了讓人高興。落到地上:先把人已經站穩的地方點出來,他才承得住接下來要給他的東西。
大悲行解脫門:名字裡的三個字
接著才出法門之名——「我已成就菩薩大悲行解脫門」,隨即自釋其相——「我以此菩薩大悲行門,平等教化一切眾生相續不斷」。
名中三處著眼。一是「大悲」,澄觀說「平等教化即是大悲,以同體悲故云平等」——平等不是待人一律,是因為與眾生同一體,所以自然沒有厚薄。二是「行」,悲不停在心上,是走出來的。三是「門」,澄觀說「相續不斷即是行門,又門即普門,普門示現曲濟無遺故」——門之為門,在它可以進、可以出,且沒有一個機是它進不去的。
排一個誤解:以為平等心是勉強做到的一視同仁。落到地上:若悲心要靠忍住偏私才平等,那還不是同體之悲;同體之悲是連「別人」這個界都先化掉了。
上面同佛,下面同眾生
業用一分先總說,只有兩句:「我住此大悲行門,常在一切諸如來所,普現一切眾生之前。」
這兩句是一上一下。澄觀說「以上同如來妙覺真心故,常在一切諸如來所;下與眾生同大悲體故,普現一切眾生之前」——常在佛所,是因為心與佛同;普現眾生前,是因為體與眾生同。上不離佛而下不離生,中間沒有第三處。澄觀又於此處誌一事,說「然大聖久成正覺,號正法明,示為菩薩,義言等佛耳」——這是澄觀所傳,本節經文不出此語。
排一個誤解:以為『常在如來所』是說他一直待在某個佛土。落到地上:能不能普現在眾生面前,看的是有沒有一直不離開那個與佛同的心。
十一種方便:不是十一件事,是十一種進路
普現之義,經文用十一個「或」字排下來:或以布施、或以愛語、或以利行、或以同事、或現色身、或現種種不思議色淨光明網、或以音聲、或以威儀、或為說法、或現神變、或為化現同類之形。前四即四攝之事,中四就身與光與聲與儀,後三就說法、神變、同類形。
澄觀正就此數立判,說「後「或以布施」下別明普現之義,有十一句」,並將此十一句與他經之三十五應相比,說「方《法華經》三十五應,乍觀似少,義取乃多,彼三十五應,但是此中或現色身及說法耳」——彼之三十五,只是此中兩句所開。末一句最不易做:「或為化現同類之形,與其共居而成熟之」——不是現一個他仰望的身,是現一個與他同類的身,並且住下來。
排一個誤解:以為「或」是隨意選一種。十一句之中,威儀與共居二事都不出聲,可見攝生未必都要說話。落到地上:想幫一個人,先問自己願不願意與他同類、與他共居,而不是先想該說什麼。
十八種怖畏:從外面一路數到心裡
大悲行門的第二段業用,是救怖。經文一口氣列十八:險道、熱惱、迷惑、繫縛、殺害、貧窮、不活、惡名、於死、大眾、惡趣、黑闇、遷移、愛別、怨會、逼迫身、逼迫心、憂悲。
十八不是平列。澄觀判其分,說「於中三:初離世怖,有十八種:初三約煩惱,即是因怖;餘皆約果」——前三(險道、熱惱、迷惑)是能生怖之因,其餘是已成之果。他又點出其中的開合,說「縛殺貪三,不活開出」「黑闇已下,皆五怖中事」。細讀其序,確是自外而內:起初是路、是熱、是惑,中間是縛、是殺、是貧、是無以為生、是壞了名聲、是死、是眾中、是惡趣,最後是闇、是遷、是愛別、是怨會、是身逼、是心逼、是憂悲——愈到後面愈近,最後一項已在心裡。
排一個誤解:以為救怖是消災。若只是消災,何必數到「逼迫心」「憂悲」。落到地上:一個人真正過不去的怖畏,多半不在險道上,在他自己心裡那一段。
念我·稱我名·見我身
十八怖之後,經文別出一願:「復作是願:『願諸眾生,若念於我,若稱我名,若見我身,皆得免離一切怖畏。』」
前面十八句說的是所離之怖,這一句說的是能離之因。澄觀正如此判,說「二「復作」下即能離因。念即是意,三業皆益故」——念是意業、稱名是語業、見身是身業,三業各是一條入路,三業都能得益。要緊的是:這一段是善知識自己發的願,不是勸善財去念誰。經文此處是觀自在自陳其大悲行門的內容。
排一個誤解:以為這是把救護寄託在他人身上。三業之中,念、稱、見都要那個怖畏的人自己動一下。落到地上:所謂感應,一頭是願力早已在那裡,另一頭是你肯不肯動那一念。
離了怖畏之後,還有一件事
救怖不是終點。經文接著說:「善男子!我以此方便,令諸眾生離怖畏已,復教令發阿耨多羅三藐三菩提心永不退轉。」
「以此方便」四字,把前面所有的離怖都定了性——它們是方便,不是究竟。澄觀說「三「我以此」下令進大心,方能究竟離二死怖」:世間十八怖離了,還有生死之怖未離,要離那個,只有發大心一路。所以大悲行門的次第是:先讓人不怕,再讓人發心;不先讓他不怕,他發不了心;只讓他不怕而不教他發心,那份不怕也保不住。
排一個誤解:以為慈悲的目的就是拔苦。落到地上:真的幫到一個人,是他從此不必再靠你才不害怕。
我只得這一個門
法說完了,這一位久成正覺的大士說:「善男子!我唯得此菩薩大悲行門。」本會每一位善友都有這一句,而澄觀在此友下特別加了一語,說「第四「我唯」下謙己推勝。久成正覺尚不失謙」。
為什麼要特別加?因為此友之身分不同——澄觀既已誌其「久成正覺,號正法明」,那麼「我唯得此」四字就不是自度不足,是示現。示現什麼?示現一個已到究竟的人,說起自己所得,仍只說一門。
排一個誤解:以為謙辭是修辭。若是修辭,後面不必接十句實實在在的推勝。落到地上:能說清楚自己得的是哪一個門,比說得出很多門更難。
推勝十事:兩個「已」與八個「常」
推勝之語共十事:已淨普賢一切願、已住普賢一切行、常行一切諸善法、常入一切諸三昧、常住一切無邊劫、常知一切三世法、常詣一切無邊剎、常息一切眾生惡、常長一切眾生善、常絕眾生生死流。前二以「已」起,後八以「常」起,末以一問收——「而我云何能知能說彼功德行?」
二「已」是所成——普賢之願已淨、普賢之行已住,這是根。八「常」是恒行——行善、入定、住劫、知法、詣剎,是自分;息惡、長善、絕生死流,是益他。十事之末是「常絕眾生生死流」,正與本門之大悲相接:救怖救到底,就是斷那條流。
排一個誤解:以為推勝是把話讓給別人。經文所推之十事,沒有一事在此友之外——他自己正在做的,就是第八第九第十。落到地上:真正的推勝不是說我不行,是說這件事還大得很,我只在其中一門上盡我的力。
承衍
本節之文,向下所開之流有三條線。
其一是名號之線。此友之名,八十本作「觀自在」,六十本作「觀世音」,四十本亦作「觀自在」。澄觀不判孰為正譯,而歸其異於梵本自有二種,說「然梵本之中自有二種不同,故譯者隨異」,又就取義之圓否說「今取義圓,故云自在」;末更就能所開之,說「然觀即能觀,通一切觀」「若云自在,乃屬能化之用」。法藏所傳為三號,並分屬三業,說「若偏就語業名觀世音,以業用多故」「若就身語名光世音,以身光照及故」「若具三輪,攝物無礙名觀自在」。李通玄則就本位之為處世慈悲門而取悲之號,說「今此第七隨順一切眾生迴向,成處世慈悲門,以光世音名是慈悲之號,以為表位行門令昇進也」。三家所傳並錄不判。
其二是處所之線。山名經文不出,唯作「至於彼山」。澄觀作「補怛落迦」而釋云「此云小白華樹」,並取「香氣遠聞,聞見必欣是隨順義」以合本位之隨順;李通玄作「補怛洛迦」而云「此云小白花樹,山多生白花樹,其花甚香,香氣遠及」,取義在「以謙下極小為行也」;法藏就六十本之「光明山」而傳其天竺本名為「逋多羅山」,並云「以義譯之名小樹蔓莊嚴山」。同一山而三家所出之名與所取之義各異,並錄不判。至於友之所住之向,澄觀就八十本「西面」取「西方主殺,顯悲救故」,法藏就六十本「西阿」取「謂據山阿面東而住,是向明之相也」——二本文字既異,二家之表亦異,誌錄不判。
其三是寄位之線。此友寄第七等隨順一切眾生迴向,這是澄觀承古德之科,非經文自標。澄觀於品科處自出持平之語:「二皆有理,謂隨一一位具多法門,豈容凡心不得習求善友之法,故不配有理。然無次位中不礙次位,顯位是常規,配亦無失。」——配位與不配位二說皆有理,寄位是常規之顯,配之亦無所失。澄觀出其名而以友名合之,說「善友名觀自在者,三業歸向必六通赴緣,攝利難思名觀自在,由此能遍隨順眾生」——觀自在之所以配此位,正在「遍隨順」三字。法藏就六十本所出之位名作「隨順等觀一切眾生迴向」,李通玄作「隨順一切眾生迴向」,三家位名不齊而所配之次皆第七,誌錄不判。
一節之文,前半是找,後半是不怕。找了處處,才見得到一位不設招牌的老師;聽了十八種怖畏,才知道慈悲不是一種心情,是一門要一直做下去的行。
By the Time Sudhana Arrives Here, He Already Has Something in His Hands
This section begins not with walking but with recollecting. Sudhana “single-mindedly pondered the teaching of that householder,” and then recollects seven matters concerning the buddhas — the sequence of their appearing, the sequence of their following one upon another, the sequence of their names, the wondrous Dharma they expound, the adornments they are furnished with, their accomplishing of right and equal awakening, and their inconceivable working.
Why must this passage come first? Because studying under the friends is not a matter of changing the subject. What the householder before him showed was the “treasury of a bodhisattva’s liberation,” and only because Sudhana “entered” it and “gained” it could he walk as far as the next mountain. The scripture text sets down nine verbs one after another — entered, gained, recollected, called to mind, upheld, contemplated, comprehended, saw, made clear — and each verb differs from the others, as do the objects they fall upon.
One misreading must be cleared away: taking this for a formulaic interlude. Were it a mere formula, why list the seven matters one by one? Bringing it to the ground: what you carry on the road after leaving one teacher decides what you are able to see in the next.
For the Stretch of Walking, the Scripture Text Gives Only One Sentence
“He traveled on little by little, came to that mountain, and everywhere sought for this great bodhisattva.” The whole journey is given in these seventeen graphs, and the four graphs “everywhere sought for” must not be passed over.
Why must he “seek and search”? Because this good friend has set up no signboard. Several of the friends before him dwelt in a city, or in a country, or had a tower that could be found; this friend is among the cliffs and valleys of a mountain, and Sudhana found him only by searching. Chengguan makes this passage the first division, “seeking in accord with the teaching” — to proceed is to go, to seek is to search, and those two words are the bone of this one sentence.
One misreading must be cleared away: supposing that a good friend is met as a matter of course once he has been pointed out. The scripture text plainly writes “everywhere.” Bringing it to the ground: knowing the name and the direction still leaves a stretch of road you must walk and search out for yourself.
Why the Scripture Text Records the West Side
The place where the friend is seen the scripture text writes out with great fineness: “he saw, on the west side, among the cliffs and valleys, springs flowing and winding one across another, the groves of trees lush and thick, the fragrant grasses soft, spread over the ground turning toward the right,” and only afterward, “the bodhisattva Avalokiteśvara was seated cross-legged upon a boulder of adamant.”
Every clause is soft — the springs wind across one another, the groves are lush, the grasses are soft, the ground is spread turning to the right. Since what is expounded is the Dharma of great kindness and compassion, the place has nothing perilous and nothing steep about it: the setting answers to the Dharma. As for the two words “west side,” Chengguan takes a further sense from them, saying, “that it is on the west side is because the west governs killing, and so the rescuing power of compassion is displayed” — precisely because the west governs slaughter, a manifesting there displays what compassion is as a rescue. He adds a second sense as well, “and further, to cause them to turn back toward it, since that is what they served from the first.” This is an interpretive reading Chengguan sets up upon the text of the eighty-fascicle witness, and is not something the scripture text says of itself.
One misreading must be cleared away: supposing the description of the scene to be ornament. Bringing it to the ground: the place where a person dwells is itself already speaking of the Dharma he practices.
What He Is Expounding Is the Very Thing He Has Gained
The scripture text goes on to write what he is doing — “and he was expounding the Dharma of great kindness and compassion, causing them to gather in all sentient beings.” That this clause stands before Sudhana opens his mouth is a matter of position, and the position matters.
Why does it matter? Because Sudhana is about to ask “how does one learn the bodhisattva practice,” and the answer was already being performed before he asked. And note carefully what it is they are caused to do: not that sentient beings should gain happiness, but “causing them to gather in all sentient beings” — the measureless bodhisattvas who hear the Dharma, once they have heard it, still do the work of gathering in sentient beings. What makes the Dharma of great kindness and compassion a Dharma is just this, that the people it teaches out are again people capable of compassion.
One misreading must be cleared away: supposing compassion to be a kind of feeling. The kindness and compassion here is a Dharma gate that can be expounded, taught, and transmitted. Bringing it to the ground: if one who has received compassion stops at being consoled, that Dharma has not yet been transmitted to him.
Ten Clauses of Recollecting the Good Friend: Words Sudhana Speaks for Himself
Before he has drawn near, Sudhana first raises ten recollections, every clause beginning with “the good friend”: is the tathāgata, the cloud of all dharmas, the treasury of all merit and virtue, hard to meet with, the jeweled cause of the ten powers, the inexhaustible torch of knowledge, the sprouting root of merit, the gate of omniscient knowledge, the guide upon the sea of knowledge, the equipment that aids the way and reaches to omniscient knowledge. Ten clauses only, neither more nor fewer.
The first four speak of the person — he is a buddha, a cloud, a treasury, hard to meet; the latter six speak of the working — he is a cause, a torch, a sprout, a gate, a guide, equipment. The first clause weighs the most, and Chengguan singles it out to gloss, saying, “that the good friend is the tathāgata is because he leads one to the ultimate, and so is the same as a buddha”: it is not said that the good friend is the buddha’s own body, but that the place to which he leads and the place to which a buddha leads are one and the same ultimate, and so, with respect to the utmost of his leading, it is said that he “is the tathāgata.”
One misreading must be cleared away: supposing these to be words of flattery. Among the ten clauses not one says that the good friend treats me well; every clause says where he is able to bring a person. Bringing it to the ground: to examine your own mind toward a good friend, what you look at is not how much gratitude you feel, but whether you truly take him for the very road that goes to omniscient knowledge.
Before He Asks, He Is Already Spoken To
Sudhana has not yet said a word when Avalokiteśvara, “seeing Sudhana from afar,” opens his mouth, and more than ten clauses come one after another, every one of them about Sudhana himself: he has raised the intention of the Great Vehicle, given rise to an upright and straight mind, his great compassion is deep and weighty, the wondrous practice of Samantabhadra follows on and appears before him, his great vow and deep mind are full and pure, he seeks the Buddha’s Dharma diligently and is able to receive it all, he gathers and accumulates roots of goodness and is never satisfied, he accords with good friends and does not go against their teaching. The last passage speaks of where he came from — “born out of the great sea of the merit, virtue, and wisdom of Mañjuśrī; his mind has ripened, and he has gained the Buddha’s power.”
Why must this passage be here? Chengguan judges it the third within the one division of seeing, paying respects, and inquiring, saying, third, from ‘at that time Avalokiteśvara’ onward, “the friend bestows praise and gathers him in, because his great compassion is deep and weighty and he accords with and gathers in” — the bestowing of praise is itself a gathering in, the working of great compassion carried out on the spot. Fazang, upon the sixty-fascicle witness, judges this passage to be ten clauses and matches a sense to each clause in turn.
One misreading must be cleared away: supposing this to be a courteous greeting. Not one clause of what the scripture praises is empty speech; every clause can be turned back and matched to the real matters of the road Sudhana has walked. Bringing it to the ground: a true gathering in is first to let a person know where he already stands, and not first to tell him how far short he falls.
He Has Already Raised the Mind — Why Then Does He Still Ask How to Learn
Sudhana’s words in asking for the Dharma are of a peculiar kind: “Sagely one! I have already raised beforehand the mind of anuttarā-samyak-saṃbodhi, yet I do not know how a bodhisattva is to learn the bodhisattva practice, or how to cultivate the bodhisattva way.” First he admits that he has raised the mind, and then he admits that he does not know how to learn.
Why do the two not conflict? Because the raising of the mind is a vow, while learning the practice and cultivating the way is a road. To have the vow established and the road unclear is exactly the moment for asking; whereas to suppose that having raised the mind one will naturally know how to walk is to leave that mind stopped at the vow. This one question Sudhana has asked once and again before the fifty and more good friends of this assembly, and the wording scarcely changes — and it does not change precisely because the road each of them shows is different, while the mind that asks is from first to last one and the same.
One misreading must be cleared away: supposing that to ask so many times is repetition. Bringing it to the ground: that the same question can still be asked aloud one more time — that fact is itself the way.
First the Praise, Afterward the Conferring: The Name of the Dharma Gate Comes Out Only Here
When the bodhisattva answers, his first sentence is not the Dharma gate but “excellent, excellent! Son of good family! You have been able to raise the mind of anuttarā-samyak-saṃbodhi.” Chengguan judges the passage of conferring the Dharma to be “first the praise, afterward the conferring,” the praise before and the conferring after.
Why must the praise come first? Because what is conferred is great compassion, and the rising of great compassion lies in being able to raise the mind. If his raising of the mind were not first sealed and settled, the eleven skillful means and the eighteen fears that follow would have no place to rest. This one “praise” is not politeness; it is the first step of conferring the Dharma.
One misreading must be cleared away: supposing that praise is meant to make a person happy. Bringing it to the ground: only when the place where a person already stands firm has been pointed out can he bear what is to be given him next.
The Liberation Gate of the Practice of Great Compassion: Three Words in the Name
Only then does the name of the Dharma gate come out — “I have accomplished the bodhisattva’s liberation gate of the practice of great compassion” — and at once he glosses its mark himself: “with this bodhisattva gate of the practice of great compassion I teach and transform all sentient beings equally, following on without break.”
Three places in the name are to be looked at. The first is “great compassion,” of which Chengguan says, “that he teaches and transforms equally is itself great compassion, and because the compassion is of one substance with them, it is called equal” — equality is not treating people all alike, but rather that, being of one substance with sentient beings, there is naturally neither thickness nor thinness in it. The second is “practice”: compassion does not stop in the mind, but is walked out. The third is “gate,” of which Chengguan says, “that it follows on without break is itself the gate of practice; and further, the gate is the universal gate, since the universal gate manifests and rescues by bending to each, leaving nothing out” — what makes a gate a gate is that one can go in by it and come out by it, and that there is no capacity it cannot enter.
One misreading must be cleared away: supposing an equal mind to be an evenhandedness reached by force of effort. Bringing it to the ground: if a mind of compassion must hold down its partiality in order to be equal, it is not yet the compassion of one substance; the compassion of one substance has already dissolved even the boundary of “other people.”
Above, the Same as the Buddha; Below, the Same as Sentient Beings
The one division of the working is first stated in general, in two clauses only: “abiding in this gate of the practice of great compassion, I am ever in the presence of all the tathāgatas, and I manifest everywhere before all sentient beings.”
These two clauses are one above and one below. Chengguan says, “because above he is the same as the tathāgata’s true mind of wondrous awakening, he is ever in the presence of all the tathāgatas; because below he is of one substance of great compassion with sentient beings, he manifests everywhere before all sentient beings” — ever in the presence of the buddhas, because his mind is the same as the buddhas’; manifesting before sentient beings, because his substance is the same as sentient beings’. Above he does not depart from the buddhas and below he does not depart from beings, and between the two there is no third place. Chengguan sets down one further matter here, saying, “yet this great sage long ago accomplished right awakening, and his title was Right Dharma Illumination; he manifests as a bodhisattva, and it is by way of sense that he is called equal to a buddha” — this is what Chengguan transmits, and the scripture text of this section does not bring out such words.
One misreading must be cleared away: supposing that ‘ever in the presence of the tathāgatas’ means he remains all along in some buddha-land. Bringing it to the ground: whether one can manifest everywhere before sentient beings depends on whether one has all along not departed from that mind which is the same as the buddhas’.
Eleven Skillful Means: Not Eleven Matters, but Eleven Ways In
For the sense of manifesting everywhere, the scripture text sets down eleven clauses each beginning “at times”: at times by giving, at times by kindly speech, at times by beneficial conduct, at times by working alongside, at times manifesting a form-body, at times manifesting all manner of inconceivable nets of pure light and form, at times by voice and sound, at times by deportment, at times by expounding the Dharma, at times manifesting spiritual transformations, at times manifesting by transformation a shape of the same kind. The first four are the matters of the four means of gathering in; the middle four are upon the body, the light, the sound, and the deportment; the last three are upon expounding the Dharma, spiritual transformation, and the shape of the same kind.
Chengguan sets up his judgment squarely upon this number, saying, “afterward, from ‘at times by giving’ onward, is the separate making clear of the sense of manifesting everywhere, in eleven clauses,” and he compares these eleven clauses with the thirty-five responses of another scripture, saying, “compared with the thirty-five responses of the Fahua jing, at a first glance they seem fewer, but in the sense they take they are more, for those thirty-five responses are only the manifesting of a form-body and the expounding of the Dharma among these here” — those thirty-five are only two clauses of these opened out. The last clause is the hardest to do: “at times I manifest by transformation a shape of the same kind as theirs, and dwell together with them and bring them to ripeness” — not manifesting a body he can look up to, but manifesting a body of the same kind as his, and settling down there.
One misreading must be cleared away: supposing that “at times” means picking one at will. Among the eleven clauses, deportment and dwelling together both make no sound at all, from which one can see that gathering in beings does not always require speaking. Bringing it to the ground: to help a person, first ask yourself whether you are willing to be of the same kind as he is and to dwell together with him, rather than first thinking of what ought to be said.
Eighteen Kinds of Fear: Counted from the Outside All the Way In to the Mind
The second passage of the working of the gate of the practice of great compassion is the rescuing from fear. The scripture text lists eighteen in one breath: perilous roads, burning distress, confusion, bondage, being killed, poverty, not making a living, ill repute, death, being amid a great assembly, the evil destinies, darkness, being moved and shifted, parting from those one loves, meeting those one hates, what presses upon the body, what presses upon the mind, and sorrow and grief.
The eighteen are not laid out side by side as equals. Chengguan judges their divisions, saying, “within it there are three: first, the parting from worldly fears, of which there are eighteen kinds; the first three are upon the afflictions, and these are the fears that are causes; the rest are all upon the fruits” — the first three (perilous roads, burning distress, confusion) are the causes able to give rise to fear, and the rest are fruits already formed. He points out as well the opening and gathering within them, saying, “the three of bondage, killing, and craving are opened out from the fear of not making a living,” and “from darkness onward, all are matters among the five fears.” Read closely, the sequence does indeed run from the outside inward: at the start it is the road, the heat, the confusion; in the middle it is bondage, killing, poverty, having no means of living, a ruined name, death, being amid the crowd, the evil destinies; and at the last it is darkness, displacement, parting from those one loves, meeting those one hates, pressure upon the body, pressure upon the mind, sorrow and grief — the further on, the nearer it draws, and the last item is already inside the mind.
One misreading must be cleared away: supposing the rescue from fear to be the dispelling of calamity. If it were only the dispelling of calamity, why should the counting reach “what presses upon the mind” and “sorrow and grief”? Bringing it to the ground: the fear a person truly cannot get past is for the most part not on the perilous road, but in that stretch inside his own mind.
Recollecting Me · Calling My Name · Seeing My Body
After the eighteen fears the scripture text brings out a vow of its own: “I make this vow as well: ‘May all sentient beings, if they recollect me, if they call my name, if they see my body, be freed and part from every fear.’”
The eighteen clauses before speak of the fears to be parted from; this clause speaks of the cause by which one is able to part from them. Chengguan judges it exactly so, saying, “second, from ‘I make this vow as well’ onward, is the cause of being able to part; recollecting is the mind, and all three kinds of action bring benefit” — recollecting is the action of mind, calling the name is the action of speech, seeing the body is the action of body; each of the three kinds of action is one way in, and all three are able to bring benefit. What matters here is this: this passage is a vow the good friend makes of himself, and is not an urging that Sudhana should recollect anyone. What the scripture text has in this place is Avalokiteśvara setting out for himself the content of his own gate of the practice of great compassion.
One misreading must be cleared away: supposing that this entrusts one’s rescue to another person. Among the three kinds of action, recollecting, calling, and seeing all require that the frightened person himself make some movement. Bringing it to the ground: what is called a response has, at the one end, the power of a vow that has long been standing there, and at the other end, whether you are willing to stir that one thought.
After Parting from Fear, There Is Still One More Matter
Rescue from fear is not the end. The scripture text goes on: “Son of good family! By this skillful means, when I have caused sentient beings to part from fear, I further teach them to raise the mind of anuttarā-samyak-saṃbodhi and never again turn back from it.”
The four words “by this skillful means” settle the character of everything that came before it as a parting from fear — those partings are skillful means and not the ultimate. Chengguan says, “third, from ‘by this’ onward, is the causing of them to advance in the great mind, whereby they are able at last to part utterly from the fear of the two deaths”: the eighteen worldly fears may be parted from, and yet the fear of birth and death is not yet parted from, and to part from that there is only the one road of raising the great mind. Hence the sequence of the gate of the practice of great compassion is: first let a person stop being afraid, then let him raise the mind; if he is not first made unafraid, he cannot raise the mind, and if he is only made unafraid and is not taught to raise the mind, even that freedom from fear will not hold.
One misreading must be cleared away: supposing that the aim of compassion is just the drawing out of suffering. Bringing it to the ground: truly to have helped a person is that from then on he need no longer lean on you in order not to be afraid.
I Have Gained Only This One Gate
The Dharma being expounded, this great being who long ago accomplished right awakening says: “Son of good family! I have gained only this bodhisattva gate of the practice of great compassion.” Every good friend of this assembly has this one sentence, and under this friend Chengguan adds a remark of his own, saying, “fourth, from ‘I have gained only’ onward, is the humbling of himself and the pointing to the superior. Having long ago accomplished right awakening, he still does not fail in humility.”
Why add it here in particular? Because this friend’s standing is not the same as the others’ — Chengguan having already set down that he “long ago accomplished right awakening, his title being Right Dharma Illumination,” the four words “I have gained only” are then not an insufficiency in his own crossing over, but a manifesting. A manifesting of what? Of a person who has already reached the ultimate and who, speaking of what he himself has gained, still speaks of one gate only.
One misreading must be cleared away: supposing modest words to be a figure of speech. Were it a figure of speech, there would be no need for ten solid clauses of pointing to the superior to follow. Bringing it to the ground: to be able to say clearly which one gate it is that you have gained is harder than being able to name a great many gates.
The Ten Matters of Pointing to the Superior: Two Clauses of ‘Already’ and Eight of ‘Ever’
The words of pointing to the superior come to ten matters in all: already purified all the vows of Samantabhadra, already abiding in all the practices of Samantabhadra, ever practicing all good dharmas, ever entering all samādhis, ever abiding through all boundless kalpas, ever comprehending all dharmas of the three times, ever going to all boundless lands, ever putting an end to the evils of all sentient beings, ever increasing the goodness of all sentient beings, ever cutting off the stream of birth and death of sentient beings; the first two begin with “already,” the latter eight begin with “ever,” and the whole is closed with one question — “and how could I be able to know or to expound their practices of merit and virtue?”
The two clauses of “already” are what has been accomplished — the vows of Samantabhadra already purified, the practices of Samantabhadra already abided in; this is the root. The eight of “ever” are the constant practice — practicing goodness, entering concentration, abiding through kalpas, comprehending the dharmas, going to the lands, these are his own portion; putting an end to evil, increasing goodness, cutting off the stream of birth and death, these are the benefiting of others. The last of the ten matters is “ever cutting off the stream of birth and death of sentient beings,” which joins directly to the great compassion of this gate: to rescue from fear all the way to the end is to cut off that stream.
One misreading must be cleared away: supposing that pointing to the superior is handing the words over to someone else. Of the ten matters the scripture text points to, not one lies outside this friend — what he himself is doing at this very moment is the eighth, the ninth, and the tenth. Bringing it to the ground: a true pointing to the superior is not saying that I am unable, but saying that this matter is vast beyond measure, and that I do what strength I have in one gate of it.
Lineage
For the text of this section, three lines of what it opens out downward may be traced.
The first is the line of the name. This friend’s name the eighty-fascicle witness gives as Avalokiteśvara, the sixty-fascicle witness as Contemplator of the World’s Sounds, and the forty-fascicle witness again as Avalokiteśvara. Chengguan does not judge which is the correct rendering, but refers the difference back to there being two kinds within the Sanskrit witnesses themselves, saying, “yet within the Sanskrit witnesses there are of themselves two kinds that differ, and so the translators followed the difference,” and further, upon whether the sense taken is round and full, “now the sense taken is the round one, and therefore it is said sovereign.” At the end he opens it further upon the contemplating and the contemplated, saying, “yet contemplating is that which contemplates, and runs through every contemplating,” and “if it be said sovereign, that belongs to the working of the one who transforms.” What Fazang transmits is three titles, and he assigns them to the three kinds of action, saying, “if it be taken upon the action of speech alone, the name is Contemplator of the World’s Sounds, because the working of that is much,” “if it be taken upon body and speech, the name is Light of the World’s Sounds, because the light of his body reaches and shines,” and “if it be furnished with all three wheels, gathering in beings without obstruction, the name is Avalokiteśvara.” Li Tongxuan, upon this position being the gate of compassion within the world, takes the title of compassion, saying, “now this seventh, the dedication that accords with all sentient beings, forms the gate of compassion within the world, and since the name Light of the World’s Sounds is a title of kindness and compassion, it is taken as the gate of practice that marks the position and causes advancement.” What the three houses transmit is recorded side by side without adjudication.
The second is the line of the place. The name of the mountain the scripture text does not bring out, having only “came to that mountain.” Chengguan gives Potalaka and glosses it, saying, “here it means the small white-flowering tree,” and takes “its fragrance is smelled from afar, and whoever smells it and sees it is certain to be glad — this is the sense of according” to match the position of this friend; Li Tongxuan gives Potalaka in his own transcription and says, “here it means the small white-flowering tree; the mountain grows many white-flowering trees, and their flowers are very fragrant, the fragrance reaching far,” taking the sense to lie in “taking the humble and the utterly small as his practice”; Fazang, upon the sixty-fascicle witness’s Mountain of Light, transmits its Indian name as Mount Buduoluo, and says, “rendering it by sense, it is named the mountain adorned with small trees and creepers.” One and the same mountain, and the names the three houses bring out and the senses they take are each different; recorded side by side without adjudication. As for the direction in which the friend dwells, Chengguan, upon the eighty’s “west side,” takes “the west governs killing, and so the rescuing power of compassion is displayed,” while Fazang, upon the sixty’s “western nook,” takes “dwelling in the western nook of the mountain means that he takes his stand in the nook of the mountain and dwells facing east, which is the mark of facing toward the light” — the texts of the two witnesses differing, the interpretive readings of the two houses differ as well; recorded without adjudication.
The third is the line of the assigned position. This friend is assigned to the seventh, the dedication that accords equally with all sentient beings, and this is Chengguan’s outline in succession from the ancient worthies, not something the scripture text marks of itself. At the place of the chapter outline Chengguan brings out an evenhanded remark of his own: “both have their reason — namely, that since each single position is furnished with many Dharma gates, how should an ordinary mind be barred from practicing and seeking the Dharma of the good friends? Therefore not matching them has its reason. Yet within there being no sequence of positions the sequence of positions is not obstructed, and displaying the positions is the constant rule, so that matching them likewise loses nothing.” — both the matching and the not matching of positions have their reason, the assigned position being a display of the constant rule, and to match them loses nothing. Chengguan brings out the name and matches the friend’s name to it, saying, “that the good friend is named Avalokiteśvara is because, the three kinds of action being turned toward him, the six penetrations must answer to the occasion, and his gathering in and benefiting being beyond thought, he is named Avalokiteśvara, and by this he is able to accord with sentient beings everywhere” — why Avalokiteśvara is matched to this position lies just in the words “accord everywhere.” The name of the position Fazang brings out upon the sixty-fascicle witness is the dedication of according with and contemplating all sentient beings equally, and Li Tongxuan’s is the dedication that accords with all sentient beings; the names of the position the three houses give are not uniform, while the place they match it to is in every case the seventh; recorded without adjudication.
In the text of this one section, the first half is a searching and the second half is a not being afraid. Only by searching everywhere can one come to see a teacher who sets up no signboard; and only after hearing out the eighteen kinds of fear does one know that compassion is not a mood but a practice that must be carried on and on.
品三十九 入法界品 · 正趣菩薩(寄真如相迴向)Entering the Dharma Realm · The Bodhisattva Right Course (Assigned to the Dedication of the Mark of Suchness)
全文五層 →Full five layers →一位自己走過來的善知識
前面多數善友,都是善財一站一站走去見的:先聽指示,再南行,再尋覓,然後見敬諮問。到這一位,次第倒過來了——善財還在觀自在菩薩的會中沒有動身,東方就有一位菩薩從空中來,按地動地、放光雨供,然後自己走進這個會裡。善財是在原地見到下一位老師的。
要排一個誤解:這不是經文次第亂了。正因為所要顯的法門是「普門速疾行」,所以此友之來本身即是說法——他還沒有開口,「能疾周遍到一切處」已經演過一遍了。澄觀科此子時分作六段,而說「善友文中具六。初二可知」,把前二段略過不釋,逕從第三段「授己法界」開講——正因為前二段之相,經文自己已經說得夠明白。
落到地上:讀這一節,起手那一大段瑞相不是排場,是正文的第一句。
東方來,以足按地:一按而世界震動
經文起手一句是「爾時,東方有一菩薩,名曰:正趣,從空中來,至娑婆世界輪圍山頂,以足按地」,接著就是「其娑婆世界六種震動,一切皆以眾寶莊嚴」。所現之相有二:一動、一嚴。動的是大地,嚴的也是大地——同一塊地,先震動,隨即成為眾寶所成。
為什麼是「按」而不是「立」?李通玄就此下一釋,說「足指按地者,智之所行也,表以法空起智現,前眾執皆散」,又說「輪圍山是妄所執之報境,無依智現,所執境無」——按地是智觸境,境亡故地動,動即散。這是通玄一家的表法讀法。
要排一個誤解:以為六種震動是為了顯神通之大。經文於震動之後緊接「一切皆以眾寶莊嚴」,可見動不是目的,動是為了轉——舊相散而新相現,是同一件事的兩截。
落到地上:真正的動搖從來不是加了什麼,是原來執著的那個「有」站不住了。
放身光明:把最亮的東西照成一團墨
第二相是光。經文說「正趣菩薩放身光明,映蔽一切日、月、星、電」,接著列了天龍八部、帝釋、梵王、護世四王——世間與天上最亮的一切,在他的光裡「皆如聚墨」。
這是本節最重的一句修辭。以聚墨狀日月,不是說日月的光小了,是說它們與此光根本不同類。日月之光有所依、有生滅、有能照與所照之分;而此光是身光,是行者自身之德所發。經文沒有在此處作任何解說,唯以一個比喻收——所以讀者要在比喻上停一下。
要排一個誤解:以為映蔽就是壓過。若只是量的壓過,經文該說『倍勝於日月』;說「皆如聚墨」,是換了一個尺。
落到地上:一種光若只能在別的光暗下來時才顯得亮,那還是同一類的光。
光照惡趣:眾苦皆滅,煩惱不起
光的第一件事不是照佛土,是照三惡趣。經文說「其光普照一切地獄、畜生、餓鬼、閻羅王處,令諸惡趣,眾苦皆滅,煩惱不起,憂悲悉離」。
三句次第分明:先「眾苦皆滅」,是果上的除;次「煩惱不起」,是因上的息;末「憂悲悉離」,是心上的安。若只有第一句,那是暫止之樂,苦滅而因仍在,過後還來;有了第二句,才是不再生;有了第三句,才是受者自己知道好了。
要排一個誤解:以為放光救苦是他力的施予,受者全無分。經文說「煩惱不起」——煩惱是受者自己的,光所到之處是使它不起,不是替他拿走。
落到地上:檢驗一件事對人的幫助有多深,看它止的是苦、是煩惱、還是憂悲——三者所在的位置並不一樣。
普雨供養:向下照完了,向上供
第三相是供。經文說「又於一切諸佛國土,普雨一切華香、瓔珞、衣服、幢蓋」,末句是「如是所有諸莊嚴具,供養於佛」。
這一段接在照惡趣之後,其序不可換。前段是向下——照地獄餓鬼;此段是向上——供一切佛。同一身之光與雨,一往下、一往上,而中間沒有停頓。此友的法門既名「普門」,普者即無所簡:不簡苦處,也不簡淨土。
要排一個誤解:以為救苦與供佛是兩種修行,各有各的時候。經文把它們寫成一氣呵成的兩句,中間唯一個「又」字。
落到地上:若濟人的時候忘了敬佛,敬佛的時候看不見苦處,那還不是一個「普」字。
隨眾生所樂而現身,然後才來
第四相是現身。經文說「復隨眾生心之所樂,普於一切諸宮殿中而現其身,令其見者皆悉歡喜,然後來詣觀自在所」。
要注意「然後」二字。前面三相——動地、放光、雨供——都是在來的路上做的;做完了這一切,他才「來詣觀自在所」。也就是說,此友之「來」不是一段位移,是一段行。李通玄就「從空而來」一句下釋,說「明智體無依、性無形質、神無不遍,自體真空起如幻身應緣利物,一剎那際響應十方,性無往來」——依通玄之讀,性上其實無往來可說,而事上處處現身。
要排一個誤解:以為「隨眾生心之所樂」是投其所好。經文的果是「令其見者皆悉歡喜」,而歡喜之後這位菩薩就走了——所樂是門,不是止處。
落到地上:接引人的第一步可以隨他所樂,但那一步的名字叫入門,不叫到家。
觀自在告善財:你看見他來了沒有
到此經文才轉入對話。觀自在菩薩問善財的第一句不是『你去問他』,而是「汝見正趣菩薩來此會不?」——先問見不見。善財答得極短:「已見。」
這一問一答去標點只有十二個字。法藏科此段為「對審指示」,是觀自在指示善財之首節。前面那麼大的瑞相,若善財沒有見,後面的參問就無從說起;而他答「已見」,是說前段所現的動地、放光、雨供、現身,他都在場看著。
要排一個誤解:以為這是寒暄。前一位老師之所以要先問一句「見不見」,是因為善財接下來要去問的那個法門,正是他剛才親眼所見之相的名字——先驗其所見,再許其所問。
落到地上:問一件事之前,先確認自己是不是真見過那件事發生。
觀自在教問:還是那兩句老話
觀自在接著說:「善男子!汝可往問:菩薩云何學菩薩行、修菩薩道?」
這兩句在本會中反覆出現,幾乎每一位善友的指示句都是它。要問的是這一句,善財到了下一位面前所問的也是這一句,正趣菩薩最後指他去大天神那裡所囑的還是這一句。
為什麼不換一個問題?因為所參的五十餘位善友,各得一門,而所問者始終是同一件事——學行與修道。門有無量,事只有一件。若問題隨著善友換,那參學就成了收集法門;問題不換,才顯出所收的是同一條道上的不同段落。
要排一個誤解:以為重複的句子是經文的套語,可以跳讀。它恰恰是本會結構的骨——一句不變的問,配上五十餘個不同的答。
落到地上:換老師可以,換問題要小心。
善財敬承其教,立刻就去
經文寫善財的動作用了四個短句:「爾時,善財童子敬承其教,遽即往詣彼菩薩所,頂禮其足,合掌而立」。
「敬承其教」是心,「遽即往詣」是行——遽即就是立刻,中間沒有猶豫,也沒有先回去準備。「頂禮其足」是身業之敬,「合掌而立」是待問之儀。四句之中,心、行、身、儀齊備,而全段沒有一個字寫善財的感想。
要排一個誤解:以為經文略去了心理描寫是文字簡略。本會寫善財,向來以動作寫其心——他的恭敬不在他說什麼,在他站著的樣子。
落到地上:受了一句教之後隔多久動身,這件事本身就是答案的一部分。
善財申請:我已先發心,可是還不知道
善財的請法之語有三節:先陳所已有——「我已先發阿耨多羅三藐三菩提心」;次陳所未知——「而未知菩薩云何學菩薩行?云何修菩薩道?」;末陳所以來——「我聞聖者善能教誨,願為我說!」
三節之序值得看。若只說未知,是徒然求法;若只說已發心,是自陳資格。先說已發,是表明他所求的不是入門之事,而是已入門者的行法;再說未知,是表明發心不等於會走。
要排一個誤解:以為發了心就自然知道怎麼修。經文讓善財自己把這兩件事分開說,正是要讀者看見中間那一道縫。
落到地上:發心與知道怎麼走之間有距離,這距離就是參學的全部長度。
標名體:普門速疾行
正趣菩薩的第一句答語極短:「善男子!我得菩薩解脫,名:普門速疾行。」
澄觀科此為「先標名體」,並就名釋義云「十方無際故名普門,一念超多故云速疾」。這一釋把名字拆成兩半:普門講的是空間,十方沒有邊際,所以是普;速疾講的是時間,一念之中超過眾多,所以是疾。
而二義其實相成。若十方有際,則所謂遍到只是走完一段路,快不快都無所謂;正因為無際,一念超多才成為必要。反過來,若一念不能超多,則十方之無際就成了永遠走不完的絕望。所以此名不是兩種功德的並列,是一件事的兩面。
要排一個誤解:以為速疾是神足通之類的能力。下文的答語會顯示,此「疾」與供佛化生同時進行,一步也不曾省略。
落到地上:真正的快不是省下了什麼,是同一段路上沒有空過的地方。
善財三問:得法之處·來處之遠·發來之久
善財聽了名字,追問三句:「聖者!於何佛所得此法門?所從來剎,去此幾何?發來久如?」一問得法之佛所,二問所來之剎有多遠,三問出發至今有多久。
澄觀對這三問下了一句判語:「二「善財言」下顯其業用。於中四:一申問。雖有三問,意在速疾。」——三問看似各問一事,其實所指是同一個「疾」字。因為遠而久,才顯得出疾;若近而暫,則快慢無從比較。法藏就六十本列三問之次為「一問得法之處、二問來處遠近、三問來時多少」,與八十本所問三事同。
要排一個誤解:以為善財是在問行程資料。他問的是這個法門的來歷、尺度與代價。
落到地上:聽見一個名字之後追問三句,這三句問得好不好,決定了答語能有多深。
歎深簡器:先說「此事難知」
正趣菩薩沒有立刻答,先說了一段「難」。經文說「此事難知,一切世間天、人、阿脩羅、沙門、婆羅門等所不能了」,接著列出能了者之相:「唯勇猛精進無退無怯諸菩薩眾,已為一切善友所攝、諸佛所念,善根具足,志樂清淨,得菩薩根,有智慧眼,能聞能持,能解能說。」
前一句是簡:世間五類人都不能了。後一句是器:所列八事,自精進而善友所攝、諸佛所念,而善根、志樂、菩薩根、慧眼,末以四能收——能聞、能持、能解、能說。八事之序自粗至細,自外緣至內證,末四能則是受法之後的四個階段。法藏就六十本此段判云「先歎深簡器。唯精進等者,則是善財正當其人。」——所簡之器,正是善財本人。
要排一個誤解:以為這是推辭。若是推辭,就不會把堪聞者的樣子說得這樣詳細——說得越細,越是在給對方一把尺子量自己。
落到地上:聽見『這件事很難懂』之後,該做的不是退,是照著那八條看自己缺哪一條。
善財承力請說:我不是靠自己信的
善財的回答只有一句:「聖者!我承佛神力、善知識力,能信能受,願為我說!」
澄觀科此為「三「善財」下承力請說」。要看的是「承力」二字——善財沒有說『我聰明』『我夠格』,他說我所以能信能受,是承著佛的神力與善知識的力。前段所列八條堪聞之相,他一條也沒有自認,只認了兩種所承之力。
而這正是對前段最準的回答。前段所列八事,第一是勇猛精進無退無怯,第二、第三是「已為一切善友所攝、諸佛所念」——善財所承的兩種力,恰是那兩條的內容。他不是繞過那把尺,是指出自己站在尺的哪一格上。
要排一個誤解:以為承力是謙辭。若真是謙辭,說完該退,而他說完就請法了——承力是他敢請的理由,不是不敢請的藉口。
落到地上:能不能受一件很深的法,不取決於自己有多強,取決於自己接在誰的力上。
答得法處:從東方妙藏世界普勝生佛所
正答的第一支只答一事:「我從東方妙藏世界普勝生佛所而來此土,於彼佛所得此法門。」剎名妙藏,佛名普勝生,方位在東。
經文在此處只給了名相,而澄觀於此下了本節最重的一句義釋:「初答得法處,謂從自本智如來藏界普生萬善,本覺而來故行能速遍,知一切法不離心性萬行頓成。」——依澄觀之讀,所從來的那個「處」不止是一個方位上的佛剎,也指自家本智之如來藏界;正因為所來者是本覺,所以行才能速遍,不待一步一步積。
要排一個誤解:以為澄觀是把事相之答架空成理。他所釋的是『此法門何以能疾』——若疾是修來的,就有修不到的時候;若疾是本來的,才有「一念超多」可說。
落到地上:一件事若要一直靠加力才成立,它就總有加不動的那一天。
答時久近與處近遠:以久證疾
第二、三兩支連著答。經文說「從彼發來已經不可說不可說佛剎微塵數劫,一一念中舉不可說不可說佛剎微塵數步,一一步過不可說不可說世界微塵數佛剎」。
三重極數,所計者三事:一計時(劫),二計步(念中之步),三計剎(步下之剎)。澄觀於此判云「三「一一念中」下答處近遠。以多時發多步則知遠矣,即是速疾」——這句判語把久與疾的矛盾解開了:所以要說那麼久,是為了讓人算得出所經之遠;而在同樣長的時間裡走了那麼遠,正是疾。久所量的是距離,疾所量的是能力。
要排一個誤解:以為既然一念能超多剎,走了那麼多劫就顯得慢。經文的乘法是相乘不是相抵——念中之步已是極數,劫中之念又是極數。
落到地上:判斷一段修行快不快,不能只看走了多久,要看在那段時間裡走過了什麼。
顯成益:所疾行者,一剎也不曾略過
第四支說的是這一路上做了什麼。經文說「一一佛剎,我皆遍入,至其佛所,以妙供具而為供養」,供具之德有四句:「此諸供具,皆是無上心所成,無作法所印,諸如來所忍,諸菩薩所歎。」
四句之次是:心所成(發起處)、法所印(依據處)、如來所忍(所受可)、菩薩所歎(所稱許)。四者合起來,說明這供養不是物的多寡,而是心與法的品質。法藏就六十本判此一段云「非直不廢速行而成妙行,亦乃則以速行成此勝行」——不只是快而沒有耽誤了行,並且正是靠著快才成就了這樣廣的行。
要排一個誤解:以為快必然粗。經文偏在極快之處插入這四句最細的供具之德,正是要斷這個誤解。
落到地上:一件事做得快而每一處都不含糊,那個快才是功德;否則只是趕。
普見教化與類顯十力
第四支之末先說遍見,第五支以一句類收。遍見之文是「我又普見彼世界中一切眾生,悉知其心,悉知其根,隨其欲解,現身說法,或放光明,或施財寶,種種方便,教化調伏,無有休息」;類收之句是「如從東方,南、西、北方,四維、上、下,亦復如是」。
遍見一段之次第井然:先知心、次知根,然後隨欲解而現身說法;說法之外,或放光明、或施財寶,最後以「無有休息」收。知心是知其所念,知根是知其所堪——二者不同,前者是現在,後者是能力。澄觀判末一句為「五「如從東」下類顯十力」,是說不必逐方別說,舉一方而餘方可知。
要排一個誤解:以為「或放光明,或施財寶」是次要的方便。它與「現身說法」並列,同屬教化,只是所應之機不同。
落到地上:先知道對方的心與根,再決定是說法、是給光、還是給財——次第錯了,三者都白費。
結己自分:我只得到這一個
答完之後,正趣菩薩把自己收回來:「善男子!我唯得此菩薩普疾行解脫,能疾周遍到一切處。」
要注意此處的名字變短了——前面標名時作「普門速疾行」,此處自結時作「普疾行解脫」。經文自己在同一節之中用了兩個形,前者是標,後者是結。而所配的功德只有一句:「能疾周遍到一切處」,正是前面「普門」與「速疾」二義之合。
要排一個誤解:以為『唯得此一』是客套。本會諸友之謙己句幾乎皆同此式,而每一位所謙的內容不同——他所謙的正是他剛剛講完的那一門。謙的不是有沒有,是只有這一門。
落到地上:能說清楚自己所會的到底是哪一門,比說自己什麼都會難得多。
仰推:同一個「遍」字,兩種量
謙己之後是仰推。經文連下十一句說諸大菩薩:「如諸菩薩摩訶薩,普於十方無所不至,智慧境界等無差別,善布其身悉遍法界,至一切道,入一切剎,知一切法,到一切世,平等演說一切法門,同時照耀一切眾生,於諸佛所不生分別,於一切處無有障礙」,末以一問收:「而我云何能知能說彼功德行?」
所推之德,句句是遍——遍十方、遍法界、遍一切道剎法世。而他自己所得也是遍:「能疾周遍到一切處」。同一個字,何以分自分與勝進?法藏就六十本於此段開為五節,其別推之一云「所住境界無量無壞,不同正趣唯此住一金剛山頂」——所推者之境界無量無壞,而自己所住唯一山頂:不是換了一個法門,是同一門之中還有更廣大者。
要排一個誤解:以為仰推是承認自己不行。他所推的是同名之德的更深處——正因為所得是真的,才知道那更深處也是真的。
落到地上:知道自己所會的那一門還有多深,是會了那一門之後才有的能力。
指示後友:往南方,墮羅鉢底城,大天神
末後一句是指路:「善男子!於此南方有城,名:墮羅鉢底;其中有神,名曰:大天。汝詣彼問:菩薩云何學菩薩行、修菩薩道?」
三事俱全:方(南方)、處(墮羅鉢底城)、人(大天神),末仍是那兩句不變的問。要注意這一位下一友的身分——不是比丘、不是長者、不是菩薩,是「神」。本會善友的身分之雜,於此又見一例。
要排一個誤解:以為指示後友只是過場。此友自己是從東方來的,而他指人向南方去——來處與去處不同方,而所指之事同一。
落到地上:一位老師最後給的那個方向,往往比他所講的那一門更難懂,因為那是他為你選的下一步。
戀德禮辭:四個動作,沒有一句話
末段是善財之辭:「時,善財童子頂禮其足,遶無數匝,慇懃瞻仰,辭退而去。」四個動作——頂禮、遶匝、瞻仰、辭去,全段沒有一句話。
澄觀於此子之科作「後三可知」,未別列三段之名,亦未別立釋文——依本節經文,後三即仰推、指示後友(「善男子!於此南方有城,名:墮羅鉢底」一段)與戀德禮辭——是說前面幾位善友的同型段落已經釋過,此處讀者自明。而「慇懃瞻仰」四字仍值得停:他走之前是仰著頭看的,看的是剛才那位從東方來的人。
要排一個誤解:以為禮辭是禮節。本會諸友禮辭之文各有詳略,此子之辭簡到只有動作。而這一節起手也是只有動作(按地、放光、雨供、現身)。一節之始終,都在身上,不在口上。
落到地上:從一位老師那裡離開時做了什麼,比說了什麼可靠。
承衍
本節之文,向下所開之流有三條線。
其一是寄位之線。澄觀寄此友於真如相迴向,其《演義鈔》釋此位與此友何以相稱,說「謂善根合如,成迴向故」——善根合於真如,所以成其為迴向。法藏就六十本則逕以「如相迴向」為此段之名,末云「如相迴向竟」。二家所寄之位同,而所用之名一詳一略。此寄位之判,出於澄觀承古德之科,非經文自言。澄觀於通論寄位一事時自持其平,說「二皆有理……然無次位中不礙次位,顯位是常規,配亦無失」——配位與不配位二說各有其理,配之亦無所失。
其二是東方之義的異釋之線,誌錄不判。法藏就東方來一事釋為「東方來者,表如相,證智開明之狀」;智儼別立一問答,說「何故此一知識言東不噵南?何也。答:此第八迴向如相,離分齊,故揀前耳。但有證見覺初,故說東也」,以離分齊與證見之初釋東;李通玄則以陰陽方位之軌釋之,說「東方者,表是智也」,又說「故東方表智、西方表悲,以此二位明悲智齊故」,並自陳其立法之意云「但約法立名設其則也」。三家所釋之方位同一,而所取之義各異。
其三是所按之山與辭退之文的本異之線,誌錄不判。所按之山,八十本與四十本作輪圍山,六十本作金剛山;法藏就六十本釋「表住於如相,不可破壞故也」,李通玄就八十本則說「輪圍山是妄所執之報境,無依智現,所執境無」。辭退一事,八十本與六十本此節之末皆有辭退之文,李通玄於本位推德昇進亦列「五禮敬辭去」;其「問曰:此何意不云辭退而去?」之問答,係就前位觀音會中見正趣、善財不辭觀音而發,自答為「悲智二位在此位齊滿……不辭去也」,非謂本節之末無辭退。解脫之名,八十本作普門速疾行,六十本作普門速行法門,四十本作普門不動速疾行;後友之城,三本作墮羅鉢底、婆羅波提、門主;此善友之名,八十本與六十本作正趣,四十本作正性無異行。此諸異釋與異文皆古德與古譯之成說。
一節之文,起手是一位自己走來的人,收尾是一個仰著頭看的人。中間所講的那一門叫作『普門速疾行』——而它被演示完了,善財才聽見它的名字。
A Good Friend Who Walked Over of His Own Accord
Most of the good friends before this one Sudhana went to see stage by stage: first he received the pointing out, then he journeyed south, then he searched, and then he saw, paid respects, and inquired. With this one the sequence is turned around — Sudhana had not yet stirred from the assembly of the bodhisattva Avalokiteśvara when, from the eastern quarter, a bodhisattva came through the air, pressed the ground and made it quake, sent forth light and rained down offerings, and then walked into this assembly of his own accord. Sudhana saw the next teacher without leaving where he stood.
One misreading must be cleared away: this is not the scripture text’s sequence falling into disorder. Precisely because the Dharma gate to be displayed is “the Universal Gate of Swift Practice,” this friend’s coming is itself the expounding of the Dharma — before he has opened his mouth, “able swiftly to reach everywhere throughout all places” has already been performed through once. Chengguan divides this unit into six passages and yet says, “within the text of the good friend there are six; the first two may be understood as they stand,” passing over the first two passages without glossing them and beginning his exposition straight from the third, “conferring his own Dharma realm” — precisely because the marks of the first two passages the scripture text has already made plain enough of itself.
Bringing it to the ground: in reading this section, that long opening passage of auspicious marks is not stage-setting; it is the first sentence of the main text.
Coming From the East and Pressing the Ground with His Foot: One Press, and the World Quakes
The opening sentence of the scripture text is “at that time, from the eastern quarter there was a bodhisattva named Right Course, who came through the air, reached the summit of the Encircling Mountains of the Sahā world, and pressed the ground with his foot,” and what follows immediately is “that Sahā world quaked in six ways, and the whole of it was adorned with all manner of jewels.” The marks manifested are two: one a quaking, one an adorning. What quakes is the great earth, and what is adorned is likewise the great earth — one and the same ground, first quaking and then straightway becoming a thing made of every jewel.
Why “pressed” and not “stood”? Li Tongxuan sets down one gloss upon this, saying, “that he presses the ground with his toe is what knowledge walks upon; it sets forth that by the emptiness of dharmas knowledge arises and appears, and the graspings of the assembly before him are all scattered,” and saying further, “the Encircling Mountains are the objective realm of recompense that the deluded grasp at; where knowledge appears without a support, the objective realm grasped at is not there.” This is the reading by way of setting forth the Dharma proper to Tongxuan’s one house.
One misreading must be cleared away: supposing that the quaking in six ways is there to display the greatness of a spiritual penetration. The scripture text, straight after the quaking, joins on “the whole of it was adorned with all manner of jewels,” by which it may be seen that the quaking is not the end in view — the quaking is for the sake of turning: the old mark scatters and the new mark appears, and these are two halves of one and the same matter.
Bringing it to the ground: a real shaking is never a matter of something added; it is that the “existent” one had been grasping at can no longer stand.
Sending Forth the Light of His Body: Making the Brightest Thing There Is Look Like a Mass of Ink
The second mark is light. The scripture text says, “the bodhisattva Right Course sent forth the light of his body, and it outshone every sun, moon, star, and flash of lightning,” and there follows a list of the eight divisions of gods and dragons, Śakra, the Brahmā kings, and the four World-Protector kings — all that is brightest in the world and in the heavens, within his light, is “all like a mass of gathered ink.”
This is the weightiest sentence of rhetoric in this section. To figure sun and moon by a mass of ink is not to say that the light of sun and moon has grown small; it is to say that they and this light are not of the same kind at all. The light of sun and moon has something it depends on, has arising and ceasing, and has a division between what illumines and what is illumined; whereas this light is the light of a body, sent forth by the virtue of the practitioner’s own person. The scripture text sets down no gloss whatever at this place, and closes with a single simile alone — so the reader must stop for a moment upon the simile.
One misreading must be cleared away: supposing that to outshine is simply to overpower. Were it merely an overpowering in quantity, the scripture text ought to have said ‘many times finer than sun and moon’; to say “all like a mass of gathered ink” is to have changed the measure.
Bringing it to the ground: if a light can appear bright only when other lights have dimmed, it is still a light of the same kind as theirs.
The Light Shining Upon the Evil Destinies: Every Kind of Suffering Quenched, the Afflictions Rising No More
The first thing the light does is not to shine upon the buddha-lands but to shine upon the three evil destinies. The scripture text says, “that light shone everywhere upon all the hells, the animals, the hungry ghosts, and the places of King Yama, causing that, within those evil destinies, every kind of suffering was quenched, the afflictions rose no more, and sorrow and grief were altogether left behind.”
The three clauses are clearly in sequence: first “every kind of suffering was quenched,” which is a removal upon the fruit; next “the afflictions rose no more,” which is a stilling upon the cause; last “sorrow and grief were altogether left behind,” which is a settling upon the mind. Were there only the first clause, that would be a pleasure that halts for a while, the suffering quenched while the cause remains, so that afterward it comes again; only with the second clause is there a no-longer-arising; and only with the third does the one who undergoes it know for himself that he is well.
One misreading must be cleared away: supposing that to send forth light and rescue from suffering is a bestowal by another’s power, with no share in it for the one who receives. The scripture text says “the afflictions rose no more” — the afflictions belong to the one who receives, and what the light does where it arrives is to keep them from arising, not to carry them off in his stead.
Bringing it to the ground: to test how deep a help to a person some matter is, look at whether what it halts is the suffering, or the affliction, or the sorrow and grief — the three do not stand in the same place.
Raining Down Offerings Everywhere: Having Shone Downward, He Makes Offerings Upward
The third mark is offering. The scripture text says, “further, within the lands of all the buddhas, he rained down everywhere every kind of flower and fragrance, necklace, garment, banner, and canopy,” and the closing clause is “all such articles of adornment as these he offered up to the buddhas.”
This passage joins on after the shining upon the evil destinies, and their order may not be exchanged. The passage before is downward — shining upon the hells and the hungry ghosts; this passage is upward — making offerings to all the buddhas. The light and the rain of one and the same body, the one going down and the other going up, and between them no pause. Since this friend’s Dharma gate is named “universal gate,” universal means that nothing is sifted out: neither the places of suffering are sifted out, nor the pure lands.
One misreading must be cleared away: supposing that rescuing from suffering and making offerings to the buddhas are two kinds of cultivation, each having its own occasion. The scripture text writes them as two clauses done in one breath, with nothing between them but the single word “further.”
Bringing it to the ground: if, in the moment of aiding others, one forgets to revere the buddhas, and in the moment of revering the buddhas one cannot see where the suffering is, that is still not the one word “universal.”
Manifesting a Body According to What Sentient Beings Delight In, and Only Then Coming
The fourth mark is the manifesting of a body. The scripture text says, “further, according to what sentient beings delighted in within their minds, he manifested his body everywhere within all the palaces, so that those who saw him were all gladdened, and only after this did he come to where Avalokiteśvara was.”
The two words “only after this” are to be noticed. The three marks before — quaking the ground, sending forth light, raining down offerings — were all done on the road of his coming; and only when all this was done did he “come to where Avalokiteśvara was.” Which is to say that this friend’s “coming” is not a stretch of displacement; it is a stretch of practice. Li Tongxuan sets down a gloss upon the one clause “came through the air,” saying, “it makes clear that the substance of knowledge has no support, that its nature has no shape or matter, and that its spirit is nowhere unpervading; out of its own substance, true emptiness, it raises an illusion-like body and answers to conditions to benefit beings, responding to the ten directions within a single instant, its nature having no going or coming” — on Tongxuan’s reading, upon the nature there is in fact no going or coming to speak of, while upon the phenomenal side there is a manifesting of a body in place after place.
One misreading must be cleared away: supposing that “what sentient beings delighted in within their minds” is a catering to their tastes. The fruit given in the scripture text is “those who saw him were all gladdened,” and after that gladdening this bodhisattva went on his way — what they delight in is a gate, not a place to halt.
Bringing it to the ground: the first step in drawing a person in may follow what he delights in, but the name of that step is entering the gate, not arriving home.
Avalokiteśvara Says to Sudhana: Have You Seen Him Come or Not
Only here does the scripture text turn into dialogue. The first sentence the bodhisattva Avalokiteśvara puts to Sudhana is not ‘go and ask him’ but “have you seen the bodhisattva Right Course come to this assembly or not?” — first he asks whether he has seen. Sudhana’s answer is as short as can be: “I have already seen him.”
This one question and answer, with the punctuation taken away, run to twelve graphs. Fazang makes this passage “the questioning to confirm, and the pointing out,” the first section of Avalokiteśvara’s pointing Sudhana onward. With so great a display of auspicious marks before it, had Sudhana not seen it there would have been no ground for the inquiry that follows; and his answering “I have already seen him” says that the quaking of the ground, the sending forth of light, the raining down of offerings, and the manifesting of a body displayed in the passage before were all watched by him, present there.
One misreading must be cleared away: supposing this to be a courtesy. The reason the teacher before him must first ask the one question “have you seen or not” is that the Dharma gate Sudhana is about to go and ask after is precisely the name of the marks he has just seen with his own eyes — first what he has seen is tested, and then what he asks is allowed.
Bringing it to the ground: before asking after some matter, first make sure whether you have truly seen that matter happen.
Avalokiteśvara Teaches Him to Ask: The Same Two Old Sentences Again
Avalokiteśvara goes on to say: “Son of good family! You may go forward and ask: how is a bodhisattva to learn the bodhisattva practice and to cultivate the bodhisattva way?”
These two sentences recur again and again throughout this assembly, and are very nearly the sentence with which every good friend points the way. This is what is to be asked; this is likewise what Sudhana asks when he stands before the next one; and this is still what the bodhisattva Right Course charges him with at the last when he points him toward the god Mahādeva.
Why is the question never changed? Because the fifty-odd good friends whom he studies under have each gained one gate, while what is asked is from first to last one and the same matter — the learning of the practice and the cultivating of the way. The gates are measureless; the matter is one only. If the question changed along with the friend, then studying under them would turn into collecting Dharma gates; it is the question’s not changing that shows what is collected to be different stretches of one and the same road.
One misreading must be cleared away: supposing that a repeated sentence is a formula of the scripture text that may be read past. It is precisely the bone of this assembly’s structure — one unchanging question, matched with fifty-odd different answers.
Bringing it to the ground: changing teachers is allowable; changing the question calls for care.
Sudhana Reverently Receives His Teaching and Goes at Once
The scripture text writes Sudhana’s action in four short clauses: “at that time, Sudhana the youth reverently received his teaching, went at once to where that bodhisattva was, bowed to his feet, and joined his palms and stood.”
“Reverently received his teaching” is the mind; “went at once” is the deed — at once means immediately, with no hesitation between, and no going back first to make ready. “Bowed to his feet” is the reverence of bodily action; “joined his palms and stood” is the bearing of one awaiting the asking. Within the four clauses, mind, deed, body, and bearing are complete, and in the whole passage there is not one graph writing Sudhana’s impressions.
One misreading must be cleared away: supposing that the scripture text’s leaving out the description of his state of mind is a terseness of wording. In writing Sudhana, this assembly has all along written his mind by way of his actions — his reverence lies not in what he says but in the way he stands.
Bringing it to the ground: how long one waits before setting out after receiving one sentence of teaching is itself part of the answer.
Sudhana Sets Out His Request: I Have Already Raised the Mind, and Yet I Still Do Not Know
Sudhana’s words in requesting the Dharma have three parts: first he sets out what he already has — “I have already raised beforehand the mind of anuttarā-samyak-saṃbodhi”; next he sets out what he does not yet know — “yet I do not know how a bodhisattva is to learn the bodhisattva practice, or how to cultivate the bodhisattva way”; last he sets out why he has come — “I have heard that the sagely one is skilled at instructing; may you expound it for me!”
The order of the three parts is worth looking at. Were only the not-knowing spoken, it would be a bare seeking after the Dharma; were only the already-raised mind spoken, it would be a setting out of his own qualifications. To speak first of what is already raised is to make plain that what he seeks is not the matter of entering the gate but the method of practice for one who has entered it; and to speak next of what is not known is to make plain that raising the mind is not the same as knowing how to walk.
One misreading must be cleared away: supposing that once the mind is raised one naturally knows how to cultivate. That the scripture text has Sudhana himself speak these two matters apart is precisely so that the reader may see the seam between them.
Bringing it to the ground: between raising the mind and knowing how to walk there is a distance, and that distance is the whole length of studying under the friends.
The Setting Forth of the Name and Substance: The Universal Gate of Swift Practice
The bodhisattva Right Course’s first sentence in answer is as short as can be: “Son of good family! I have gained a liberation of a bodhisattva, named the Universal Gate of Swift Practice.”
Chengguan makes this “first, the setting forth of the name and substance,” and glosses the sense upon the name, saying, “because the ten directions are without bound it is named universal gate; because a single thought-moment surpasses many it is called swift.” This one gloss splits the name into two halves: the universal gate speaks of space, the ten directions having no bound, and so it is universal; the swiftness speaks of time, a single thought-moment surpassing the many, and so it is swift.
And the two senses in fact complete each other. Were the ten directions bounded, then so-called reaching everywhere would be no more than the finishing of one stretch of road, and swift or not would be of no moment; it is precisely because they are unbounded that a single thought-moment’s surpassing of many becomes necessary. Conversely, if a single thought-moment could not surpass many, then the unboundedness of the ten directions would become a despair one could never walk to the end of. So this name is not two merits set side by side; it is two faces of one matter.
One misreading must be cleared away: supposing that swiftness is an ability of the order of the penetration of spiritual feet. The words of the answer below will show that this “swift” goes on at the same time as the making of offerings to the buddhas and the transforming of beings, with not one step left out.
Bringing it to the ground: real swiftness is not a matter of what has been spared; it is that on one and the same road no place has been passed over empty.
Sudhana’s Three Questions: Where the Dharma Was Gained · How Far the Place He Came From · How Long Since He Set Out
Having heard the name, Sudhana presses on with three questions: “Sagely one! In the presence of which buddha did you gain this Dharma gate? The land you came from, how far is it from here? How long since you set out?” The first asks after the buddha in whose presence the Dharma was gained, the second how far off is the land he came from, the third how long it has been from his setting out until now.
Chengguan sets down one adjudicating sentence upon these three questions: “second, from ‘Sudhana said’ onward, is the displaying of his working. Within it there are four: first, the setting out of the questions. Though there are three questions, the intent lies in the swiftness.” — the three questions seem each to ask after one matter, and yet what they point to is one and the same graph, “swift.” Because it is far and long, the swiftness can be brought out; were it near and brief, fast and slow would have nothing to be measured against. Fazang, upon the sixty-fascicle witness, sets out the order of the three questions as “first, asking after the place where the Dharma was gained; second, asking how near or far the place he came from is; third, asking how much time since his coming,” the same three matters asked in the eighty-fascicle witness.
One misreading must be cleared away: supposing that Sudhana is asking after travel particulars. What he asks after is this Dharma gate’s provenance, its measure, and its cost.
Bringing it to the ground: after hearing a name, one presses on with three questions, and how well those three are asked decides how deep the answer can be.
Praising the Profundity and Sifting the Vessel: First He Says “This Matter Is Hard to Know”
The bodhisattva Right Course does not answer at once, but first speaks a passage on the “hard.” The scripture text says, “this matter is hard to know, and all the devas, humans, asuras, śramaṇas, brahmins, and the rest of every world are unable to comprehend it,” and there follows a listing of the marks of those who can comprehend it: “only those hosts of bodhisattvas who are fiercely energetic and neither turn back nor grow timid, who have already been gathered in by all good friends and held in mind by the buddhas, whose roots of goodness are complete, whose resolve and delight are pure, who have gained the faculties of a bodhisattva and have the eyes of wisdom, who are able to hear and able to uphold, able to understand and able to expound.”
The first sentence is the sifting: five classes of the world are unable to comprehend it. The latter is the vessel: of the eight matters listed, they run from energy to being gathered in by good friends and held in mind by the buddhas, then to roots of goodness, resolve and delight, the faculties of a bodhisattva, and the eyes of wisdom, closing with four abilities — able to hear, able to uphold, able to understand, able to expound. The order of the eight matters runs from coarse to fine, from outward conditions to inward realization, and the last four abilities are the four stages that follow upon receiving the Dharma. Fazang, upon the sixty-fascicle witness, adjudicates this passage, saying, “first, praising the profundity and sifting the vessel. As for ‘only the energetic’ and the rest, this is Sudhana himself, exactly the man in question.” — the vessel sifted for is Sudhana’s own person.
One misreading must be cleared away: supposing this to be a declining. Were it a declining, the look of one fit to hear would not be set out in such detail — the finer it is set out, the more it is a handing over of a measure by which the other may measure himself.
Bringing it to the ground: after hearing ‘this matter is very hard to understand,’ what is to be done is not to withdraw but to look at oneself against those eight items and see which one is lacking.
Sudhana Requests the Exposition Relying Upon the Power He Bears: It Is Not by My Own Strength That I Believe
Sudhana’s reply is one sentence only: “Sagely one! Bearing the spiritual power of the Buddha and the power of the good friends, I am able to believe and able to receive; may you expound it for me!”
Chengguan makes this “third, from ‘Sudhana’ onward, requesting the exposition relying upon the power he bears.” What is to be looked at is the two words “bearing the power” — Sudhana did not say ‘I am clever’ or ‘I am qualified’; he said that his being able to believe and able to receive is by bearing the spiritual power of the Buddha and the power of the good friends. Of the eight marks of fitness to hear listed in the passage before, he claimed not one for himself, claiming only the two powers he bears.
And this is the answer most exactly fitted to that passage. Of the eight matters listed there, the first is to be valiant and diligent, unretreating and unafraid, and the second and third are “already gathered in by all good friends and held in mind by the buddhas” — the two powers Sudhana bears are just the content of those two items. He does not go around the measure; he points out which mark on the measure he stands at.
One misreading must be cleared away: supposing that bearing a power is a modest formula. Were it truly a modest formula, he ought to withdraw after saying it, whereas having said it he requests the Dharma — bearing the power is his reason for daring to ask, not his excuse for not daring.
Bringing it to the ground: whether one can receive a very deep Dharma is settled not by how strong one is but by whose power one is joined to.
Answering the Place Where the Dharma Was Gained: From the Presence of the Buddha Universal Victory Arising, in the World Wondrous Treasury, in the East
The first branch of the direct answer answers one matter only: “I came to this land from the presence of the buddha Universal Victory Arising, in the world Wondrous Treasury, in the eastern quarter, and it was in the presence of that buddha that I gained this Dharma gate.” The land is named Wondrous Treasury, the buddha is named Universal Victory Arising, and the quarter is the east.
At this place the scripture text gives names only, whereas Chengguan sets down here the weightiest gloss of sense in this section: “first, the answering of the place where the Dharma was gained. That is, from the realm of the Tathāgata-womb of one’s own original knowledge, which universally gives rise to the myriad goods, coming from original awakening — therefore the practice is able to be swift and to reach everywhere; knowing that all dharmas are not apart from the nature of mind, the myriad practices are accomplished all at once.” — on Chengguan’s reading, the “place” he comes from is not merely a buddha-land in some quarter but points as well to one’s own realm of the Tathāgata-womb of original knowledge; and precisely because what comes is original awakening, the practice can be swift and reach everywhere, without waiting to be accumulated step by step.
One misreading must be cleared away: supposing that Chengguan is emptying an answer given in terms of phenomena into principle. What he glosses is ‘why this Dharma gate is able to be swift’ — if the swiftness were gained by cultivation, there would be a point beyond which cultivation could not reach; only if the swiftness is original is there anything like “a single thought-moment surpassing many” to speak of.
Bringing it to the ground: if some matter can hold up only by force continually added to it, there will always come the day when no more force can be added.
Answering How Long Since He Set Out and How Near or Far the Place Is: Proving the Swiftness by the Length
The second and third branches are answered together. The scripture text says, “from setting out there, there have already passed kalpas as many as the dust motes of unspeakably unspeakable buddha-lands; within each single thought-moment I raise steps as many as the dust motes of unspeakably unspeakable buddha-lands; each single step crosses over buddha-lands as many as the dust motes of unspeakably unspeakable worlds.”
Three layers of an utmost number, counting three things: first counting time (kalpas), second counting steps (the steps within a thought-moment), third counting lands (the lands under a step). Chengguan adjudicates here, saying, “third, from ‘within each single thought-moment’ onward is the answering of how near or far the place is. Since in much time he raises many steps, it is thereby known to be far — and this is just the swiftness.” — this adjudicating sentence unties the contradiction between the length and the swiftness: the reason so long a time must be spoken of is to let one reckon out how far he has traveled; and to have traveled so far within just that length of time is precisely swiftness. What the length measures is distance; what the swiftness measures is capacity.
One misreading must be cleared away: supposing that, since a single thought-moment can surpass many lands, to have traveled so many kalpas must look slow. The scripture text’s arithmetic is multiplication, not cancellation — the steps within a thought-moment are already an utmost number, and the thought-moments within a kalpa are an utmost number again.
Bringing it to the ground: to judge whether a stretch of cultivation is swift, one cannot look only at how long it has run; one must look at what was traversed within that time.
Displaying the Benefit Accomplished: The One Who Travels Swiftly Has Not Passed Over a Single Land
The fourth branch says what was done along this road. The scripture text says, “into every single buddha-land I enter everywhere, and go to where its buddha is, and make offerings with wondrous articles of offering,” and the virtue of the articles of offering is given in four clauses: “these articles of offering are all accomplished by the unsurpassed mind, sealed by the dharma that is without contrivance, borne with by all the tathāgatas, and praised by all the bodhisattvas.”
The order of the four clauses is: accomplished by the mind (where they are raised), sealed by the dharma (what they rest upon), borne with by the tathāgatas (by whom they are allowed), praised by the bodhisattvas (by whom they are commended). The four taken together make clear that this offering is not a matter of the quantity of things but of the quality of mind and of dharma. Fazang, upon the sixty-fascicle witness, adjudicates this passage, saying, “not merely that swift practice is not left off and wondrous practice is accomplished, but rather that it is by swift practice that this surpassing practice is accomplished” — not merely that being swift has not held up the practice, but that it is precisely by being swift that so broad a practice is brought to accomplishment.
One misreading must be cleared away: supposing that swiftness must be coarse. That the scripture text should insert just here, at the point of utmost swiftness, these four finest clauses on the virtue of the articles of offering is precisely to cut off this misreading.
Bringing it to the ground: a matter done swiftly with nothing slurred at any point — that swiftness is merit and virtue; otherwise it is only hurry.
Seeing and Teaching Everywhere, and the Displaying of the Ten Powers by Class
The close of the fourth branch first speaks of seeing everywhere, and the fifth branch closes by class with a single sentence. The text of the seeing everywhere is “further, I see everywhere all the sentient beings within those worlds, and know their minds entirely, and know their faculties entirely, and following upon their wishes and understanding I manifest a body and expound the Dharma, at times sending forth light, at times bestowing wealth and jewels, and with all manner of skillful means I teach and tame them, without a time of rest”; the closing sentence of class is “as it is from the eastern quarter, so is it also from the south, the west, the north, the four intermediate directions, the zenith, and the nadir.”
The order within the passage of seeing everywhere is in good array: first knowing the mind, next knowing the faculties, and then, following upon their wishes and understanding, manifesting a body and expounding the Dharma; besides the expounding, at times sending forth light, at times bestowing wealth and jewels, and closing at the last with “without a time of rest.” Knowing the mind is knowing what they are thinking of; knowing the faculties is knowing what they can bear — the two are not the same, the former being the present, the latter a capacity. Chengguan adjudicates the closing sentence as “fifth, from ‘as it is from the east’ onward, is the displaying of the ten powers by class,” which says that there is no need to speak of each quarter separately, but that from one quarter raised the rest may be known.
One misreading must be cleared away: supposing that “at times sending forth light, at times bestowing wealth and jewels” are secondary skillful means. They stand alongside “manifesting a body and expounding the Dharma,” belonging equally to the teaching; only the capacity they answer to is different.
Bringing it to the ground: first know the other’s mind and faculties, and only then decide whether to expound, to give light, or to give wealth — get the order wrong and all three are wasted.
Concluding His Own Portion: I Have Gained Only This One
The answering done, the bodhisattva Right Course draws himself back in: “Son of good family! I have gained only this bodhisattva’s liberation of universal swift practice, by which I am able swiftly to reach everywhere throughout all places.”
Notice that the name has grown shorter here — in the earlier setting forth of the name it was “the Universal Gate of Swift Practice,” and here, in concluding upon himself, it is “the liberation of universal swift practice.” Within one and the same section the scripture text has itself used two forms, the former being the setting forth and the latter the conclusion. And the merit matched to it is a single clause only: “able swiftly to reach everywhere throughout all places,” which is just the joining of the two senses, “universal gate” and “swift,” given before.
One misreading must be cleared away: supposing that ‘I have gained only this one’ is a courtesy. The self-humbling clauses of the friends of this assembly are nearly all of this same form, and yet what each of them humbles himself over differs — what he humbles himself over is precisely the one gate he has just finished expounding. What is humbled is not whether he has it, but that he has this one gate only.
Bringing it to the ground: to be able to say clearly which one gate it is that one has mastered is far harder than to say one has mastered everything.
Looking Up and Pointing to the Superior: One and the Same Graph “Everywhere,” in Two Measures
After the humbling of himself comes the looking up and pointing to the superior. The scripture text sets down eleven clauses in a row concerning the great bodhisattvas: “as for the bodhisattva-mahāsattvas, there is nowhere in the ten directions they do not reach; the objective realm of their wisdom is equal and without difference; they lay out their bodies well so that these fill the whole Dharma realm; they reach every way, enter every land, know every dharma, arrive at every age, expound every Dharma gate equally, shine upon all sentient beings at one and the same time, give rise to no discrimination in the presence of the buddhas, and are without obstruction in all places,” closing with a single question: “how then could I be able to know or to expound the practice of their merit and virtue?”
The virtues pointed to are, clause by clause, the sense of everywhere — everywhere in the ten directions, everywhere in the Dharma realm, everywhere in every way and land and dharma and age. And what he himself has gained is likewise an everywhere: “able swiftly to reach everywhere throughout all places.” One and the same graph — how then are one’s own portion and the advancing beyond divided? Fazang, upon the sixty-fascicle witness, opens this passage into five parts, and the first of his particular pointings says, “the objective realm they dwell in is measureless and indestructible, unlike Right Course, who dwells only upon this one summit of the adamantine mountain” — the objective realm of those pointed to is measureless and indestructible, while the place he himself dwells in is one mountain summit alone: it is not that the Dharma gate has been changed, but that within one and the same gate there is what is broader and greater still.
One misreading must be cleared away: supposing that looking up and pointing to the superior is an admission of incapacity. What he points to is the deeper reach of a virtue bearing the same name — it is precisely because what he has gained is real that he knows that deeper reach to be real as well.
Bringing it to the ground: to know how much deeper the one gate one has mastered still goes is an ability that comes only after that gate has been mastered.
Pointing Out the Next Friend: Go South, to the City Duoluobodi, to the God Mahādeva
The last sentence is the pointing of the road: “Son of good family! To the south of here there is a city named Duoluobodi; within it there is a god named Mahādeva. Go there and ask him: how is a bodhisattva to learn the bodhisattva practice and to cultivate the bodhisattva way?”
The three matters are all present: the quarter (south), the place (the city Duoluobodi), and the person (the god Mahādeva), closing still with those two unchanging questions. Notice the standing of this next friend — not a monk, not an elder, not a bodhisattva, but a “god.” The mixed standing of this assembly’s good friends is seen here in one more instance.
One misreading must be cleared away: supposing that pointing out the next friend is a mere interlude. This friend himself came from the eastern quarter, while he points a man to go south — the place he came from and the place he points to are in different quarters, while the matter pointed to is one and the same.
Bringing it to the ground: the direction a teacher gives at the last is often harder to understand than the one gate he has expounded, because it is the next step he has chosen for you.
Cherishing His Virtue and Taking Leave: Four Actions, and Not One Word
The last passage is Sudhana’s taking of leave: “then Sudhana the youth bowed to his feet, circled him numberless times, gazed up at him with earnest longing, and took his leave and departed.” Four actions — bowing, circling, gazing up, taking leave — and in the whole passage not one word.
Chengguan makes the outline of this unit here “the latter three may be understood as they stand,” without listing the names of the three passages separately or setting up a separate gloss — according to the scripture text of this section, the latter three are the looking up and pointing to the superior, the pointing out of the next friend (the passage “son of good family! To the south of here there is a city named Duoluobodi”), and the cherishing his virtue and taking leave — which is to say that passages of this same type among the several good friends before have already been glossed, and that here the reader will see it for himself. And the four graphs “gazed up with earnest longing” are still worth stopping over: before he went he was looking upward, and what he looked at was the man who had just come from the eastern quarter.
One misreading must be cleared away: supposing that the taking of leave is a matter of etiquette. The texts in which the friends of this assembly are taken leave of vary in fullness, and the leave-taking of this unit is spare down to actions alone. And the opening of this section too is nothing but actions (pressing the ground, sending forth light, raining down offerings, manifesting a body). At its beginning and at its end alike, this section is upon the body and not upon the mouth.
Bringing it to the ground: what one did on leaving a teacher is more to be relied on than what one said.
Lineage
Of the text of this section, three lines are opened onward.
The first is the line of the assigned position. Chengguan assigns this friend to the dedication of the mark of suchness, and his Yanyi chao, glossing why this position and this friend answer to each other, says, “that is, the roots of goodness join with suchness, and so the dedication is accomplished” — the roots of goodness join with suchness, and so it becomes a dedication. Fazang, upon the sixty-fascicle witness, takes “the dedication of the mark of suchness” straightaway as the name of this passage, closing with “the dedication of the mark of suchness is finished.” The position the two houses assign is the same, while the name each uses is in the one case full and in the other spare. This adjudication of the assigned position issues from Chengguan’s outline in succession from the ancient worthies, and is not something the scripture text says of itself. Where Chengguan treats of the matter of assigned positions in general, he keeps his own balance, saying, “both have their reason …… yet within there being no sequence of positions the sequence of positions is not obstructed, and displaying the positions is the constant rule, so that matching them likewise loses nothing” — the two accounts, of matching positions and of not matching them, each have their reason, and to match them loses nothing.
The second is the line of the divergent interpretations of the sense of the eastern quarter, recorded without adjudication. Fazang glosses the coming from the eastern quarter as “that he comes from the eastern quarter sets forth the mark of suchness, the look of realizing knowledge opening into clarity”; Zhiyan sets up a separate question and answer, saying, “why does this one friend speak of the east and not tell of the south? Why is this? Answer: this eighth dedication is suchness, apart from divisions, and so it sifts off what went before. But there is only the first realizing sight and awakening, and therefore the east is spoken of,” glossing the east by being apart from divisions and by the beginning of realizing sight; while Li Tongxuan glosses it by the rule of the quarters of yin and yang, saying, “the eastern quarter sets forth knowledge,” and saying further, “therefore the east sets forth knowledge and the west sets forth compassion, and by these two positions it is made clear that compassion and knowledge are level,” and setting out for himself the intent with which he establishes this rule, “it is only upon the Dharma that names are established and their rule laid down.” The quarter the three houses gloss is one and the same, while the sense each takes from it differs.
The third is the line of the mountain pressed and of the text of the taking of leave in the several witnesses, recorded without adjudication. As for the mountain pressed, the eighty-fascicle and the forty-fascicle witnesses have the Encircling Mountains and the sixty-fascicle witness the adamantine mountain; Fazang, upon the sixty-fascicle witness, glosses it as “setting forth abiding in the mark of suchness, since it cannot be destroyed,” while Li Tongxuan, upon the eighty-fascicle witness, says, “the Encircling Mountains are the objective realm of recompense that the deluded grasp at; where knowledge appears without a support, the objective realm grasped at is not there.” As for the taking of leave, the end of this section in both the eighty-fascicle and the sixty-fascicle witnesses has the text of the taking of leave, and Li Tongxuan too lists “fifth, paying respects and taking leave” within this position’s pointing to virtue and advancing upward; his question and answer, “question: why does it not here say that he took his leave and departed?” is raised upon the seeing of Right Course within the assembly of the preceding position, where Sudhana does not take leave of the Contemplator of the World’s Sounds, and he answers it himself as “the two positions of compassion and knowledge are level and full in this position …… and so he does not take his leave and go” — it does not say that the end of this section lacks the taking of leave. As for the name of the liberation, the eighty-fascicle witness has the Universal Gate of Swift Practice, the sixty-fascicle witness the Dharma gate of the universal gate of swift going, and the forty-fascicle witness the Universal Gate of Unmoving Swift Practice; as for the city of the next friend, the three witnesses have Duoluobodi, Poluoboti, and Gate Lord; and as for this good friend’s name, the eighty-fascicle and sixty-fascicle witnesses have Right Course and the forty-fascicle witness Right Nature of Undifferentiated Practice. All these divergent interpretations and divergent readings are the settled accounts of the ancient worthies and of the ancient translations.
In the text of this one section, the opening is a man who walked over of his own accord, and the close is a man looking upward. The one gate expounded in between is called ‘the Universal Gate of Swift Practice’ — and it had been demonstrated through to the end before Sudhana ever heard its name.
品三十九 入法界品 · 大天(寄無縛無著解脫迴向)Entering the Dharma Realm · Mahādeva (Assigned to the Dedication of Liberation Without Bondage and Without Attachment)
全文五層 →Full five layers →這一節最奇的一個動作,在說法之前
善財這一路參訪,見過的善知識有比丘、有長者、有童子、有外道、有國王。到這第二十九位,是一位天神,名叫大天。善財才頂禮問法,這位善知識不即開口,先做了一件事——「長舒四手,取四大海水自洗其面」,然後才拿金華散在善財身上,然後才說話。
要問的是:說法之前為什麼要洗臉?澄觀就此釋云,這是「先當自淨以洗身心,後因利他故云華散」——先自淨,後利他,二事之序即在這一洗一散之間。
要排一個誤解:以為這是神通的展示,是要善財先驚一驚。若如此,散華與說法便都成了餘事。三家所釋皆不取此:澄觀繫於自淨與利他之序,法藏繫於四無礙解方便之用,李通玄則說「明發大菩提心者難得難見」,繫於難遇貴重之義。
落到地上:要把一件法交給人之前,先問自己這張臉洗了沒有——所憑者若不淨,所說者也就不淨。
上一段路上帶著的十二句:那是心,不是腳程
本節起手不寫走,寫的是心。善財「入菩薩廣大行」,然後一連十二句:求智慧境、見神通事、念勝功德、生大歡喜、起堅精進、入不思議自在解脫,再是六個「地」——功德地、三昧地、總持地、大願地、辯才地、諸力地。走到「漸次遊行」四字,才開始有腳程。
要問的是:為什麼一段路要先寫這麼長一串心?因為前一位善知識所授之法不是聽懂就算數的,要一路帶著;帶得住,才走得到下一位。智儼科這一段時列為依教進入之第二,稱為「念前法門」;李通玄則列為正入當位五門之第一,稱為念善知識教思惟昇進。
要排一個誤解:以為這十二句是善財的自誇。看句式便知——求、見、念、生、起、入、行、觀、住,句句是動詞在前,說的是他正在做什麼,不是他已經是什麼。
落到地上:兩位老師之間的那段路,考的不是走了多遠,是那顆心斷過沒有。
至城推問:問路的是善財,答話的是城裡的人
到了那座城,善財做的第一件事是「推問大天今在何所」——他不認得路,就問人。而答話的不是一位善知識,是「人咸告言」,是城中的一般人。他們說的是:「在此城內,現廣大身,為眾說法。」
要問的是:這幾句閒筆有什麼要緊?法藏就六十本科此段時,把指路的那些人也算進去,稱之為「伴善知識」——為你指路的人,也在善知識之列。
要排一個誤解:以為求法只跟大善知識打交道。這一段偏偏記了一句路人的話,而且大天的相貌與所在,讀者最先是從路人口中聽來的。
落到地上:一個真在說法的人,城裡的人都知道他在哪裡。所謂「為眾說法」,本來就不是關起門來的事。
設敬與諮問:所求之道相續
善財到了,「頂禮其足,於前合掌」,然後開口。他的問句是本會屢見的那兩句——「云何學菩薩行」「云何修菩薩道」——前面加一句自陳「我已先發阿耨多羅三藐三菩提心」,後面加一句請求「我聞聖者善能教誨,願為我說」。
要問的是:善財一路參訪,所問之句何以大體相續?因為所參之友雖換,所求之道未換——所求者始終是菩薩行與菩薩道。各人答各人的一分,合起來才是全。若所求隨人而改,所得的就只是一堆零碎的答案,接不成一條路。
要排一個誤解:以為先自陳發心是客套。這一句是交代自己的位置——心已經發了,現在缺的是行與道的下手處。澄觀於本會科文分六分,本節之初二分(依教趣求、見敬諮問)以「初二可知」帶過,未別立科名,正因為這一式在本會已成定格。
落到地上:問對一個問題,比問很多問題要緊;而且同一個問題,值得向很多人問。
長舒四手取四大海水自洗其面:這四隻手表什麼
四隻手、四大海、一張臉——這是本節最密的一句。澄觀分兩層釋:約事,是「發心難遇,淨目而觀、散華而供」;約表,是「展四無礙解手,取所證勝流相應法門」,並且「亦表四攝遠展,攝取四眾故」。法藏所表相同,說「以四長臂者,四無礙解方便用也。取四海水者,與法界勝流義相應」。李通玄不就四無礙解立配,先說「明發大菩提心者難得難見」,取的是貴重之義;其下別出一表,以四無量心與四攝法配四長手——「又表四長手取四大海水,以四無量心、四攝法攝眾生故」,而洗面一事則配大悲之水,說「明以大悲水以從智用觀察眾生恒攝受也」。三家所配之數法各異,誌錄不判。
要問的是:為什麼偏偏是四?二家皆繫於四無礙解——法、義、詞、辯四種說法之無礙。說法之前先舒四手,正是把說法的本錢先亮出來。
要排一個誤解:以為「四海水」是誇張的修辭。澄觀所繫是「所證勝流相應法門」,法藏所繫是「與法界勝流義相應」——水所表者是所證之法,不是水量之多。
落到地上:一個人要說法,先看他伸出來的是哪幾隻手;再看他伸手取來的,是不是先用在自己身上。
洗的是誰的臉:一個古來有異讀而二家判同的地方
八十本的經文是「自洗其面」,「自」字明明白白。而法藏說:「古來皆謂洗善財面,今勘梵本,以四長臂於四方處各取一海水自洗己面,是則水洗淨己,能對花散善財就其所。」——他指出古來有一種讀法,把這一洗讀成洗善財的臉,而他依梵本判為大天自洗。澄觀不言梵本,所判亦同,說「先當自淨以洗身心,後因利他故云華散」。
要問的是:為什麼會有那樣一種讀法?六十本此處作「澡洗其面」,沒有那個「自」字;讀者若只據六十本,兩種讀法都通。八十本與四十本俱有「自」字,異讀便無從起。
要排一個誤解:以為這是無關宏旨的一字之爭。二讀之義相去甚遠——洗善財之面,是善知識為弟子淨其根;自洗己面,是善知識先淨其能說之口。所判不同,這一節的骨也就不同。
落到地上:一字之有無能改一段之義。讀經最要緊的用功,常常就落在這種地方。
讚菩薩難遇:先講清楚你遇上的是什麼
洗過臉、散過華,大天開口的第一段不是法門,是讚——讚菩薩之難遇。「難可得見,難可得聞,希出世間」,然後是一串職分:為眾生歸、為眾生救、為世間作安隱處、作大光明、示迷惑者安隱正道、為大導師引入佛法門、為大法將守護一切智城。中間插一個喻——「是諸人中芬陀利華」。末後一句是條件:「唯身、語、意無過失者,然後乃得見其形像、聞其辯才,」李通玄就「芬陀利華」一喻說:百葉白蓮,端正香潔,人皆樂見;菩薩亦然,心端行正,能以說法之香熏澤人心,皆令解脫,人皆樂見。
要問的是:這段讚是說給誰聽的?表面是說菩薩,實際是說善財此刻的處境——你正遇上一位,而遇上是有條件的。澄觀科此為「現相讚友難遇,令欣入故」,法藏亦科為「授法方便」——讚不是客套,是授法的前一步。
要排一個誤解:以為末句是說要修到三業無過失才配見善知識。經文所繫是「見其形像、聞其辯才」——見得見,聞得聞,深淺在自己那一分清淨上,不是在門檻上。
落到地上:同一位善知識,不同的人遇上所得不同。差別不在他,在來的人身上有沒有過失未淨。
雲網:一個名字裡的兩個喻
法門之名只有兩個字——雲網。澄觀釋其體,說是「以六度大悲,如雲覆潤、如網羅攝故」。法藏釋得更細,把兩個字各拆兩義:雲有「潤益義、遍覆義」,網有「澇漉義、隱映義」,末後結一句「則以六度行為體」。李通玄則就名說:「明大悲雲普覆一切,雨教如網漉眾生」——雲是大悲之遍覆,網是教法之漉取眾生。
要問的是:為什麼是這兩物?雲在上,其用是覆與潤,是自上而下地施;網在外,其用是漉與攝,是自外而內地收。一施一收,恰是六度與大悲的兩面——六度是所行,大悲是所以行。
要排一個誤解:以為「雲網」是形容神通變現之多。二家所釋皆繫於六度之行,不繫於相之奇。名體既是六度,後面示現的那些寶物,就都只是布施一度的落處。
落到地上:判一個法門的深淺,先看它的體是什麼。體若是六度,那些看起來很奇的相就都有安頓;體若只是相,相再多也接不上道。
善財只問一句:境界云何
大天標了名,善財接的是四個字——「境界云何」。他不問怎麼修,不問要多久,只問這法門所到之處是什麼樣子。
要問的是:為什麼問境界?因為名體已標,體既已知,所欠的是用。澄觀科其後之文為「問答業用」,正是應這一問而開;智儼科作「顯法德用境界」,所繫亦同。
要排一個誤解:以為問境界是好奇心。善財所問的每一句,都是要拿回去用的。問境界,就是問這法門在人身上會長出什麼來。
落到地上:聽人說一個法門,值得追問的一句往往是——那用起來是什麼樣子。
示現寶物:二十聚寶山堆在你面前,是為了教你送走
大天的答不是解說,是示現。金、銀、瑠璃、玻瓈、硨磲、碼碯,以至寶冠、寶印、寶瓔珞、珠網、如意摩尼,二十聚「皆如大山」;又現華、鬘、香、燒香、塗香、衣服、幢幡、音樂、五欲娛樂之具,「皆如山積」;再現無數百千萬億的童女眾。
要問的是:為什麼要現這麼多?因為所要教的是布施。要教一個人捨,先得讓他手上真有東西。智儼科這一段作「初積寶、二積香、三現女」,法藏科作「初積物、二教施、三類餘眾生」——積在前,教在後,次第明白。
要排一個誤解:以為現寶是要善財歡喜。下一句就是「可取此物,供養如來」——現出來是為了送走的。滿目的寶山,是布施的道具,不是布施的果報。
落到地上:真要學捨,得先承認自己手上有東西。說自己一無所有的人,往往捨不掉的最多。
教財施:先供養如來,再施給一切
教施一段的次第值得看:先「供養如來,修諸福德」,再「并施一切,攝取眾生」,然後才是所為——「令其修學檀波羅蜜,能捨難捨」。接著大天把這件事推廣出去:「如我為汝,示現此物,教汝行施;為一切眾生悉亦如是」,末後歸到「於三寶所、善知識所,恭敬供養,增長善法,發於無上菩提之意」。
要問的是:為什麼所施止於『發菩提心』?因為財施本身不是目的。澄觀科前半為「現寶令施,教以檀攝」,科後半為「類餘通教及利行攝」,並說「如是等言,亦兼愛語、同事」——四攝之中,布施只是入手的那一攝。
要排一個誤解:以為這一段在教人多布施。經文之落點是「發於無上菩提之意」;財物只是把人領到那個意上去的路。
落到地上:送出去的東西若沒有把人送到心上去,那只是東西換了位置。
三類眾生:三種病,三種相
業用的後半換了一副面孔。貪著五欲而自放逸的人,為他現「不淨境界」;瞋恚、憍慢、多諍競的人,為他現「極可怖形,如羅剎等飲血噉肉」;惛沈、懶惰的人,為他現「王、賊、水、火及諸重疾」。三類之後,經文以三層總收:先「令捨一切諸不善行,修行善法」,次「令除一切波羅蜜障,具波羅蜜」,後「令超一切障礙險道,到無障處」。一層是捨惡而修善,一層是除障而具度,一層是超險道而到無障之處——三類方便所至者,即在此三層。
要問的是:為什麼要用嚇人的辦法?看每一相之後那一句便知——現可怖形之後是「心意調柔,捨離怨結」,現王賊水火之後是「知有憂苦而自勉策」。所現雖怖,所至是柔、是策,不是怖本身。
要排一個誤解:以為這是恐嚇。第一類所現的是不淨,不是可怖;第三類所現的是難,不是罰。三相各對一病,配得極準——貪對不淨,瞋對可怖,懶對無常之難。法藏科此段為「教行戒等」,智儼科作「教法施」,皆不以之為神通之戲。
落到地上:真要幫一個人轉,得先認清他病在哪一味。同一帖藥給三種病人吃,一種也治不了。
謙己推勝:五個比喻,兩自利三利他
自陳所知只有一句——「我唯知此雲網解脫」;其後五個比喻,說的全是別人。諸菩薩「猶如帝釋」,摧伏煩惱的阿脩羅軍;「猶如大水」,滅眾生的煩惱之火;「猶如猛火」,乾眾生的愛欲之水;「猶如大風」,吹倒眾生的見取之幢;「猶如金剛」,摧破眾生的我見之山。
要問的是:這五喻有沒有次第?法藏就此判云「約五喻顯五行,初二自利、後三利他」——帝釋與大水二喻屬自利,猛火、大風、金剛三喻屬利他。智儼則不分自他,唯云「初舉五喻即合、次結耳」。二家並舉。
要排一個誤解:以為水火二喻互相衝突——一個滅火,一個乾水。所滅之火是煩惱,所乾之水是愛欲;一物之名在兩處各表一病,不可混看。
落到地上:知道自己只有一門,才看得見別人那五樣。謙己不是姿態,是量了自己的邊界。
指示後友:從天上指到地上
末段大天指路:閻浮提、摩竭提國、菩提場中,有主地神名叫安住;所囑之問,仍是那兩句。
要問的是:一位天神為什麼把人指給一位地神?這一問經文不答,而李通玄就此自設問答,說此位「同十住中第十灌頂住,迴彼解脫入於生死,令隨智大慈悲饒益眾生悉圓滿故」,又以二神分表二德——「以前明天神主智圓滿,此云地神主慈悲圓滿,表地能荷負萬有長養眾生故」。可看的是所指之處——菩提場,是佛成道的那個地方;而那裡的善知識,名字叫「安住」。從天而地,從高而下,從現廣大身而至安住不動。李通玄又釋所指之處與所指之名:菩提場者,此位會菩提、理、智、慈、悲五法為一而皆圓滿;名安住者,於此五法齊圓而無所傾動。
要排一個誤解:以為指示後友是收場的套話。前一句他才說完自己只知一門,後一句就指出下一門在哪裡——謙己與指路是同一口氣裡的兩半。
落到地上:一位善知識最後給的,往往不是他的法,是他知道的下一個人。
戀德禮辭:一句話收束
「時,善財童子禮大天足,遶無數匝,辭退而去。」全子的收尾只有這十七個字,與見面時的「頂禮其足,於前合掌」相對。來時禮足,去時亦禮足;中間隔著一個法門。
要問的是:為什麼要記「遶無數匝」?繞行是敬,而「無數」是不忍即去。澄觀於此三科以「後三段易知」帶過,未別立科名——經文自己已經說得夠明白。
要排一個誤解:以為辭退是這一段的結束。下一句就是善財漸次遊行趣摩竭提國——辭退的同一刻就是出發。
落到地上:把一段路走完的標誌,是能好好告別,然後立刻上路。
承衍
本節之文,向下所開之流有三條。
其一是寄位之線。澄觀科此子為寄無縛無著解脫迴向,其名之義《演義鈔》釋云「謂不為相縛、不為見著,作用自在,故名解脫」。李通玄則於同一位上另配三賢十聖,說此城「為此第九迴向主大法師位,同十住中法王子住、十地中第九妙善慧地有大法門饒益眾生故」。須說明的是:善友寄某一位,是澄觀承古來諸德之科,經文本身不自標位。澄觀於本會總科處先錄古來二說——意法師與臺山論但隨文散釋而更無別配,光統等師則皆配地位。
澄觀明判
二說既列,澄觀乃自下明判——「二皆有理,謂隨一一位具多法門,豈容凡心不得習求善友之法,故不配有理。然無次位中不礙次位,顯位是常規,配亦無失。」此一句是澄觀之判,不是前二家之語:配與不配二說皆有其理,配之而不礙其非次第——本節既依其科,亦不以其科掩經文之自語。李通玄則於同一位判此善知識「以力波羅蜜為主,餘九為伴」,所偏治者為「說法不自在障」,配法與澄觀異,誌錄不判。
其二是釋名之線。三家並舉:澄觀就一名下四釋,說「善友名大天者,現大身故。無縛無著智淨自在,故名為天。稱理普應,故名為大。妙用難測,故名為神」;法藏作「大天者,無縛淨報,勝出自在,故立斯號」;李通玄則就淨智立釋,說「其智無依,不為不思而恒應萬有,故號天神」,並以乾為天門、巽為地戶之象表之,末歸於「第一義天、一切智天,非如五行生滅天也」。城名一事亦三家並舉——澄觀與李通玄俱作墮羅鉢底而譯為有門,澄觀繫於「有此無縛等微妙法門,為法師故」,李通玄繫於「有大法門故,城名有門」,法藏則作婆羅波提而正之為墮羅拔提,其釋就「城有端嚴之門」。此諸異釋皆古德成說,誌錄不判。
其三是異譯之線。城名一事,三本俱於前友指路句出之——八十本作墮羅鉢底,六十本作婆羅波提,四十本作門主;到城之句則三本俱不重出,八十本與四十本唯作至於彼城。四隻手,八十本作長舒四手,六十本作出四長臂,四十本作長舒四臂;洗面一句,八十本與四十本俱有「自」字,六十本無之。所示之寶,八十本二十聚,四十本二十二聚,六十本則不逐聚別出。五喻之中,八十本第三喻作猛火,四十本作劫盡火;第四第五二喻六十本不作幢山之喻而作染著心與吾我之想。後友之名,八十本與六十本作安住,四十本作自性不動。又四十本於第一類眾生之下別廣其文,廣說欲之過患,並出讚戒之頌一段,八十本與六十本俱無。其頌所教,非八十本三相之同義重述,別有六義:一以地喻戒——「世及出世諸善根,皆依最勝尸羅地」,戒是世出世一切善根之所依;二判苦行異服之不可代戒——裸形、縈髻、氷浴、焚身、護摩之類,「此等無戒皆如戲」「無戒苦身無所利」;三判貴賤種姓不改持犯之果——「貴賤種姓虧戒身,皆墮地獄無差別」,而「卑門持戒生天上,勝族毀犯墮幽冥」;四以戒為藥、為橋、為船筏、為伏藏、為勇伴——「戒為惑病最勝藥,護諸苦厄如父母,癡闇燈炬生死橋,無涯業海為船筏」「戒為伏藏無所侵,戒為勇伴導前行」;五以戒為最勝之香——「栴檀欝金及沈麝,如是一切不為香。菩薩持戒最勝香,遍出人天無有盡」;六臨終憶淨戒而無畏——「若有臨終肢節痛,一切親屬欲分離,諦思我有清淨戒,身心歡樂無憂畏」。此六義繫四十本而錄。並錄不判。
一位天神,把四大海的水取來,先洗自己的臉。這一節最要緊的一句,就在說法之前的那個動作裡。
The Strangest Single Gesture in This Section Comes Before the Expounding of the Dharma
All along this road of visiting, the good friends Sudhana has seen have been monks, elders, youths, non-Buddhist practitioners, and kings. At this twenty-ninth one, it is a god, named Mahādeva. Sudhana had only just bowed and asked for the Dharma when this good friend, instead of opening his mouth at once, first did one thing — “he stretched out his four hands far, took the water of the four great oceans, and washed his own face with it” — and then took golden flowers and scattered them over Sudhana, and only then spoke.
What must be asked is this: why wash the face before expounding the Dharma? Chengguan glosses the point by saying that this is “first one ought to purify oneself, so as to wash body and mind; afterward, because of benefiting others, it is said that flowers are scattered” — first purify oneself, afterward benefit others, and the sequence of the two matters lies just in this one washing and this one scattering.
One misreading must be cleared away: taking this for a display of spiritual penetrations, meant to startle Sudhana first. Were it so, the scattering of flowers and the expounding of the Dharma would both become mere leftovers. None of the three houses takes it so: Chengguan fastens it to the sequence of self-purifying and benefiting others; Fazang fastens it to the skillful use of the four unobstructed understandings; while Li Tongxuan says that it “makes clear that one who raises the great mind of awakening is hard to gain and hard to see,” fastening it to the sense of being hard to meet and worthy of weight.
Bringing it to the ground: before handing a Dharma over to someone, ask yourself first whether this face of yours has been washed — if what you rest upon is impure, what you say will be impure as well.
The Twelve Clauses Carried Along the Last Stretch of Road: That Is Mind, Not Mileage
This section begins not by writing of walking but by writing of mind. Sudhana “entered the vast and great practice of a bodhisattva,” and then come twelve clauses in a row: seeking the objective realm of wisdom, seeing the matters of spiritual penetrations, recollecting the surpassing merit and virtue, giving rise to great gladness, raising up firm vigor, entering the inconceivable liberation at will, and then six “grounds” — the ground of merit and virtue, the ground of samādhi, the ground of comprehensive holding, the ground of the great vow, the ground of eloquence, and the ground of the powers. Only when we reach the four graphs “he traveled on little by little” does mileage begin at all.
What must be asked is this: why must a stretch of road be preceded by so long a string of mind? Because the Dharma conferred by the good friend before him is not something settled by having understood it once; it must be carried the whole way, and only if it can be carried can one arrive at the next friend. Zhiyan, in outlining this passage, sets it as the second of proceeding to enter in accord with the teaching, and calls it “recollecting the Dharma gate that came before”; Li Tongxuan sets it as the first of the five gates of truly entering the present position, and calls it recollecting the good friend’s teaching, pondering it, and advancing upward.
One misreading must be cleared away: taking these twelve clauses for Sudhana’s self-praise. The pattern of the clauses shows otherwise — sought, saw, recollected, gave rise to, raised up, entered, practiced, contemplated, abided in: every clause has the verb in front, and speaks of what he is doing, not of what he already is.
Bringing it to the ground: the stretch of road between two teachers tests not how far you walked, but whether that mind of yours ever broke off.
Coming to the City and Asking After Him: The One Who Asked the Way Was Sudhana, and Those Who Answered Were the People of the City
Having come to that city, the first thing Sudhana does is “ask after where Mahādeva now was” — he does not know the way, so he asks people. And those who answer are not a good friend but “the people all told him,” the ordinary folk of the city. What they say is: “He is within this city, manifesting a vast and great body, expounding the Dharma for the assembly.”
What must be asked is this: what weight do these few idle strokes carry? Fazang, when outlining this passage upon the sixty-fascicle witness, counts even those who pointed the way into the reckoning, calling them “companion good friends” — the one who points out your road is likewise in the ranks of the good friends.
One misreading must be cleared away: supposing that seeking the Dharma has dealings only with great good friends. This one passage records, of all things, a sentence from a passer-by; and Mahādeva’s appearance and whereabouts the reader hears first of all from the mouths of passers-by.
Bringing it to the ground: when a person is truly expounding the Dharma, the people of the city all know where he is. What is called “expounding the Dharma for the assembly” was never a matter of shutting the door.
Paying Respect and Inquiring: The Way Sought Runs On Unbroken
Sudhana arrives, “bows to his feet, joins his palms before him,” and then opens his mouth. His question is those two clauses often seen throughout this assembly — “how is a bodhisattva to learn the bodhisattva practice” and “how to cultivate the bodhisattva way” — with a clause of self-declaration set before them, “I have already, before this, raised the mind of anuttarā-samyak-saṃbodhi,” and a clause of request set after them, “I have heard that the holy one is well able to instruct; would that you would expound it for me.”
What must be asked is this: all along this road of visiting, why do the clauses he asks run on so much of a piece? Because although the friends visited change, the way sought does not change — what is sought is, from first to last, the bodhisattva practice and the bodhisattva way. Each one answers his own portion, and only together do they make the whole. Were what is sought to change with each person, what he gained would be no more than a heap of scattered answers that could not be joined into a road.
One misreading must be cleared away: taking the self-declaration of having raised the mind for mere courtesy. That clause states his own position — the mind has been raised, and what is now lacking is a place to lay hold of practice and of the way. Chengguan outlines the text of this assembly in six divisions, and the first two divisions of this section (seeking in accord with the teaching, and seeing, paying respect, and inquiring) he passes over with “the first two may be understood as they stand,” setting up no separate outline name, just because this pattern has already become a fixed form in this assembly.
Bringing it to the ground: to ask one question rightly matters more than to ask many; and the same one question is worth asking of many people.
He Stretched Out His Four Hands Far, Took the Water of the Four Great Oceans, and Washed His Own Face: What Do the Four Hands Signify
Four hands, four great oceans, one face — this is the densest sentence in the section. Chengguan glosses it on two levels: upon the matter, it is that “the raising of the mind is hard to meet with, and so he purifies his eyes and looks, and scatters flowers and makes offering”; upon what is signified, it is that “he extends the hands of the four unobstructed understandings and takes up the Dharma gate that answers to the surpassing outflow of what he has realized,” and further that it “also signifies that the four means of gathering in are extended afar, to gather in the fourfold assembly.” What Fazang signifies is the same, saying that “the four long arms are the skillful use of the four unobstructed understandings. That he takes the water of the four oceans is his answering to the sense of the surpassing outflow of the Dharma realm.” Li Tongxuan does not set up his matching upon the four unobstructed understandings; he says first that it “makes clear that one who raises the great mind of awakening is hard to gain and hard to see,” taking the sense of being worthy of weight, and thereafter brings out a signification of his own, matching the four long hands to the four measureless minds and the four means of gathering in — “it also signifies that his four long hands taking the water of the four great oceans is his gathering in sentient beings by the four measureless minds and the four means of gathering in” — while the washing of the face he matches to the water of great compassion, saying that it “makes clear that by the water of great compassion, following upon the working of knowledge, he contemplates sentient beings and ever gathers them in.” The number-dharmas the three houses match it to differ, and are recorded without adjudication.
What must be asked is this: why four, of all numbers? Both houses fasten it to the four unobstructed understandings — the four unobstructednesses in expounding the Dharma, of dharma, of meaning, of speech, and of eloquence. To stretch out four hands before expounding the Dharma is precisely to lay out first the capital with which one expounds.
One misreading must be cleared away: taking “the water of the four oceans” for exaggerating rhetoric. What Chengguan fastens it to is “the Dharma gate that answers to the surpassing outflow of what he has realized,” and what Fazang fastens it to is “answering to the sense of the surpassing outflow of the Dharma realm” — what the water signifies is the Dharma realized, not a great quantity of water.
Bringing it to the ground: when a person is to expound the Dharma, look first at which hands he stretches out; then look at whether what he has reached out and taken is used first upon himself.
Whose Face Is Washed: A Place Where an Old Divergent Reading Exists and Two Houses Judge Alike
The scripture text of the eighty-fascicle witness is “washed his own face,” and the graph “own” stands there plainly. And Fazang says: “From of old all have said that he washed Sudhana’s face; but now, collating the Sanskrit witness, with his four long arms he takes one ocean’s water at each of the four quarters and washes his own face; that is, the water washes and purifies himself, and he is then able, over against that, to scatter the flowers upon Sudhana where he stands.” — He points out that of old there was a way of reading that took this washing to be the washing of Sudhana’s face, and that he, relying on the Sanskrit witness, judges it to be Mahādeva’s washing of himself. Chengguan says nothing of a Sanskrit witness, and what he judges is the same, saying, “first one ought to purify oneself, so as to wash body and mind; afterward, because of benefiting others, it is said that flowers are scattered.”
What must be asked is this: how could such a reading have arisen? The sixty-fascicle witness reads here “bathed and washed his face,” without that graph “own”; a reader who relied only on the sixty-fascicle witness could take it either way. The eighty-fascicle and the forty-fascicle witnesses both have the graph “own,” so that the divergent reading has no place to arise.
One misreading must be cleared away: supposing this a quarrel over one graph that touches nothing large. The sense of the two readings lies far apart — to wash Sudhana’s face is for the good friend to purify the disciple’s faculties; to wash one’s own face is for the good friend first to purify the mouth with which he is able to expound. The judgment being different, the very bone of this section is different as well.
Bringing it to the ground: the presence or absence of one graph can change the sense of a whole passage. The most vital labor in reading the scriptures often falls just in places like this.
Praising How Hard Bodhisattvas Are to Meet: First Make Plain What It Is You Have Met With
Having washed his face and scattered the flowers, the first passage Mahādeva speaks is not a Dharma gate but a praise — a praise of how hard bodhisattvas are to meet. “Very hard to get sight of, very hard to get word of, appearing rarely in the world,” and then a string of offices: to be the refuge of sentient beings, to be the rescuers of sentient beings, to make for the worlds a place of peace and security, to make a great light, to point out to the confused the peaceful and secure right road, to be great guides who lead into the Buddha’s Dharma gate, to be great Dharma generals who guard the city of all-knowledge. In the middle a simile is inserted — “the puṇḍarīka flower among human beings.” The last clause is a condition: “only one whose body, speech, and mind are without fault can afterward get sight of their form and image and get word of their eloquence,” Li Tongxuan says of the simile of the puṇḍarīka flower: it is the hundred-petalled white lotus, upright, fragrant and clean, which all are glad to see; so too the bodhisattva, whose mind is upright and whose conduct is right, is able with the fragrance of expounding the Dharma to steep and soften the hearts of people, so that all are set free and all are glad to see him.
What must be asked is this: for whom is this praise spoken? On the surface it speaks of bodhisattvas; in fact it speaks of Sudhana’s own situation at this moment — you have just met with one, and the meeting has its conditions. Chengguan outlines this as “manifesting a mark and praising how hard the friend is to meet with, so as to make him glad to enter,” and Fazang likewise outlines it as “the skillful means of conferring the Dharma” — the praise is not courtesy but the step before the conferring of the Dharma.
One misreading must be cleared away: taking the last clause to mean that one must cultivate until the three kinds of action are without fault before one is fit to see a good friend. What the scripture text fastens it to is “getting sight of their form and image and getting word of their eloquence” — how much you see and how much you hear turns on that one portion of purity in yourself, and not on a threshold to be crossed.
Bringing it to the ground: one and the same good friend, and different people meet him and gain differently. The difference lies not in him but in whether the one who comes has faults still unpurified.
Cloud-Net: Two Similes Inside One Name
The name of the Dharma gate is only two graphs — Cloud-Net. Chengguan glosses its substance, saying it is “by the six perfections and great compassion, as a cloud covers and moistens, as a net catches and gathers in.” Fazang glosses it more finely, splitting each of the two graphs into two senses: a cloud has “the sense of moistening and benefiting, and the sense of covering everywhere,” and a net has “the sense of dredging up, and the sense of veiling and reflecting,” closing at the end with one clause, “thus it takes the practice of the six perfections for its substance.” Li Tongxuan, for his part, glosses from the name: “it makes clear that the cloud of great compassion covers all things everywhere, and that it rains down the teaching like a net that draws sentient beings out” — the cloud is the pervading cover of great compassion, the net is the teaching’s drawing out of sentient beings.
What must be asked is this: why these two things? A cloud is above, and its working is to cover and to moisten, bestowing from above downward; a net is outside, and its working is to dredge and to gather, drawing in from without inward. One bestowing and one drawing in — these are exactly the two sides of the six perfections and great compassion: the six perfections are what is practiced, and great compassion is that for the sake of which one practices.
One misreading must be cleared away: taking “Cloud-Net” for a description of the abundance of transformations by spiritual penetration. What both houses gloss is fastened to the practice of the six perfections, and not to any strangeness of mark. The name and the substance being the six perfections, the jewels manifested afterward are all no more than the place where the one perfection of giving comes down.
Bringing it to the ground: to judge whether a Dharma gate is deep or shallow, look first at what its substance is. If the substance is the six perfections, then all those marks that look so strange have a place to settle; if the substance is only marks, then however many the marks, they will not join up with the way.
Sudhana Asks Only One Clause: What Is the Objective Realm
Mahādeva has set forth the name, and what Sudhana takes up is four graphs — “what is the objective realm.” He does not ask how to cultivate it, nor how long it takes; he asks only what the place this Dharma gate reaches is like.
What must be asked is this: why ask about the objective realm? Because the name and the substance have been set forth; the substance being known, what is lacking is the working. Chengguan outlines the text that follows as “the inquiry and answer upon the working,” which opens precisely in answer to this one question; Zhiyan outlines it as “displaying the objective realm of the Dharma’s virtue and working,” fastening it to the same place.
One misreading must be cleared away: taking the asking about the objective realm for curiosity. Every clause Sudhana asks is something he means to carry back and use. To ask about the objective realm is to ask what this Dharma gate will grow in a person.
Bringing it to the ground: when someone expounds a Dharma gate to you, the clause worth pressing is often this — what does it look like in use.
Manifesting the Jewels: Twenty Heaps of Jewel-Mountains Piled Before You, So That You May Be Taught to Send Them Away
Mahādeva’s answer is not an explanation but a manifesting. Gold, silver, beryl, crystal, tridacna shell, agate, and on to jeweled crowns, jeweled seals, jeweled necklaces, pearl nets, and wish-fulfilling maṇi — twenty heaps, “every one like a great mountain”; and further flowers, garlands, incense, burning incense, ointment incense, garments, banners and pennants, music, and the implements for the enjoyment of the five desires, “all heaped like mountains”; and further numberless hundreds of thousands of myriads of koṭis of hosts of maidens.
What must be asked is this: why manifest so much? Because what is to be taught is giving. To teach a person to let go, one must first let him truly have something in his hands. Zhiyan outlines this passage as “first the heaping of jewels, second the heaping of incense, third the manifesting of the maidens,” and Fazang outlines it as “first the heaping of things, second the teaching of giving, third the extending of it to the rest of sentient beings” — the heaping first, the teaching after, the sequence plain.
One misreading must be cleared away: supposing the jewels are manifested to make Sudhana glad. The very next clause is “you may take these things and make offerings with them to the tathāgatas” — they are brought out in order to be sent away. Mountains of jewels filling the eye are the properties of giving, not the fruit and reward of giving.
Bringing it to the ground: to learn letting go in earnest, one must first admit that there is something in one’s hands. Those who say they have nothing at all are often the ones who can let go of the least.
Teaching the Giving of Wealth: First Make Offerings to the Tathāgatas, Then Give to All
The sequence of the passage that teaches giving is worth looking at: first “make offerings to the tathāgatas, cultivating every kind of merit,” then “give them away to all, and by this gather in sentient beings,” and only then what it is for — “causing them to learn and cultivate the dāna-pāramitā, so that they are able to give away what is hard to give away.” Then Mahādeva extends this matter outward: “Just as I, for your sake, manifest these things and teach you to practice giving, so it is for all sentient beings as well,” closing at the end upon “in the presence of the Three Jewels and in the presence of good friends, paying reverence and making offerings, increasing good dharmas, and raising up the intent for unsurpassed awakening.”
What must be asked is this: why does what is given stop at ‘raising the mind of awakening’? Because the giving of wealth is not itself the aim. Chengguan outlines the first half as “manifesting jewels and causing giving, teaching by the gathering in of dāna,” and outlines the second half as “extending it to the rest, the general teaching and the gathering in by beneficial conduct,” and says that “words such as ‘and so forth’ take in kindly speech and working alongside as well” — among the four means of gathering in, giving is only the one by which a start is made.
One misreading must be cleared away: supposing that this passage teaches people to give a great deal. Where the scripture text comes down is “raising up the intent for unsurpassed awakening”; goods and wealth are only the road by which a person is led up to that intent.
Bringing it to the ground: if what is sent out does not send the person up into the mind, it is only goods that have changed places.
The Three Kinds of Sentient Beings: Three Sicknesses, Three Marks
The latter half of the working puts on a different face. For those greedily attached to the five desires and letting themselves go slack, an “impure objective realm” is manifested; for those full of anger, of arrogance, and of much contention, “a form utterly dreadful, like a rākṣasa drinking blood and devouring flesh” is manifested; for those torpid and lazy, “kings, robbers, water, fire, and every kind of grave illness” are manifested. After the three kinds, the scripture text gathers it up in three layers: first “they are caused to let go of every unwholesome act and to practice good dharmas,” next “they are caused to remove every obstacle to the perfections and to be furnished with the perfections,” and last “they are caused to pass beyond every perilous road of obstruction and to arrive where there is no obstruction.” One layer is letting go of evil and practicing good, one is removing obstacles and being furnished with the perfections, one is passing beyond the perilous road and arriving where there is no obstruction — and it is just here that the skillful means for the three kinds arrive.
What must be asked is this: why use a frightening method? The clause after each mark shows it: after the dreadful form comes “their mind and intent turn pliant, and they let go of the knot of enmity”; after the kings, robbers, water, and fire comes “knowing that there is such sorrow and suffering they urge themselves onward.” What is manifested is dreadful, but where it arrives is pliancy, is urging onward, and not dread itself.
One misreading must be cleared away: taking this for intimidation. What is manifested for the first kind is impurity, not dreadfulness; what is manifested for the third kind is hardship, not punishment. Each of the three marks answers to one sickness, and the matching is exact — greed answered by impurity, anger answered by dreadfulness, laziness answered by the hardship of impermanence. Fazang outlines this passage as “teaching the practice of the precepts and the rest,” and Zhiyan outlines it as “teaching the giving of the Dharma”; neither takes it for a play of spiritual penetrations.
Bringing it to the ground: to help a person turn in earnest, one must first make out which flavor his sickness is. The same one dose given to three kinds of sick people will cure none of them.
Humbling Himself and Pointing to the Superior: Five Similes, Two of Self-Benefit and Three of Benefiting Others
His declaration of what he knows is only one clause — “I know only this liberation of Cloud-Net”; the five similes that follow all speak of others. The bodhisattvas are “like Śakra,” crushing the asura army of the afflictions; “like a great water,” quenching the fires of affliction of sentient beings; “like a fierce fire,” drying up the waters of craving and desire of sentient beings; “like a great wind,” blowing down the banners of view-grasping of sentient beings; “like adamant,” crushing and breaking the mountains of the view of self of sentient beings.
What must be asked is this: do these five similes have a sequence? Fazang judges the point, saying that “upon the five similes are displayed five practices, the first two of self-benefit and the latter three of benefiting others” — the similes of Śakra and of the great water belong to self-benefit, and the similes of the fierce fire, the great wind, and adamant belong to benefiting others. Zhiyan does not divide self from other, saying only that “first the five similes are raised and then joined, and next it is concluded, that is all.” Both houses are set side by side.
One misreading must be cleared away: supposing that the similes of water and of fire clash with each other — the one quenching fire, the other drying water. The fire quenched is affliction, and the water dried is craving and desire; the name of one thing signifies a different sickness in each of the two places, and they must not be read as one.
Bringing it to the ground: only by knowing that one has but a single gate can one see those five things in others. Humbling oneself is not a posture; it is the measuring of one’s own boundary.
Pointing Out the Next Friend: Pointing from the Heavens Down to the Earth
In the last passage Mahādeva points out the road: in Jambudvīpa, in the country of Magadha, at the site of awakening, there is an earth goddess named Peaceful Abiding; and the question he charges Sudhana with is still those two clauses.
What must be asked is this: why does a god point a person on to an earth goddess? This question the scripture text does not answer; but Li Tongxuan sets up a question and answer of his own upon it, saying that this position is “the same as the tenth, the abiding of consecration, among the ten abidings: he turns that liberation about and enters birth and death, so that the great kindness and compassion that follow upon knowledge may richly benefit sentient beings and be wholly complete,” and taking the two spirits as displaying separately two virtues — “because the god spoken of before makes clear the completeness of presiding over knowledge, this earth goddess is said to preside over the completeness of kindness and compassion, signifying that earth is able to bear up the ten thousand beings and to nourish sentient beings.” What can be looked at is the place pointed to — the site of awakening, the very place where the Buddha accomplished the way; and the good friend there is named “Peaceful Abiding.” From heaven to earth, from high to low, from manifesting a vast and great body to abiding peacefully and unmoved. Li Tongxuan further glosses the place pointed to and the name pointed to: the site of awakening is this position’s bringing together of the five dharmas — awakening, principle, knowledge, kindness, and compassion — into one, all of them full; and she is named Peaceful Abiding because in these five dharmas, full and even, there is nothing that tilts or moves.
One misreading must be cleared away: taking the pointing out of the next friend for a closing formula. In the clause before, he has only just said that he himself knows a single gate; in the clause after, he points out where the next gate is — humbling oneself and pointing out the road are two halves of one and the same breath.
Bringing it to the ground: what a good friend gives at the last is often not his Dharma but the next person he knows of.
Cherishing His Virtue and Taking Leave: One Sentence Draws It Closed
“At that time, Sudhana the youth bowed to Mahādeva’s feet, circled him numberless times, and took his leave and departed.” The close of the whole unit is these seventeen graphs alone, set over against the “bowed to his feet, joined his palms before him” of their meeting. Bowing to the feet on coming, bowing to the feet on going as well; and between them lies one Dharma gate.
What must be asked is this: why record “circled him numberless times”? Circling is reverence, and “numberless” is the unwillingness to go at once. Chengguan passes over these three outline divisions with “the latter three passages may readily be understood,” setting up no separate outline names — the scripture text has already said it plainly enough by itself.
One misreading must be cleared away: taking the taking of leave for the end of this passage. The very next clause is that Sudhana traveled on little by little toward the country of Magadha — the same moment as the taking of leave is the setting out.
Bringing it to the ground: the sign that a stretch of road has been walked to its end is being able to say farewell well, and then to set out at once.
Lineage
For the text of this section, three lines of what it opens out downward may be traced.
The first is the line of the assigned position. Chengguan outlines this unit as assigned to the dedication of liberation without bondage and without attachment, and the sense of that name the Yanyi chao glosses by saying that “it means that one is not bound by marks and not attached by views, and that the working is at will, and therefore it is named liberation.” Li Tongxuan, upon the same position, matches it instead to the three worthy stages and the ten sagely ones, saying that this city “forms the position of the great Dharma master presiding over this ninth dedication, being the same as the position of the prince of the Dharma king among the ten abidings, and as the ninth, the ground of wondrous good wisdom, among the ten grounds, in that it has a great Dharma gate that richly benefits sentient beings.” What must be made plain is this: that a good friend is assigned to some one position is Chengguan’s outline in succession from the ancient worthies of old, and the scripture text does not mark the position of itself. Chengguan, in the place where he outlines this assembly as a whole, first records the two sayings of old — the Dharma master Yi and the Taishan treatise merely glossed the text as it ran and made no separate matching, while Guangtong and the other masters all matched them to the ground positions.
Chengguan’s Explicit Judgment
The two sayings being set out, Chengguan then sets down his express judgment — “both have their reason, that is, since each and every position is complete in many Dharma gates, how could an ordinary mind be barred from studying and seeking the dharma of the good friends, and so not matching them has its reason; yet within the absence of sequence of positions the sequence of positions is not obstructed, and to make the positions manifest is the constant rule, so that matching them is likewise not amiss.” This one clause is Chengguan’s own judgment, and not the words of either of the two houses before him: both the saying that matches and the saying that does not have their reason, and to match them does not obstruct their being without sequence — this section follows his outline, and yet does not let his outline cover over what the scripture text says of itself. Li Tongxuan, upon the same position, judges this good friend to be one that “takes the perfection of power for its principal, and the other nine for its companions,” and what it particularly counteracts to be “the obstruction of not being at will in expounding the Dharma”; his manner of matching differs from Chengguan’s, and this is recorded without adjudication.
The second is the line of the glossing of the name. The three houses are set side by side: Chengguan, under one name, gives four glosses, saying, “that the good friend is named Mahādeva is because he manifests a great body. His knowledge being pure and at will, without bondage and without attachment, he is named a god. Answering to principle and responding everywhere, he is named great. His wondrous working being hard to fathom, he is named a spirit”; Fazang makes it “Mahādeva: his recompense being pure and without bondage, surpassing and at will, this title is set up for him”; while Li Tongxuan sets up his gloss upon pure knowledge, saying that “his knowledge rests on nothing, and without acting and without pondering he ever responds to the ten thousand beings, and therefore he is titled a deva-spirit,” and signifies it by the images of qian as the gate of heaven and xun as the door of earth, coming home at the last to “the god of the first principle, the god of all-knowledge, not such as the gods of the arising and ceasing of the five agents.” The name of the city is likewise set out from three houses — Chengguan and Li Tongxuan both give Duoluobodi and render it as Possessing the Gate, Chengguan fastening it to “there being here the subtle and wondrous Dharma gate of the without-bondage and the rest, and his being a Dharma master,” and Li Tongxuan fastening it to “because there is a great Dharma gate, the city is named Possessing the Gate,” while Fazang gives Poluoboti and corrects it to Duoluobati, his gloss resting upon “the city having a stately gate.” These divergent interpretations are all settled sayings of the ancient worthies, recorded without adjudication.
The third is the line of the parallel translations. As to the name of the city, all three witnesses bring it out in the clause where the friend before points out the road — the eighty-fascicle has Duoluobodi, the sixty-fascicle Poluoboti, and the forty-fascicle Gate Lord; at the clause of coming to the city none of the three brings it out again, and the eighty-fascicle and the forty-fascicle have only “came to that city.” As to the four hands, the eighty-fascicle witness has “stretched out his four hands far,” the sixty-fascicle has “put out four long arms,” and the forty-fascicle has “stretched out his four arms far”; as to the clause on washing the face, the eighty-fascicle and the forty-fascicle both have the graph “own,” and the sixty-fascicle does not. As to the jewels manifested, the eighty-fascicle has twenty heaps, the forty-fascicle twenty-two heaps, while the sixty-fascicle does not bring out each heap separately. Among the five similes, the third simile in the eighty-fascicle is a fierce fire, while in the forty-fascicle it is the fire at the end of the kalpa; and for the fourth and fifth similes the sixty-fascicle does not make the similes of a banner and a mountain but of the mind of defiled attachment and the notion of a self. As to the name of the next friend, the eighty-fascicle and the sixty-fascicle have Peaceful Abiding, and the forty-fascicle has Self-Nature Unmoving. Further, the forty-fascicle broadens its text under the first kind of sentient beings, expounding at length the faults of desire, and brings out as well a passage of verses praising the precepts, which neither the eighty-fascicle nor the sixty-fascicle has. What those verses teach is no restatement in other words of the three marks of the eighty-fascicle; it has six senses of its own. First, the precepts are likened to the earth — “the roots of goodness both worldly and world-transcending all rely upon the most surpassing ground of śīla” — the precepts being that upon which every worldly and world-transcending root of goodness relies. Second, it judges that ascetic practice and strange garb cannot stand in for the precepts — going naked, binding the hair into a topknot, bathing in an icy river, burning the body, making burnt offerings and the like: “all such as these, being without the precepts, are as a play,” and “to afflict the body without the precepts is of no profit.” Third, it judges that high birth and low do not alter the fruit of keeping or of breaking — “high or low, if the body of the precepts is broken, all alike fall into the hells with no difference,” while “one of a humble gate who keeps the precepts is born among the gods, and one of a surpassing clan who breaks them falls into the dark.” Fourth, the precepts are made medicine, bridge, raft, hidden treasure, and valiant companion — “the precepts are the most surpassing medicine for the sickness of delusion, guarding one in every hardship and suffering as father and mother do, a torch in the darkness of folly, a bridge over birth and death, a raft upon the shoreless ocean of karma,” and “the precepts are a hidden treasure that nothing can encroach upon, the precepts are a valiant companion who leads the way ahead.” Fifth, the precepts as the most surpassing fragrance — “sandalwood, saffron, aloes and musk: all such as these are no fragrance; the bodhisattva’s keeping of the precepts is the most surpassing fragrance, going out through humans and gods without end.” Sixth, at the end of life recollecting one’s pure precepts and being without fear — “if at the end of life the limbs and joints are in pain and all one’s kin are about to be parted from one, to consider with care that one has pure precepts brings joy to body and mind, without sorrow or fear.” These six senses are recorded as belonging to the forty-fascicle witness. Recorded side by side without adjudication.
A god takes the water of the four great oceans and washes his own face first. The most vital clause in this section lies within that gesture made before the expounding of the Dharma.
品三十九 入法界品 · 安住地神(寄入法界無量迴向)Entering the Dharma Realm · The Earth Goddess Peaceful Abiding (Assigned to the Measureless Dedication of Entering the Dharma Realm)
全文五層 →Full five layers →善財這一次不往南走了
前面二十九位善友,善財多數南行,一位接著一位。到這一節,經文只說他「漸次遊行,趣摩竭提國菩提場內安住神所」,不再說南方。
要問:這是省文,還是有意?澄觀認為有意,並且把它當作本節的第一個眼。他說在菩提場者,所入之法界即是得菩提之處,故菩提是本;前面說南方,是有所表,是從根本走向南;如今是攝末歸本的法界,所以不說南了。法藏就同一件事另立二義:約因說,此處表地上證真,同於佛位,迴向位到了盡頭,所以成向此處;約果說,表佛應機方便現身,屬迴向位滿,所以在此處辨成道之地。李通玄自設一問——為什麼不說南方,只說閻浮提摩竭提國菩提場中——自答說但云閻浮提,無別偏求,因為這是等法界迴向之法。智儼答得最簡:世間淳熟,離諸相故。
要排一個誤解:不說南方,不是地理上的疏漏,也不是走到頭了無路可走。四家所答雖不同,方向是一致的——南方是『往那裡去』,菩提場是『回到這裡來』。落到地上:一路向外求法的人,總有一站是回到自己出發的那塊地。
百萬地神先開口:他們認出了什麼
善財行至菩提場,百萬地神先見之而相與稱歎。經文說百萬地神同在其中,「更相謂言」——是他們彼此相對而說,不是對善財說。澄觀科此一節為初友見稱讚,並說既云友見,則已含見友:所稱歎者是善財,能稱歎者是善友,而善友之見善財已在其中。
要問:為什麼經文要先安排這一段旁人的議論?因為所稱歎的內容,正是本節要示的因果。他們說「此來童子即是佛藏」,說他「必當普為一切眾生作所依處」,說他「此人已生法王種中」,說他「當開智慧大珍寶藏」。這四句,一句說他是什麼、一句說他為誰、一句說他從哪裡來、一句說他將開什麼——而「藏」與「開藏」二字,正是下文寶藏踊出與不可壞智慧藏的伏筆。
排一個誤解:以為這是客套的讚辭。地神之語兼含二層:一層說已然——「此來童子即是佛藏」、「此人已生法王種中」,是就他現前已具之善根與所生之種姓而說;一層說將來——「必當普為一切眾生作所依處」、「當開智慧大珍寶藏」,是就他日後利生之用而說。二層並存,是實說而兼預記,不是恭維。落到地上:能認出一個人的來處與去處的,往往不是他要參的那位老師,而是滿地的旁人。
為什麼稱他為佛藏
地神稱善財為「佛藏」,這是本節第一次出現「藏」字。
要問:一個童子,何以稱藏?藏是能含之義。他所含者,是一路參來所積的善根——這正是下文地神以足按地所要顯現之物。所以第一句稱他為藏,第五段就把藏從地下按出來給他看:稱歎不是虛言,是有實據的。六十本此處作「此來童子,能攝眾生,即是佛藏」,多出「能攝眾生」一句,把藏之義向利他一面說開。
排一個誤解:以為「佛藏」是說他已是佛。地神說的是「必當」——是含而未開之藏,不是已開之果。落到地上:讀「即是佛藏」四字,要連著「必當普壞一切眾生無明」一句讀;藏是為了開,開是為了破他人的暗。
嚴處攝生:一段沒有說話的教法
地神稱歎之後,並不立刻說法,而是先作了一段瑞相。經文自「放大光明,遍照三千大千世界」起,至「百千伏藏自然踊現」止,是本節最長的一段描寫。
要問:這一段在說什麼?澄觀科它為嚴處攝生以顯勝德——莊嚴其處,攝受眾生,由此顯出善知識之德。所嚴之處有三層:光與震動,是動天地;寶物、樹、河池,是嚴其地;香雨、風華、音樂、莊嚴具之美音、諸獸之歡喜,是嚴其境。而以「百千伏藏自然踊現」一句收尾——這一句不是景,是下文的引子。
排一個誤解:以為這是神通表演。經文的次第說得很清楚:先嚴其處,後說其法;地不淨,法無所依。李通玄就此說百萬地神表大慈悲行圓滿,三千大千世界一時震吼,是明善財至此位智悲總圓滿。落到地上:一個人到了某一處而滿地生華,未必是那地忽然變了,而是他到了。
善來童子:一句問話裡的兩件事
地神開口的第一句是「善來童子!汝於此地曾種善根,我為汝現,汝欲見不?」
要問:他為什麼要先問一句「汝欲見不」?澄觀科此為許示昔善,引其問端——先許諾要示他昔日的善根,由此引出善財的請問。所以這一句不是閒問,是把主動權交回給善財:善根是他自己種的,見與不見,也要他自己說。
排一個誤解:以為善知識授法是單方面地給。經文的次第是:地神先許示而後設問——「我為汝現,汝欲見不?」,許在問前;善財乃設敬而答請——禮足、遶匝、合掌,然後白言「唯然!欲見」,答與請是一事;地神這才以足按地而正示昔因。澄觀所科之五節作稱讚、嚴處、許示、設敬陳請、正示昔因,與此序相合。六十本此處併為一問,作「汝欲自見曾於此處所種善根果報不乎」,把「我為汝現」一句省去,語勢更急;八十本與四十本則保留二事。落到地上:真正的示,總要等一句「欲見」。
設敬陳請:唯然,欲見
善財的回答只有六個字,而前面的動作有三樣。經文說他「禮地神足,遶無數匝,合掌而立」,然後才「白言:「聖者!唯然!欲見。」」
要問:為什麼要為六個字作這麼多鋪陳?澄觀科此為設敬陳請——設敬在前,陳請在後。全會五十餘子,善財大多見一友先設敬;到此位仍不減省,正是所謂位愈高而敬愈厚。而所請之語只作「欲見」二字,不多說一句——請法之語愈簡,愈見其專。
排一個誤解:以為禮拜繞行是儀節上的客套。此處之禮繞在請法之前,可見它是請法的一部分,不是請法的裝飾;至於得法之後,經末另有一次禮繞辭退,那一次所謝的是已得之法。落到地上:想看見什麼之前,先看自己站的是什麼姿勢。
以足按地:本來就在地下
地神不以言說示他,而以一個動作——「以足按地,百千億阿僧祇寶藏自然踊出」,然後才說「今此寶藏隨逐於汝,是汝往昔善根果報,是汝福力之所攝受」。
要問:按一下地,寶藏就出來了,這是地神變出來的嗎?經文自答得很清楚:是「汝往昔善根果報」。所以藏本來就在地下,按者不過令現而已。李通玄就此說地神以足指按地而寶藏自然涌出,是表善財自行所及,故足指按地。澄觀則把這一節繫在更深一層:他說由賢位既滿,總會三賢為入地之因,顯善財之福常隨地神之智不壞,是則昔因不失,能入證矣。也就是說,這一按所現的不只是一時之報,而是十住、十行、十迴向三賢一切昔因具在而未失。法藏於六十本同其大意,說今欲證地,加令總現,則一切善根皆在此處。
排一個誤解:以為善財到此忽然得了一筆意外之財。經文說「隨逐於汝」——是它一路跟著他,不是他此刻遇著它。落到地上:所謂加持,多半不是給你新的東西,而是讓你看見一直帶著的東西。
不可壞智慧藏:何以不可壞
寶藏示畢,地神才說自己的法門名——「我得菩薩解脫,名:不可壞智慧藏,常以此法成就眾生。」
要問:藏何以不可壞?澄觀就體立說:一念之智冥合於法界,則不可壞;此中則無所不生,故名為藏。所以「不可壞」不是說它堅固難破,而是說它與法界無二——法界無可壞,故此智無可壞。法藏就六十本另從一面說:以住持不失、成佛決定,故名不壞藏;著眼在『持而不失』。李通玄則從悲智相生說:悲從智起,即無可壞。三家所繫不同,而俱不以硬堅釋不壞。
排一個誤解:以為「不可壞」與前段地下的寶藏是同一個藏。地中之藏可掘、可盡、可壞;智中之藏不可壞——本節把二藏並置,正是要人看出這個分別。而地神接著說「常以此法成就眾生」,可見這藏不是自守之物。落到地上:能被奪走的,本來就不在這個藏裡。
常隨菩薩:一位守護者的業用
法門名說完,地神說自己的業用:「我憶自從然燈佛來,常隨菩薩,恭敬守護」,下面列所觀之目——心行、智慧境界、一切誓願、諸清淨行、一切三昧、廣大神通、大自在力、無能壞法八目;再列所隨之事——遍往佛土、普授佛記、轉佛法輪、廣說契經、大法光明、教化調伏、示現神變七句;末以「我皆能領受、皆能憶持」一句總收。
要問:為什麼守護者要說自己「觀察」與「憶持」?澄觀繫其所以於前段:由智不壞,故常憶等——正因為那個藏不可壞,所以所觀所持不失。所觀之八目,各有所指:心行是菩薩所起之念,智慧境界是其智所照之境,一切誓願是其所立之期,諸清淨行是其所修之事,一切三昧是其所住之定,廣大神通是定所發之用,大自在力是其用之無所障礙,無能壞法則收前七而歸於不可壞——所觀者是菩薩之內德。所隨之七事,亦各有所指:遍往一切諸佛國土是身之所至,普授一切諸如來記是所預之事,轉於一切諸佛法輪是所傳之教,廣說一切修多羅門是教之所開,大法光明普皆照耀是教之所被,教化調伏一切眾生是所化之機,示現一切諸佛神變是所用之方便——所隨者是菩薩之外用。內德外用皆在所觀所隨之中,故末以「我皆能領受、皆能憶持」總收:領受是當時能受,憶持是後時不忘。法藏就六十本判此段為十句,初一句總,說常護者持彼所行;以下九句別顯,配為智深證、滿大願、淨妙行、出勝通、具德力、成堅法、聞佛與記之法、下以法化、上受佛力。李通玄則說這是明從根本智起差別智,學慈悲行。
排一個誤解:以為地神只是旁觀者,記帳而已。經文說的是「常隨」——是隨行,不是旁觀;是守護,不是圍觀。落到地上:能一路記住別人所行的人,自己也在行中,否則記不住。
莊嚴劫·月幢世界·妙眼佛:得法的時與處
業用說畢,地神回溯自己得法的時與處:「乃往古世,過須彌山微塵數劫,有劫名:莊嚴,世界名:月幢,佛號:妙眼,於彼佛所得此法門。」
要問:為什麼要交代這三樣?澄觀科此為顯得法時處——劫是時,世界是處,佛是所從得。三樣具足,法門才有來歷,不是自造。法藏於六十本科此為得法因緣,分為三節:初往古時處、次得法增廣、後更遇諸佛;並說所遇諸佛皆於道場成正覺處恒作供養,因為地神所主的正是這一門。三本於此處異形之一,是佛號——八十本與四十本作「妙眼」,六十本作「善眼」;而劫名莊嚴、世界名月幢,三本俱同。
排一個誤解:以為說古佛是為了誇久遠。經文接下來說的是「若入若出修習增長」——重點不在得的那一刻,而在得了之後的入出修習。落到地上:法門有來歷,是為了讓人知道它可以被繼續修,不是為了讓人歎它遠。
從初得到賢劫:不曾捨離的那條線
地神接著說:「我於此法門,若入若出修習增長,常見諸佛未曾捨離」,又說「始從初得乃至賢劫」,在這中間值遇不可說不可說佛剎微塵數如來,全都承事供養;也見那些佛前往菩提座現大神力,也見那些佛所有的一切功德善根。
要問:什麼叫「若入若出」?入是入於此法門,出是出於此法門;入出而俱在修習增長之中,可見這不是一個進去了就不能出來的定境。澄觀科此為總結純熟——由前面的標名、業用、時處,到這裡結成一個熟字。所以「未曾捨離」四字是熟的證據:不是不曾離開座位,而是不曾離開諸佛。六十本此處作「修習長養淨此法門」,沒有入出之語;四十本則與八十本同有入出二字。
排一個誤解:以為「常見諸佛」是眼所見之相。經文接著說所見的是「詣菩提座,現大神力」與「所有一切功德善根」——所見在功德,不在形色。落到地上:一件事修得熟了的標記,是它在你出定之後還在。
謙己推勝:我只知道這一個
到此地神說:「我唯知此不可壞智慧藏法門。」然後舉出諸菩薩摩訶薩之所行——常隨諸佛、能持一切諸佛所說、入一切佛甚深智慧、念念充遍一切法界、「等如來身,生諸佛心,具諸佛法,作諸佛事」——末以一問作結:「而我云何能知能說彼功德行?」
要問:他自說「常隨菩薩」,又說「常見諸佛未曾捨離」,何以卻說不能知菩薩之所行?所推之德,經文作「常隨諸佛」——那是菩薩摩訶薩之行,不是地神自述之行;一是隨菩薩,一是隨諸佛,二者不可相混。法藏就位之限而答:因為此地神唯在道場之處見佛,不能常隨,所以仰推。也就是說,他的限在「處」上——守一處者,其所見不能遍。而所推者,正是不限於一處的那一種行。所推之八德,逐項亦有其序:常隨諸佛是不限一處,能持一切諸佛所說是聞而不失,入一切佛甚深智慧是解而入證,念念充遍一切法界是所行無際;末四句「等如來身,生諸佛心,具諸佛法,作諸佛事」,則自身而心、自法而事——身等同於佛之身,心生起諸佛之心,法具足諸佛之法,事即諸佛所作之事,四者相貫而成一行。法藏就六十本判仰推為六分,初分正答地神隨侍之限,次則推廣聞、明深聞、明頓聞,以至因出果不可壞,末分結非己分。
排一個誤解:以為謙己是體例上的套語。本會多數善友,都有這一節,正因為它是全會的骨——一位善知識能給的,永遠是一門;而法界不止一門。落到地上:說得出自己只知道哪一個的人,才真的知道那一個。
指示後友:從地神到夜神
推勝之後即指後友:「此閻浮提摩竭提國迦毘羅城,有主夜神,名:婆珊婆演底。汝詣彼問:菩薩云何學菩薩行、修菩薩道?」
要問:所問之語何以如此?本節所指之問,即是這兩句。所求之道相續,故問語相承;而答者各隨其門——這正是本會的體例:所求者一道,所開者門門不同而不相違。後友之名,八十本作「婆珊婆演底」,六十本作「婆娑婆陀」,四十本作「春和」;城名亦三本三形。名雖異,其為主夜神則同。
排一個誤解:以為指示後友是送客。經文所指的不只是人,還有城、還有問語——去哪裡、找誰、問什麼,三樣都給齊了。落到地上:一位善知識最後給的,往往是下一位善知識的地址。
戀德禮辭:三個動作
末段最短:「時,善財童子禮地神足,遶無數匝,慇懃瞻仰,辭退而去。」
要問:來時已禮已繞,去時何以再禮再繞?來時之禮是請法之敬,去時之禮是得法之謝;中間多出「慇懃瞻仰」四字,是本段獨有的一節——瞻仰是還在看,辭退是已經走。四十本此處作「一心戀慕,辭退而去」,把所戀之情明說出來;六十本則作「辭詣彼城」,逕接下一站而無瞻仰之語。
排一個誤解:以為戀德是不捨。經文把瞻仰與辭退連寫,可見二者不相礙——正因為帶得走,所以走得了。落到地上:離開一位老師的姿勢,就是你帶走了多少的證據。
寄入法界無量迴向:這一位為什麼是十向之末
澄觀科此子為第十入法界無量迴向,法藏標為第十法界無量迴向知識,智儼標為第三十法界無量迴向菩薩,李通玄則標等法界無量迴向——四家名目略異,所判之位一同;而經文自身不標位名。所以「寄位」是古德所科,不是經文自判。澄觀於本會五十餘友之寄位配當,本自承古德而來,並自陳「二皆有理,謂隨一一位具多法門,豈容凡心不得習求善友之法,故不配有理。然無次位中不礙次位,顯位是常規,配亦無失。」——這是他對寄位一事的持平立場。澄觀又於《演義鈔》釋此第十向云,是以法界之善根迴向法界;向名之所以稱「入法界無量」,即在此迴向之能所俱是法界。
要問:何以這一位地神當得起十向之末?澄觀所繫在「總會三賢為入地之因」——三賢之位到此收束,一切昔因總現而不失,故為入地之因。所以寶藏踊出一節不只是善財的往事,也是十向一位的結帳。疏至此處書「十迴向竟」四字,其下即入十地十友。李通玄於本節之末,先說發心之遠近皆表大悲深廣,無始無終而不出剎那之際——隨世則多劫,約智則無時;又以此位為等法界無量迴向,說以智波羅蜜為主而餘九為伴;就智門說,諸位通治,就位門說,所治是出世之智悲,迴入生死而令自在——說到此處,他即轉入初地。
排一個誤解:以為寄位是給每位善友貼一個標籤。四家所立之名目不同、所依之骨亦不同,可見這是讀經之科,不是經之自科。落到地上:讀本節而不記位名,仍能讀懂那一按與那一藏;記了位名,才看得出它為什麼放在這裡。
承衍
本節之文,向下所開之流有三條線。
其一是十迴向收結之線。澄觀於本節末書「十迴向竟」,法藏於同處書「上來十迴向位竟」——二家俱以本節為十向一位之末,其後即入十地十友。全會五十餘友,位位之界多在善友之間而不在品卷之間,本節即是一例。
其二是名目相繫之線。澄觀所科之向名作入法界無量迴向,而經文品二十五所立第十向之名作等法界無量迴向;李通玄所標則與品二十五同形。名之出入並錄不判,而所繫之位一同。
其三是諸家異釋之線,各有其軌,誌錄不判。本節之科,澄觀作六分而於見敬請法開五、示己法界開四,末三段以可知帶過;法藏就六十本作五分而於示己法界別開五門;智儼作三段而於依入開七、正入開二復於自分開四;李通玄不逐子分科,而於通論中夾釋,開為昇進五門與正入當位五門二重。善友之名,八十本與六十本作安住地神,四十本作自性不動。釋名一事,澄觀繫於地為萬法所依而安住即入義,法藏繫於攝諸善根安在道場地處住持不失,李通玄繫於五法齊圓無所傾動,智儼未別釋名義而逕接科文。不言南方之所以,澄觀作攝末歸本,法藏作迴向位滿辨成道之處,李通玄作等法界迴向故無別偏求,智儼作世間淳熟離諸相。法門之名,八十本作不可壞智慧藏,六十本作不可壞藏,四十本作難摧伏智慧藏。此諸異釋皆古德成說。李通玄所謂五法,即菩提、理、智、慈、悲——他說此位會此五法為一而皆圓滿,名安住者,正是於此五法齊圓而無所傾動;安住之義,即在五法不偏、不動。他又釋藏與解脫云:法界行之智無所不含、悲無所不滿,無生不濟、無苦不救,智悲遍周,故名為藏;於所行而不執著,故名解脫——藏是含攝之廣,解脫是不著之淨,二名一體。至於二智之關係,他繫於從根本智起差別智而學慈悲行:根本智是體,差別智是用,慈悲之行即自此用而起,故說悲從智起即無可壞。智儼又於《孔目章》逐知識之釋中立本位一節,判此第十知識為成佛方便、因位剋果、現眾生前而成佛利益之義,其下即轉入十地證位方便;而其書之善知識名列以本友為第三十一,與依經文所數之第三十友非同一計法,並錄不判。
一子約七百七十字,前半是一群地神在說,後半是一位地神在說。中間那一按,把兩半接起來——所稱歎的,與所現出的,原來是同一件事。
This Time Sudhana Does Not Journey South
With the twenty-nine good friends before this one, Sudhana for the most part journeyed south, one after another. At this section the scripture text says only that he “journeyed on stage by stage, and made for where the goddess Peaceful Abiding was, within the site of awakening in the country of Magadha,” and no longer speaks of the south.
It must be asked: is this an abbreviation of the text, or is it deliberate? Chengguan holds it to be deliberate, and makes it the first eye of this section. He says that in being at the site of awakening, the Dharma realm entered is just the place where awakening is gained, and so awakening is the root; that the south spoken of before had something it set forth, being a going from the root toward the south; and that now, the Dharma realm being one that gathers the branches back into the root, the south is not spoken of. Fazang sets up two senses upon the same matter: with respect to cause, this place sets forth the realizing of the real upon the grounds, which is the same as the position of a buddha, the position of dedication having come to its end, and so the dedication is accomplished at this place; with respect to fruit, it sets forth the Buddha's manifesting a body by skillful means in answer to what is ready, which belongs to the fullness of the position of dedication, and so it is here that the ground of the accomplishing of the way is distinguished. Li Tongxuan sets himself a question — why is the south not spoken of, but only the site of awakening in the country of Magadha in Jambudvīpa — and answers himself that it says only Jambudvīpa, with no separate partial seeking, because this is the Dharma of the dedication equal to the Dharma realm. Zhiyan's answer is the sparest: because the world is fully ripened, and it is apart from all marks.
One misreading must be cleared away: the not speaking of the south is not a geographical oversight, nor is it that he has walked to the end and has no road left. The four houses answer differently, yet their direction is one — the south is ‘going over there,’ and the site of awakening is ‘coming back here.’ Bringing it to the ground: for one who has sought the Dharma outward the whole way, there is always one station that is a return to the very ground he set out from.
The Million Earth Goddesses Speak First: What Did They Recognize
Sudhana walks on to the site of awakening, and the million earth goddesses see him and praise him among themselves. The scripture text says that a million earth goddesses were together in that place and “spoke with one another face to face” — it is that they spoke facing each other, not that they spoke to Sudhana. Chengguan outlines this passage as the friend's seeing him and praising him, and says that since it speaks of the friend's seeing, the seeing of the friend is already contained in it: the one praised is Sudhana, the one who praises is the good friend, and the good friend's seeing of Sudhana is already there within it.
It must be asked: why does the scripture text first set up this passage of the bystanders' talk? Because what is praised is precisely the cause and fruit this section is to display. They say “this youth who comes here is the very treasury of the Buddha”; they say he “will surely become, everywhere, the place of reliance for all sentient beings”; they say “this person has already been born into the lineage of the Dharma-king”; they say he “will open the great treasury of precious things that is wisdom.” These four clauses say, one what he is, one for whom he is, one where he comes from, and one what he will open — and the graphs ‘treasury’ and ‘opening the treasury’ are precisely the foreshadowing of the welling up of the treasuries below and of the Indestructible Treasury of Wisdom.
One misreading must be cleared away: to take this for a courteous eulogy. What the earth goddesses say holds two layers at once: one layer speaks of what already is — “this youth who comes here is the very treasury of the Buddha,” “this person has already been born into the lineage of the Dharma-king” — and speaks of the roots of goodness he is already complete in and the lineage he has been born into; the other layer speaks of what is to come — “will surely become, everywhere, the place of reliance for all sentient beings,” “will open the great treasury of precious things that is wisdom” — and speaks of the benefiting of beings that is to be his afterward. The two layers stand together: it is a plain statement that also foretells, not a compliment. Bringing it to the ground: the one who can recognize where a person came from and where he is going is often not the teacher he means to consult, but the bystanders who fill the ground.
Why They Call Him the Treasury of the Buddha
The earth goddesses call Sudhana “the treasury of the Buddha”; this is the first appearance of the graph ‘treasury’ in this section.
It must be asked: he is a youth — how can he be called a treasury? Treasury is the sense of what is able to contain. What he contains is the roots of goodness heaped up along the whole way of his consulting — which is precisely what the earth goddess's pressing of the ground with her foot below is to bring to display. So the first clause calls him a treasury, and the fifth passage presses the treasury up out of the ground and shows it to him: the praise is no empty word, but has real evidence behind it. The sixty-fascicle witness has here “this youth who comes here is able to gather in sentient beings, and is the very treasury of the Buddha,” with the further clause “is able to gather in sentient beings,” opening the sense of treasury out toward the benefiting of others.
One misreading must be cleared away: to take “the treasury of the Buddha” as saying that he is already a buddha. What the earth goddesses say is “will surely” — it is a treasury contained and not yet opened, not a fruit already opened. Bringing it to the ground: in reading the four graphs “is the very treasury of the Buddha,” one must read them together with the clause “will surely break open everywhere the ignorance of all sentient beings”; the treasury is for the sake of opening, and the opening is for the sake of breaking the darkness of others.
Adorning the Place and Gathering In Beings: A Teaching With Nothing Spoken
After the earth goddesses' praise, she does not at once expound the Dharma, but first performs a passage of auspicious marks. The scripture text, from “sent forth a great light that shone everywhere throughout the three-thousandfold great-thousand world-system” down to “in a hundred thousand places the buried treasuries of themselves welled up and appeared,” is the longest passage of description in this section.
It must be asked: what is this passage saying? Chengguan outlines it as the adorning of the place and the gathering in of beings, whereby the surpassing virtue is displayed — the place is adorned, sentient beings are gathered in, and thereby the virtue of the good friend is made manifest. What is adorned has three layers: the light and the quaking move heaven and earth; the precious things, the trees, the rivers and pools adorn the ground itself; the rain of fragrance, the wind-borne flowers, the music, the lovely sounds of the articles of adornment, and the joy of the several beasts adorn the surroundings. And it closes with the single clause “in a hundred thousand places the buried treasuries of themselves welled up and appeared” — this clause is not scenery; it is the lead-in to what follows.
One misreading must be cleared away: to take this for a display of spiritual powers. The sequence of the scripture text says it plainly enough: first the place is adorned, and afterward the Dharma is expounded; where the ground is not pure, the Dharma has nothing to rest upon. Li Tongxuan says upon this that the million earth goddesses set forth the fullness of the practice of great kindness and compassion, and that the three-thousandfold great-thousand world-system quaking and roaring at one moment makes clear that Sudhana's knowledge and compassion at this position are altogether full. Bringing it to the ground: when a person arrives at a certain place and the whole ground breaks into flower, it need not be that the ground has suddenly changed — it is that he has arrived.
Welcome, Youth: Two Matters Within One Question
The first thing the earth goddess says when she opens her mouth is “welcome, youth! In this ground you once planted roots of goodness. I shall display them for you — would you like to see them?”
It must be asked: why does she first ask “would you like to see them”? Chengguan outlines this as the promising to display his former goodness, drawing out the beginning of his question — she first promises to display to him his roots of goodness of old, and thereby draws out Sudhana's request. So this clause is no idle question; it hands the initiative back to Sudhana: the roots of goodness were planted by himself, and whether they are seen or not is likewise for him to say.
One misreading must be cleared away: to take the good friend's conferring of the Dharma as a one-sided giving. The sequence of the scripture text is this: the earth goddess first promises to display and then sets the question — “I shall display them for you — would you like to see them?”, the promise standing before the question; Sudhana then sets out respect and answers with his request — bowing to her feet, circling her, joining his palms, and only then saying “yes indeed! I wish to see them,” his answer and his request being one thing; and only then does the earth goddess press the ground with her foot and directly display the cause of old. Chengguan's five passages — praising, adorning the place, promising to display, setting out respect and stating the request, directly displaying the former cause — accord with this sequence. The sixty-fascicle witness here joins them into a single question, “would you like to see for yourself the fruit and recompense of the roots of goodness you once planted in this place?”, dropping the clause “I shall display them for you,” so that the movement of the words is more urgent; the eighty-fascicle and the forty-fascicle witnesses keep the two matters. Bringing it to the ground: a true displaying always waits upon the words “I wish to see.”
Setting Out Respect and Stating the Request: Yes Indeed, I Wish to See
Sudhana's answer is only six graphs, and the gestures before it are three. The scripture text says that he “bowed to the feet of the earth goddess, circled her numberless times, joined his palms and stood,” and only then “said: ‘Holy one! Yes indeed! I wish to see them.’”
It must be asked: why so much preparation for six graphs? Chengguan outlines this as the setting out of respect and the stating of the request — respect set out first, the request stated after. Of the more than fifty units of this whole assembly, Sudhana for the most part sets out respect on first seeing a friend; at this position it is still not abridged, which is just what is meant by saying that the higher the position the thicker the reverence. And the words of his request are made only the two graphs “wish to see,” with not a word more — the sparer the words of requesting the Dharma, the more the single-mindedness shows.
One misreading must be cleared away: to take the bowing and circling for a courtesy of ceremony. The bowing and circling here stand before the requesting of the Dharma, which shows that they are a part of the requesting, not an ornament upon it; as for after the gaining of the Dharma, the close of the scripture text has another bowing and circling and taking of leave, and what that one gives thanks for is the Dharma already gained. Bringing it to the ground: before wanting to see anything, look first at the posture you are standing in.
Pressing the Ground With Her Foot: They Were in the Ground All Along
The earth goddess does not display it to him by speech, but by a single gesture — “she pressed the ground with her foot, and hundreds of thousands of koṭis of asaṃkhyeyas of treasuries of themselves welled up” — and only then says “these treasuries now follow you and go after you; this is the fruit and recompense of your roots of goodness of old, it is what the power of your merit has gathered in.”
It must be asked: she presses the ground once and the treasuries come out — did the earth goddess conjure them up? The scripture text answers it plainly of itself: they are “the fruit and recompense of your roots of goodness of old.” So the treasuries were in the ground all along, and the one who presses does no more than make them appear. Li Tongxuan says upon this that the earth goddess pressing the ground with her toe, so that hundreds of thousands of koṭis of asaṃkhyeyas of treasuries well up of themselves, sets forth what Sudhana's own practice has reached, and that this is why the ground is pressed with a toe. Chengguan fastens this passage to a deeper layer: he says that since the worthy positions are already full, the three worthy stages are gathered together to be the cause of entering the grounds, displaying that Sudhana's merit constantly follows upon the earth goddess's knowledge and is not destroyed — and that this being so, the causes of old are not lost, and he is able to enter into realization. That is to say, what this one press brings to display is not merely a recompense of a single time, but that all the causes of old of the ten abodes, the ten practices, and the ten dedications, the three worthy stages entire, are present and unlost. Fazang, upon the sixty-fascicle witness, is of the same general sense, saying that now that the grounds are to be realized, an aid is given so that all is displayed at once, and thus all the roots of goodness are here in this place.
One misreading must be cleared away: to think that Sudhana here suddenly comes into an unlooked-for fortune. The scripture text says “follow you and go after you” — they have been following him the whole way; it is not that he meets them at this moment. Bringing it to the ground: what is called sustaining power is for the most part not the giving of something new, but the letting you see what you have been carrying all along.
The Indestructible Treasury of Wisdom: Why It Cannot Be Destroyed
Only when the treasuries have been displayed does the earth goddess speak the name of her own Dharma gate — “I have gained a liberation of a bodhisattva, named: the Indestructible Treasury of Wisdom, and I constantly bring sentient beings to accomplishment by this Dharma.”
It must be asked: why can the treasury not be destroyed? Chengguan sets up his account upon its substance: when the knowledge of a single thought-moment merges with the Dharma realm, it cannot be destroyed; and within this there is nothing that is not brought forth, and so it is named a treasury. So “indestructible” does not say that it is firm and hard to break, but that it is not two with the Dharma realm — the Dharma realm cannot be destroyed, and therefore this knowledge cannot be destroyed. Fazang, upon the sixty-fascicle witness, speaks from another side: because it is upheld and not lost, and buddhahood is thereby settled, it is named the indestructible treasury; his eye is upon ‘holding and not losing.’ Li Tongxuan speaks from compassion and knowledge arising each from the other: compassion arises out of knowledge, and so there is nothing that can destroy it. The three houses fasten it differently, and none of them glosses ‘indestructible’ by hardness.
One misreading must be cleared away: to take “indestructible” and the treasuries in the ground of the passage before as one and the same treasury. A treasury in the ground can be dug, can be exhausted, can be destroyed; a treasury within knowledge cannot be destroyed — and this section sets the two treasuries side by side precisely so that one may see the difference. And the earth goddess goes on to say “I constantly bring sentient beings to accomplishment by this Dharma,” which shows that this treasury is not a thing kept to oneself. Bringing it to the ground: whatever can be taken from you was never in this treasury to begin with.
Constantly Following the Bodhisattvas: The Working of a Guardian
The name of the Dharma gate spoken, the earth goddess speaks her own working: “I recall that ever since the Buddha Burning Lamp I have constantly followed the bodhisattvas, revering and guarding them,” and below it she lists the items observed — practices of mind, objective realm of wisdom, all vows, the several pure practices, all samādhis, vast and great spiritual powers, the power of great sovereignty, and the Dharma that nothing is able to destroy, eight items; then the matters followed upon — going everywhere to the buddha-lands, everywhere receiving the predictions of the buddhas, turning the Dharma wheel of the buddhas, expounding at large the sūtras, the light of the great Dharma, teaching and taming, and displaying spiritual transformations, seven clauses; and she closes it all with the one clause “all of this I am able to receive, and all of it I am able to bear in mind.”
It must be asked: why does a guardian speak of her own “observing” and “bearing in mind”? Chengguan fastens the reason for it to the passage before: because the knowledge is not destroyed, therefore she constantly recalls, and so on — precisely because that treasury cannot be destroyed, what is observed and what is held are not lost. The eight items observed each have what they point to: practices of mind are the thoughts the bodhisattvas give rise to; the objective realm of wisdom is the realm their knowledge shines upon; all their vows are the terms they set up; the several pure practices are the works they cultivate; all their samādhis are the concentrations they abide in; vast and great spiritual powers are the workings those concentrations bring forth; the power of great sovereignty is that working unobstructed; and the Dharma that nothing is able to destroy gathers the first seven and returns them to what cannot be destroyed — what is observed is the inward virtue of the bodhisattvas. The seven matters followed upon each have what they point to as well: going everywhere to the lands of all the buddhas is where the body arrives; everywhere receiving the predictions bestowed by all the tathāgatas is what is taken part in; turning the Dharma wheel of all the buddhas is the teaching handed on; expounding at large all the gates of the sūtras is what that teaching opens out; the light of the great Dharma shining everywhere is what that teaching reaches; teaching and taming all sentient beings are the beings converted; displaying the spiritual transformations of all the buddhas is the skillful means used — what is followed upon is the outward working of the bodhisattvas. Inward virtue and outward working alike lie within what is observed and what is followed, and so she closes it all with “all of this I am able to receive, and all of it I am able to bear in mind”: receiving is being able to take it in at the time, bearing in mind is not forgetting it afterward. Fazang, upon the sixty-fascicle witness, adjudicates this passage as ten clauses: the first one clause is the general one, saying that the one who constantly guards holds what those bodhisattvas practice; the nine below display it particularly, matched as the deep realizing of knowledge, the fulfilling of great vows, purity of wondrous practice, the bringing forth of surpassing spiritual powers, completeness in the power of virtue, the accomplishing of firm Dharma, the Dharma of hearing the buddhas and being given the prediction, transforming those below by the Dharma, and receiving the power of the buddhas from above. Li Tongxuan says that this makes clear the arising of differentiating knowledge out of root knowledge, and the learning of the practice of kindness and compassion.
One misreading must be cleared away: to take the earth goddess for a mere onlooker who keeps the accounts. What the scripture text says is “constantly followed” — she goes along with them, she does not look on from beside; she guards, she does not stand around watching. Bringing it to the ground: one who is able to remember all the way what another has practiced is himself within that practice, or he could not remember it.
The Kalpa Adornment · the World Moon Banner · the Buddha Wondrous Eyes: The Time and Place of Gaining the Dharma
Her working spoken, the earth goddess traces back the time and the place of her own gaining of the Dharma: “in an age long past, beyond kalpas as many as the dust motes of Mount Sumeru, there was a kalpa named: Adornment, and a world named: Moon Banner, and the buddha's name was: Wondrous Eyes; and it was in the presence of that buddha that I gained this Dharma gate.”
It must be asked: why must these three be given? Chengguan outlines this as the displaying of the time and place of the gaining of the Dharma — the kalpa is the time, the world is the place, the buddha is the one from whom it was gained. With these three complete, the Dharma gate has a provenance and is not self-made. Fazang, upon the sixty-fascicle witness, outlines this as the causes and conditions of gaining the Dharma, dividing it into three passages: first the time and place of old, next the gaining of the Dharma and its increase, and after that the further meeting with the buddhas; and he says that the buddhas she met she constantly made offerings to at the place where they accomplished full awakening at the place of the Way, because what the earth goddess presides over is just this gate. One of the divergences of form among the three witnesses at this place is the buddha's name — the eighty-fascicle and forty-fascicle witnesses have “Wondrous Eyes,” the sixty-fascicle “Good Eyes”; while the kalpa named Adornment and the world named Moon Banner are the same in all three.
One misreading must be cleared away: to think that the ancient buddha is spoken of in order to boast of remoteness. What the scripture text says next is “entering it and coming forth from it, cultivating and increasing it” — the weight lies not in the moment of gaining but in the entering, coming forth, and cultivating after the gaining. Bringing it to the ground: a Dharma gate has a provenance so that one may know it can go on being cultivated, not so that one may sigh over how far off it is.
From the First Gaining to the Worthy Kalpa: The Line Never Let Go
The earth goddess goes on to say “with regard to this Dharma gate I have entered it and come forth from it, cultivating and increasing it, and have constantly seen the buddhas and never been parted from them,” and says further “from the time when I first gained it down to the Worthy Kalpa,” within which interval she met tathāgatas as many as the dust motes of unspeakably unspeakable buddha-lands and served and made offerings to them all; and she saw those buddhas go to the seat of awakening and display great spiritual power, and saw all the merit and virtue and roots of goodness belonging to those buddhas.
It must be asked: what is meant by “entering it and coming forth from it”? Entering is entering into this Dharma gate, coming forth is coming forth from it; and the entering and the coming forth are both within the cultivating and increasing, which shows that this is not a concentration one goes into and cannot come out of. Chengguan outlines this as the general concluding of the ripening — from the setting forth of the name, the working, and the time and place before, it is here bound up into the one word ‘ripe.’ So the four graphs “never been parted from them” are the evidence of the ripeness: not that she never left her seat, but that she never left the buddhas. The sixty-fascicle witness here has “cultivating and nourishing and purifying this Dharma gate,” with no words of entering and coming forth; the forty-fascicle witness, like the eighty, has the two words entering and coming forth.
One misreading must be cleared away: to take “constantly seen the buddhas” for marks seen with the eye. What the scripture text says next is that what she saw was their “going to the seat of awakening and displaying great spiritual power” and “all their merit and virtue and roots of goodness” — what is seen lies in the merit and virtue, not in shape and color. Bringing it to the ground: the mark of a thing cultivated to ripeness is that it is still there after you come out of concentration.
Humbling Herself and Pointing to the Superior: I Know Only This One
At this point the earth goddess says: “I know only this Dharma gate of the Indestructible Treasury of Wisdom.” Then she raises up what the bodhisattva-mahāsattvas practice — constantly following the buddhas, being able to hold all that the buddhas speak, entering the utterly deep wisdom of all the buddhas, filling and pervading the whole Dharma realm in thought after thought, “equal to the body of a tathāgata, giving rise to the mind of the buddhas, complete in the Dharma of the buddhas, doing the deeds of the buddhas” — and closes with a question: “how then could I be able to know, or to tell of, their practice of merit and virtue?”
It must be asked: she says of herself that she has “constantly followed the bodhisattvas” and that she has “constantly seen the buddhas and never been parted from them” — why then does she say she cannot know what the bodhisattvas practice? What she points upward to, the scripture text makes “constantly follow the buddhas” — that is the practice of the bodhisattva-mahāsattvas, not the practice she relates of herself; the one is a following of bodhisattvas, the other a following of buddhas, and the two are not to be mixed. Fazang answers from the limit of her position: because this earth goddess sees the buddhas only at the place of the Way and cannot constantly follow them, she therefore points upward. That is to say, her limit lies in the ‘place’ — one who guards a single place cannot see everywhere. And what she points to is precisely that kind of practice which is not confined to one place. The eight virtues she points to have their own order too: constantly following the buddhas is the not being confined to one place; being able to hold all that the buddhas speak is hearing without loss; entering the utterly deep wisdom of all the buddhas is understanding that enters realization; filling and pervading the whole Dharma realm in thought after thought is practice without bound; and the last four clauses — “equal to the body of a tathāgata, giving rise to the mind of the buddhas, complete in the Dharma of the buddhas, doing the deeds of the buddhas” — run from body to mind and from Dharma to deed: the body equal to the body of a buddha, the mind giving rise to the mind of the buddhas, the Dharma complete as the Dharma of the buddhas, the deeds just the deeds the buddhas do, the four running through one another to make one practice. Fazang, upon the sixty-fascicle witness, adjudicates the pointing upward as six divisions: the first division answers directly the limit of the earth goddess's attendance, the next point to the breadth of hearing, the depth of hearing, and the all-at-onceness of hearing of those bodhisattvas, on to the cause bringing forth a fruit that cannot be destroyed, and the last division concludes that it is not of her own portion.
One misreading must be cleared away: to take the humbling of oneself for a formula of the genre. Most of the good friends of this assembly have this passage, precisely because it is the bone of the whole assembly — what one good friend can give is always one gate, and the Dharma realm is not confined to one gate. Bringing it to the ground: only one who can say which single thing he knows really knows that one thing.
Pointing Out the Next Friend: From the Earth Goddess to the Night Goddess
After the pointing to the superior comes at once the pointing out of the next friend: “here in Jambudvīpa, in the city of Jiapiluo in the country of Magadha, there is a night goddess named: Vāsantī. Go to her and ask: how is a bodhisattva to learn the bodhisattva practice and to cultivate the bodhisattva way?”
It must be asked: why are the words of the question as they are? The question this section points to is just these two clauses. The way sought runs on unbroken, and so the words of the question are carried on from friend to friend; while the answerers each answer from their own gate — and this is just the style of this assembly: one way sought, and gate after differing gate opened upon it, none contradicting another. As for the name of the next friend, the eighty-fascicle witness has “Vāsantī,” the sixty-fascicle “Posuoputuo,” the forty-fascicle “Spring Harmony”; and the name of the city likewise has three forms in the three witnesses. The names differ, but that she is a night goddess is the same.
One misreading must be cleared away: to take the pointing out of the next friend for seeing a guest off. What the scripture text points out is not only a person, but a city as well and the words of the question as well — where to go, whom to find, what to ask, all three given complete. Bringing it to the ground: the last thing a good friend gives is most often the address of the next good friend.
Cherishing Her Virtue and Taking Leave: Three Gestures
The last passage is the shortest: “then Sudhana the youth bowed to the feet of the earth goddess, circled her numberless times, gazed up at her earnestly, and took his leave and departed.”
It must be asked: he had already bowed and already circled on coming — why bow and circle again on going? The bow on coming is the reverence of requesting the Dharma; the bow on going is the thanks for having gained it; and in between there are the four further graphs “gazed up at her earnestly,” a passage this section has of its own — the gazing up is a still looking, the taking leave is an already going. The forty-fascicle witness here has “single-mindedly cherishing her, he took his leave and departed,” bringing the feeling cherished out into the open; the sixty-fascicle witness has “took his leave and made for that city,” joining straight on to the next station with no words of gazing up.
One misreading must be cleared away: to take the cherishing of virtue for an unwillingness to part. The scripture text writes the gazing up and the taking leave together, which shows that the two do not obstruct each other — precisely because he can carry it away, he is able to go. Bringing it to the ground: the posture in which you leave a teacher is the evidence of how much you carried away.
Assigned to the Measureless Dedication of Entering the Dharma Realm: Why This One Is the Last of the Ten Dedications
Chengguan outlines this unit as the tenth, the measureless dedication of entering the Dharma realm; Fazang marks it as the good friend of the tenth measureless dedication of the Dharma realm; Zhiyan marks it as the thirtieth bodhisattva of the measureless dedication of the Dharma realm; and Li Tongxuan marks it as the measureless dedication equal to the Dharma realm — the four houses differ slightly in the names they set up, while the position they adjudicate is one; and the scripture text itself marks no name of a position. So the ‘assigned position’ is what the ancient worthies outlined, and not what the scripture text adjudicates of itself. Chengguan's matching of assigned positions to the more than fifty friends of this assembly comes down to him from the ancient worthies, and he states his own view thus: “both have their reason — that is, since each single position is complete with many Dharma gates, how should an ordinary mind be denied the practice of seeking the Dharma of the good friends? and so there is reason in not matching them. Yet within there being no sequence of positions the sequence of positions is not obstructed, and displaying the positions is the constant rule, so that matching them likewise loses nothing.” This is his even-handed stand upon the matter of assigned positions. In the Yanyi chao Chengguan further glosses this tenth dedication as the dedicating of the roots of goodness of the Dharma realm to the Dharma realm; and this is just why the name of the dedication is called the measureless entering of the Dharma realm — what dedicates and what is dedicated to are alike the Dharma realm.
It must be asked: how does this one earth goddess come to be fit for the last of the ten dedications? What Chengguan fastens it to is that “the three worthy stages are gathered together to be the cause of entering the grounds” — the three worthy positions are brought to their close here, and all the causes of old are displayed at once and unlost, and so it is the cause of entering the grounds. Thus the passage of the welling up of the treasuries is not only Sudhana's past; it is also the closing of the accounts of the one position of the ten dedications. At this place the commentary writes the four graphs “the ten dedications are finished,” and below it come the ten friends of the ten grounds. At the close of this section Li Tongxuan, at the close of this section, first says that the nearness or farness of the arousing of the mind all expresses the depth and breadth of great compassion, without beginning or end and yet not going beyond the span of an instant — following the world it is many kalpas, with reference to knowledge it is no time at all; he further makes this position the measureless dedication equal to the Dharma realm, saying that it has the perfection of knowledge for its principal and the remaining nine for its companions; that with respect to the gate of knowledge it treats all the positions in common, and with respect to the gate of position what it treats is world-transcending knowledge and compassion, turning back into birth and death so as to be sovereign there — and having said this much, he turns at once to the first ground.
One misreading must be cleared away: to take the assigning of positions for pasting a label on each good friend. The names the four houses set up differ, and the bones they rest upon differ too, which shows that this is an outline for reading the scripture and not the scripture's outline of itself. Bringing it to the ground: one may read this section without remembering the name of the position and still understand that one press and that one treasury; but only by remembering the name of the position does one see why it is placed here.
Lineage
Of the text of this section, three lines are opened onward.
The first is the line of the closing of the ten dedications. At the end of this section Chengguan writes “the ten dedications are finished,” and Fazang at the same place writes “thus far the position of the ten dedications is finished” — the two houses alike make this section the last of the one position of the ten dedications, and after it come the ten friends of the ten grounds. Of the more than fifty friends of the whole assembly, the boundaries between positions lie for the most part between good friends and not between chapters or fascicles, and this section is one instance of it.
The second is the line of the fastening together of names. The name of the dedication Chengguan outlines is the measureless dedication of entering the Dharma realm, while the name of the tenth dedication set up in chapter twenty-five of the scripture text is the measureless dedication equal to the Dharma realm; and what Li Tongxuan marks is of the same form as chapter twenty-five. The going in and out of the names is recorded side by side without adjudication, while the position they are fastened to is one.
The third is the line of the divergent interpretations of the commentators, each with its own track, recorded without adjudication. As for the outline of this section, Chengguan makes it six divisions, opening five within the seeing, paying respect, and inquiring and four within the displaying of her own Dharma realm, and passing over the last three passages with ‘may be understood as they stand’; Fazang, upon the sixty-fascicle witness, makes it five divisions and opens five gates separately within the displaying of his own Dharma realm; Zhiyan makes it three passages, opening seven within the entering in accord and two within the true entering, and four again within his own portion; Li Tongxuan does not divide the outline unit by unit, but glosses within his general treatment, opening it into two sets, the five gates of advancing upward and the five gates of the true entering of the present position. As for the good friend's name, the eighty-fascicle and sixty-fascicle witnesses have Peaceful Abiding, the forty-fascicle Self-Nature Unmoving. As for the glossing of the name, Chengguan fastens it to the ground being what the myriad dharmas rest upon and to ‘peaceful abiding’ being the sense of entering; Fazang to the gathering in of the roots of goodness, resting at the ground of the place of the Way, upheld and not lost; Li Tongxuan to the five dharmas being equally full so that nothing is overturned; while Zhiyan does not gloss the sense of the name separately but joins straight on to the outline of the text. As for why the south is not spoken of, Chengguan makes it the gathering of the branches back into the root; Fazang, the fullness of the position of dedication and the distinguishing of the ground of the accomplishing of the way; Li Tongxuan, that because it is the dedication equal to the Dharma realm there is no separate partial seeking; Zhiyan, that the world is fully ripened and apart from all marks. As for the name of the Dharma gate, the eighty-fascicle witness has the Indestructible Treasury of Wisdom, the sixty-fascicle the Indestructible Treasury, the forty-fascicle the Treasury of Wisdom Hard to Subdue. All these divergent interpretations are the settled accounts of the ancient worthies. The five dharmas Li Tongxuan speaks of are awakening, principle, knowledge, kindness, and compassion — he says that at this position these five are gathered into one and are all full, and that she is named Peaceful Abiding just because in these five she is equally full and nothing is overturned; the sense of peaceful abiding lies in the five being neither partial nor overturned. He glosses the treasury and the liberation as well: since the knowledge of the practice of the Dharma realm contains all and its compassion fills all, there being no being it does not rescue and no suffering it does not save, the pervading roundness of knowledge and compassion is named a treasury; and the being unattached within what is practiced is named liberation — treasury is the breadth of what is gathered in, liberation is the purity of what is not clung to, and the two names are of one substance. As for the relation of the two knowledges, he fastens it to the arising of differentiating knowledge out of root knowledge and the learning of the practice of kindness and compassion: root knowledge is the substance, differentiating knowledge is the working, and the practice of kindness and compassion arises out of that working — and so he says that compassion arises out of knowledge and therefore there is nothing that can destroy it. Zhiyan, in the Kongmu zhang, sets up a passage upon this position within his gloss upon each good friend, adjudicating this tenth good friend as the skillful means of becoming a buddha, the position of cause winning the fruit, appearing before sentient beings, and the sense of the benefit of becoming a buddha, after which he turns at once to the skillful means of the positions of realization of the ten grounds; and in his list of the names of the good friends this friend stands as the thirty-first, which is not of the same reckoning as the thirtieth friend counted from the scripture text. Recorded side by side without adjudication.
One unit of some seven hundred and seventy graphs: the first half is a host of earth goddesses speaking, the second half is one earth goddess speaking. That one press in the middle joins the two halves together — what was praised and what was brought to display turn out to be one and the same thing.
品三十九 入法界品 · 婆珊婆演底夜神(寄歡喜地)Entering the Dharma Realm · The Night Goddess Vāsantī (Assigned to the Joyful Ground)
全文五層 →Full five layers →從這一位起,善財走進了十地
前面三十位善知識,善財一站一站問過來。到這一位婆珊婆演底夜神,本會之科換了一段。澄觀在此立一總綱,說「自下大文第五有十善友,寄十地位,即分十段。第一婆珊婆演底夜神,寄歡喜地」——自此以下十位善友,古德配為十地,這一位配初地歡喜地。
澄觀明判
要先排一個誤解:這個『配』不是經文自己說的。經文從頭到尾沒有一句說這位夜神是初地。澄觀於本品科段早已把分寸交代清楚,說「二皆有理,謂隨一一位具多法門,豈容凡心不得習求善友之法,故不配有理。然無次位中不礙次位,顯位是常規,配亦無失」——配也有理,不配也有理;位次是常規,配上去不會錯,但也不礙一位之中具足多門。
落到地上:讀這一節時,『初地』是一副眼鏡,不是一道判決。戴上它看得見脈絡,摘下它經文照樣完整。
出發之前,先把上一位的東西帶上
本節起手不是走路,是憶持。善財「一心思惟安住神教,憶持菩薩不可沮壞智藏解脫」,接著八個動詞:修其三昧、學其軌則、觀其遊戲、入其微妙、得其智慧、達其平等、知其無邊、測其甚深——一路加深。
為什麼要這樣寫?因為前一位安住地神所授的是「不可沮壞智藏」,這種法不是聽懂就算得到,要在路上一層一層地進去。澄觀科這一段,說是「先依前修證、後「漸次」下趣求後友」——先把已得的坐實了,才談往下一位去。
排一個誤解:以為參學是換題目。經文的次第正相反——上一站的所得,就是走向下一站的腳力。落到地上:離開一位老師之後那段路上你在做什麼,決定了到下一位那裡能看見什麼。
從東門進去,站了一會兒,太陽落了
善財到城,「從東門入,佇立未久,便見日沒」。這兩句像行路的閒筆,澄觀卻各給了一義:東門者,「開明之初,顯入證之始故」;日沒者,「是夜神故,表分別見日皆已亡故」。
一句話裡兩層意思:東方是天亮的方向,配初入證位之始;日沒不是天黑倒楣,是那個分別的太陽落下去了——要見夜神,先得天黑。
排一個誤解:以為經文寫日落是為了交代時間。若只是交代時間,何必偏偏配上東門。落到地上:所有靠著分別之明看見的東西,在真正的夜裡都不管用;肯讓那個明落下去,才等得到另一種光。
四個「由善知識」
善財等待的時候,心裡起了四念,句句以「由善知識」起:得周遍眼,能明見十方境界;得廣大解,能了達一切所緣;得三昧眼,能觀察一切法門;得智慧眼,能明照十方剎海。
為什麼在見面之前先起這四念?因為眼與解不是善知識送你的物件,是隨著親近而在自己身上長出來的。四句之中兩句是眼、一句是解、一句還是眼——三眼一解,所對的是境界、所緣、法門、剎海。
排一個誤解:以為「由善知識得」是把功勞讓給別人的客氣話。經文列的是四種能力的來歷,不是禮貌。落到地上:檢查自己親近了誰,看的不是感情,是這四樣有沒有在長。
她在虛空裡,一身星宿
念頭正起的時候,人就見到了:夜神在虛空之中,坐寶樓閣香蓮華藏師子之座,身真金色,目髮紺青,眾寶瓔珞,身服朱衣,首戴梵冠,「一切星宿炳然在體」。
為什麼不在地上見,要在空中見?澄觀說「於空見者,城表教道,空表證道,宗說兼通,如日處空故。服朱衣者,證智明顯故」——城是教、空是證,人在城裡而見在空中,是說教與證同時現前。至於一身星宿,澄觀又說「法門星像不離一身,如體化生作用不離一毛之性」。
排一個誤解:以為這是神話式的裝飾。落到地上:滿天的星不在天上而在她身上——所化的一切,本來就沒有離開能化者的體。
毛孔裡演的,是她做過的事
接著經文寫毛孔。先說「於其身上一一毛孔,皆現化度無量無數惡道眾生,令其免離險難之像」——每個毛孔裡都在演救人;救出來的眾生,有的生人中,有的生天上,有的趣二乘菩提,有的修一切智道。
再說毛孔中「示現種種教化方便」:現身、說法、示聲聞乘道、示獨覺乘道,乃至示諸菩薩行、勇猛、三昧、自在、住處、觀察、師子頻申、解脫遊戲。前一段是果——救成了什麼;後一段是因——用什麼手段救。
排一個誤解:以為毛孔現相是善知識在顯神通給客人看。落到地上:善財還沒問一個字,這位老師的履歷已經全部攤開了。所謂授法,先授的是『我做過什麼』。
善財要的不是安慰,是十力之地
善財見了,投地禮足,繞無數匝,合掌說:我已先發菩提心,冀望依善知識獲諸如來功德法藏,「唯願示我一切智道,我行於中,至十力地」。
這句話有三節:先報自己的起點——已發心;再說所求的來源——依善知識;末說目的地——十力地。十力是佛的十力,所以他要的不是脫難,是走到底。
夜神的回答先不給法,先給一句印可:「善哉善哉!善男子!汝能深心敬善知識,樂聞其語,修行其教」——敬、聞、修三事俱,才接「以修行故,決定當得阿耨多羅三藐三菩提」。
排一個誤解:以為稱讚是客套。她讚的是三件具體的事,而且把「決定當得」繫在第三件上。落到地上:敬與聞若不落到修,那句「決定」就沒有著落處。
法門的名字裡,藏著它的體
她自報法門:「我得菩薩破一切眾生癡暗法光明解脫」。名字三節:所破是眾生癡暗,能破是法光明,所成是解脫。
澄觀就這個名字拆了兩層。第一層配所破能破,說「一切眾生癡暗者,即所破二愚。法光明者,即是能破二無我智」——癡暗不是籠統的糊塗,是有所指的二愚;法光明也不是泛說的光,是二無我智。第二層合而為一,說「又破眾生闇為悲,法光明是智,悲智具故」。
那二愚各指什麼?澄觀於〈十地品〉釋初地所斷,說「一執著我法愚,即異生障;二惡趣雜染愚,即惡趣諸業果等」。前一愚是執我執法之愚,所斷者即異生性障——凡夫之所以為凡夫的那一分,此障障於初地;後一愚是造惡趣之業、受惡趣之果的那一分雜染。能破的二無我智,即人無我與法無我:破執我之愚者是人無我,破執法之愚者是法無我;我法之執一破,異生性隨之而斷,惡趣的業果也就不再續造。澄觀於本節只標其名而指歸〈十地品〉,其《演義鈔》亦說「其二愚二無我等,並如〈地品〉」。
排一個誤解:以為「破一切眾生癡暗」是破別人的暗。所破的二愚是一切眾生分上的,她自己當初也在其中——第二世的她,正是被夜神震動宅舍叫醒的。落到地上:能破他人之暗的那個光,與斷自己異生性的那個智,是同一個。
排一個誤解:以為這個法門是『照亮別人』的慈善事業。落到地上:破他人之暗那一面是悲,法光明那一面是智;名字裡本來就有兩隻手,缺一隻就不是這個法門。
九種人,九種心
法門既標,先說心。她列九對:對惡慧眾生起大慈心,對不善業眾生起大悲心,對作善業眾生起於喜心,對善惡二行眾生起不二心,對雜染眾生起令生清淨心,對邪道眾生起令生正行心,對劣解眾生起令興大解心,對樂生死眾生起令捨輪轉心,對住二乘道眾生起令住一切智心。
前四心是慈悲喜與不二,後五心句句作「令生」「令興」「令捨」「令住」——前四是自己心上的量,後五是對他人的引。她末後說「我以得此解脫故,常與如是心共相應」——這九心不是臨事才調,是解脫之後的常態。
排一個誤解:以為對作善業的人只需隨喜、對作惡的人才需慈悲。經文九種人一個不漏,連善惡混雜的、連已在二乘道上的,都各有一心。落到地上:能對哪一種人起不出心來,那一格就是自己的缺口。
十門救攝:從一個「夜」字開始
心說完,說事。她先總明時處:「我於夜闇人靜,鬼、神、盜賊、諸惡眾生所遊行時」,密雲重霧、惡風暴雨、日月星宿並皆昏蔽,見眾生入海行陸、遇盜乏糧、迷方失路,慞惶憂怖不能自出,「我時即以種種方便而救濟之」。
澄觀把這一段拆成四事,說「今初,有四種:一夜等為救時、二海等為救處、三遭盜等為所救、四種種方便為能救」——時、處、機、法四樣齊了,才談得上救。以下九門是這四樣的展開,澄觀科其全段云「於中十門:初一總明、「為海難」下別顯」。
排一個誤解:以為「夜」只是背景。落到地上:這位善知識的一切作用都設在最暗的那一刻——不是等天亮再說,是就在看不見的時候動手。
每一門都有兩節:先救眼前,後發大願
九門的體例是同一個。澄觀點得很清楚,說「後九門別顯中,文皆有二:先救世苦令得世樂、後以迴向大願令其究竟離苦得樂」。先一節寫現形作事,後一節以「復作是念」或「作是念言」領起一段迴向願;只有第七門惑業之救承著第六門的願文說下去,不另起領句。經文中這兩個領句,救攝諸門之內復作是念四見、作是念言四見;另有善財未見夜神之前的四念也作復作是念,不在救攝之列,合全段則復作是念五見。
為什麼要有第二節?因為第一節救的是這一次的難,第二節要的是永不再有這種難。少了後一節,這位夜神就只是個救援隊。
排一個誤解:以為發願是救完之後的形式禮節。落到地上:眼前這件事做完了還肯再發一個願,那個願才是把一次的善行接上無盡的接口。
第一門 海裡:她變成船師,也變成海神
「為海難者,示作船師、魚王、馬王、龜王、象王、阿脩羅王及以海神」——七種身。所作是止惡風雨、息大波浪、引其道路、示其洲岸,令免怖畏悉得安隱。願是「以此善根,迴施眾生,願令捨離一切諸苦」。
七種身裡,有人、有獸、有神。她不挑一個體面的身分,只挑當下這片海裡最能救人的那個。所作四事也極實際:止風、息浪、指路、指岸——沒有一句是說法。
排一個誤解:以為菩薩救人一定先講道理。落到地上:人在浪裡的時候,救他上岸就是那一刻唯一該做的法。願放在後面,不放在前面。
第二門 陸上:她變成日月,也變成一群人
「為在陸地一切眾生於夜暗中遭恐怖者」,她現作日月星宿、晨霞夕電種種光明,或作屋宅,或為人眾。願是令眾生「悉令除滅諸煩惱暗」。
第三門 求不得及行山險:未稱所求的六樣
第二門之後還接一段:眾生有惜壽命、有愛名聞、有貪財寶、有重官位、有著男女、有戀妻妾,未稱所求多生憂怖,「我皆救濟,令其離苦」。澄觀牒此句為第三門之首,作「一切眾生」下救求不得及行山險眾生——求不得與山險合為一門,其下曠野一段亦屬之。
排一個誤解:以為夜裡的恐怖只是黑。經文接著列的六樣——命、名、財、位、子女、配偶——沒有一樣是黑暗造成的,卻同樣叫人夜裡睡不著。落到地上:「或為人眾」四個字最見手段,怕黑的人有時只需要旁邊有人。
第三門之續 山裡:善神·好鳥·靈藥
「為行山險而留難者,為作善神,現形親近;為作好鳥,發音慰悅;為作靈藥,舒光照耀」,又示果樹、示泉井、示正直道、示平坦地,令其免離一切憂厄。
三現四示。現的是有情——神、鳥、藥草之光;示的是無情——樹、井、道、地。前者給的是陪伴與安心,後者給的是食、水、路、落腳處。山裡人所缺的,這七樣分毫不差。
排一個誤解:以為靈藥是給人吃的。經文說的是「舒光照耀」——在山裡發光的藥草,先是路標,才是藥。落到地上:救一個困在山裡的人,要的是這七件具體東西,不是一句鼓勵。
第三門之末 曠野:把地上的路換成心上的路
「為行曠野、稠林、險道,藤蘿所羂、雲霧所暗而恐怖者,示其正道,令得出離」。前一節極短,重量全在後面那個願:「願一切眾生,伐見稠林,截愛羅網,出生死野,滅煩惱暗,入一切智平坦正道,到無畏處畢竟安樂。」
看這兩節的字:稠林對見稠林,藤蘿對愛羅網,曠野對生死野,雲霧所暗對煩惱暗,正道對一切智平坦正道。前一節的每一樣東西,在願裡都換了一個對應的心上之物。
排一個誤解:以為這是修辭上的巧合。四樣一一對上,不是巧合,是有意的鋪排。落到地上:一個人真正走不出去的曠野,多半不在腳下。
第四門 樂著國土:她讓人生厭
「若有眾生,樂著國土而憂苦者;我以方便,令生厭離」,願是「願一切眾生不著諸蘊,住一切佛薩婆若境」。
這一門與前三門手法相反。前三門是給——給船、給光、給藥、給路;這一門是拿走,令他厭離。為什麼?前三門所救的是海、陸、山曠之難,其第三門已兼及惜命、愛名、貪財、重位、著男女、戀妻妾的未稱所求——那是求而不得之苦;這一門的苦卻在樂著已得的國土,是捨不得之苦。捨不得之苦,給再多也不解。願中把「國土」換成「諸蘊」——真正被貪著的那塊土地,是這副身心。
排一個誤解:以為「令生厭離」是叫人消沉。落到地上:厭離的對面不是空無,是薩婆若之境——拿走一樣,是為了放進另一樣。
第五門 樂著聚落:六個門的那座村子
「若有眾生,樂著聚落,貪愛宅舍,常處黑暗,受諸苦者;我為說法,令生厭離,令法滿足,令依法住」,願是「願一切眾生,悉不貪樂六處聚落,速得出離生死境界,究竟安住一切智城」。
這一門的手段是說法,而且三句遞進:令生厭離、令法滿足、令依法住——拿走、填滿、安住。願裡「六處聚落」四字最見經文的取喻:眼耳鼻舌身意六個門的那個村落,就是人捨不得搬走的宅舍;而所歸之處也是聚居之所——一切智城。
排一個誤解:以為出離就是離開人群。經文換的不是離群索居,是把村子換成城。落到地上:問題從來不是住在哪裡,是住的那個地方有沒有六個漏風的門。
第六門 闇夜:把平路看成險路的人
「若有眾生行暗夜中,迷惑十方,於平坦路生險難想,於險難道起平坦想,以高為下,以下為高」,心迷惑而生大苦惱。她的救法極細:欲出者示門戶,欲行者示道路,欲度溝洫示橋梁,欲涉河海與船筏,樂觀方者示險易安危之處,欲休息者示城邑水樹之所——六種人六樣東西,各給各的。
願分兩層。先是「如我於此照除夜暗,令諸世事悉得宣敘」,後是「願我普於一切眾生生死長夜、無明暗處,以智慧光普皆照了」。世間的夜與生死的長夜,用同一個「照」字接上。
排一個誤解:以為迷路的人需要的是同一份地圖。經文給了六樣不同的東西。落到地上:先問他想做什麼,再給那一樣。
第七門 惑業:從四種顛倒到五逆
這個願接下去,寫的不再是路,是眾生的病歷。先是四倒——「無常常想,無樂樂想,無我我想,不淨淨想」;再是執著我人眾生與蘊界處法;再往下,迷惑因果、不識善惡、殺害眾生乃至邪見、不孝父母、毀謗如來、壞正法輪、於諸菩薩呰辱傷害、輕大乘道、斷菩提心、盜塔寺物、作五逆罪——「不久當墮三惡道處」。
前面九句是見上的顛倒,後面一長串是行上的墜落;經文把二者接在一起寫,是說行的墜落從見的顛倒來。所以她的願不是願他們少造罪,是「願我速以大智光明,破彼眾生無明黑暗,令其疾發阿耨多羅三藐三菩提心」。
排一個誤解:以為這一段是在指責眾生。這一段在願文之內,是所救的名單,不是罪狀。落到地上:對治的下手處不在行為的末端,在那個「想」字。
第七門之續:發心之後給什麼
「既發心已,示普賢乘,開十力道,亦示如來法王境界」,又示諸佛一切智城、諸佛所行、諸佛自在、諸佛成就、諸佛總持、一切諸佛共同一身、一切諸佛平等之處,令其安住。
注意這一句的位置——它接在『令其疾發菩提心』之後。前面千辛萬苦是為了把人從惡道邊上拉回來並令他發心;發心之後,她給的不是保護,是路:普賢乘、十力道,直到諸佛平等之處。善財一開始所求的「至十力地」,在這裡原句奉還。
排一個誤解:以為救度到發心就結束了。落到地上:發心不是終點,是這位善知識真正開始給東西的地方。
第八門 八苦:病老貧窮與臨刑,無所依怙的人
「一切眾生,或病所纏,或老所侵,或苦貧窮,或遭禍難,或犯王法,臨當受刑,無所依怙,生大怖畏;我皆救濟,使得安隱。」澄觀牒「或病所纏」立此為救八苦眾生一門。
願是:「願我以法普攝眾生,令其解脫一切煩惱、生老病死、憂悲苦患,近善知識,常行法施,勤行善業,速得如來清淨法身,住於究竟無變易處。」五件苦事在前,願裡卻先說「近善知識」再說「常行法施」——受過救的人,下一步是去救人。
排一個誤解:以為病老貧窮之苦只能靠緣分改善。落到地上:願的末句是「無變易處」——所有這些苦的共相是變易,所以究竟的解不在改善境遇,在那個不變易的地方。
第九門 惡見:把正覺當作不是正覺
末一門救的是見上出錯的人:「入見稠林,住於邪道,於諸境界起邪分別」,常行不善三業,妄作種種諸邪苦行,「於非正覺生正覺想,於正覺所非正覺想」,被惡知識攝受而起惡見,將墮惡道。她的救法是「令住正見,生人天中」。
但願文不止於人天。接著說「如我救此將墜惡道諸眾生等,願我普救一切眾生」,其所願者四節相承:「悉令解脫一切諸苦」是離苦;「住波羅蜜出世聖道」是從人天的正見更進一步——正見只把人拉回善趣,到彼岸之行才出得了世;「於一切智得不退轉」是這一步再不退回去;末後「具普賢願,近一切智,而不捨離諸菩薩行,常勤教化一切眾生」是不退之後不入寂滅——既近一切智而仍不捨菩薩行,仍舊回到眾生裡去教化。人天、出世、不退、不捨,一節深似一節,而末一節反身走回起點。
九門至此,從海難一路走到惡見。前八門所救之難多在遭遇——海、陸、山、曠野、國土、聚落、闇夜,以及病老貧窮;其第七門已就惑業說到見上的顛倒。這一門則專救見上出錯的人:於非正覺生正覺想,於正覺所非正覺想。判斷一錯,苦行越勤墮得越深。所以這一門所現的不是形、不是光,是正見。
排一個誤解:以為認錯老師只是運氣不好。經文說得直白——「為惡知識之所攝受,以起惡見」。落到地上:全篇讚歎善知識的一子,末一門正對著它的反面收尾。
二十一頌:把長行再說一遍,但換一種說法
長行說完,她「承佛神力,觀察十方」,為善財說二十一頌。澄觀判其分四:初一頌法門名體,次四頌舉因勸修即四無量,次十頌顯果令入即六處殊勝,後六頌明業用廣大。
第一頌標名,說「我此解脫門,生淨法光明,能破愚癡暗,待時而演說」——與長行的名字對上,末句多一個「待時」。次四頌是慈、悲、喜、捨:勤行廣大慈、寂靜大悲海、令我心歡喜、既捨有為患。四頌之中有二句是長行所無:第三頌說大悲「出生三世佛」——慈悲不只是救苦的手段,是出生諸佛的因地;第五頌說「既捨有為患,亦遠聲聞果」——捨有為是一重,遠聲聞果又是一重:出了有為之患而停在聲聞的果上,於這個法門仍是未到。
中十頌逐言目、耳、鼻、舌、身、心六根之清淨,各有其獨說之義。目所見者是十方剎中的佛坐菩提樹下,亦見眾生「輪迴五趣中,常受無量苦」——一眼之中,佛與眾生同時在內。耳所聞者是「一切語言海,悉聞能憶持」,聞而不失。鼻「於法無所礙」,舌「隨應演妙法」——一是入,一是出。身一頌最要緊:「三世等如如,隨諸眾生心,一切悉皆現」——身隨眾生之心而現,而其體三世平等如如;現而不動,動而不失其如。心二頌各繫一個否定:「普念諸如來,而亦不分別」「諸根及欲樂,而亦不分別」——遍念諸佛而不分別,遍知眾生根欲而不分別。無分別不是不知,是遍知而不起分別之想;若一起分別,所念之佛與所知之眾生就成了兩邊的東西。
後六頌言業用:神通震動無量剎而「調彼難調眾」——所調者是難調的那一類;福如虛空無盡而供佛饒益;智了諸法海而「除滅眾生惑」,又知三世佛及一切法與其方便;末二頌是一塵之中見三世一切剎、十方剎塵之內悉見盧舍那。業用之廣,末後歸在一塵之見上,與長行毛孔現化的那一段正相接:廣不在向外鋪開,在一處之中無所不見。
排一個誤解:以為重頌是重複。長行講的是她做了什麼,頌講的是她成了什麼——同一件事的因面與果面。落到地上:全頌之中「汝應入此門」一句六見,這是她說頌的用意,不是自述。
善財問的兩件事
頌畢,善財問:「汝發阿耨多羅三藐三菩提心為幾時耶?得此解脫其已久如,乃能如是饒益眾生?」澄觀說「三得法久近中,先興二問、後還兩答」——發心多久是一問,得法多久是另一問,下面的長篇本生就是兩答。
為什麼要問久近?因為他剛看見的是一身星宿、毛孔現剎的成就。人見到大成就,第一個要問的往往是『怎麼做到的』;善財問的卻是『多久』。時間裡才有次第,次第才是他能學的東西。
排一個誤解:以為問久近是好奇。落到地上:問『多久』的人,是準備自己走一遍的人。
第一世:一個在睡覺的王后
答的第一段從極遠處起:過須彌山微塵數劫,有劫名寂靜光,世界名出生妙寶,五億佛於中出現;四天下名寶月燈光,城名蓮華光,王名善法度,王有夫人名法慧月——「夜久眠寐」。城東有林名寂住,林中大菩提樹名一切光摩尼王莊嚴身出生一切佛神力光明。
一連串的名相之後,落在一個具體的畫面上:夜深了,王后在睡覺。這是本生一段的起點——不是禪定,不是苦行,是睡著。
排一個誤解:以為前身故事都從發願或苦修起頭。落到地上:這一段是說,被叫醒的那一刻之前,人本來就是在睡的。
誰把她叫醒
「爾時,有佛名:一切法雷音王,於此樹下成等正覺」,放無量色廣大光明遍照世界。蓮華光城內有主夜神名淨月,到王夫人處,「動身瓔珞以覺夫人」,告訴她如來已於寂住林成無上覺,並廣為說諸佛功德自在神力與普賢菩薩所有行願。於是令王夫人發菩提心,供養彼佛及諸菩薩聲聞僧眾。
看叫醒的方式:不是說法,是搖動瓔珞的聲音。先有聲,人醒了,才有話;先有話,人動了,才有供養。三節一節不跳。
排一個誤解:以為善知識的第一件事是講法。落到地上:那位夜神做的第一件事,只是弄出一點聲音——在別人睡著的時候。
那位夫人就是我
「善男子!時王夫人法慧月者,豈異人乎?我身是也!」——本生的結會古今,一句話點破。
接著說發心之後的利益:於須彌山微塵數劫「不生地獄、餓鬼、畜生諸惡趣中」,亦不生下賤之家,諸根具足,無有眾苦,於天人中福德殊勝,不生惡世,恒不離佛及諸菩薩大善知識,常於其所種植善根,「經八十須彌山微塵數劫常受安樂」。末後一句轉:「而未滿足菩薩諸根。」
排一個誤解:以為這一段在誇發心的功德。八十須彌山微塵數劫的安樂之後,接的是「未滿足」三個字。落到地上:不墮惡趣、常受安樂,仍然只是條件,不是完成。
第二世:又一個在睡覺的人
「過此劫已,復過萬劫」,於賢劫前有劫名無憂遍照,世界名離垢妙光,其中淨穢相雜,五百佛出現,第一佛名須彌幢寂靜妙眼;那一世她是名稱長者之女,名妙慧光明——底本此句作「我為:名稱長者;女名:妙慧光明」,今行標點分讀為長者與其女二人;六十作「明勝長者女,名勝慧光」、四十作「名稱長者女,字妙慧光明」,皆作長者之女,下文「在父母邊」亦自是女,今從之;標點分讀一讀並錄不判。
而那位淨月夜神「以願力故」,在離垢世界的妙幢王城中受生,又作主夜神,名清淨眼。「我於一時,在父母邊,夜久眠息」——同一個場景重演:她又在睡,那一位又來了,「震動我宅,放大光明,出現其身」,讚佛功德說妙眼如來坐菩提座始成正覺,勸諭她與父母眷屬速去見佛,自為前導引至佛所。
排一個誤解:以為兩世是兩段獨立的故事。兩段的結構逐一對稱:她在睡、他來叫、佛剛成道、去供養。落到地上:善知識做的是同一件事,只是做了兩次。
一見佛,就得了
「我纔見佛,即得三昧,名:出生見佛調伏眾生三世智光明輪。」澄觀說這是「方便三昧,謂上見諸佛、下化眾生」——名字裡本來就有兩頭:見佛與調伏眾生。
得了這個三昧,就「能憶念須彌山微塵數劫」,也見其中諸佛出現,於彼佛所聽聞妙法;「以聞法故,即得此破一切眾生暗法光明解脫」。次第是:見佛得三昧,因三昧能憶劫、能見佛、能聞法,因聞法才得本節的這個解脫門。
排一個誤解:以為得三昧就是得解脫。經文中間隔著憶念、見佛、聞法三道。落到地上:定不直接生解脫,定讓你聽得見法,法才生解脫。
得解脫之後所見:身遍往、見諸佛、見眾生
「得此解脫已,即見其身遍往佛剎微塵數世界」,也見彼世界所有諸佛,又見自身在其佛所;再往下,是見彼世界一切眾生——「解其言音,識其根性,知其往昔曾為善友之所攝受,隨其所樂而為現身,令生歡喜」。
三句寫眾生:懂他的話、識他的根、知道他從前被誰接引過。第三句最要緊——她救人之前先查的是這個人的善根來歷。
排一個誤解:以為神通所見的是境界。落到地上:這個解脫門所開的眼,看的是每一個人身上前人留下的線頭;接上那根線,才叫隨其所樂。
念念增長:一個沒有間斷的心
末段寫業用之廣:「我時於彼所得解脫,念念增長,此心無間」,於是遍往百佛剎微塵數世界,此心無間,又遍往千佛剎、百千佛剎,「如是,念念乃至不可說不可說佛剎微塵數世界」。所往之處亦見如來、亦聽妙法、亦知彼佛本事海與大願海,「彼諸如來嚴淨佛剎,我亦嚴淨」。末句總收:「此解脫門,念念增長,如是乃至充滿法界。」
三次重出「此心無間」是這一段的骨。廣不是一次跳到無量,是一念接一念沒有斷口地長出來的。李通玄就此數目立一語,說這是初地「以百為首,便滿十方一切法界無盡佛剎」。
排一個誤解:以為法界之廣是一種尺寸。落到地上:那個「無間」比那些數字要緊——中間斷過的心,數字再大也長不到法界。
我只知道這一個
「善男子!我唯知此菩薩破一切眾生暗法光明解脫。」剛說完充滿法界,下一句就是我只知道這一個。
接著是推勝:諸菩薩摩訶薩成就普賢無邊行願,普入一切諸法界海,得諸菩薩金剛智幢自在三昧,出生大願,住持佛種;念念中成滿一切大功德海,嚴淨一切廣大世界;以自在智教化成熟一切眾生,以智慧日滅除一切世間暗障,以勇猛智覺悟一切眾生惛睡,以智慧月決了一切眾生疑惑,以清淨音斷除一切諸有執著——「而我何能知其妙行、說其功德、入其境界、示其自在?」
逐目看這些德,各有所對:「成就普賢無邊行願」是願之無邊,「普入一切諸法界海」是所入之無際,「得諸菩薩金剛智幢自在三昧」是定之堅不可壞,「出生大願,住持佛種」是紹隆不斷;「成滿一切大功德海」是自行之滿,「嚴淨一切廣大世界」是國土之淨,「教化成熟一切眾生」是化他之熟。末四句逐一配所治:「以智慧日,滅除一切世間暗障」治暗,「以勇猛智,覺悟一切眾生惛睡」治睡,「以智慧月,決了一切眾生疑惑」治疑,「以清淨音,斷除一切諸有執著」治著;而「於一切法界一一塵中,示現一切自在神力」是前四之所以能遍——日、月、音、智所及之處,不出一塵。末後「智眼明淨,等見三世」是這一切的眼:神力遍於一塵,靠的不是力,是眼明;眼明而三世等見,故所現無不當機。
排一個誤解:以為這是謙虛的套語。她所推的四樣——智慧日、勇猛智、智慧月、清淨音——正是她自己那個法門的同類。落到地上:知道自己所得與所推的是同一路,才說得出『唯知此一』而不失分寸。
下一位,就是當年叫醒我的那位
「善男子!此閻浮提摩竭提國菩提場內,有主夜神,名:普德淨光。我本從其發阿耨多羅三藐三菩提心,常以妙法開悟於我。汝詣彼問:菩薩云何學菩薩行、修菩薩道。」
澄觀據此句判「即前淨月,故云本從發心」——她所指示的下一位,就是本生裡兩次把她叫醒的那位夜神。又釋其名,說「友名普德者,最勝法界無德不具故。淨光者,正智證入離誤犯之垢故」;釋其處,說「云菩提場內者,得無誤犯,由契理故。理即菩提場」。
排一個誤解:以為指示後友只是報一個地址。落到地上:她把善財送到自己的發心之源去——這一句話,把整段本生的用意收在了一處。
十偈與一個辭字
善財以十偈讚。澄觀分四:初四讚身心超勝,次三明大用無涯,次二益物不虛,後一結德無盡。初四偈讚清淨身、法身平等、一切趣中見其形像、心廣如空——第二偈「世界悉入中,成壞無所礙」最要看:法身既平等於三世,世界之成與壞都在其中,成不添一分,壞不減一分,所以無礙;次三偈皆以「一一毛孔內」起,言放光、現身、示剎;次二偈言聞名見身者「悉獲功德利,成就菩提道」——所獲之利不止於福,直至成就菩提;「多劫在惡趣,始得見聞汝,亦應歡喜受,以滅煩惱故」——在惡趣多劫之後才得見聞,這見聞本身就是煩惱之滅,故當歡喜受之;末偈說「千剎微塵劫,歎汝一毛德,劫數猶可窮,功德終無盡」。
讚畢,「頂禮其足,遶無量匝,慇懃瞻仰,辭退而去」。三個動作之後才是一個辭字。
排一個誤解:以為辭退是散場。落到地上:把一位善知識的德讚到「劫數猶可窮」而後轉身就走——戀德與前行,在這一節裡是同一個動作。
承衍
本節之文,向下所開之流有三條。
其一是寄位之線。澄觀立十地十善友之科,以本友寄歡喜地。
澄觀明判
寄位之配當,澄觀於品科段自陳二皆有理,說「然無次位中不礙次位,顯位是常規,配亦無失」。
李通玄於本友之釋自分正入當位與推德昇進二段,又於十地通論中判此為「初歡喜地善知識,以檀波羅蜜為主,餘九為伴」,又說「此明入俗同纏長養大慈悲門,具足檀波羅蜜令得圓滿」。其論於十地總說之處另有三處提到這一位,皆就名與位而說:或云「亦名依止無畏,謂與一切眾生作依止無畏」,或云「此神表初歡喜地」,或云「以表大悲,主當眾生發生菩提芽故」——與本段之釋同一意趣。二家所繫之骨不同,皆古德成說。
其二是夜神與女身之線。澄觀說「地上多見夜神者,證智玄妙,雜相破闇故」,又說「下九天神,準梵本皆是女神。瞿波亦女者,地上證於同體慈悲,女之狀故」。李通玄同繫慈悲一義而語更詳,說「十箇善知識無出家相,總為女天」,並以女能長養子孫無疲勞表菩薩養眾生。
其三是諸家異釋之線。本節之科,澄觀作六段而於稱讚授法內復開三;李通玄則於正入當位法門立五門、見夜神復立六門、申請所求立十七門,其推德昇進一段別立五門。
友名之訓,四家所說可合為三義。澄觀作春與主當二字分釋,李通玄合作主當春生——此二家所釋是八十本的名形。法藏與智儼所釋則是六十本的名形:法藏訓其名為依止不畏,說她「即下文廣與怖畏眾生而作依止故也」,又取天竺本之名而作春,說「謂表能生長萬行,如春時也」;智儼於《孔目章》之夾注亦作依止不畏。一名三義:依止不畏是就她所與眾生者說——怕的人有所依,就不再怕;春是就時節說;能生長萬行是就初地說。三義本是一事——肯在最黑的夜裡讓人有所依止的,才是那個能生長萬行的春。
城名之表,澄觀取黃是中色表契中道並取佛生之城表初地生佛家,李通玄取黃為福慶之色。此諸異釋皆古德成說,誌錄不判。
一個守夜的人,做的事是在最黑的時候讓人看見路;而她自己的來歷,也不過是兩次在睡夢中被人弄出的一點聲音叫醒。初地的樣子,這一節給的就是這個。
From This Friend Onward, Sudhana Walks into the Ten Grounds
The thirty good friends before this Sudhana has asked of, station by station. At this friend, the night goddess Vāsantī, the outline of this assembly changes to a new passage. Chengguan sets up here a general framework, saying, “from here on, the fifth of the great divisions of the text has ten good friends, assigned to the positions of the ten grounds, and so is divided into ten passages; the first, the night goddess Vāsantī, is assigned to the Joyful Ground” — from here on, ten good friends, whom the ancient worthies match to the ten grounds, and this one is matched to the first ground, the Joyful Ground.
Chengguan’s Explicit Judgment
A misreading must first be set aside: this ‘matching’ is not something the scripture text says of itself. From beginning to end the scripture text has not one clause saying that this night goddess is the first ground. Chengguan, in the outline passage for this chapter, has already stated the measure of it plainly, saying, “both have their reason: namely, since each and every position is furnished with many Dharma gates, how could it be that an ordinary mind may not learn and seek the dharma of the good friends? — and therefore not to match them has its reason. Yet within there being no sequence of positions the sequence of positions is not obstructed, and to display the positions is the constant rule; so to match them, too, is no fault” — to match them has its reason, and not to match them has its reason; the sequence of positions is the constant rule, and to match them is not wrong, yet neither does it obstruct one position’s being furnished with many gates.
Brought down to the ground: in reading this section, ‘the first ground’ is a pair of spectacles, not a verdict. Put them on and the connective thread can be seen; take them off and the scripture text is whole all the same.
Before Setting Out, Take Up What the Friend Before Him Gave
This section begins not with walking but with holding in memory. Sudhana “with a single mind pondered the teaching of the goddess Peaceful Abiding, and held in memory the bodhisattva liberation of the Indestructible Treasury of Wisdom,” and then eight verbs follow: cultivating her samādhi, learning her rule and standard, contemplating her sporting, entering her subtlety, gaining her wisdom, penetrating her evenness, knowing her boundlessness, fathoming her utter depth — deepening the whole way along.
Why write it so? Because what the earth goddess Peaceful Abiding before her conferred was the Indestructible Treasury of Wisdom, and a dharma of that kind is not gained merely by understanding what one has heard; one must enter into it layer by layer along the road. Chengguan outlines this passage, saying it is “first, the cultivating and realizing in accord with what came before; afterward, from ‘little by little’ onward, the seeking of the friend who comes next” — first make firm what has already been gained, and only then speak of going on to the next friend.
Set aside a misreading: that going about to learn means changing the subject. The sequence of the scripture text is just the opposite — what was gained at the last station is the very strength of foot with which one walks toward the next. Brought down to the ground: what you are doing on that stretch of road after leaving one teacher decides what you will be able to see when you reach the next.
He Entered by the East Gate, Stood a Little While, and the Sun Went Down
Sudhana came to the city, “entered by the east gate, and had not stood there long when he saw the sun go down.” These two clauses look like an idle stroke of travel writing, yet Chengguan gives each of them a meaning: of the east gate, “it is the beginning of the opening of brightness, displaying the start of the entering into realization”; of the sun’s going down, “it is because she is a night goddess, signifying that the sun of discriminative seeing has already wholly perished.”
Two layers in one clause: the east is the quarter where the sky grows light, matched to the start of first entering the position of realization; and the sun’s going down is not the ill luck of nightfall, it is that sun of discrimination sinking away — to see the night goddess, one must first have the dark.
Set aside a misreading: that the scripture text writes the sunset in order to state the time. If it were only stating the time, why match it with the east gate in particular? Brought down to the ground: everything seen by the light of discrimination is of no use in the real night; only by being willing to let that brightness go down does one wait out the time for another kind of light.
The Four Clauses of “By the Good Friend”
While Sudhana waited, four thoughts arose in his mind, each clause beginning with “by the good friend”: gaining the eye that reaches everywhere, able to see clearly the objective realms of the ten directions; gaining the vast and great understanding, able to penetrate all that the mind takes as its object; gaining the eye of samādhi, able to contemplate all Dharma gates; gaining the eye of wisdom, able to illumine clearly the seas of buddha-lands in the ten directions.
Why raise these four thoughts before the meeting? Because the eye and the understanding are not objects that a good friend hands over to you; they are what grows out upon your own body as you draw near. Of the four clauses two are eyes, one is understanding, and one is again an eye — three eyes and one understanding, set over against the objective realms, what the mind lays hold of, the Dharma gates, and the seas of lands.
Set aside a misreading: that “by the good friend one gains” is a courteous phrase yielding the credit to another. What the scripture text sets out is the provenance of four capacities, not a politeness. Brought down to the ground: to examine whom you have drawn near to, what you look at is not the feeling but whether these four are growing.
She Is in Empty Space, Her Body All Constellations
Just as the thought was arising, the person was seen: the night goddess in the midst of empty space, seated in a jeweled storied pavilion upon a lion throne in a treasury of fragrant lotus flowers, her body the color of true gold, her eyes and hair blue-black, her necklaces of many jewels, her body clothed in a vermilion garment, upon her head a brahmā crown, and “all the constellations appearing plainly upon her body.”
Why not see her upon the ground, but see her in space? Chengguan says, “that she is seen in space: the city signifies the way of teaching, and space signifies the way of realization, so that the doctrine and the telling of it are penetrated together, as the sun stands in space. That she is clothed in a vermilion garment: the knowledge of realization is bright and manifest” — the city is the teaching, space is the realization, and the man being within the city while the seeing is in space says that teaching and realization appear at one and the same moment. As for a body all constellations, Chengguan says further, “the star-images of the Dharma gates are not apart from the one body, just as the working of transformation-births from the substance is not apart from the nature of a single hair.”
Set aside a misreading: that this is decoration of a mythic kind. Brought down to the ground: a whole sky of stars is not in the sky but upon her body — everything that is transformed has never been apart from the substance of the one who transforms it.
What Is Played Out in the Pores Is What She Has Done
Next the scripture text writes of the pores. First it says, “within each and every pore upon her body there appeared images of her converting and delivering measureless and numberless sentient beings of the evil destinies and causing them to escape from peril” — within every pore a rescue is being played out; and of the sentient beings rescued, some are born among human beings, some among the devas, some turn toward the awakening of the two vehicles, some cultivate the way of all-knowledge.
Then it says that within the pores she “displayed every kind of skillful means of teaching and converting”: manifesting a body, expounding the Dharma, displaying the way of the śrāvaka vehicle, displaying the way of the pratyekabuddha vehicle, and so on to displaying the practices of the bodhisattvas, their valor, their samādhi, their mastery, their dwelling place, their contemplation, their lion’s stretching, their sporting in liberation. The former passage is the fruit — what the rescuing accomplished; the latter is the cause — by what means the rescuing was done.
Set aside a misreading: that the pores manifesting their marks is the good friend showing off spiritual powers to a guest. Brought down to the ground: Sudhana has not yet asked a single graph, and this teacher’s whole record of service is already spread open. What is called conferring the Dharma confers first of all ‘what I have done.’
What Sudhana Wants Is Not Consolation but the Ground of the Ten Powers
Having seen her, he threw his body down and bowed to her feet, circled her numberless times, joined his palms, and said: I have already raised the mind of awakening beforehand, and hope, relying upon good friends, to obtain the treasury of the Dharma that is the merit and virtue of all the tathāgatas — “would that you would reveal to me the way of all-knowledge, so that walking in that way I may come to the ground of the ten powers.”
This speech has three joints: first he reports his own starting point — the mind already raised; then he states the provenance of what he seeks — relying upon good friends; and last the destination — the ground of the ten powers. The ten powers are a buddha’s ten powers, and so what he wants is not to be got out of trouble but to walk the whole way.
The night goddess’s answer does not give the Dharma first; it gives first a word of confirmation: “good, good! Son of good family! You are able, with a deep mind, to revere good friends, to delight in hearing their words, and to cultivate their teaching” — reverence, hearing, and cultivating, all three together, and only then follows “and because of that cultivating, you will certainly gain anuttarā-samyak-saṃbodhi.”
Set aside a misreading: that the praise is a courtesy. What she praises are three concrete matters, and she fastens the “will certainly gain” to the third of them. Brought down to the ground: if reverence and hearing do not come down into cultivating, that word “certainly” has no place to land.
Within the Name of the Dharma Gate Its Substance Is Hidden
She reports her own Dharma gate: “I have gained the bodhisattva liberation of the light of the Dharma that breaks the deluded darkness of all sentient beings.” The name has three joints: what is broken is the deluded darkness of sentient beings, what breaks it is the light of the Dharma, and what is accomplished is liberation.
Chengguan takes this name apart in two layers. The first layer matches what is broken with what breaks, saying, “the deluded darkness of all sentient beings is the twofold folly that is broken; the light of the Dharma is the knowledge of the twofold selflessness that breaks it” — the deluded darkness is not muddle in general, it is a twofold folly with a definite reference; and the light of the Dharma is not light spoken of loosely, it is the knowledge of the twofold selflessness. The second layer joins them into one, saying, “further, the breaking of the darkness of sentient beings is compassion, and the light of the Dharma is knowledge, and so compassion and knowledge are both furnished.”
And what does that twofold folly refer to? Chengguan, glossing what is cut off upon the first ground in the Chapter on the Ten Grounds, says, “first, the folly of holding to self and dharmas, which is the hindrance of the nature of an ordinary being; second, the folly of the defilement of the evil destinies, which is the deeds and fruits of the evil destinies and the rest.” The former folly is the folly of holding to a self and holding to dharmas, and what is cut off is the hindrance of the nature of an ordinary being — the very portion by which an ordinary being is ordinary, the hindrance that obstructs the first ground; the latter is that portion of defilement which makes the deeds of the evil destinies and undergoes their fruits. The twofold selflessness that breaks them is the selflessness of the person and the selflessness of dharmas: what breaks the folly of holding to a self is the selflessness of the person, and what breaks the folly of holding to dharmas is the selflessness of dharmas; once the holding to self and dharmas is broken, the nature of an ordinary being is cut off along with it, and the deeds and fruits of the evil destinies are no longer made. Chengguan in this section only sets forth their names and refers them to the Chapter on the Ten Grounds, and his Yanyi chao likewise says, “its twofold folly and twofold selflessness and the rest are all as in the Chapter on the Grounds.”
Set aside a misreading: that “breaking the deluded darkness of all sentient beings” is breaking someone else’s darkness. The twofold folly that is broken belongs to all sentient beings, and she herself was once within it — she herself in the second life was precisely the one who had to be woken, when the night goddess shook the house. Brought down to the ground: the light that can break another’s darkness and the knowledge that cuts off one’s own nature of an ordinary being are one and the same.
Set aside a misreading: that this Dharma gate is a charitable enterprise of ‘lighting up other people.’ Brought down to the ground: the side that breaks another’s darkness is compassion, and the side that is the light of the Dharma is knowledge; the name has two hands in it from the start, and lacking either it is not this Dharma gate.
Nine Kinds of Person, Nine Kinds of Mind
The Dharma gate having been set forth, she speaks first of the mind. She lists nine pairs: toward sentient beings of evil understanding she raises the mind of great kindness, toward sentient beings of unwholesome deeds the mind of great compassion, toward sentient beings who do wholesome deeds the mind of rejoicing, toward sentient beings of both kinds of conduct the mind that is not two, toward defiled sentient beings the mind that causes purity to arise, toward sentient beings on wrong paths the mind that causes right conduct to arise, toward sentient beings of low understanding the mind that causes great understanding to be roused, toward sentient beings who delight in birth and death the mind that causes them to cast off turning in the round, toward sentient beings abiding in the way of the two vehicles the mind that causes them to abide in all-knowledge.
The first four minds are kindness, compassion, rejoicing, and non-duality; the latter five all read “causes to arise,” “causes to be roused,” “causes to cast off,” “causes to abide” — the first four are measures upon her own mind, the latter five are leadings of others. At the end she says, “because I have gained this liberation, I am constantly matched with minds such as these” — these nine minds are not tuned up only when the occasion comes; they are the constant state after liberation.
Set aside a misreading: that toward one who does wholesome deeds only rejoicing is needed, and that only toward one who does evil is compassion needed. The scripture text leaves out not one of the nine kinds of person; even those mingled in good and evil, even those already upon the way of the two vehicles, each has a mind of its own. Brought down to the ground: the kind of person toward whom you cannot get a mind to arise — that square is your own gap.
The Ten Gates of Rescuing and Gathering In: Beginning from the One Graph “Night”
The mind spoken of, she speaks of the matter. She states first the time and the place in general: “at the time when I am in the dark of night and the voices of people are still, when ghosts, spirits, robbers, and every kind of evil being come forth to roam,” with dense clouds and heavy fogs, evil winds and violent rains, and the sun, moon, and constellations all covered over; and she sees sentient beings entering the sea and walking the land, meeting robbers and lacking provisions, confused as to direction and having lost the road, alarmed and afraid and unable to get themselves out — “and at that time I rescue them by every kind of skillful means.”
Chengguan takes this passage apart into four matters, saying, “now the first has four kinds: first, the night and the rest as the time of rescuing; second, the sea and the rest as the place of rescuing; third, the meeting with robbers and the rest as those who are rescued; fourth, every kind of skillful means as that which rescues” — time, place, occasion, and dharma, all four in place, and only then can there be talk of rescuing. The nine gates below are the unfolding of these four, and Chengguan outlines the whole passage, saying, “within it there are ten gates: the first one states them in general, and from ‘for those in peril at sea’ onward they are displayed one by one.”
Set aside a misreading: that “night” is only a backdrop. Brought down to the ground: every working of this good friend is set at the very darkest moment — not waiting for daybreak to speak of it, but setting hand to it just when nothing can be seen.
Every Gate Has Two Joints: First the Rescue at Hand, Afterward the Great Vow
The style of the nine gates is one and the same. Chengguan points it out very plainly, saying, “within the nine gates displayed one by one afterward, the text in every case has two: first the rescuing from the world’s suffering so that they gain the world’s joy; afterward, by dedication and the great vow, causing them ultimately to leave suffering and gain joy.” The first joint writes the manifesting of forms and the doing of deeds, and the latter joint begins with “and I think further in this way” or “and I make a vow in this way,” leading into a passage of dedicatory vow; only the seventh gate, the rescue from delusion and deeds, runs on from the vow of the sixth without a leading clause of its own. Of these two leading clauses in the scripture text, within the gates of rescuing and gathering in “and I think further in this way” occurs four times and “and I make a vow in this way” four; the four thoughts Sudhana raises before he sees the night goddess are also led in by “and I think further in this way,” but they are no vow of rescuing, so that in the whole passage “and I think further in this way” occurs five times.
Why must there be a second joint? Because what the first joint rescues from is this one occasion of peril, and what the second wants is that such peril never be again. Lacking the latter joint, this night goddess would be no more than a rescue party.
Set aside a misreading: that making a vow is a formal courtesy after the rescuing is over. Brought down to the ground: to be still willing to make one more vow when the matter at hand is done — that vow is the socket by which a single act of goodness is joined to the endless.
The First Gate — At Sea: She Becomes the Shipmaster, and Becomes the Sea God Too
“For those in peril at sea, I display myself as a shipmaster, a fish king, a horse king, a tortoise king, an elephant king, an asura king, and a sea spirit” — seven kinds of body. What she does is to still the evil winds and rains, quiet the great waves, lead them upon their road, and show them where the shore and the islands are, causing them to be free of dread and all to gain peace and security. The vow is, “with these roots of goodness I dedicate and bestow upon sentient beings, vowing to cause them to cast off every kind of suffering.”
Among the seven kinds of body there are human, beast, and god. She does not pick out a dignified station; she picks only the one that in this particular sea can best rescue people. And the four things she does are utterly practical: stilling the wind, quieting the waves, pointing the road, pointing the shore — not one clause of them is expounding the Dharma.
Set aside a misreading: that a bodhisattva rescuing people must first set out the principle. Brought down to the ground: when a man is in the waves, getting him ashore is the only dharma that ought to be done at that moment. The vow is placed afterward, not before.
The Second Gate — On Land: She Becomes Sun and Moon, and Becomes a Crowd of People Too
“For all sentient beings upon the land who meet with dread in the darkness of night,” she manifests herself as sun, moon, and constellations, as the haze of morning and the lightning of evening, as every kind of light, or makes houses and dwellings, or becomes a crowd of people. The vow is to cause sentient beings “all to put out the darkness of the afflictions.”
The Third Gate — Not Gaining What Is Sought, and Walking in Mountain Peril: Six Things Not Answering to What Was Sought
After the second gate a further passage follows: among sentient beings some cherish long life, some love a good name, some covet wealth and treasure, some hold rank and office weighty, some cling to sons and daughters, some are enamored of wife and concubine, and when what they seek does not answer to their mind, sorrow and dread arise abundantly, and “all of these I rescue, causing them to leave suffering behind.” Chengguan cites this clause as the head of the third gate, making it: from “all sentient beings” onward, the rescuing of sentient beings who do not gain what they seek and who walk in mountain peril — not gaining what is sought and mountain peril joined into one gate, with the passage on the wilds below belonging to it as well.
Set aside a misreading: that the dread of the night is only the dark. What the scripture text lists next — life, name, wealth, rank, children, spouse — not one of them is made by darkness, and yet they keep a man awake at night just the same. Brought down to the ground: the four graphs “or becomes a crowd of people” show the skill best of all; one who fears the dark sometimes needs only that someone be beside him.
The Third Gate, Continued — In the Mountains: A Good Spirit · A Fine Bird · A Numinous Herb
“For those who walk in mountain peril and are held back by hindrances, I become for them a good spirit, manifesting a form and drawing near; I become for them a fine bird, putting forth a voice to console and gladden them; I become for them a numinous herb, spreading out a light and shining upon them,” and further she shows them the fruit trees, shows them the springs and wells, shows them the straight road, shows them the level ground, causing them to escape from every sorrow and calamity.
Three manifestings and four showings. What is manifested is sentient — spirit, bird, and the light of a herb; what is shown is insentient — tree, well, road, and a place to set the foot. The former give company and ease of mind, the latter give food, water, road, and a place to stop. What a man in the mountains lacks, these seven meet to the last particular.
Set aside a misreading: that the numinous herb is for people to eat. What the scripture text says is “spreading out a light and shining upon them” — an herb that shines in the mountains is first a road-marker and only then a medicine. Brought down to the ground: to rescue a man stranded in the mountains, what is wanted is these seven concrete things, not a word of encouragement.
The Third Gate, Concluded — The Wilds: Exchanging the Road on the Ground for the Road in the Mind
“For those who walk in the wilds, in dense forests, upon perilous roads, who are entangled by creepers and darkened by cloud and fog and are afraid, I show them the right road, causing them to get out.” The first joint is extremely short, and the whole weight is in the vow that follows: “may all sentient beings fell the dense forest of views, cut through the net of craving, come out of the wilds of birth and death, put out the darkness of the afflictions, enter the level and right road of all-knowledge, and reach the place without fear, in ultimate peace and joy.”
Look at the graphs of these two joints: the dense forest against the dense forest of views, the creepers against the net of craving, the wilds against the wilds of birth and death, the darkening by cloud and fog against the darkness of the afflictions, the right road against the level and right road of all-knowledge. Every single thing in the first joint is exchanged in the vow for a corresponding thing in the mind.
Set aside a misreading: that this is a coincidence of rhetoric. Four things matching one to one is not coincidence; it is a deliberate laying out. Brought down to the ground: the wilds a man truly cannot walk out of are for the most part not underfoot.
The Fourth Gate — Delighting in and Clinging to the Land: She Makes Them Weary of It
“If there are sentient beings who delight in and cling to their land and are made sorrowful by it, I use skillful means to make weariness and detachment arise in them,” and the vow is, “may all sentient beings not cling to the aggregates, and may they abide in the objective realm of the sarvajña of all the buddhas.”
This gate is opposite in method to the three before it. The three before give — give a ship, give light, give a herb, give a road; this one takes away, making them weary and detached. Why? The three gates before rescue from peril at sea, upon land, and in mountain and wilds, and the third of them already takes in the cherishing of long life, the love of a good name, the coveting of wealth, the weighing of rank, the clinging to sons and daughters and to wife and concubine, where what is sought does not answer — that is the suffering of not getting; the suffering of this gate lies rather in delighting in and clinging to the land already had — the suffering of not letting go. And the suffering of not letting go is not resolved however much is given. In the vow, “the land” is exchanged for “the aggregates” — the plot of ground truly clung to is this body and mind.
Set aside a misreading: that “making weariness and detachment arise” is telling a man to grow despondent. Brought down to the ground: what stands opposite weariness and detachment is not emptiness, it is the objective realm of the sarvajña — to take one thing away is in order to put another in.
The Fifth Gate — Delighting in and Clinging to the Village: That Village with Six Gates
“If there are sentient beings who delight in and cling to their village, who covet and love their houses, who dwell constantly in darkness and undergo every kind of suffering, I expound the Dharma for them, causing weariness and detachment to arise in them, causing the Dharma to be complete in them, causing them to abide by the Dharma,” and the vow is, “may all sentient beings none of them covet and delight in that village which is the six sense-fields, may they swiftly get out of the objective realm of birth and death, and may they ultimately abide in the city of all-knowledge.”
The method of this gate is expounding the Dharma, and its three clauses advance in order: causing weariness and detachment to arise, causing the Dharma to be complete, causing them to abide by the Dharma — taking away, filling up, settling down. In the vow, the four graphs “that village which is the six sense-fields” show the scripture text’s taking of the simile best of all: that village of the six gates of eye, ear, nose, tongue, body, and mind is the very house a man cannot bear to move out of; and the place he returns to is likewise a place of dwelling together — the city of all-knowledge.
Set aside a misreading: that getting out means leaving the crowd. What the scripture text exchanges is not gregariousness for solitude; it exchanges the village for the city. Brought down to the ground: the question was never where one lives, but whether the place one lives in has six gates that let in the wind.
The Sixth Gate — The Dark Night: Those Who Take the Level Road for a Perilous One
“If there are sentient beings who walk in the dark of night, who are confused as to the ten directions, who upon a level road give rise to the thought of peril and upon a perilous road give rise to the thought of levelness, who take what is high for low and what is low for high,” their minds confused and great suffering and vexation arising in them. Her way of rescuing is extremely fine: for those who would come out, she shows the doorway; for those who would walk, the road; for those who would cross a ditch, the bridge; for those who would ford a river or a sea, a boat or a raft; for those who like to look out upon the directions, where it is perilous and where easy, where safe and where dangerous; for those who would rest, where the walled towns, the waters, and the trees are — six kinds of person, six kinds of thing, to each his own.
The vow divides into two layers. First is “just as here I shine upon the darkness of night and put it away, causing all the affairs of the world to be set out plainly,” and afterward, “so may I everywhere, in the long night of birth and death of all sentient beings and in the dark places of ignorance, shine upon them all with the light of wisdom.” The night of the world and the long night of birth and death are joined by the one graph “shine.”
Set aside a misreading: that a man who has lost his way needs the same one map. The scripture text gives six different things. Brought down to the ground: ask him first what he means to do, and then give that one thing.
The Seventh Gate — Delusion and Karma: From the Four Inversions to the Five Heinous Deeds
What follows on from this vow is no longer a road but the case history of sentient beings. First the four inversions — “taking what is impermanent for permanent, what is not joy for joy, what is not self for self, what is impure for pure”; then the holding to a self, a person, and a sentient being, and to the dharmas of the aggregates, elements, and sense-fields; and further down, being confused about cause and effect, not recognizing good and evil, killing sentient beings and so on to wrong views, being unfilial to father and mother, slandering the tathāgatas, breaking the wheel of the right Dharma, cursing, shaming, and injuring the bodhisattvas, slighting the way of the Great Vehicle, severing the mind of awakening, stealing what belongs to stūpas and temples, committing the five heinous deeds — “and before long they will fall into the place of the three evil destinies.”
The nine clauses before are inversions upon view, and the long string after is a falling upon conduct; the scripture text writes the two joined together, saying that the falling in conduct comes from the inversion in view. And so her vow is not that they may commit fewer offenses, but “may I swiftly, with the light of great knowledge, break the dark ignorance of those sentient beings, and cause them speedily to raise the mind of anuttarā-samyak-saṃbodhi.”
Set aside a misreading: that this passage is a reproach of sentient beings. This passage stands within the text of the vow; it is the roll of those to be rescued, not a bill of charges. Brought down to the ground: the place to set hand to the remedy is not at the far end of behavior, but at that one graph “thought.”
The Seventh Gate, Continued: What Is Given After the Mind Is Raised
“Once they have raised that mind, I display for them the vehicle of Samantabhadra, open up the way of the ten powers, and display for them also the objective realm of the tathāgata, the Dharma-king,” and further displays the city of all-knowledge of all the buddhas, the conduct of all the buddhas, the mastery of all the buddhas, the accomplishment of all the buddhas, the comprehensive holding of all the buddhas, the one body that all the buddhas share in common, and the place where all the buddhas are equal, causing them to abide therein.
Note where this clause stands — it follows upon ‘causing them speedily to raise the mind of awakening.’ All the toil before was to pull a man back from the edge of the evil destinies and cause him to raise the mind; and after the mind is raised, what she gives is not protection but a road: the vehicle of Samantabhadra, the way of the ten powers, on to the place where all the buddhas are equal. What Sudhana asked for at the outset, “coming to the ground of the ten powers,” is here handed back in the very same words.
Set aside a misreading: that the delivering ends when the mind is raised. Brought down to the ground: raising the mind is not the terminus; it is the place where this good friend truly begins to give things.
The Eighth Gate — The Eight Sufferings: Sickness, Age, Poverty, and the Hour of Execution, with No One to Rely On
“Among all sentient beings, some are bound by sickness, some are encroached upon by age, some are made to suffer by poverty, some meet with calamity, some transgress the king’s law and are about to undergo punishment, having nothing to rely upon, so that great dread arises in them; all of these I rescue, causing them to gain peace and security.” Chengguan cites “some are bound by sickness” to set this up as the one gate of rescuing sentient beings from the eight sufferings.
The vow is: “may I, by the Dharma, everywhere gather in sentient beings, causing them to be liberated from every affliction, from birth, old age, sickness, and death, from sorrow, grief, and the trouble of suffering, to draw near to good friends, constantly to practice the giving of the Dharma, diligently to practice wholesome deeds, swiftly to gain the pure Dharma body of a tathāgata, and to abide in the place that is ultimate and does not change.” Five sufferings stand in front, and yet in the vow she says first “to draw near to good friends” and then “constantly to practice the giving of the Dharma” — one who has been rescued goes next to rescue others.
Set aside a misreading: that the suffering of sickness, age, and poverty can only be bettered by circumstance. Brought down to the ground: the last clause of the vow is “the place that does not change” — the shared mark of all these sufferings is change, and so the ultimate resolution lies not in bettering one’s circumstance but in that place which does not change.
The Ninth Gate — Evil Views: Taking the Rightly Awakened for the Not Rightly Awakened
The last gate rescues those who have gone wrong upon view: “entering the dense forest of views, abiding upon wrong paths, giving rise to wrong discrimination toward every kind of objective realm,” constantly doing the three unwholesome kinds of deed, falsely performing every kind of wrong austerity, “toward what is not the rightly awakened giving rise to the thought of the rightly awakened, and toward the very place of the rightly awakened giving rise to the thought of what is not the rightly awakened,” being gathered in by evil friends and thereby raising evil views, and about to fall into the evil destinies. Her way of rescuing is to “cause them to abide in right view and to be born among human beings and gods.”
But the vow does not stop at human beings and gods. It goes on, “just as I rescue these sentient beings who are about to fall into the evil destinies, so may I everywhere rescue all sentient beings,” and what is vowed has four joints following one upon another: “causing them all to be liberated from every kind of suffering” is the leaving of suffering; “to abide in the sagely way of the pāramitās that goes beyond the world” is one step further than the right view of human beings and gods — right view only pulls a man back into the good destinies, and only the practices that reach the far shore get him beyond the world; “to be irreversible with respect to all-knowledge” is that this step is never again turned back from; and last, “to be furnished with the vow of Samantabhadra, to draw near to all-knowledge and yet not to cast off the practices of the bodhisattvas, and constantly to be diligent in teaching and converting all sentient beings” is that after irreversibility one does not enter quiescence — drawing near to all-knowledge and still not casting off the bodhisattva practices, still going back among sentient beings to teach and convert them. Human and divine, beyond the world, irreversible, not cast off: each joint deeper than the last, and the last joint turns back to where it began.
The nine gates have come, at this point, from peril at sea all the way to evil views. The perils the eight gates before rescue from lie for the most part in what befalls one — the sea, the land, the mountains, the wilds, the land one dwells in, the village, the dark night, and sickness, age, and poverty; and the seventh of them has already spoken, upon delusion and karma, of inversion in view. This gate rescues those who have gone wrong upon view in particular: toward what is not the rightly awakened giving rise to the thought of the rightly awakened, and toward the very place of the rightly awakened giving rise to the thought of what is not. Once judgment is wrong, the more diligent the austerity the deeper the fall. And so this gate manifests neither a form nor a light, but right view.
Set aside a misreading: that mistaking one’s teacher is only bad luck. The scripture text says it outright — “gathered in by evil friends, and thereby raising evil views.” Brought down to the ground: a section that praises good friends from end to end closes with a last gate set exactly opposite them.
Twenty-One Verses: Saying the Prose Passage Over Again, but in Another Way
The prose passage finished, she “received the spiritual power of the Buddha and contemplated the ten directions,” and spoke twenty-one verses for Sudhana. Chengguan judges them to divide into four: the first one verse gives the name and substance of the Dharma gate; the next four raise the cause and exhort to cultivate, that is, the four measureless minds; the next ten display the fruit and cause entering, that is, the surpassing excellence of the six sense-fields; the last six make clear the vastness of the working.
The first verse sets forth the name, saying, “this gate of liberation of mine brings forth the pure light of the Dharma, and is able to break the darkness of delusion — when the time comes, only then is it expounded” — matched with the name in the prose passage, with the one addition of “when the time comes” in the last clause. The next four verses are kindness, compassion, rejoicing, and equanimity: diligently practicing vast and great kindness; the still sea of great compassion; making my mind rejoice; having already cast away the trouble of what is conditioned. Two clauses among these four the prose passage does not have: the third verse says of great compassion that it “brings forth the buddhas of the three times” — kindness and compassion are not merely the means of rescuing from suffering, they are the causal ground from which buddhas are brought forth; and the fifth verse says, “having already cast away the trouble of what is conditioned, and gone far as well from the fruit of the śrāvakas” — casting away the conditioned is one layer, and going far from the fruit of the śrāvakas is another: to have come out of the trouble of the conditioned and then to stop at the fruit of the śrāvakas is, for this Dharma gate, still not to have arrived.
The middle ten verses speak in turn of the purity of the six faculties, eye, ear, nose, tongue, body, and mind, and each has its own thing to say. What the eye sees is the buddhas of the lands of the ten directions seated beneath the tree of awakening, and it sees as well sentient beings “turning in the round among the five destinies, constantly undergoing measureless suffering” — buddhas and sentient beings are within one and the same sight. What the ear hears is “the whole sea of speech and language, all of it heard and able to be held in memory,” heard without loss. The nose is “without obstruction among the dharmas,” the tongue “expounds the wondrous Dharma as is fitting” — the one is a taking in, the other a giving out. The one verse of the body matters most: “the three times are evenly thus and thus, and according to the minds of sentient beings all is manifested” — the body is manifested according to the minds of sentient beings, while in substance it is evenly thus and thus through the three times; it manifests without moving, and moves without losing its suchness. The two verses of the mind each carry a negation: “everywhere calling the tathāgatas to mind, and yet not discriminating,” “knowing the faculties and the desires and delights, and yet not discriminating” — calling all the buddhas to mind without discriminating, knowing the faculties and desires of all beings without discriminating. Not discriminating is not failing to know; it is knowing everywhere without raising the thought that discriminates; for once discrimination arises, the buddhas called to mind and the beings known become things standing over against one.
The last six verses speak of the working: spiritual power shakes measureless lands and “tames those hard to tame” — what is tamed is the very kind that is hard to tame; merit is inexhaustible as space, making offerings to the buddhas and benefiting beings; knowledge penetrates the sea of dharmas and “puts away the delusions of sentient beings,” and knows besides the buddhas of the three times, all dharmas, and their skillful means; and the last two verses see within a single dust mote all the lands of the three times, and within the dust motes of the lands of the ten directions wholly see Rocana. The working is of the utmost vastness, and it comes to rest at the end upon a seeing within one dust mote, joining the passage of the prose where the pores manifest her converting: vastness is not a spreading outward, it is that within one place nothing is unseen.
Set aside a misreading: that restating in verse is repetition. The prose passage tells what she did; the verses tell what she became — the causal face and the fruitional face of one and the same thing. Brought down to the ground: within the whole set of verses the clause “you ought to enter this gate” occurs six times, and this is her purpose in speaking them; they are not a recital of herself.
The Two Things Sudhana Asked
The verses done, Sudhana asks: “how long ago was it that you raised the mind of anuttarā-samyak-saṃbodhi? And how long has it been since you gained this liberation, that you are able to benefit sentient beings in this way?” Chengguan says, “within the third, how long ago the Dharma was gained, first two questions are raised and afterward two answers are returned” — how long since the mind was raised is one question, how long since the Dharma was gained is the other, and the long birth-story below is the two answers.
Why ask how long ago? Because what he has just seen is an accomplishment of a body all constellations and pores manifesting lands. When a man sees a great accomplishment, the first thing he asks is usually ‘how was it done’; but what Sudhana asks is ‘how long.’ Only within time is there sequence, and sequence is the thing he can learn.
Set aside a misreading: that asking how long ago is curiosity. Brought down to the ground: the man who asks ‘how long’ is the man preparing to walk it himself.
The First Life: A Queen Who Was Asleep
The answer to the first question begins from the utmost distance: past kalpas as many as the dust motes of Mount Sumeru, there was a kalpa named Still Light, a world named Bringing Forth Wondrous Jewels, and five hundred million buddhas appeared within it; four continents named Jewel-Moon Lamplight, a city named Lotus Light, a king named Good Dharma Measure, and the king had a consort named Dharma-Wisdom Moon — “the night being deep, she was asleep.” East of the city was a forest named Still Dwelling, and in the forest a great tree of awakening named the Light of the Spiritual Power of All Buddhas Brought Forth from the Body Adorned by the King of All-Light Maṇi Jewels.
After a string of names and terms, it comes to rest upon one concrete picture: the night is deep, and the queen is asleep. This is the starting point of the birth-story passage — not meditative absorption, not austerity, but being asleep.
Set aside a misreading: that stories of former lives all begin from making a vow or from hard practice. Brought down to the ground: this passage says that, before the moment of being woken, a person was simply asleep all along.
Who Woke Her
“At that time there was a buddha named King of the Thunder-Voice of All Dharmas, who beneath this tree accomplished right and equal awakening,” and sent forth a vast and great light of measureless colors that shone throughout the world. Within the city Lotus Light there was a goddess presiding over the night named Pure Moon, who came to where the king’s consort was and “shook the necklaces upon her body to wake the consort,” and told her that the tathāgata had accomplished unsurpassed awakening in the forest Still Dwelling, and expounded for her at length the merit and virtue of the buddhas, their mastery and spiritual power, and all the practices and vows of the bodhisattva Samantabhadra. Thereupon she caused the king’s consort to raise the mind of awakening and to make offerings to that buddha and to the bodhisattvas, the śrāvakas, and the assembly of monks.
Look at the manner of the waking: not the expounding of the Dharma, but the sound of shaking necklaces. First there is a sound, and the person wakes, and only then are there words; first there are words, and the person moves, and only then is there offering. Three joints, and not one of them is skipped.
Set aside a misreading: that a good friend’s first business is to give a Dharma talk. Brought down to the ground: the first thing that night goddess did was only to make a little noise — while someone else was asleep.
That Consort Was I
“Son of good family! The king’s consort Dharma-Wisdom Moon of that time — could she be another person? She is this very body of mine!” — the bringing together of past and present in the birth-story, laid bare in one clause.
Then she speaks of the benefit after the mind was raised: for kalpas as many as the dust motes of Mount Sumeru she was “not born among the evil destinies of the hells, the hungry ghosts, or the animals,” nor born into a lowly house; her faculties were complete, she had no sufferings, among gods and human beings her merit was surpassing, she was not born in an evil age, she was constantly not apart from the buddhas and from the bodhisattvas and the great good friends, and constantly in their presence she planted roots of goodness, and “through kalpas as many as the dust motes of eighty Mount Sumerus she constantly received peace and joy.” And the last clause turns: “and yet the faculties of a bodhisattva were not yet complete.”
Set aside a misreading: that this passage is praising the merit of raising the mind. After the peace and joy of kalpas as many as the dust motes of eighty Mount Sumerus, what follows is the three graphs “not yet complete.” Brought down to the ground: not falling into the evil destinies and constantly receiving peace and joy are still only conditions, not completion.
The Second Life: Another Person Asleep
“When that kalpa had passed, and a further ten thousand kalpas had passed,” before the Worthy Kalpa there was a kalpa named Sorrowless Universal Shining and a world named Stainless Wondrous Light, within which the pure and the defiled were mingled and five hundred buddhas appeared, the first named Sumeru-Banner Still and Wondrous Eye; and in that life she was the daughter of the elder Renown, named Wondrous Wisdom Light — the base text has this clause as “I was: the elder Renown; the daughter was named: Wondrous Wisdom Light,” in the punctuation now current, which reads it apart as two persons, the elder and his daughter; while the sixty-fascicle witness has “the daughter of the elder Bright and Surpassing, named Surpassing Wisdom Light” and the forty-fascicle witness “the daughter of the elder Renown, styled Wondrous Wisdom Light,” both making her the elder’s daughter, and the words below, “at the side of my father and mother,” likewise show a daughter — the reading followed here; the punctuated reading apart is recorded side by side without adjudication.
And that night goddess Pure Moon, “by the power of her vow,” was born in the city of King Wondrous Banner in the world Stainless, and again became a goddess presiding over the night, named Pure Eye. “At a certain time I was at the side of my father and mother, and the night being deep I was asleep and resting” — the same scene played over: she was asleep again, and that one came again, “shook my house and dwelling, sent forth a great light, made her body appear,” and praised the merit and virtue of the Buddha, saying that the tathāgata Wondrous Eye was seated upon the seat of awakening and had just accomplished right awakening, and exhorted her and her father and mother and kinsfolk to go swiftly and see the Buddha, herself going before as guide and leading them to where the Buddha was.
Set aside a misreading: that the two lives are two independent stories. The structure of the two passages is symmetrical point for point: she is asleep, that goddess comes to wake her, a buddha has just accomplished the way, they go to make offerings. Brought down to the ground: the good friend did the same one thing, only twice.
At the First Sight of the Buddha, She Gained It
“No sooner had I seen the Buddha than I gained a samādhi named: the Wheel of the Light of Knowledge of the Three Times That Brings Forth the Seeing of Buddhas and the Taming of Sentient Beings.” Chengguan says this is the “samādhi of skillful means, that is, above, the seeing of the buddhas, and below, the converting of sentient beings” — the name has two ends in it from the start: seeing buddhas and taming sentient beings.
Having gained this samādhi, she was “able to call to mind kalpas as many as the dust motes of Mount Sumeru,” and saw also the buddhas appearing within them, and in their presence heard the wondrous Dharma; “and because of hearing the Dharma, I then gained this liberation of the light of the Dharma that breaks the darkness of all sentient beings.” The sequence is: seeing the Buddha, she gains the samādhi; by the samādhi she can call to mind kalpas, can see buddhas, can hear the Dharma; and because of hearing the Dharma she gains this liberation gate of the present section.
Set aside a misreading: that gaining the samādhi is gaining the liberation. In the scripture text three passes lie between — calling to mind, seeing buddhas, hearing the Dharma. Brought down to the ground: concentration does not give birth to liberation directly; concentration lets you hear the Dharma, and the Dharma gives birth to liberation.
What She Saw After Gaining the Liberation: Her Body Going Everywhere, the Buddhas, the Sentient Beings
“Having gained this liberation, I then saw my own body going everywhere to worlds as many as the dust motes of buddha-lands,” and saw also all the buddhas of those worlds, and saw further her own body in the presence of those buddhas; and further down, what she saw was all the sentient beings of those worlds — “understanding their speech and sounds, knowing their faculties and natures, knowing that in the past they had been gathered in by good friends, and according to what they delighted in manifesting a body for them, causing gladness to arise in them.”
Three clauses write of sentient beings: understanding his speech, knowing his faculties, knowing by whom he was led in before. The third clause matters most — before she rescues a man, what she looks into first is the provenance of his roots of goodness.
Set aside a misreading: that what spiritual power sees is objective realms. Brought down to the ground: the eye this liberation gate opens looks at the thread-end left upon each person by those who went before; to take up that thread is what is meant by “according to what they delighted in.”
Growing Thought by Thought: A Mind Without Interval
The last passage writes the vastness of the working: “the liberation that I gained there at that time grew thought by thought, and this mind had no interval,” and so she went everywhere to worlds as many as the dust motes of a hundred buddha-lands, and this mind had no interval, and went everywhere further to a thousand buddha-lands and a hundred thousand buddha-lands, “in this way, thought following upon thought, and so on until worlds as many as the dust motes of unspeakably unspeakable buddha-lands.” In the places she went she saw the tathāgatas as well, heard the wondrous Dharma as well, knew the seas of those buddhas’ past deeds and the seas of their great vows as well, and “the buddha-lands that those tathāgatas adorned and purified, I too adorned and purified.” The last clause gathers it all in: “this gate of liberation grew thought by thought, and in this way it came at last to fill the Dharma realm.”
The three occurrences of “this mind had no interval” are the bone of this passage. Vastness is not a single leap to the measureless; it is grown out thought upon thought with no break in between. Li Tongxuan sets up a word upon these numbers, saying that this is the first ground “taking the hundred for its head, and thereupon filling the endless buddha-lands of the whole Dharma realm of the ten directions.”
Set aside a misreading: that the vastness of the Dharma realm is a kind of measurement. Brought down to the ground: that “no interval” matters more than those numbers — a mind that has been broken off in the middle will not grow to the Dharma realm however great the numbers are.
I Know Only This One
“Son of good family! I know only this bodhisattva liberation of the light of the Dharma that breaks the darkness of all sentient beings.” She has just finished saying that it fills the Dharma realm, and the very next clause is that she knows only this one.
Then comes the pointing to the superior: the bodhisattva-mahāsattvas accomplish the boundless practices and vows of Samantabhadra, enter everywhere the seas of all Dharma realms, gain the bodhisattvas’ samādhi of the mastery of the adamantine banner of knowledge, bring forth great vows, and hold and sustain the lineage of the buddhas; in thought after thought they fill out the whole sea of great merit and virtue, and adorn and purify all vast and great worlds; with knowledge that is at will they teach, convert, and ripen all sentient beings; with the sun of wisdom they put away the dark obstacles of all the worlds; with valiant knowledge they awaken all sentient beings from their torpid sleep; with the moon of wisdom they resolve the doubts of all sentient beings; with a pure voice they sever the clinging of all becoming — “and how then could I be able to know their wondrous practice, or to tell of their merit and virtue, or to enter their objective realm, or to display their mastery?”
Looked at one by one, each of these virtues answers to something: “accomplishing the boundless practices and vows of Samantabhadra” is the boundlessness of the vow; “entering everywhere the seas of all Dharma realms” is the shorelessness of what is entered; “gaining the bodhisattvas’ samādhi of the mastery of the adamantine banner of knowledge” is a concentration hard as adamant and not to be broken; “bringing forth great vows and holding and sustaining the lineage of the buddhas” is a succession never cut off; “filling out the whole sea of great merit and virtue” is the fullness of one’s own practice; “adorning and purifying all vast and great worlds” is the purity of the lands; “teaching, converting, and ripening all sentient beings” is the ripening of others. The last four clauses answer one by one to what they cure: “with the sun of wisdom putting away the dark obstacles of all the worlds” cures darkness; “with valiant knowledge awakening all sentient beings from their torpid sleep” cures sleep; “with the moon of wisdom resolving the doubts of all sentient beings” cures doubt; “with a pure voice severing the clinging of all becoming” cures clinging; and “within each and every dust mote of the whole Dharma realm displaying every mastery of spiritual power” is why the four before can reach everywhere — sun, moon, voice, and knowledge reach no further than a single dust mote and no less far. The closing “the eye of knowledge bright and pure, seeing the three times as equal” is the eye of all this: that spiritual power pervades a single mote rests not on power but on the clearness of the eye; the eye being clear and the three times seen as equal, nothing manifested fails to meet its occasion.
Set aside a misreading: that this is a set phrase of modesty. The four things she points to — the sun of wisdom, valiant knowledge, the moon of wisdom, the pure voice — are of the very same kind as that Dharma gate of her own. Brought down to the ground: only one who knows that what she has gained and what she points to are of one road can say ‘I know only this one’ without losing the measure of it.
The Next Friend Is the One Who Woke Me Long Ago
“Son of good family! Here in Jambudvīpa, within the site of awakening in the country of Magadha, there is a goddess who presides over the night, named: Universal Virtue Pure Light. It was from her that I originally raised the mind of anuttarā-samyak-saṃbodhi, and she constantly awakens me with the wondrous Dharma. Go to her and ask: how is a bodhisattva to learn the bodhisattva practice and to cultivate the bodhisattva way?”
Upon this clause Chengguan judges, “she is the former Pure Moon, and so it is said ‘originally from her the mind was raised’” — the next friend she points out is that very night goddess who twice woke her in the birth-story. He glosses the name further, saying, “the friend is named Universal Virtue because in the most surpassing Dharma realm there is no virtue she is not furnished with; and Pure Light because right knowledge realizes and enters, apart from the defilement of mistaken transgression”; and he glosses the place, saying, “as for ‘within the site of awakening,’ it is being without mistaken transgression, by reason of according with principle. Principle is the site of awakening.”
Set aside a misreading: that pointing out the next friend is only reporting an address. Brought down to the ground: she sends Sudhana off to the very source of her own raising of the mind — and this one clause gathers the whole purport of the birth-story into one place.
Ten Verses and One Graph of Farewell
Sudhana praises her with ten verses. Chengguan divides them into four: the first four praise the surpassing excellence of body and mind; the next three make clear that the great working has no bound; the next two show that the benefit to beings is not in vain; the last concludes that her virtue is without end. The first four verses praise her pure body, the evenness of her Dharma body, the seeing of her form and image within all the destinies, and a mind vast as space — the second verse, “the worlds all enter within it, their forming and their perishing meet no obstruction,” is the one most to be looked at: the Dharma body being equal through the three times, the forming and the perishing of worlds are both within it, forming adds nothing and perishing takes nothing away, and therefore there is no obstruction; the next three verses all begin with “within each and every pore,” speaking of sending forth light, manifesting bodies, and displaying lands; the next two verses say that those who hear her name and see her body “all obtain the benefit of merit and virtue, and accomplish the way of awakening” — the benefit obtained stops not at merit but reaches the accomplishing of awakening; and “those who for many kalpas were in the evil destinies and only now get to see and hear of you ought also to receive it with gladness, because their afflictions are extinguished” — the seeing and hearing that comes after many kalpas in the evil destinies is itself the extinguishing of affliction, and therefore is to be received with gladness; and the last verse says, “through kalpas as many as the dust motes of a thousand lands one might praise the virtue of a single hair of yours; the number of the kalpas could still be exhausted, but the merit and virtue would in the end have no end.”
The praising done, “he bowed to her feet, circled her measureless times, gazed up at her with earnest longing, and took his leave and departed.” Three actions, and only then one graph of farewell.
Set aside a misreading: that taking leave is the breaking up of the gathering. Brought down to the ground: to praise a good friend’s virtue up to “the number of the kalpas could still be exhausted” and then turn and walk away — cherishing her virtue and going forward are, in this section, one and the same action.
Lineage
Of the text of this section, three streams open downward from it.
The first is the thread of assigned position. Chengguan sets up the outline of ten good friends for the ten grounds, and assigns this friend to the Joyful Ground.
Chengguan’s Explicit Judgment
As to the matching of assigned positions, Chengguan in the chapter outline passage states of himself that both have their reason, saying, “yet within there being no sequence of positions the sequence of positions is not obstructed, and to display the positions is the constant rule; so to match them, too, is no fault.”
Li Tongxuan divides his gloss upon this friend into the two sections of entering the position proper and pointing to virtue and advancing upward, and in his general discussion of the ten grounds judges this to be “the good friend of the first ground, the Joyful, with dāna-pāramitā as principal and the other nine as companions,” and says further, “this makes clear the gate of entering the worldly, being bound along with beings, and nourishing great kindness and compassion, and being furnished with the dāna-pāramitā so that it is brought to completion.” His treatise mentions this friend at three further places in its general discussion of the ten grounds, all upon her name and her position: in one place, “she is also named reliance without fear, that is, she is a reliance without fear for all sentient beings”; in another, “this spirit signifies the first ground, the Joyful”; in another, “so as to signify great compassion, since she presides over the sprouting of the shoot of awakening in sentient beings” — of one purport with his gloss upon this passage. The bone to which the two houses fasten differs, and both are settled sayings of the ancient worthies.
The second is the thread of the night goddesses and the female body. Chengguan says, “that upon the grounds night goddesses are seen for the most part is because the knowledge of realization is profound and wondrous, and it breaks the darkness among mingled marks,” and says further, “the nine deva-spirits below are, according to the Sanskrit witness, all goddesses. That Gopā too is female is because upon the grounds one realizes a compassion of one same substance, which is the state of a woman.” Li Tongxuan fastens it to the same one sense of compassion but tells it more fully, saying, “the ten good friends have no marks of one gone forth from home, and all together are heavenly women,” and takes a woman’s being able to nourish sons and grandsons without weariness as a sign of the bodhisattva’s nourishing of sentient beings.
The third is the thread of the divergent interpretations of the commentators. As to the outline of this section, Chengguan makes six passages and within the praising and conferring opens three further; Li Tongxuan sets up five gates within the Dharma gate of truly entering the present position, six gates further for seeing the night goddess, and seventeen gates within the making of the request for what is sought, with five gates apart for the one passage of pointing to virtue and advancing upward.
As to the gloss of the friend’s name, what the four houses say may be gathered into three senses. Chengguan glosses the two graphs separately as spring and as presiding over, and Li Tongxuan joins them into the single phrase presiding over the springing forth of spring — these two glossing the form of the name in the eighty-fascicle witness. What Fazang and Zhiyan gloss is the form of the name in the sixty-fascicle witness: Fazang renders the name as reliance without fear, saying of her that “in the text below she at length becomes a reliance for sentient beings who are afraid,” and takes besides the name of the Indian witness and renders it as spring, saying, “that is, signifying that she is able to grow the ten thousand practices, as in the season of spring”; and the interlinear note of Zhiyan’s Kongmu zhang likewise has reliance without fear. One name, three senses: reliance without fear is said upon what she gives to sentient beings — one who is afraid has something to rely on, and so is afraid no longer; spring is said upon the season; and being able to grow the ten thousand practices is said upon the first ground. The three senses are at bottom one thing — she who is willing, in the blackest night, to let people have something to rely on is the very spring that can grow the ten thousand practices.
As to what the city’s name signifies, Chengguan takes yellow to be the central color and to signify according with the middle way, and takes it further as the city of the Buddha’s birth, signifying that upon the first ground one is born into the house of the buddhas; Li Tongxuan takes yellow to be the color of blessing and felicity. All these divergent interpretations are settled sayings of the ancient worthies, and are recorded without adjudication.
One who keeps watch through the night does this: in the darkest hour she lets people see the road. And her own provenance is no more than this — twice, while she was asleep and dreaming, a little noise someone made woke her. What the first ground looks like, this section gives just this.
品三十九 入法界品 · 普德淨光夜神(寄離垢地)Entering the Dharma Realm · The Night Goddess Universal Virtue Pure Light (Assigned to the Stainless Ground)
全文五層 →Full five layers →走到下一位之前,善財先把上一位念了一遍
本節起手不是走路,是念。經文說善財「了知彼婆珊婆演底夜神初發菩提心所生菩薩藏」,接著一路數下去——所發菩薩願、所淨菩薩度、所入菩薩地、所修菩薩行、所行出離道、一切智光海、普救眾生心、普遍大悲雲,末以「於一切佛剎盡未來際常能出生普賢行願」收。
為什麼要這樣念?澄觀科此段為依教趣求,並數其句:他說「今初。先念前法,有十一句,初一念發心、餘十念得法」。十一句之中,第一句念的是前友最初的那一念發心,其餘十句念的是她因此所得之法。次第是有意思的:先念因,後念果。
要排一個誤解:以為參學是一站一站換題目,前一位講完就放下。經文的次第正好相反——前一位所示的發心與所得,是走向下一位的資糧。落到地上:離開一位老師之後那段路上心裡在念什麼,決定了到下一位那裡能看見什麼。
三個問題,都問在同一個字上
善財到了夜神所在,經文寫得極簡:頂禮其足,遶無數匝,於前合掌。澄觀科此為見敬諮問,先見敬、後諮問。所問是三句:「云何修行菩薩地?云何出生菩薩地?云何成就菩薩地?」
三問之前,善財先自陳一句:「我已先發阿耨多羅三藐三菩提心」。這一句不是客套,是問法之資格——先有發心,所問的「地」才有著落處。三問之中,修行是行門,出生是從行門而有所生,成就是所生之究竟。一個「地」字問了三遍,而三遍所問不同:怎麼修、怎麼生、怎麼成。
要排一個誤解:以為這是同一個問題的三種說法。若是同一問,夜神下文就不必以「修行、出生及以成就」三事逐字牒回。落到地上:一個問題問得清楚,答的人才知道要從哪一節下手。
先讚,讚的是兩件事
夜神開口第一句是「善哉善哉!善男子!」,接著把善財所問牒了一遍——「汝已能發阿耨多羅三藐三菩提心,今復問於菩薩地修行、出生及以成就」。澄觀科此為稱讚授法之「先讚」,讚在授法之前。
要看清楚讚的是哪兩件事:一是已發心,二是又能問。法藏就六十本科此段為歎法器,說所歎者是「能問依地之行及行所依地」。也就是說,善知識所印可的,不只是發心之勇,還有問得對地方。
要排一個誤解:以為讚是禮貌用語,可以略過不讀。若是禮貌,何必把所問三事逐字重述一遍。落到地上:一個人問得好不好,看的是答者要不要把他的問題重講一次——重講一次,表示這問題站得住。
十法:圓滿菩薩行的十件事
授法的第一段不是解脫門,是十法。經文自標自徵自釋自結:「菩薩成就十法,能圓滿菩薩行。何者為十?」下開十句,末以「菩薩成就此十種法,則能圓滿菩薩諸行」結。澄觀科其式,說「今初,有標、徵、釋、結。釋中有十句,初總、餘別」。
十句是什麼?第一是得清淨三昧常見一切佛,第二是得清淨眼常觀相好,第三是知功德大海,第四是知法光明海,第五是知毛孔放光利益眾生,第六是見毛孔出寶色光焰,第七是念念出現變化海調伏眾生,第八是得佛音聲轉法輪,第九是知佛無邊名號海,第十是知佛調伏眾生之自在力。澄觀但釋其中三句之難者,說「別中,三是智法光明、四放光利益、五常光發焰,餘可知」。
要排一個誤解:以為這十句是十件互不相干的功德。第一句是總——得定而見佛;下九句都是見佛之後所知所見之別。落到地上:這十法的次第是先能見,後能知,末後能知佛怎樣調伏眾生——由自證而至化他。
十法的兩重讀法:總別與十身
疏但釋三句,《演義鈔》覺得不足,替讀者重釋了一遍,並出兩種讀法。第一種是總別釋,鈔說「一作總別釋,初一總、餘九別。別中,一觀外相、二念內德、三知所證、四放光、五常光、六變化、七圓音、八名號、九調生」。這一讀是把十句看成一總九別,九別各是一事。
第二種讀法把十句配到佛的十身上,鈔說「二約十身釋:一菩提身;二相好身;三智身;四法身;五願身,如〈賢首品〉毛孔放光皆宿願故;六福德身;七化身;八力持身,圓音持法盡未來故;九意生身,隨意立名故;十威勢身」。並就此結一句勸修之語:「十身並彰內外皆具,若專念此,何行不成?」
要排一個誤解:以為兩種讀法互相排斥,必須選一個。鈔自己是二釋並出的,前一讀就次第說,後一讀就所見之佛身說。落到地上:同一段經文,換一把尺就見出另一層次序——這是讀華嚴的常法,不是解釋不定。
法門的名字,拆開來是四件事
夜神說出自己的法門名:「我得菩薩解脫,名:寂靜禪定樂普遊步。」這是一個八字之名,澄觀開為四語節,若當作一團名相念過去,下文四段業用就無處掛搭。
澄觀把它逐字拆開,說「先標名體,謂契理無著為寂靜,止觀雙運為禪定,正法樂住為樂,大用無涯為普遊步」。四義各有所指:寂靜不是不動,是契合於理而心無所著;禪定不是止而已,是止與觀雙運;樂不是受樂,是安住於正法之樂;普遊步不是走路,是大用無有邊涯。
要排一個誤解:以為「寂靜」與「普遊步」二義相衝——一個是靜,一個是動。四義之序正是體用之序:契理無著為體,止觀雙運為行,正法樂住為受,大用無涯為用。落到地上:下文四段業用即依此四語節而開,澄觀配為三重——初段攀緣如實禪即寂靜業用,次段現法樂住禪即定業用,第三第四二段(引生功德禪、饒益有情禪)同為普遊步業用;「樂」一義即攝於定業用之中。名字先拆對了,經文才讀得下去。
見一切佛而不取著:十句「非」
業用第一段,經文說她「普見三世一切諸佛」,也見諸佛的國土、道場、眾會、神通、名號、說法、壽命、言音、身相,「種種不同,悉皆明覩而無取著」。既然明明白白見到,怎麼會不取著?經文自己設問:「何以故?」
答在十句。前八句句句先立一「非」而後出其故:非去,因為「世趣永滅故」;非來,因為「體性無生故」;非生,因為「法身平等故」;非滅,因為「無有生相故」;非實,因為「住如幻法故」;非妄,因為「利益眾生故」;非遷,因為「超過生死故」;非壞,因為「性常不變故」。末二句轉語:「一相,言語悉離故;無相,性相本空故。」澄觀科此段之式,說「標以見佛無著故寂靜。釋云所以無著者,窮了如來之體性故」。
要排一個誤解:以為不取著是把所見之相抹掉。經文明說「悉皆明覩」,見得清清楚楚。落到地上:不取著的根據不在少看一點,而在窮了如來之體性——知道所見者本來如此,就不必去抓。
這十句與八不,大同在哪裡
讀到十句「非」,很容易想起《中論》的八不。澄觀正是拿八不來比配——他說「文有十,非大同《中論》八不,謂不去不來、不生不滅為四,其非實非妄即是不常,非遷非壞即是不斷,一相即非異、無相亦非一」。本帙讀作『文有十非,大同《中論》八不』:此段之文共有十個「非」,大體同於八不,下文即逐句指出如何配。
依此配,十句實收八不:非去、非來、非生、非滅四句直當四不;非實與非妄合當不常;非遷與非壞合當不斷;一相當非異,無相當非一。八不之八,在此開為十——無一句落在八不之外,故曰「大同」。
要排一個誤解:以為「大同」就是一模一樣。八不是遮——不生不滅,止於遮遣;此十句則遮而各出其故,且其故多繫在利生上(非妄,是因為「利益眾生故」)。所配相當,而立言之勢不同。落到地上:同樣一句否定,一處是破執,一處是說佛之體性如此而仍在利生——讀的時候要看它接的是什麼「故」。
四禪之初二:一心不動與喜心悅豫
業用第二段是四禪。經文說她了知一切如來之後,於此解脫門「分明了達,成就增長,思惟觀察,堅固莊嚴」,然後「不起一切妄想分別,大悲救護一切眾生,一心不動,修習初禪」。第二禪是「息一切意業,攝一切眾生,智力勇猛,喜心悅豫,修第二禪」。
澄觀逐句配禪支。初禪之配,他說「初禪中,思惟觀察即是尋伺,當對治支,堅固莊嚴猶是尋伺之相」,又說「次大悲救護一切眾生,即利益支,謂離自憂,念眾生憂,故生喜樂」。第二禪之配,他說「二禪中息一切意業,即滅覺觀。次攝一切眾生是一心,智力勇猛是內淨無覺無觀。次喜心悅豫是定生喜樂」。《鈔》於內淨更辨大小乘:「小乘內淨但是信心,大乘內淨即合二禪三支所成,謂捨念正知」——小乘之內淨只是信心,大乘之內淨則合捨、念、正知三支而成;此三心尚為喜所覆,力用未勝,只能離外尋伺,故合為一內淨。經文說攝一切眾生是一心,正合此義。
要排一個誤解:以為禪支是內心之事,與眾生無關。澄觀所配的初禪利益支,取的正是「大悲救護一切眾生」一句;第二禪之一心,取的是「攝一切眾生」。落到地上:這裡的喜樂不是自己坐出來的喜樂,是離開自憂而念眾生之憂所生的喜樂。
四禪之三四:厭離生死與息滅熱惱
第三禪,經文作「思惟一切眾生自性,厭離生死,修第三禪」;第四禪作「悉能息滅一切眾生眾苦熱惱,修第四禪」。二禪各只兩句,而澄觀配得極細。
第三禪之配,他說「三禪中,初思惟一切眾生自性,即捨念二支,謂捨離前攝生之喜,於此捨中不失念故。厭離生死,即慧樂二支,謂正知生死不可喜故,厭離即得真寂之樂」。第四禪之配,他說「四禪中二句通具三支,謂苦喜憂樂皆是眾苦熱惱,於下苦中橫生樂故。四受俱亡故,云悉能息滅,即捨念清淨。既無苦樂,即是中受」。《鈔》於此更點出一層:「既一切息滅,則捨亦捨矣,方是真捨」——不只捨苦樂憂喜,連能捨之捨也捨了,才是真捨;捨念清淨的中受,要讀到這一層。
要排一個誤解:以為「厭離生死」是消極。澄觀釋厭離為正知生死不可喜,而「厭離即得真寂之樂」——厭離是知,不是躲。落到地上:第四禪之捨念清淨,這裡取的是息滅眾生之苦;自己的苦樂俱亡,才息得動別人的熱惱。
為什麼這不是世間的四禪
四禪本是共法,外道亦修。既然如此,這一段憑什麼算菩薩之業用?澄觀在初禪之下就先把這個問題擋掉了,他說「然世禪但離欲惡不善,今一乘深妙故離一切妄想」。
分別在所離之障。世間之禪所離者是欲與惡不善法;此處經文所離者是「一切妄想分別」——所離之量不同,所至之處自然不同。澄觀於後文再申一次,說「上來皆約一乘,異於三地寄法故,乃至云普入法界」。十地之中,第三發光地正是寄四禪八定之位;此友寄的是第二離垢地而說四禪,所以要特別簡別:同名四禪,不同一事。
要排一個誤解:以為凡說四禪就是次第禪定,修完初禪才有第二禪。此處四禪句句繫著眾生,四段所修者是同一個解脫門的四個面。落到地上:判一種定是不是菩薩之定,看它離的是什麼,也看它離了之後在做什麼。
從禪裡出來的功德
四禪之後,經文接著說:「增長圓滿一切智願,出生一切諸三昧海,入諸菩薩解脫海門,遊戲一切神通,成就一切變化,以清淨智普入法界。」
澄觀把這一段別立為第三段業用,說「三「增長圓滿」下引生功德禪。遊戲神通,即普遊步義」。四禪是定之自體,這一段是定所引生的功德——願、三昧、解脫門、神通、變化、入法界,六事一路推廣出去。而「遊戲」二字正回應法門名中的「普遊步」。
要排一個誤解:以為神通是禪定的副產品,可有可無。經文把它排在「一切智願」與「普入法界」之間,前有願、後有法界,神通夾在中間,是願通向法界的一段用。落到地上:功德不是坐在定裡等它來的,是定成之後「引生」的——引者,有所牽而後出。
十三種想:對在家放逸的人,先做什麼
業用第四段是饒益有情。經文先說對象:「於在家放逸眾生」;再說所作:令他們生十三種想——不淨、可厭、疲勞、逼迫、繫縛、羅剎、無常、苦、無我、空、無生、不自在、老病死。
十三想的次第有跡可循:前面幾想就身與境之相說,令人先看清楚所貪者是什麼;後面幾想就法性說,令人知道所貪者本無自性。澄觀以道品配此段,說「文中三:初令修四念處等觀」——十三想即是四念處等觀之所攝。而夜神接著自陳一句:「自於五欲不生樂著,亦勸眾生不著欲樂」,是自行與化他並舉。
要排一個誤解:以為令人生厭離之想是嚇唬人。這十三想末後三支是無生、不自在、老病死——無生一支是就法性說的,不是就可怕說的。落到地上:先自己於五欲不生樂著,才勸得動別人;經文把「自」放在「亦勸」之前。
靜夜說法:夜神之所以叫夜神
十三想之後,經文換了一種對象:「若有眾生住於空閑」。對這一類人,夜神所作是止息惡聲、靜夜說法、與順行緣、開出家門、示正道路、為作光明、除其闇障、滅其怖畏、讚出家業,並「歎佛、法、僧及善知識具諸功德,亦歎親近善知識行」。
這一段最見此友之身分。她是夜神,所作之事也在夜裡——「於靜夜時為說深法」,所給的是光明,所除的是闇障,所滅的是怖畏。澄觀科此為「明作道因緣」。李通玄釋此友之名亦就此立義,說「智悲遍周照眾生之長夜故,名為淨光」。
要排一個誤解:以為夜神說法是神話的裝飾。經文自己在後段把夜推到底——「能於生死大夜之中出生一切智慧光明」,實夜與生死之夜是一組對讀。落到地上:靜夜所除的是眼前的闇,智慧所除的是生死的闇;同一位善友,同一件事,只是所照的夜不同。
斷惡生善的四句
第三段化生之文,經文以「復次」起。所作分兩截:一截是斷惡——「不生非法貪,不起邪分別,不作諸罪業。若已作者,皆令止息」;一截是生善——「若未生善法,未修波羅蜜行,未求一切智,未起大慈悲,未造人天業,皆令其生;若已生者,令其增長」。末以「我與如是順道因緣,乃至令成一切智智」收。
澄觀直指此段所配,說「後「復次」下令修四正斷」。四正斷是已生之惡令斷、未生之惡令不生、未生之善令生、已生之善令增長;經文四句正是此式,不過把未生之惡令不生一句放在最前,作「不生非法貪」。
要排一個誤解:以為斷惡生善是初學之事,與這樣高的解脫門不相稱。經文末句說得明白,此四句所至者是「一切智智」。落到地上:一個法門高不高,不看它從哪裡起手,看它把人送到哪裡。
謙己推勝:我只得到這一個
授法之末是謙己推勝。夜神說「我唯得此菩薩寂靜禪定樂普遊步解脫門」,接著舉諸菩薩摩訶薩之德——具足普賢行願、了達無邊法界、增長一切善根、照見如來十力、住如來境界、「恒處生死,心無障礙」,乃至「能於生死大夜之中出生一切智慧光明」,末以一問收:「而我云何能知能說彼功德行?」
法藏就此段判其節數,說「第五仰推中六,初推普賢行願、二離障具善、三成佛智境、四處染無染、五攝佛及法、六滅闇照夜」。六節之末即「滅闇照夜」,正與此友之身分相應。
要排一個誤解:以為謙己是自貶。她所推的不是別人有而她沒有的另一個法門,是同一法門之內更深更細之處。落到地上:一個人肯說「我唯得此」,是因為他真見到了此之外還有;沒見到的人,反而說不出這句話。
指示後友:不遠、右邊、喜目觀察
末後是指路:「去此不遠,於菩提場右邊,有一夜神,名:喜目觀察眾生。」三個訊息——多遠、哪一邊、叫什麼,澄觀三個都給了釋。
他說「去此不遠者,同寄世間故。菩提場右者,依理發光,義便易故。喜目觀察者,忍惡視物故云喜目,發聞持光故云觀察」。不遠,是因為前後二友同寄世間之位,位不相隔;在菩提場之右,是依理而發光;後友之名,喜目取其忍惡而視物,觀察取其發聞持之光。
要排一個誤解:以為「去此不遠」只是路程之遠近。澄觀所釋的是位——位相接,故路不遠。落到地上:善知識所指的下一位,往往不是更高遠的一位,是與此相接的一位;接得上,才走得過去。
重頌之起,與十三偈的三分
長行說完,經文轉頌:「爾時,普德淨光夜神,欲重宣此解脫義,為善財童子而說頌曰:」下有十三偈、二十六行。
澄觀分之為三,說「後偈頌,十三偈分三:初十偈頌正授法門、次二頌謙己推勝、後一頌指示後友」。三分與長行三分相當:正授法門、謙己推勝、指示後友。長行如何分,頌就如何分。
要排一個誤解:以為重頌是把長行再說一遍,可以略讀。頌之所以立,一在為後來者重宣,二在把長行之義收成可持之句。落到地上:讀頌時先看它對的是長行哪一段——對上了,兩段互相照明;對不上,就會覺得頌是另起一頭。
前十偈頌前十法,而次第不齊
前十偈所頌者即前十法,但次第與長行不一樣。這件事澄觀不迴避,他明白說「前中頌前十法,文小不次,初四如次頌前四法、五超頌第七、六頌第六、七却頌第五、八頌第十、九頌第八、十頌第九」。
依此對:首四偈依次頌前四法——第一偈「若有信解心,盡見三世佛」頌三昧見佛,第二偈「汝觀諸佛身,清淨相莊嚴」頌淨眼觀相,第三偈頌功德大海而舉「盧舍那如來」為所見之佛,第四偈頌法光明海。第五偈跳過去頌第七法之變化充滿,第六偈頌第六法之寶色光焰,第七偈回過頭來頌第五法之毛孔放光,第八偈頌第十法之調伏自在,第九偈頌第八法之佛音,第十偈頌第九法而以「佛昔修諸行,已曾攝受我」為言。
第四偈與第九偈,各有一層要點出。第四偈「如來知法性,寂滅無有二,清淨相嚴身,遍示諸世間」——上半是所知之法性寂滅不二,下半是所現之相好嚴身遍示世間;法光明海之所以為海,正在知寂滅之性而不礙現清淨之身,兩句同承一佛,不是兩件事。第九偈「佛演一妙音,隨類皆令解,普雨廣大法,使發菩提意」——音是一,解是隨類各異,所雨是廣大之法,所成是發菩提意:一音而類類得解,是佛音之用;雨法而使發心,是佛音之果。頌第八法之佛音轉法輪,正把「轉」字說滿。
要排一個誤解:以為次第不齊是傳寫之誤。澄觀不但不改,反而逐偈標出所頌之法。落到地上:長行之十是說法之序,頌之十是攝受之序——同樣十件事,講起來一個次第,唱起來另一個次第。
後三偈:兩偈謙己,一偈指路
第十一、十二兩偈頌謙己推勝:「諸佛出世間,量等眾生數,種種解脫境,非我所能知」;「一切諸菩薩,入佛一毛孔,如是妙解脫,非我所能知」。兩偈末句同作「非我所能知」,一就佛之解脫境說,一就菩薩入毛孔之解脫說。
末一偈頌指示後友:「此近有夜神,名喜目觀察,汝應往詣彼,問修菩薩行。」長行說「去此不遠」,頌作「此近」;長行說「汝詣彼問」,頌作「汝應往詣彼」。
要排一個誤解:以為兩句「非我所能知」是重複。前一句所不知者是諸佛之解脫境,後一句所不知者是菩薩入一毛孔之事——一個往上推,一個往內推。落到地上:謙己之詞說兩遍而所指不同,是把自己所不及者的兩個方向都指出來了。
辭退一句,全子收在這裡
末段只一句:「時,善財童子頂禮其足,遶無數匝,慇懃瞻仰,辭退而去。」澄觀於此不別立釋,只說「第四禮辭,可知」。
四事:頂禮、遶匝、瞻仰、辭退。與本節開頭的見敬段(頂禮其足,遶無數匝,於前合掌)相照,前後同式而多一「慇懃瞻仰」。多出來的這一節,是聽法之後才有的。
要排一個誤解:以為禮辭是套語,可以不讀。若是套語,來時與去時就該一字不差。落到地上:走進來時是合掌求法,走出去時是瞻仰而別——中間所得的,就藏在這一點差別裡。
寄離垢地:這個判是誰下的
本節在澄觀《疏》中的科題是「第二普德淨光夜神,寄離垢地」。經文自身並沒有說此友寄第二地——「寄位」之判是澄觀承古德所配,不是經文自標。
《演義鈔》釋此配之所以,說「謂具淨尸羅,離於能起微細毀犯煩惱垢故」。所離之垢不是粗惡之犯,是「能起微細毀犯」之煩惱垢——斷在能起之因上。法藏就六十本之友名亦立一釋,說「戒無誤犯之垢,智有照俗之功,故云離垢光明也」。二釋所繫不同(一釋地名,一釋友名),而皆把「垢」繫於戒。
而配與不配之間,澄觀本人在本品分五相處先出一持平之語,說古來意法師與臺山論但隨文散釋而不別配,光統等師則皆配地位,然後判曰「二皆有理」——不配有理,因為一一位中本具多法門;配亦有理,因為「無次位中不礙次位,顯位是常規,配亦無失」。落到地上:讀「寄離垢地」四字時要記得它是一把尺,不是經文的自稱;尺有用,而尺不是所量之物。
承衍
本節之文,向下所開之流有三條線。
其一是名體與業用之線。澄觀以四語節四義釋法門名,復以四種禪配四段業用——攀緣如實禪配見佛無著十句,現法樂住禪配四禪,引生功德禪配增長圓滿一段,饒益有情禪配種種方便二段。他並就此指出此四禪「異於三地寄法」,把本節之禪與十地第三發光地所寄之禪分開。這一組配當是後人讀此子的骨架。《鈔》於此更引《楞伽》四禪之古配位二說,而明本段第三同於第四(因果交徹);又以五對體用收十句、以《地論》四類攝十八支、以十想與本經十三想為大同——皆是這一骨架下的細目。李通玄於第三禪一句另有明判:以底本「自性厭離生死」為譯經者之誤,當作「性自離生死故修第三禪」——此判繫屬通玄,底本仍照舊。
其二是諸家釋名與定體之線,各有其軌,誌錄不判。法門名之體性,法藏就六十本之三節說「寂滅定樂,本智內證也。精進者,後智策修也。准下,以四禪四勤為其體性」;李通玄就八十本之名說「此是戒波羅蜜,以法身為戒體,即一切境界性自禪故」;澄觀則逐字開為四義。友名之釋,法藏就六十本之名釋「最勝法界稱曰甚深,正智證入名為妙德」,李通玄就八十本之名釋「具慈育俗,名之為德。其智不為,性自大用遍周,名之為神」——二家所釋之名本非同一形。科分之數,澄觀作四,法藏於答言下開五而別立仰推,智儼作三而於正入中復開三,李通玄不逐子分科而於前段與正入段各立五門。位之判,澄觀作寄離垢地,法藏標第二離垢地知識,智儼作「即二地菩薩位也」,李通玄亦標第二離垢地,而以戒波羅蜜為主、餘九為伴。此諸異釋皆古德成說。
其三是二友相繫之線。本節起句所念者即前一位婆珊婆演底夜神之發心與所得;李通玄復別出一說,以為此友是前友「往劫為王夫人時,於夜覺悟之師」,澄觀釋友名時亦辨「即前淨月,故云本從發心」,只是點到而未鋪敘;李通玄鋪其始末最詳。法藏《探玄記》、智儼《搜玄記》未詳此事。
一節之文,前半是名,後半是用。名拆成四語節,用開成四段——澄觀以四語節所開之義配為三重業用:寂靜一段、定一段、普遊步二段,「樂」義攝在定業用中。這一節之整齊,全在這一個「配」字上。
Before Walking On to the Next One, Sudhana First Called the Last One to Mind
This section begins not with walking but with calling to mind. The scripture text says that Sudhana “came to know the bodhisattva treasury born of the first raising of the mind of awakening by that night goddess Vāsantī,” and then counts on down the list — the bodhisattva vows she raised, the bodhisattva perfections she purified, the bodhisattva grounds she entered, the bodhisattva practices she cultivated, the way of going forth she walked, the sea of the light of all-knowledge, the mind that rescues sentient beings everywhere, the cloud of great compassion that covers everywhere — closing with “the practices and vows of Samantabhadra that she is constantly able to bring forth, in all the buddha-lands, to the ends of the future.”
Why write it this way? Chengguan outlines this passage as the seeking in accord with the teaching, and counts its clauses: he says, “now the first. First the calling to mind of the former dharmas, which has eleven clauses: the first one calls to mind the raising of the mind, and the remaining ten call to mind the dharmas gained.” Of the eleven clauses, the first calls to mind that first single thought in which the friend before him raised the mind, and the remaining ten call to mind the dharmas she thereby gained. The sequence carries meaning: first the cause is called to mind, afterward the fruit.
A misreading must be set aside: that going about to learn means changing the subject station by station, laying down the last one once she is done. The sequence of the scripture text is just the opposite — the raising of the mind and the gaining of the dharmas that the one before displayed is the provision with which one walks toward the next. Brought down to the ground: what your mind is calling to mind on that stretch of road after you leave one teacher decides what you will be able to see when you reach the next.
Three Questions, All Asked upon One and the Same Graph
Sudhana came to where the night goddess was, and the scripture text writes it with the utmost brevity: he bowed to her feet, circled her numberless times, and before her joined his palms. Chengguan outlines this as the seeing, paying respect, and inquiring — first the seeing and paying respect, afterward the inquiring. What is asked is three clauses: “How is a bodhisattva to cultivate the bodhisattva ground? How is he to bring forth the bodhisattva ground? How is he to accomplish the bodhisattva ground?”
Before the three questions Sudhana first states one thing of himself: “I have already, before this, raised the mind of anuttarā-samyak-saṃbodhi.” This clause is no courtesy; it is the qualification for asking about the Dharma — only where the mind has first been raised does the ‘ground’ he asks about have a place to come down upon. Among the three questions, cultivating is the gate of practice, bringing forth is what is born from that gate of practice, and accomplishing is the ultimate of what is born. The one graph ‘ground’ is asked about three times, and the three askings are not the same: how it is cultivated, how it is brought forth, how it is accomplished.
Set aside a misreading: that these are three ways of saying one question. Were it one question, the night goddess in what follows would not have had to take up the three matters, “the cultivating, the bringing forth, and the accomplishing,” and hand them back graph for graph. Brought down to the ground: when a question is asked clearly, the one who answers knows at which joint to begin.
First the Praising, and What Is Praised Is Two Things
The night goddess’s first words are “Good, good! Son of good family!” and then she takes up what Sudhana has asked and says it over — “you have already been able to raise the mind of anuttarā-samyak-saṃbodhi, and now you are further able to ask about the cultivating, the bringing forth, and the accomplishing of the bodhisattva ground.” Chengguan outlines this as the ‘first the praising’ within the praising and conferring of the Dharma: the praising comes before the conferring.
One must see clearly which two things are praised: first, that he has already raised the mind; second, that he is further able to ask. Fazang, upon the sixty-fascicle text, outlines this passage as the praising of a vessel for the Dharma, and says that what is praised is “being able to ask about the practice that rests upon the ground, and about the ground upon which the practice rests.” That is to say, what the good friend gives her seal to is not the courage of raising the mind alone, but the asking in the right place.
Set aside a misreading: that the praising is a politeness that may be passed over in the reading. If it were politeness, why say the three matters asked about over again, graph for graph? Brought down to the ground: whether a person has asked well is seen in whether the one answering must say his question over — to say it over is to show that the question stands.
The Ten Dharmas: The Ten Things That Fulfill the Bodhisattva Practices
The first passage of the conferring is not the gate of liberation but the ten dharmas. The scripture text sets forth, questions, explains, and concludes of itself: “a bodhisattva who accomplishes ten dharmas is able to fulfill the bodhisattva practices. What are the ten?” Then ten clauses open out, closing with “a bodhisattva who accomplishes these ten kinds of dharma is then able to fulfill all the practices of a bodhisattva.” Chengguan outlines its form, saying, “now the first has the setting forth, the questioning, the explaining, and the concluding. Within the explaining there are ten clauses: the first is general, the rest are particular.”
What are the ten clauses? The first is gaining the pure samādhi and constantly seeing all the buddhas; the second, gaining the pure eye and constantly beholding the marks and signs; the third, knowing the great sea of merit and virtue; the fourth, knowing the sea of the light of the Dharma; the fifth, knowing that light is sent forth from the pores to benefit sentient beings; the sixth, seeing that seas of flaming light of jeweled color are brought forth from the pores; the seventh, in thought after thought bringing into appearance the seas of transformations that tame sentient beings; the eighth, gaining the Buddha’s voice and turning the Dharma wheel; the ninth, knowing the boundless seas of the names of the buddhas; the tenth, knowing the power of mastery with which the buddhas tame sentient beings. Chengguan glosses only the three hard ones among them, saying, “among the particular ones, the third is the light of the Dharma that is knowledge, the fourth is the sending forth of light that benefits, the fifth is the constant light that gives off flames; the rest may be known.”
Set aside a misreading: that these ten clauses are ten merits and virtues unconnected with one another. The first clause is the general one — gaining concentration and thereby seeing the buddhas; the nine clauses below are all particulars of what is known and seen once the buddhas have been seen. Brought down to the ground: the sequence of these ten dharmas is first to be able to see, then to be able to know, and last to be able to know how the buddhas tame sentient beings — from realizing it in oneself to converting others.
Two Ways of Reading the Ten Dharmas: General and Particular, and the Ten Bodies
The Shu glosses only three clauses; the Yanyi chao finds this not enough and glosses the passage over again for the reader, bringing out two ways of reading it. The first is the gloss by general and particular. The Chao says, “one is to make it a gloss by general and particular: the first one is general, the remaining nine are particular. Among the particular ones: the first contemplates the outward marks; the second calls to mind the inward virtue; the third knows what is realized; the fourth is the sending forth of light; the fifth is the constant light; the sixth is transformation; the seventh is the perfect voice; the eighth is the names; the ninth is the taming of beings.” This reading takes the ten clauses as one general and nine particular, each of the nine a single matter.
The second reading matches the ten clauses to the ten bodies of a buddha. The Chao says, “second is the gloss in terms of the ten bodies: first, the body of awakening; second, the body of marks and signs; third, the body of knowledge; fourth, the Dharma body; fifth, the body of vows, as in the chapter on Worthy Head, where the sending forth of light from the pores is in every case owing to former vows; sixth, the body of merit; seventh, the body of transformation; eighth, the body that upholds by power, since the perfect voice upholds the Dharma to the ends of the future; ninth, the body born of intent, since the names are set up according to intent; tenth, the body of majestic force.” And upon this it closes with a word of exhortation to cultivate: “the ten bodies together make manifest that inward and outward are both complete; if one calls these to mind with undivided attention, what practice would not be accomplished?”
Set aside a misreading: that the two readings shut each other out, so that one must be chosen. The Chao itself brings out the two glosses side by side: the former reading speaks in terms of sequence, the latter in terms of the buddha-body that is seen. Brought down to the ground: with one and the same passage of scripture, changing the measuring rod brings another layer of sequence into view — this is the constant way of reading the Avataṃsaka, not an unsettledness of interpretation.
The Name of the Dharma Gate, Taken Apart, Is Four Things
The night goddess speaks the name of her own Dharma gate: “I have gained a bodhisattva liberation named Quiescence, Meditative Concentration, Joy, and the Universally Roaming Stride.” This is a name of eight graphs, which Chengguan opens into four parts, and if it is recited past as a single lump of terminology, the four passages of working below have nothing to hang upon.
Chengguan takes it apart graph by graph, saying, “first the name and the substance are set forth: to accord with principle and not to grasp is quiescence; the joint working of stilling and contemplation is meditative concentration; abiding in the joy of the right Dharma is joy; a great working without bound is the universally roaming stride.” Each of the four senses has its own reference: quiescence is not a not-moving, but an according with principle in which the mind grasps nothing; meditative concentration is not a stilling only, but stilling and contemplation working together; joy is not the feeling of pleasure, but abiding in the joy of the right Dharma; the universally roaming stride is not walking, but a great working that has no bound.
Set aside a misreading: that the two senses ‘quiescence’ and ‘universally roaming stride’ clash — the one still, the other in motion. The sequence of the four senses is precisely the sequence of substance and working: to accord with principle and not to grasp is the substance; the joint working of stilling and contemplation is the practice; abiding in the joy of the right Dharma is the receiving; a great working without bound is the working. Brought down to the ground: the four passages of working below open out upon these four parts, and Chengguan matches them as three — the first passage, the meditation of attending to things as they really are, is the working of quiescence; the next, the meditation of dwelling in the joy of the present dharma, is the working of concentration; the third and fourth passages (the meditation that draws forth merit and virtue, and the meditation that benefits sentient beings) are together the working of the universally roaming stride; and the one sense ‘joy’ is gathered into the working of concentration. Only when the name has first been taken apart rightly can the scripture text be read on.
Seeing All the Buddhas and Yet Not Grasping: Ten Clauses of ‘Is Not’
In the first passage of the working, the scripture text says that she “sees everywhere all the buddhas of the three times,” and sees too those buddhas’ lands, places of the Way, assemblies, spiritual powers, names, expounding of the Dharma, life spans, speech and sounds, and bodily marks, “in all their many kinds of difference, all of them plainly seen, and yet without grasping.” Since she sees them plainly, how is it that she does not grasp? The scripture text raises the question itself: “Why is this?”
The answer is in ten clauses. The first eight clauses each set up an ‘is not’ and then bring out the reason for it: they do not go, because “the destinies of the world are forever quieted”; they do not come, because “their essential nature is unborn”; they are not born, because “the Dharma body is even”; they are not extinguished, because “there is no mark of birth at all”; they are not real, because “they abide in dharmas that are like an illusion”; they are not false, because “they are benefiting sentient beings”; they do not shift, because “they have passed beyond birth and death”; they do not perish, because “their nature is constant and does not change.” The last two clauses turn the wording: “they are one mark, for all speech is left behind; they are without mark, for nature and mark are from the first empty and still.” Chengguan outlines the form of this passage, saying, “it is set forth that because she sees the buddhas without grasping there is quiescence. The explanation says that the reason there is no grasping is that she has fathomed to the end the essential nature of a tathāgata.”
Set aside a misreading: that not grasping means wiping away the marks that are seen. The scripture text says plainly “all of them plainly seen” — they are seen with entire clarity. Brought down to the ground: the ground of not grasping does not lie in seeing a little less, but in having fathomed to the end the essential nature of a tathāgata — knowing that what is seen is originally just so, one has no need to snatch at it.
Where These Ten Clauses and the Eight Negations Are Largely the Same
Reading the ten clauses of ‘is not,’ one readily calls to mind the eight negations of the Zhong lun. Chengguan does exactly this, taking the eight negations and matching them — he says, “the text has ten; ‘is not’ is largely the same as the eight negations of the Zhong lun: namely, not going, not coming, not being born, not being extinguished make four; the ‘not real’ and ‘not false’ are just not-permanent; the ‘not shifting’ and ‘not perishing’ are just not-annihilated; ‘one mark’ is just not-different, and ‘without mark’ is likewise not-one.” This edition reads it as ‘the text has ten “is nots,” largely the same as the eight negations of the Zhong lun’: the text of this passage has ten ‘is nots,’ largely the same as the eight negations, and what follows points out clause by clause how they are matched.
By this matching, the ten clauses in fact gather in the eight negations: not going, not coming, not being born, not being extinguished, four clauses answering directly to four negations; ‘not real’ and ‘not false’ together answering to not-permanent; ‘not shifting’ and ‘not perishing’ together answering to not-annihilated; ‘one mark’ answering to not-different, and ‘without mark’ to not-one. The eight of the eight negations are here opened out as ten — with not one clause falling outside the eight negations, and so it is said to be “largely the same.”
Set aside a misreading: that “largely the same” means exactly alike. The eight negations are a screening away — not born, not extinguished, and there it stops at screening away; these ten clauses screen away and each brings out its own reason, and those reasons are for the most part fastened upon the benefiting of beings (‘not false,’ because “they are benefiting sentient beings”). What is matched answers well enough, but the force of the saying is not the same. Brought down to the ground: one and the same negative clause is in one place the breaking of clinging, and in another the saying that the essential nature of a buddha is thus and is yet still benefiting beings — in reading, one must look at what “because” it is joined to.
The First Two of the Four Dhyānas: Single-Minded and Unmoving, and the Mind of Gladness Delighted
The second passage of the working is the four dhyānas. The scripture text says that after she knows all the tathāgatas, toward this gate of liberation she “penetrates it plainly, accomplishes and increases it, ponders and contemplates it, makes it firm and adorns it,” and then, “not giving rise to any deluded thought or discrimination, rescuing and guarding all sentient beings with great compassion, single-minded and unmoving, I cultivate the first dhyāna.” The second dhyāna is “stilling all the works of the mind, gathering in all sentient beings, the power of knowledge valiant, the mind of gladness delighted, I cultivate the second dhyāna.”
Chengguan matches the clauses to the branches of dhyāna one by one. For the matching of the first dhyāna he says, “in the first dhyāna, ‘pondering and contemplating’ is just initial and sustained thought, answering to the branch of counteracting; ‘making it firm and adorning it’ is still the mark of initial and sustained thought,” and says further, “next, ‘rescuing and guarding all sentient beings with great compassion’ is the branch of benefit: that is, leaving one’s own sorrow behind and calling to mind the sorrow of sentient beings, and so joy and bliss are born.” For the matching of the second dhyāna he says, “in the second dhyāna, ‘stilling all the works of the mind’ is the extinguishing of thought and examination. Next, ‘gathering in all sentient beings’ is single-mindedness; ‘the power of knowledge valiant’ is inward purity, without thought and without examination. Next, ‘the mind of gladness delighted’ is the joy and bliss born of concentration.” The Yanyi chao further distinguishes inner purity in the lesser and the great vehicle: “the inner purity of the lesser vehicle is only faith; the inner purity of the great vehicle is formed by the joining of the three branches of the second dhyāna, namely equanimity, mindfulness, and right knowing” — in the lesser vehicle inner purity is faith alone, in the great vehicle it is the three branches of equanimity, mindfulness, and right knowing joined together; these three minds are still covered over by joy, their force not yet prevailing, able only to leave behind outward initial and sustained thought, and so they are joined into one inner purity. That the sūtra speaks of gathering in all sentient beings as one mind fits just this sense.
Set aside a misreading: that the branches of dhyāna are a matter of the inward mind and have nothing to do with sentient beings. The branch of benefit that Chengguan matches in the first dhyāna is taken from the very clause “rescuing and guarding all sentient beings with great compassion,” and the single-mindedness of the second dhyāna is taken from “gathering in all sentient beings.” Brought down to the ground: the joy and bliss here is not a joy and bliss sat out on one’s own, but the joy and bliss born of leaving one’s own sorrow behind and calling to mind the sorrow of sentient beings.
The Third and Fourth of the Four Dhyānas: Turning Away from Birth and Death, and Extinguishing the Burning Afflictions
For the third dhyāna the scripture text reads, “pondering the own-nature of all sentient beings, weary of and turning away from birth and death, I cultivate the third dhyāna”; and for the fourth, “being wholly able to extinguish all the sufferings and burning distress of all sentient beings, I cultivate the fourth dhyāna.” These two dhyānas have only two clauses each, and yet Chengguan matches them in the finest detail.
For the matching of the third dhyāna he says, “in the third dhyāna, the first, ‘pondering the own-nature of all sentient beings,’ is the two branches of equanimity and mindfulness: that is, casting off the former joy of gathering in beings, and within this casting off not losing mindfulness. ‘Weary of and turning away from birth and death’ is the two branches of wisdom and bliss: that is, rightly knowing that birth and death are not to be rejoiced in, and the weariness and turning away is just the gaining of the bliss of true quiescence.” For the matching of the fourth dhyāna he says, “in the fourth dhyāna the two clauses run through all three branches: that is, suffering, joy, sorrow, and bliss are all sufferings and burning distress, since within what is below suffering a bliss is crosswise given birth to. Because the four feelings are gone together, it says ‘wholly able to extinguish,’ which is equanimity and mindfulness, purified. Since there is neither suffering nor bliss, this is the middle feeling.” The Yanyi chao here points out one further layer: “once all is stilled and extinguished, then the casting-off itself is cast off, and only then is it true casting-off” — not only are suffering, bliss, sorrow, and joy cast off, but the casting-off that does the casting is cast off as well, and only then is it true casting-off; the neutral feeling of purity of equanimity and mindfulness must be read down to this layer.
Set aside a misreading: that “weary of and turning away from birth and death” is a shrinking back. Chengguan glosses the weariness and turning away as rightly knowing that birth and death are not to be rejoiced in, and “the weariness and turning away is just the gaining of the bliss of true quiescence” — the weariness and turning away is a knowing, not a hiding. Brought down to the ground: what is taken here from the purified equanimity and mindfulness of the fourth dhyāna is the extinguishing of the suffering of sentient beings; only when one’s own suffering and bliss are gone together can one reach another’s burning distress at all.
Why These Are Not the Four Dhyānas of the World
The four dhyānas are in themselves a dharma held in common, and those of outsider ways cultivate them too. That being so, on what ground does this passage count as a bodhisattva’s working? Chengguan blocks the question in advance, under the first dhyāna, saying, “yet the dhyāna of the world only leaves behind desire and what is evil and unwholesome; now, because the one vehicle is deep and wondrous, it leaves behind every deluded thought.”
The difference lies in the obstruction that is left behind. What the dhyāna of the world leaves behind is desire and the dharmas that are evil and unwholesome; what the scripture text here leaves behind is “every deluded thought and discrimination” — the measure of what is left behind being different, the place arrived at is naturally different too. Chengguan states it once more further on, saying, “all the above is in terms of the one vehicle, differing from the dharma assigned at the third ground, and so on down to the saying ‘entering the Dharma realm everywhere.’” Among the ten grounds, the third, the Luminous Ground, is precisely the position to which the four dhyānas and the eight concentrations are assigned; this friend is assigned to the second, the Stainless Ground, and yet speaks of the four dhyānas, so that a particular distinguishing is called for: the same name, four dhyānas, and not the same matter.
Set aside a misreading: that wherever the four dhyānas are spoken of, sequential meditative concentration is meant, so that one must finish the first dhyāna before there is a second. Here the four dhyānas are fastened clause by clause upon sentient beings, and what is cultivated in the four passages is four faces of one and the same gate of liberation. Brought down to the ground: to judge whether a concentration is a bodhisattva’s concentration, look at what it leaves behind, and look also at what it is doing once it has left that behind.
The Merit and Virtue That Comes Out of Dhyāna
After the four dhyānas the scripture text goes on: “increasing and fulfilling the vows of all-knowledge, bringing forth the seas of all samādhis, entering the gates of the sea of the liberations of the bodhisattvas, sporting in all spiritual powers, accomplishing all transformations, and with pure knowledge entering the Dharma realm everywhere.”
Chengguan sets this passage apart as the third of the workings, saying, “third, from ‘increasing and fulfilling’ onward is the meditation that draws forth merit and virtue. ‘Sporting in spiritual powers’ is just the sense of the universally roaming stride.” The four dhyānas are the very substance of concentration; this passage is the merit and virtue that concentration draws forth — vows, samādhis, gates of liberation, spiritual powers, transformations, and the entering of the Dharma realm, six matters widening out one after another. And the two graphs ‘sporting’ answer back to the ‘universally roaming stride’ in the name of the Dharma gate.
Set aside a misreading: that spiritual powers are a by-product of meditative concentration, which one may have or do without. The scripture text ranks them between “the vows of all-knowledge” and “entering the Dharma realm everywhere”: vows before, the Dharma realm after, and the spiritual powers wedged in the middle, a stretch of working by which the vows pass over into the Dharma realm. Brought down to the ground: merit and virtue is not something waited for while sitting in concentration; it is what is ‘drawn forth’ once the concentration is accomplished — to draw forth is to pull upon something so that it comes out.
The Thirteen Perceptions: What Is Done First for Those Heedless at Home
The fourth passage of the working is the benefiting of sentient beings. The scripture text first names those it is for: “sentient beings who are heedless at home”; then what is done for them — causing thirteen perceptions to arise in them: impurity, what is to be loathed, weariness, oppression, bondage, the rākṣasa, impermanence, suffering, no-self, emptiness, non-arising, not being one’s own master, and old age, sickness, and death.
The sequence of the thirteen perceptions can be traced. The first several perceptions speak in terms of the marks of the body and of its objects, so that a person may first see clearly what it is he covets; the later ones speak in terms of the nature of dharmas, so that he may know that what he covets has of itself no own-nature. Chengguan matches this passage to the factors of the path, saying, “within the text there are three: first, causing them to cultivate the four stations of mindfulness and the like” — the thirteen perceptions being what the four stations of mindfulness and the like gather in. And the night goddess goes on to state one thing of herself: “I myself do not give rise to delight or clinging toward the five desires, and I exhort sentient beings too not to cling to the joy of desire” — practice for herself and converting of others raised side by side.
Set aside a misreading: that causing people to give rise to perceptions of weariness and turning away is a frightening of them. The last three of these thirteen perceptions are non-arising, not being one’s own master, and old age, sickness, and death — and the one branch of non-arising speaks in terms of the nature of dharmas, not in terms of what is fearsome. Brought down to the ground: only when one first gives rise to no delight or clinging toward the five desires oneself can one move another to do so; the scripture text puts the “myself” before the “I exhort as well.”
Expounding the Dharma in the Still of Night: Why a Night Goddess Is Called a Night Goddess
After the thirteen perceptions the scripture text changes to another kind of person it is for: “if there are sentient beings dwelling in a place of open leisure.” For this kind, what the night goddess does is to still evil sounds, to expound the deep Dharma in the still of night, to give the conditions for practicing in accord, to open the gate of going forth from the home, to show the right road, to make a light, to remove their obstruction of darkness, to extinguish their fear, to praise the work of going forth from the home, and to “praise the Buddha, the Dharma, the Saṃgha, and the good friends as being furnished with every kind of merit and virtue, and to praise as well the practice of drawing near to good friends.”
In this passage the standing of this friend is most plainly seen. She is a night goddess, and what she does is done in the night as well — “in the still of night I expound the deep Dharma for them”; what she gives is light; what she removes is the obstruction of darkness; what she extinguishes is fear. Chengguan outlines this as “making clear the causes and conditions that make a way.” Li Tongxuan too sets up the sense of this friend’s name upon just this, saying, “because knowledge and compassion reach everywhere and shine upon the long night of sentient beings, she is named Pure Light.”
Set aside a misreading: that a night goddess expounding the Dharma is the ornament of a myth. The scripture text itself carries the night through to the end in the later passage — “able, in the great night of birth and death, to bring forth the light of all wisdom”: the night that is real and the night that is birth and death are a pair to be read together. Brought down to the ground: what the still of night removes is the darkness before one’s eyes, and what wisdom removes is the darkness of birth and death; one and the same good friend, one and the same act, and only the night that is shone upon is different.
The Four Clauses of Cutting Off Evil and Giving Birth to Good
The third passage of the text on converting beings begins with “furthermore.” What is done falls into two lengths: one is the cutting off of evil — “not to give rise to unlawful greed, not to give rise to wrong discrimination, and not to do the many kinds of deed that are offenses; and if they have already done them, to cause them all to be brought to a stop”; the other is the giving birth to good — “if they have not yet given rise to wholesome dharmas, have not yet cultivated the practice of the pāramitās, have not yet sought all-knowledge, have not yet raised the great kindness and compassion, have not yet done the deeds of humans and devas, to cause them all to give rise to these; and if they have already given rise to them, to cause them to increase them.” It closes with “conditions in accord with the Way such as these do I give them, and so on until I cause them to accomplish the knowledge of all-knowledge.”
Chengguan points straight at what this passage is matched to, saying, “afterward, from ‘furthermore’ onward, is the causing them to cultivate the four right eliminations.” The four right eliminations are: to cut off the evil already arisen, to cause the evil not yet arisen not to arise, to cause the good not yet arisen to arise, and to cause the good already arisen to increase; and the four clauses of the scripture text are just this form, except that the clause on causing the evil not yet arisen not to arise is set at the head, as “not to give rise to unlawful greed.”
Set aside a misreading: that cutting off evil and giving birth to good is a beginner’s matter, unbefitting a gate of liberation as high as this. The last clause of the scripture text says it plainly: what these four clauses arrive at is “the knowledge of all-knowledge.” Brought down to the ground: whether a Dharma gate is high is not seen in where it takes its start, but in where it delivers a person.
Humbling Herself and Pointing to the Superior: I Have Gained Only This One
The end of the conferring is the humbling of herself and the pointing to the superior. The night goddess says, “I have gained only this bodhisattva gate of the liberation of Quiescence, Meditative Concentration, Joy, and the Universally Roaming Stride,” and then raises up the virtues of the bodhisattva-mahāsattvas — furnished with all the practices and vows of Samantabhadra, penetrating all the boundless Dharma realm, increasing all roots of goodness, illumining and seeing the ten powers of the tathāgatas, abiding in the objective realms of the tathāgatas, “dwelling constantly in birth and death, their minds without obstruction,” and so on to “able, in the great night of birth and death, to bring forth the light of all wisdom,” closing with a single question: “how then could I know, or tell of, the practices that are their merit and virtue?”
Fazang, upon this passage, judges the number of its joints, saying, “within the fifth, the looking up and pointing, there are six: first, the pointing to the practices and vows of Samantabhadra; second, being apart from obstruction and furnished with goodness; third, accomplishing the objective realm of a buddha’s knowledge; fourth, dwelling in defilement without defilement; fifth, gathering in the buddhas and the Dharma; sixth, extinguishing darkness and shining upon the night.” The last of the six joints is “extinguishing darkness and shining upon the night,” answering exactly to the standing of this friend.
Set aside a misreading: that the humbling of herself is a belittling of herself. What she points to is not another Dharma gate that others have and she does not; it is what lies deeper and finer within one and the same Dharma gate. Brought down to the ground: a person is willing to say “I have gained only this” because he has truly seen that there is more beyond this — the one who has not seen it is the one who cannot say the words.
Pointing Out the Next Friend: Not Far, to the Right, Joyful Eyes Beholding
Last comes the pointing out of the road: “not far from here, to the right of the site of awakening, there is a night goddess named Joyful Eyes Beholding Beings.” Three pieces of news — how far, on which side, what she is called — and Chengguan gives a gloss upon all three.
He says, “as for ‘not far from here,’ it is because they are assigned to the world alike. As for ‘to the right of the site of awakening,’ it is that light is emitted in reliance upon principle, and the sense is thereby made easy. As for ‘Joyful Eyes Beholding,’ because she bears with evil and looks upon beings she is called Joyful Eyes; because she emits the light of hearing and holding she is called Beholding.” Not far, because these two friends before and after are assigned to positions alike in the world, positions with nothing between them; to the right of the site of awakening, because light is emitted in reliance upon principle; and as for the name of the friend who comes next, Joyful Eyes takes its sense from bearing with evil and looking upon beings, and Beholding from emitting the light of hearing and holding.
Set aside a misreading: that “not far from here” is only a matter of the length of the road. What Chengguan glosses is the position — the positions touch, and therefore the road is not long. Brought down to the ground: the next one a good friend points out is often not one higher and further off, but one that touches upon this one; only where they touch can a person walk across.
The Beginning of the Verses Restating, and the Three Divisions of the Thirteen Verses
The prose passage done, the scripture text turns to verse: “at that time, the night goddess Universal Virtue Pure Light, wishing to state again the meaning of this liberation, spoke verses for Sudhana the youth, saying.” Below there are thirteen verses in twenty-six lines.
Chengguan divides them into three, saying, “afterward the verses restating: the thirteen verses divide into three — the first ten verses restate the direct conferring of the Dharma gate; the next two restate the humbling of herself and the pointing to the superior; the last one restates the pointing out of the next friend.” The three divisions answer to the three divisions of the prose passage: the direct conferring of the Dharma gate, the humbling and pointing to the superior, and the pointing out of the next friend. As the prose passage divides, so the verses divide.
Set aside a misreading: that the verses restating are the prose passage said over again and may be read lightly. The verses stand for two reasons: to state it again for those who come later, and to gather the sense of the prose passage into clauses that can be held. Brought down to the ground: in reading the verses, first look at which passage of the prose they answer to — where they answer, the two passages light each other up; where they do not, one feels that the verses have begun something else.
The First Ten Verses Restate the First Ten Dharmas, and the Sequence Is Uneven
What the first ten verses restate is the ten dharmas above, but the sequence is not the same as the prose passage’s. Chengguan does not avoid this; he says plainly, “in the former, the first ten dharmas are restated, and the text is a little out of order: the first four restate the first four dharmas in order; the fifth leaps ahead to restate the seventh; the sixth restates the sixth; the seventh turns back to restate the fifth; the eighth restates the tenth; the ninth restates the eighth; the tenth restates the ninth.”
By this matching: the first four verses restate the first four dharmas in order — the first verse, “if there is a mind of faith and understanding, one sees to the full the buddhas of the three times,” restates the samādhi and the seeing of the buddhas; the second, “look you upon the bodies of the buddhas, pure, their marks adorned,” restates the pure eye beholding the marks; the third restates the great sea of merit and virtue, raising up “the Tathāgata Rocana” as the buddha who is seen; the fourth restates the sea of the light of the Dharma. The fifth verse skips over to restate the transformations that fill everything, which is the seventh dharma; the sixth restates the flaming light of jeweled color, which is the sixth; the seventh turns back to restate the sending forth of light from the pores, which is the fifth; the eighth restates the mastery of taming, which is the tenth; the ninth restates the Buddha’s voice, which is the eighth; and the tenth restates the ninth, in the words “when the Buddha cultivated the many practices of old, he had already gathered me in.”
The fourth verse and the ninth each have a layer that should be pointed out. The fourth verse, “the Tathāgata knows the nature of dharmas, quiescent and without duality; with a body adorned by pure marks he shows himself everywhere to the worlds” — the first half is the nature of dharmas that is known, quiescent and not two; the second half is the body adorned with marks that is manifested, shown everywhere to the worlds; that the sea of the light of the Dharma is a sea lies precisely in knowing the quiescent nature without that obstructing the manifesting of a pure body: the two clauses rest upon one and the same Buddha, and are not two matters. The ninth verse, “the Buddha utters one wondrous voice, and every kind is made to understand; he rains down everywhere the vast Dharma, and makes them give rise to the intent of awakening” — the voice is one, the understanding differs kind by kind, what is rained down is the vast Dharma, and what is brought about is the giving rise to the intent of awakening: one voice and every kind understanding is the working of the Buddha’s voice; raining down the Dharma and making them give rise to the mind is its fruit. Restating the eighth dharma, the Buddha’s voice turning the Dharma wheel, it says the word “turning” to the full.
Set aside a misreading: that the unevenness of the sequence is an error of transmission. Not only does Chengguan not amend it, he marks out verse by verse which dharma is being restated. Brought down to the ground: the ten of the prose passage is the sequence of expounding the Dharma, and the ten of the verses is the sequence of being gathered in — the same ten matters, told in one sequence and sung in another.
The Last Three Verses: Two Verses of Humbling Herself, One Verse Pointing the Road
The eleventh and twelfth verses restate the humbling and the pointing to the superior: “the buddhas who appear in the world are as many in number as sentient beings; the objective realms of their many kinds of liberation are not what I am able to know”; “all the bodhisattvas enter into a single pore of a buddha; a wondrous liberation such as this is not what I am able to know.” The last clause of both verses reads alike, “not what I am able to know,” the one speaking in terms of the buddhas’ objective realms of liberation, the other in terms of the liberation that is a bodhisattva’s entering a pore.
The last verse restates the pointing out of the next friend: “near to this place there is a night goddess named Joyful Eyes Beholding; you ought to go to where she is and ask about the cultivating of the bodhisattva practices.” The prose passage says “not far from here,” and the verse says “near to this place”; the prose passage says “go there and ask her,” and the verse says “you ought to go to where she is.”
Set aside a misreading: that the two clauses “not what I am able to know” are a repetition. What is not known in the former clause is the buddhas’ objective realms of liberation; what is not known in the latter is a bodhisattva’s entering into a single pore — the one points upward, the other inward. Brought down to the ground: a word of humbling oneself is said twice and points to two different things, and so both directions of what one has not reached are pointed out.
One Clause of Taking Leave, and the Whole Unit Closes Here
The last passage is a single clause: “at that time, Sudhana the youth bowed to her feet, circled her numberless times, gazed up at her with earnest longing, and took his leave and departed.” Chengguan sets up no separate gloss here, saying only, “fourth, the taking of leave with respects, which may be known as it stands.”
Four things: bowing, circling, gazing up, taking leave. Set against the passage of seeing and paying respect at the opening of this section (bowing to her feet, circling her numberless times, and before her joining his palms), the form before and after is the same, with one thing more — “gazed up at her with earnest longing.” This one added joint is what there was not until after the Dharma had been heard.
Set aside a misreading: that taking leave is a set phrase that need not be read. If it were a set phrase, the coming and the going would read without a graph of difference. Brought down to the ground: coming in, he joined his palms and sought the Dharma; going out, he gazed up and parted — and what was gained in between is hidden in just this small difference.
Assigned to the Stainless Ground: Whose Judgment Is This
The outline title of this section in Chengguan’s Shu is “second, the night goddess Universal Virtue Pure Light, assigned to the Stainless Ground.” The scripture text itself does not say that this friend is assigned to the second ground — the judgment of ‘assigned position’ is a matching that Chengguan carries on from the ancient worthies, and not something the scripture text sets forth of itself.
The Yanyi chao glosses the reason for this matching, saying, “that is, because she is furnished with pure śīla and is apart from the defilement of the afflictions that can give rise to subtle transgressions.” The defilement left behind is not a coarse and evil transgression, but the defilement of the afflictions that “can give rise to subtle transgressions” — the cutting off is at the cause that can give rise to them. Fazang, upon the name of the friend in the sixty-fascicle text, likewise sets up a gloss, saying, “the precepts are without the defilement of mistaken transgression, and the knowledge has the merit of shining upon the conventional; therefore it says Stainless Light.” The two glosses are fastened to different things (the one glosses the name of the ground, the other the name of the friend), and yet both fasten the ‘defilement’ to the precepts.
And as between matching and not matching, Chengguan himself, at the place in this chapter where the five aspects are outlined, first brings out an evenhanded word, saying that of old the master Yi and the treatise of Terrace Mountain merely glossed the text as it came, with no separate matching, while masters such as Guangtong all matched the positions of the grounds, and then judging, “both have their reason” — not to match has its reason, because each and every position is furnished with many Dharma gates; and to match has its reason too, because “within there being no sequence of positions the sequence of positions is not obstructed, and to display the positions is the constant rule, so to match them is no fault.” Brought down to the ground: in reading the four graphs ‘assigned to the Stainless Ground,’ remember that it is a measuring rod and not what the scripture text calls itself; the rod is of use, and the rod is not the thing measured.
Lineage
Of the text of this section, three streams open downward from it.
The first is the thread of the name and the substance and the working. Chengguan glosses the name of the Dharma gate by four parts and four senses, and further matches four kinds of meditation to the four passages of working — the meditation of attending to things as they really are to the ten clauses of seeing the buddhas without grasping; the meditation of dwelling in the joy of the present dharma to the four dhyānas; the meditation that draws forth merit and virtue to the passage of increasing and fulfilling; and the meditation that benefits sentient beings to the two passages of every kind of skillful means. And upon this he points out that these four meditations “differ from the dharma assigned at the third ground,” setting the dhyāna of this section apart from the dhyāna assigned at the third ground, the Luminous Ground, among the ten grounds. This one set of matchings is the framework upon which later readers of this unit have read it. The Yanyi chao further adduces here the two old sayings on matching the four dhyānas of the Laṅkāvatāra to positions, and makes clear that in this passage the third is the same as the fourth (cause and fruit interpenetrating); it also gathers the ten clauses into five pairs of substance and working, gathers the eighteen branches into the four classes of the Dilun, and takes the ten perceptions as largely the same as this scripture’s thirteen — all of them details under this one framework. Li Tongxuan passes besides an explicit judgment on the clause of the third dhyāna: he takes the base text's “their own nature weary of and turning away from birth and death” to be the translator's error, which should read “their nature of itself apart from birth and death, and so cultivating the third dhyāna” — this judgment belongs to Tongxuan, and the base text stands as it is.
The second is the thread of the glosses of the several houses upon the name and upon the substance of the concentration, each having its own track, recorded without adjudication. As to the essential nature of the name of the Dharma gate, Fazang, upon the three joints of the sixty-fascicle text, says, “quiescent extinction and the joy of concentration are the inward realization of the root knowledge; ‘vigor’ is the whipping up of cultivation by the subsequent knowledge. Following what comes below, the four dhyānas and the four exertions are taken as its essential nature”; Li Tongxuan, upon the name in the eighty-fascicle text, says, “this is the pāramitā of the precepts, taking the Dharma body as the substance of the precepts, since the nature of every objective realm is of itself dhyāna”; while Chengguan opens it graph by graph into four senses. As to the gloss upon the friend’s name, Fazang, upon the name in the sixty-fascicle text, glosses “the most excellent Dharma realm is called Utterly Deep, and the realizing entry of right knowledge is named Wondrous Virtue,” and Li Tongxuan, upon the name in the eighty-fascicle text, glosses “being furnished with kindness and nourishing the worldly, she is named Virtue; her knowledge is without doing, and its nature is of itself a great working reaching everywhere, and so she is named Goddess” — the names the two houses gloss are not one and the same form to begin with. As to the number of the outline divisions, Chengguan makes four; Fazang, under “she answered, saying,” opens five and sets up the looking up and pointing separately; Zhiyan makes three, and within the true entering opens three again; and Li Tongxuan does not outline unit by unit, but sets up five gates each for the passage of advancing upward before it and for the passage of true entering here. As to the judgment of position, Chengguan makes it assigned to the Stainless Ground; Fazang marks it the good friend of the second ground, the Stainless; Zhiyan makes it “the position of a bodhisattva of the second ground”; and Li Tongxuan likewise marks the second ground, the Stainless, with the pāramitā of the precepts as the chief and the other nine as its companions. All these divergent interpretations are settled sayings of the ancient worthies.
The third is the thread that fastens the two friends together. What is called to mind in the opening clause of this section is the raising of the mind and the dharmas gained of the friend before her, the night goddess Vāsantī; and Li Tongxuan further brings out a saying of his own, holding this friend to be the one who, when the friend before her was in a former kalpa the consort of a king, was “her teacher who awakened her in the night” — Chengguan, in glossing the friend’s name, likewise identifies her, “she is the Pure Moon of before, and so it says that from the first she gave rise to the mind,” only touching on it without spreading it out, while Li Tongxuan sets out its beginning and end in the fullest detail; Fazang’s Tanxuan ji and Zhiyan’s Souxuan ji do not go into the matter.
The text of one section: the former half is the name, the latter half the working. The name is taken apart into four parts and the working is opened into four passages — and Chengguan matches the senses opened out of the four parts as three workings: one passage for quiescence, one for concentration, and two for the universally roaming stride, with the sense of ‘joy’ gathered into the working of concentration. The evenness of this section lies wholly in this one graph, ‘match.’