百喻經 義疏通講Sūtra of One Hundred Parables · Exposition Throughout
卷第一Fascicle 1
全文五層 →Full five layers →這一卷二十一喻,每一喻兩段。前一段講一個愚人做了一件事,多半有人笑他;後一段「亦復如是」,把笑轉過來指人。笑的對象有三種:外道、比丘、世人。先讀被指的是誰,再讀他做錯了什麼,最後讀眾人為什麼笑得出來。笑得出來,是因為錯處在事上一看就明;轉到法上,同一個錯處人人在犯,卻不覺得可笑。這一卷就是把那一看就明的事擺在前面,讓人先笑,再認。
卷末有一段序,五百梵志問佛「天下為有為無」,一問到底,問到泥洹。佛末了一句:「汝今不死亦知死苦,我見十方諸佛不生不死故知泥洹常樂。」〔T04 0546b07〕梵志心開,佛才說:「汝等善聽!今為汝廣說眾喻。」〔T04 0546b10〕底本把這一段放在卷題之後,宋元明本移到卷首。讀法一樣:眾喻是為心已開的人說的。心未開,笑完就過;心開了,笑完知道笑的是自己。
一、外道七喻(喻一、四、五、七、八、一二、一九)
七個喻的合段都指外道。合段的話是:「譬彼外道聞節飲食可以得道,即便斷食或經七日或十五日,徒自困餓無益於道。」〔T04 0543a21〕「如彼外道聞他邪說心生惑著,謂為真實永不可改,雖聞正教不信受持。」〔T04 0543c02〕「譬如外道僻取其理,以己不能具持佛戒,遂便不受,致使將來無得道分、流轉生死」〔T04 0543c11〕「猶彼外道,聞佛善語貪竊而用以為己有,乃至傍人教使修行不肯修行」〔T04 0544a10〕「愚癡羗者猶如外道,竊聽佛法著已法中以為自有,然不解故,布置佛法迷亂上下,不知法相。」〔T04 0544a26〕「其猶外道不滅煩惱熾然之火,少作苦行臥蕀刺上,五熱炙身而望清涼寂靜之道,終無是處」〔T04 0544c23〕「亦如外道不修正行,相似善中橫計苦困,以求解脫」〔T04 0545c17〕
七喻合起來是一個人的側影。他聽過佛法:節飲食可以得道、善語、法相,他都聽過。他不是沒聽,是聽偏。鹽喻的愚人聽見「所以美者緣有鹽故,少有尚爾況復多也」〔T04 0543a19〕,道理沒錯,鹽確實使食美;錯在把『鹽使食美』聽成『鹽就是美』,於是「空食鹽,食已口爽返為其患」〔T04 0543a20〕。節飲食是助道,他聽成斷食是道。這是第一種偏:把緣聽成體。
渴見水喻是第二種偏。愚人到了辛頭河邊「對視不飲」,理由是「此水極多俱不可盡,是故不飲」〔T04 0543c10〕。合段說「以己不能具持佛戒,遂便不受」。戒多,持不盡,於是一條都不持。水多不能飲盡,於是一口都不喝。眾人笑他,因為渴的人要的是解渴,不是飲盡一河。持戒的人要的是離過,不是一日之間圓滿一切戒。把『全部』當成『開始』的條件,就永遠開始不了。
山羗喻是第三種偏,最細。山羗偷得王衣,王要他穿,「應在手者著於脚上,應在腰者返著頭上」〔T04 0544a21〕。王說:「若是汝之祖父已來所有衣者,應當解著,云何顛倒用上為下?以不解故,定知汝衣必是偷得,非汝舊物。」〔T04 0544a23〕合段逐項點明:「王者如佛,寶藏如法,愚癡羗者猶如外道」〔T04 0544a25〕這一喻的斷案法要記住:不是查他從哪裡拿的,是看他會不會穿。穿得顛倒,就知道不是他的。佛法的次第是穿法。誰把佛法「布置佛法迷亂上下」〔T04 0544a27〕,誰就是沒有從次第裡來的。認人為兄喻與此同一事:有錢財時稱兄,還債時稱非兄,「為利養故,取彼佛語化道眾生,而無實事,云何修行?」〔T04 0544a12〕拿佛語,不拿修行,是只拿衣不會穿。
婦詐稱死喻與乘船失釪喻,是偏之後的固執。夫見了死屍,燒骨懷挾,真妻回來,「我婦久死,汝是阿誰妄言我婦?」〔T04 0543c01〕「乃至二三猶故不信。」〔T04 0543c02〕失釪的人畫水作記,兩個月後在另一條河裡找,「本所畫水與此無異,是故覓之」〔T04 0545c14〕。兩個人都有一個記號:一具屍,一道水。記號不假,認錯的是記號所指。合段用「惑著」、「相似善」兩個詞。惑著是抱住記號不放;相似善是把長得像的當成那個。眾人問得好:「水雖不別,汝昔失時乃在於彼,今在此覓何由可得?」〔T04 0545c15〕
煮黑石蜜漿喻收這一組。「下不止火,扇之不已云何得冷?」〔T04 0544c21〕合段「不滅煩惱熾然之火」〔T04 0544c23〕、「望清涼寂靜之道」〔T04 0544c24〕。火在下面,扇在上面。苦行是扇,煩惱是火。合段末說「受苦現在殃流來劫」〔T04 0544c25〕:在上面扇的苦是現在受,火不滅的殃流到來劫。這一句把外道七喻說盡:他們做的事都在上面,錯處都在下面。
二、比丘四喻(喻三、六、一〇、一一)
四個喻的合段指比丘或四輩弟子。被打頭的愚人說打他的人癡,「見我頭上無有髮毛謂為是石」〔T04 0543b13〕;傍人說:「汝若不癡,為他所打,乃至頭破不知逃避?」〔T04 0543b15〕合段:「比丘亦爾,不能具修信、戒、聞、慧,但整威儀以招利養,如彼愚人被他打頭不知避去,乃至傷破反謂他癡」〔T04 0543b16〕招來的利養就是梨。不知避,是不知利養是打。頭破了還說人癡,是被利養傷了還說施主癡。
子死喻講犯戒覆藏。愚人一子死了,不肯葬,要「停置於其家中」〔T04 0543c17〕;人勸他葬,他想「若不得留要當葬者,須更殺一子停擔兩頭乃可勝致」〔T04 0543c20〕。合段先說「出家之人守持禁戒如護明珠不使缺落」〔T04 0543c25〕,再說比丘「私犯一戒,情憚改悔,默然覆藏自說清淨」〔T04 0543c24〕;戒如珠,缺一顆便是缺。有人勸他懺,他說:「苟須懺者,更就犯之然後當出。」〔T04 0543c27〕一子死是一戒犯。停屍在家是覆藏。殺第二子是為了讓懺悔『划得來』再多犯一次。眾人「深生嗤笑怪未曾有」〔T04 0543c23〕,怪的是他把葬當成一件要湊足分量才做的事。懺悔不是搬運,不須兩頭平衡。
三重樓喻講次第,是這一卷最長的喻。愚人要造三重樓,「我不欲下二重之屋,先可為我作最上屋」〔T04 0544b20〕。木匠答:「何有不作最下重屋而得造彼第二之屋?不造第二云何得造第三重屋?」〔T04 0544b22〕合段:「不能精勤修敬三寶,懶惰懈怠欲求道果,而作是言:「我今不用餘下三果,唯求得彼阿羅漢果。」」〔T04 0544b27〕底本沒有說下三果是什麼,只說「餘下三果」;本編照底本,不補名。這喻和山羗喻相對:山羗是有衣不會穿,此人是連下兩層都不要,直接要樓頂。都是次第之過,一個亂序,一個跳序。
婆羅門殺子喻最重。婆羅門說兒子七日當死,人不信,他說:「日月可闇星宿可落,我之所記終無違失。」〔T04 0544c09〕第七日「自殺其子以證己說」〔T04 0544c10〕,世人反而「真是智者,所言不錯」〔T04 0544c12〕。合段:「猶如佛之四輩弟子為利養故自稱得道,有愚人法殺善男子詐現慈德,故使將來受苦無窮」〔T04 0544c13〕為了讓自稱成真,殺了可以證明自稱是假的人。這喻前面沒有眾人笑,只有「心生信服悉來致敬」。笑不出來的喻,是殺已經成了、沒有人看見錯處的喻。
三、世人十喻(喻二、九、一三至一八、二〇、二一)
其餘十喻合段指世人、愚人、無智之流。可以分三小組。
第一組是算錯帳的:集牛乳、債半錢、就樓磨刀、灌甘蔗。集牛乳的人想「待臨會時當頓𤚲取」〔T04 0543a29〕,牛乳「即乾無有」〔T04 0543b03〕;合段「欲修布施,方言待我大有之時,然後頓施。未及聚頃,或為縣官水火盜賊之所侵奪,或卒命終不及時施」〔T04 0543b04〕。債半錢的人「為半錢債而失四錢」〔T04 0545b20〕;合段「要少名利致毀大行」〔T04 0545b23〕、「苟容己身不顧禮義,現受惡名後得苦報」〔T04 0545b23〕:半錢是名利,四錢是禮義,失的不只現在的惡名,還有後來的苦報。磨刀的人「懸駝上樓就石磨刀」〔T04 0545c01〕;合段「毀破禁戒,多取錢財以用修福望得生天」〔T04 0545c03〕、「用功甚多所得甚少」〔T04 0545c04〕。灌甘蔗的人「壓甘蔗取汁用溉,冀望滋味返敗種子」〔T04 0545b12〕;合段「迫脅下民陵奪財物,用作福本期善果,不知將來反獲其患殃」〔T04 0545b14〕。四喻一個帳法:把本錢當利息花。牛乳是本,壓出來的汁是本,禁戒是本,民是本。拿本錢去求本錢該生的東西,兩頭都失。「如壓甘蔗彼此都失」〔T04 0545b16〕,這一句可以當四喻的總結。
第二組是把人當祭品的:殺商主祀天、人說王縱暴、婦女欲更求子。商賈殺了導師祀天,「迷失道路不知所趣,窮困死盡」〔T04 0545a17〕;合段「當修善法行以為導師。毀破善行,生死曠路永無出期」〔T04 0545a19〕、「經歷三塗受苦長遠」〔T04 0545a21〕:失了導師不只是迷路,是在三塗裡久受苦。王剝賢臣百兩肉,後悔了「索千兩肉用為補脊」〔T04 0545c25〕,傍人說:「如截子頭,雖得千頭不免子死」〔T04 0545c28〕合段「不畏後世貪渴現樂」〔T04 0545c29〕、「苦切眾生,調發百姓多得財物,望得滅罪而得福報」〔T04 0546a01〕:動機在前一句,貪現樂而不畏後世。婦人為求未生之子要殺現子,智人罵:「未生子者竟可得不?而殺現子。」〔T04 0546a12〕合段「為未生樂自投火坑,種種害身為得生天」〔T04 0546a13〕。三喻把第一組的帳推到人身上。本錢不只是財,是導師、是賢臣、是現子、是自己這個身。拿這些去換福,所換的福就是殺掉這些才得的;得了也補不回。「雖十倍得肉,不免苦痛」〔T04 0545c29〕。
第三組是看錯人的:歎父德行、說人喜瞋、醫與王女藥。歎父的愚人說「我父小來斷絕婬欲初無染污」〔T04 0544b06〕,眾人問:「若斷婬欲,云何生汝?」〔T04 0544b07〕合段「欲讚人德不識其實,反致毀呰」〔T04 0544b08〕。喜瞋的人聽見人說他喜瞋,立刻打人,傍人說:「汝今喜瞋倉卒之相即時現驗,云何諱之?」〔T04 0545a05〕合段指飲酒之夫「躭荒沈酒作諸放逸」〔T04 0545a08〕,「見人呵責返生尤疾」〔T04 0545a08〕:先是沉酒放逸,再是受責生恨,病在前一句。醫與王女藥喻裡被笑的是王,不是醫:王等了十二年,見女長大,「謂是藥力」〔T04 0545b03〕,諸人笑王;合段卻轉過來說世人求道,善知識「教令坐禪觀十二緣起,漸積眾德獲阿羅漢」〔T04 0545b05〕,弟子說:「快哉大師!速能令我證最妙法。」〔T04 0545b06〕這一喻合段不說「亦復如是」,只是說世人亦爾。王不知是年月之功,弟子不知是漸積之功;都把緩的功歸給一下子的藥。前面煮蜜漿喻說火在下面,這喻說藥在時間裡。兩喻合讀:功夫不在上面扇,也不在一服藥。
四、序分(聞如是)
五百梵志從座起問「天下為有為無」〔T04 0546a21〕,佛答「亦有亦無」〔T04 0546a21〕:「生者言有,死者言無,故說或有或無。」〔T04 0546a23〕梵志再問人從何生,佛一路答生處:人從穀生,穀從四大,四大從空,空從無所有,無所有從自然,自然從泥洹。問到「泥洹從何而生」〔T04 0546b01〕,佛不再順著答,說:「汝今問事何以爾深?泥洹者是不生不死法。」〔T04 0546b01〕梵志換了問法:「若未泥洹,云何得知泥洹常樂?」〔T04 0546b03〕佛反問眾生苦樂,梵志答「我見眾生死時苦痛難忍,故知死苦」〔T04 0546b06〕。佛就用他自己的話答他:「汝今不死亦知死苦,我見十方諸佛不生不死故知泥洹常樂。」〔T04 0546b07〕
這段問答和二十一喻是一體。梵志一路問「從何生」,是把泥洹當成鏈上的一環;佛把鏈切斷,說泥洹不在生裡。梵志再問『未泥洹云何知』,是把知當成要親歷才算;佛說知死苦不須死。前面的愚人多在這兩處犯錯:把緣當體,把全當始。鹽使食美,不是鹽就是美;水多不能飲盡,不是不能飲。「五百梵志心開意解,求受五戒,悟須陀洹果」〔T04 0546b08〕,然後佛才廣說眾喻。喻是給開了的心聽的。
五、一卷的讀法
一喻兩段。前段是事,後段是法。事裡的愚人沒有名字,只有「愚人」、「有人」、「一人」;法裡的被指者也沒有名字,只有外道、比丘、世人。這是喻的寫法:不指某一個,指所有做這件事的。
讀每一喻先找合段第一句。合段起處多半是「亦復如是」「亦爾」「譬如」「猶如」,從那一句往回對:事裡的每一物對法裡的哪一件。鹽對節飲食,牛乳對施,水對戒,衣對法,梨對利養,死子對犯戒,屍對邪說,釪對解脫,蜜漿對寂靜,三重樓對四果,導師對善行,百兩肉對眾生,現子對身。對上了,笑就落到自己身上。對不上,就只是故事。有幾喻合段點了譬中沒有的物,有幾喻譬中有物合段不點,考據裡逐喻記著;義疏不替它補對。
二十一喻裡底本明寫笑的有十二喻:集牛乳、渴見水、子死、認人為兄、歎父、三重樓、煮蜜漿、醫與王女、債半錢、磨刀、失釪、求子。其中醫與王女被笑的是王;求子喻笑的是傍邊一個智人,笑完就罵。其餘九喻不寫笑:說人喜瞋寫怪,「深為眾人怪其愚惑」〔T04 0545a07〕;婆羅門殺子寫致敬;殺商主祀天眾賈死盡,無人看見。笑是旁觀者看見錯處的聲音;錯處把旁觀者也滅了,或旁觀者自己也信了,就沒有笑。這一卷最後一喻是殺子求子,智人罵「愚癡無智乃至如此」,罵完卷就完了。笑到罵,是這一卷的走勢。
承衍——合段自釋
本卷無古德疏所攝;百喻經在藏中無逐文古疏。每喻之合段即本喻自釋,義疏所引經證皆取自合段,不另立義。
This fascicle has twenty-one parables, and each parable has two parts. The first part tells of a foolish man who does something, and mostly someone laughs at him; the second part says “it is just the same,” and turns the laughter round to point at someone. Those pointed at are of three kinds: followers of other paths, bhikṣus, and worldly people. Read first who is pointed at, then what he did wrong, and last why the people were able to laugh. They can laugh because in the story the fault is plain at a glance; carried over to the Dharma, everyone commits the same fault and no one finds it laughable. This fascicle sets the thing that is plain at a glance in front, so that one laughs first and recognizes afterward.
At the end of the fascicle there is a preface. Five hundred brāhmaṇa students ask the Buddha “whether the world exists or does not exist,” and they question him to the end, until they reach nirvāṇa. The Buddha’s last sentence: “You are not yet dead, and yet you know that death is suffering; I have seen the buddhas of the ten directions, who are neither born nor die, and so I know that nirvāṇa is everlasting bliss.” Their minds opened, and only then did the Buddha say: “Listen well! I shall now set out the many parables for you at length.” The base text places this passage after the fascicle title; the Song, Yuan, and Ming editions move it to the head of the fascicle. The way of reading is the same: the parables are told for those whose minds have already opened. If the mind has not opened, one laughs and passes on; if it has, one laughs and knows that the one laughed at is oneself.
I. Seven Parables of the Followers of Other Paths (Parables 1, 4, 5, 7, 8, 12, 19)
The application of each of these seven parables points at followers of other paths. The applications say: “Like those followers of other paths who hear that moderating one’s food can lead to attaining the Way, and so stop eating altogether, for seven days or fifteen, starving themselves to no purpose and with no benefit to the Way.” “Like those followers of other paths who hear the wrong teachings of others and are bewildered and attached to them, taking them to be true and never to be changed, so that even when they hear the right teaching they do not accept and keep it.” “Like followers of other paths who take the principle perversely: because they cannot keep the Buddha’s precepts in full, they do not accept them at all, so that in the future they have no share in attaining the Way and wander on through birth and death.” “Like those followers of other paths who hear the Buddha’s good words, covet and steal them, and use them as their own, and yet when others teach them to practice, they will not practice.” “The foolish hill tribesman is like the followers of other paths: they listen in secret to the Buddha’s Dharma and set it among their own teachings as if it were theirs; but because they do not understand it, they arrange the Buddha’s Dharma in confusion, upper for lower, and do not know the marks of the Dharma.” “Like followers of other paths who do not put out the blazing fire of the afflictions but perform a few austerities, lying on thorns and scorching the body with the five fires, hoping for the way of coolness and quiet; there is no such possibility.” “Like followers of other paths who do not cultivate right practice, but in what merely resembles the good reckon up hardship and toil, seeking liberation thereby.”
Put together, the seven parables are a profile of one man. He has heard the Buddha’s Dharma: that moderating food can lead to the Way, the good words, the marks of the Dharma; he has heard all of it. His fault is not that he did not hear, but that he heard askew. The fool of the salt parable hears “the reason it tastes good is that there is salt in it; if a little does so much, how much more a lot,” and the reasoning is not wrong, for salt does make food taste good; the error is to hear “salt makes food good” as “salt is the good,” and so he “ate salt by itself, and having eaten it his palate was spoiled, and it became his affliction.” Moderating food is an aid to the Way; he heard it as “fasting is the Way.” This is the first way of hearing askew: hearing the condition as the thing itself.
The parable of the thirsty man who sees water is the second. The fool reaches the bank of the Sindhu River and “stares at it and does not drink,” his reason being “this water is so much that it can never all be drunk; therefore I do not drink.” The application says: “because they cannot keep the Buddha’s precepts in full, they do not accept them at all.” The precepts are many and cannot all be kept, so he keeps none. The water is too much to drink dry, so he takes not a sip. The people laugh because a thirsty man wants his thirst quenched, not a river drunk dry. One who keeps the precepts wants to be free of fault, not to perfect every precept in a single day. Make “all of it” the condition for “beginning,” and one never begins.
The parable of the hill tribesman is the third and the subtlest. The hill tribesman steals the king’s garments; the king makes him put them on, and “what belonged on the hands he put on his feet, and what belonged at the waist he put back on his head.” The king says: “If these garments had been your family’s since your grandfather’s time, you would know how to put them on; how is it that you wear them upside down, the upper for the lower? Because you do not understand, I know for certain that your garments were stolen and are not your old possessions.” The application spells it out item by item: “the king is like the Buddha, the treasury is like the Dharma, and the foolish hill tribesman is like the followers of other paths.” Remember how the case is decided here: not by asking where he got it, but by seeing whether he knows how to wear it. Worn upside down, it is plainly not his. The order of the Buddha’s Dharma is the way of wearing it. Whoever “arranges the Buddha’s Dharma in confusion, upper for lower” has not come up through the order. The parable of claiming a stranger as elder brother is the same matter: when there is money he calls him brother, when debts are to be paid he calls him no brother; “for the sake of gain and offerings they take the Buddha’s words to convert and guide living beings, and there is nothing real in it; how can that be practice?” To take the Buddha’s words and not take up the practice is to take only the garments without knowing how to wear them.
The parable of the wife who feigned death and the parable of the bowl lost from the boat are the obstinacy that follows hearing askew. The husband has seen the corpse, burned the bones, and carries them about; when his real wife comes back, “my wife died long ago; who are you, to claim falsely that you are my wife?” and “even at the second and third telling he still did not believe.” The man who lost his bowl draws a mark on the water and two months later searches for it in another river: “the water I marked then is no different from this; therefore I search for it here.” Each man has a sign: a corpse, a line in the water. The sign is not false; what is mistaken is what the sign is taken to point to. The applications use two words: “bewildered and attached,” and “what merely resembles the good.” To be bewildered and attached is to clutch the sign and not let go; what merely resembles the good is to take what looks like the thing for the thing. The people ask well: “Though the water is no different, when you lost it then, it was over there; how could searching here now ever find it?”
The parable of boiling black-sugar syrup closes this group. “If you do not put out the fire below, how will fanning without end ever make it cool?” The application: “do not put out the blazing fire of the afflictions,” and “hope for the way of coolness and quiet.” The fire is underneath; the fan is on top. Austerity is the fan; the afflictions are the fire. The application ends: “suffering now, and the calamity flows on into kalpas to come”: the suffering of fanning on top is received now, and the calamity of the unextinguished fire flows on into the kalpas to come. This one sentence says everything about the seven parables of the followers of other paths: all that they do is on top, and all that is wrong is underneath.
II. Four Parables of Bhikṣus (Parables 3, 6, 10, 11)
The applications of these four parables point at bhikṣus or at the four kinds of disciples. The fool struck on the head says that the one who struck him is the stupid one, who “saw that there was no hair on my head and took it for a stone”; a bystander says: “If you are not stupid, how is it that when he struck you, you did not know to get away even when your head was broken?” The application: “So too the bhikṣu who cannot cultivate faith, precepts, learning, and wisdom in full, but only arranges his deportment to attract gain and offerings, is like that fool who, struck on the head, did not know to get away, and even when wounded and broken called the other stupid.” The gain and offerings he attracts are the pears. Not knowing to get away is not knowing that gain and offerings are the blow. To call the other stupid with a broken head is to be wounded by gain and offerings and call the donor stupid.
The parable of the dead son speaks of breaking a precept and concealing it. The fool’s one son dies and he will not bury him, but wants “to keep him in the house”; when people urge him to bury the boy, he thinks: “If I cannot keep him and must bury him, I shall have to kill another son, so that I can carry them one at each end of the pole.” The application first says that “one who has left home keeps and holds the precepts as one guards a bright pearl, letting none be lost,” and then that the bhikṣu “privately breaks one precept, and shrinking in his heart from repenting, keeps silent and conceals it, declaring himself pure”; the precepts are like pearls, and to lose one is to be short. When someone urges him to repent he says: “If I must repent, let me first go and break it again, and then come out.” One son dead is one precept broken. Keeping the corpse in the house is concealment. Killing the second son is to make the repentance “worth the trouble” by breaking the precept once more. The people “laughed deeply and marvelled at a thing never seen before”; what they marvel at is that he treats burial as something to be done only when the load is made up to full weight. Repentance is not carrying a load; it does not need to be balanced at both ends.
The parable of the three-storied tower speaks of order, and it is the longest parable in this fascicle. The fool wants a three-storied tower built: “I do not want the two lower floors; first build the top floor for me.” The carpenter answers: “How could there be building the second floor without first building the lowest? Without building the second, how could the third be built?” The application: “they cannot diligently cultivate reverence for the Three Jewels, but lazy and remiss they wish to obtain the fruits of the Way, and they say: ‘I have no use for the remaining three fruits; I seek only the fruit of arhatship.’” The base text does not say what the lower three fruits are; it says only “the remaining three fruits,” and this edition follows the base text and does not supply the names. This parable stands opposite the parable of the hill tribesman: the tribesman has the garments and cannot wear them; this man will not have even the two lower floors and wants the top directly. Both are faults of order: one disorders it, one skips it.
The parable of the brāhmaṇa who killed his son is the heaviest. The brāhmaṇa says his son will die in seven days; people do not believe him, and he says: “The sun and moon may go dark and the stars may fall, but what I have foretold will never fail.” On the seventh day “he killed his own son to prove his word,” and the people of the world instead said, “truly a wise man; what he says is never wrong.” The application: “Like the four kinds of the Buddha’s disciples who for gain and offerings claim to have attained the Way, having the way of fools: they kill a good man to display a false compassion, and so bring upon themselves suffering without end in the future.” To make the claim come true, he kills the one who could prove the claim false. In this parable there is no laughter from the crowd beforehand, only “their hearts believed, and all came to pay him reverence.” A parable at which no one can laugh is one in which the killing is already done and no one sees the fault.
III. Ten Parables of Worldly People (Parables 2, 9, 13–18, 20, 21)
The applications of the remaining ten parables point at worldly people, fools, and those without understanding. They fall into three small groups.
The first group reckon their accounts wrong: storing up milk, the debt of half a coin, climbing the tower to sharpen a knife, watering the sugarcane. The man who stores up milk thinks, “when the time of the feast comes I shall milk them all at once,” and the milk “had dried up and there was none”; the application: “they wish to practice giving, but say, ‘wait until I have a great deal, and then I shall give all at once.’ Before they have gathered it, it is seized by officials, by flood, fire, or thieves, or they die suddenly and do not give in time.” The man with the debt of half a coin “for a debt of half a coin lost four coins”; the application: “for a little fame and gain they ruin the great practice,” and “indulging themselves, heedless of propriety, they receive ill repute now and painful retribution afterward”: the half coin is fame and gain, the four coins are propriety, and what is lost is not only present ill repute but the pain to come. The man sharpening the knife “hoisted the camel up the tower to sharpen the knife on the stone”; the application: “they break the precepts and take much money to cultivate merit, hoping to be born in heaven,” and “much effort, very little gain.” The man watering the sugarcane “pressed the sugarcane for its juice and used it to water the cane, hoping for sweetness, and instead ruined the seed”; the application: “they oppress and coerce the people below them and rob them of their goods to make a root of merit, expecting good fruit, not knowing that in the future they will instead reap calamity.” The four parables share one way of reckoning: spending the capital as if it were the interest. The milk is the capital; the pressed juice is the capital; the precepts are the capital; the people are the capital. To spend the capital to get what the capital should have produced is to lose at both ends. “Like pressing the sugarcane: both are lost.” This one sentence can stand as the summary of all four.
The second group treat people as offerings: killing the caravan leader as a sacrifice to heaven, telling the king he is cruel, the woman who wanted yet another son. The merchants kill their guide as a sacrifice to heaven, and “lost their way, not knowing where to go, and perished in want, every one of them”; the application: “one should cultivate the practice of good dharmas as one’s guide. Ruining good conduct, on the broad road of birth and death there is never a way out,” and “passing through the three evil destinies, suffering long”: to lose the guide is not only to lose the road but to suffer long in the three evil destinies. The king has a hundred taels of flesh cut from a loyal minister, and when he regrets it “demands a thousand taels of flesh to mend his back”; a bystander says: “It is like cutting off a son’s head: though one obtained a thousand heads, the son would not escape death.” The application: “not fearing the next life, they thirst for present pleasure,” and “they torment living beings and levy heavily on the people to get much wealth, hoping to extinguish their offenses and gain the reward of merit”: the motive is in the first sentence, craving present pleasure without fear of the life to come. The woman, to get a son not yet born, would kill the son she has, and a wise man scolds her: “Can the son not yet born be had at all? And you would kill the son you have.” The application: “for a happiness not yet born they throw themselves into a pit of fire, harming the body in every way in order to be born in heaven.” These three parables push the first group’s accounting onto persons. The capital is not only goods; it is the guide, the loyal minister, the son one has, this very body. Spend these to buy merit, and the merit bought is only what is got by killing them; even when it is got, it does not make them good again. “Though he obtained ten times the flesh, he did not escape the pain.”
The third group misjudge a person: praising a father’s virtue, telling a man he is quick to anger, the physician’s medicine for the princess. The fool praising his father says, “from his youth my father cut off sexual desire and was never once defiled,” and the people ask: “If he cut off sexual desire, how did he beget you?” The application: “wishing to praise someone’s virtue without knowing the facts, one brings reproach on him instead.” The man quick to anger, hearing someone say he is quick to anger, strikes him at once, and a bystander says: “Your quickness to anger and your haste have shown themselves this very moment; how can you deny it?” The application points at the drinker who, “sunk in drink, given over to every heedlessness,” “when reproached, instead feels resentment and hatred”: first the drinking and heedlessness, then the hatred when reproached; the disease is in the first sentence. In the parable of the physician and the princess’s medicine, the one laughed at is the king, not the physician: the king waits twelve years, sees his daughter grown, and “thought it was the power of the medicine,” and the people laugh at the king; but the application turns round to speak of worldly people seeking the Way, whom a good friend “teaches to sit in meditation and contemplate the twelve links of dependent arising, gradually accumulating merits and attaining arhatship,” and the disciple says: “How wonderful, great teacher! So soon you have made me realize the most marvellous Dharma.” The application of this parable does not say “it is just the same”; it says only that worldly people are so too. The king does not know it was the work of months and years; the disciple does not know it was the work of gradual accumulation; both credit a slow labor to a sudden dose. Earlier the parable of boiling the syrup said that the fire is underneath; this parable says that the medicine is in the time. Read together: the work is neither in fanning on top nor in a single dose.
IV. The Preface (Thus It Was Heard)
The five hundred brāhmaṇa students rise from their seats and ask “whether the world exists or does not exist,” and the Buddha answers “it both exists and does not exist”: “what is born is said to exist, what dies is said not to exist; therefore it is said to exist or not to exist.” The students then ask what man is born from, and the Buddha answers along the chain of birth: man is born from grain, grain from the four great elements, the four great elements from space, space from nothingness, nothingness from what is so of itself, what is so of itself from nirvāṇa. When they ask “from what is nirvāṇa born,” the Buddha no longer answers along the chain, but says: “Why do you ask so deeply? Nirvāṇa is the dharma that is neither born nor dies.” The students change their question: “If you have not yet entered nirvāṇa, how do you know that nirvāṇa is everlasting bliss?” The Buddha asks them in return whether living beings suffer, and they answer, “we see that living beings at the time of death suffer pain hard to bear, and so we know that death is suffering.” The Buddha then answers them with their own words: “You are not yet dead, and yet you know that death is suffering; I have seen the buddhas of the ten directions, who are neither born nor die, and so I know that nirvāṇa is everlasting bliss.”
This exchange and the twenty-one parables are one body. The students, asking all the way “from what is it born,” treat nirvāṇa as one link in the chain; the Buddha cuts the chain and says that nirvāṇa is not within birth. The students then ask “how can one know it without having entered it,” treating knowing as something that counts only if one has been through it oneself; the Buddha says that knowing death to be suffering does not require dying. The fools before them mostly err at these two points: taking the condition for the thing itself, and taking the whole for the beginning. Salt makes food good; that does not make salt the good. The water is too much to drink dry; that does not make it undrinkable. “The five hundred brāhmaṇa students, their minds opened and their understanding freed, asked to receive the five precepts and awakened to the fruit of stream-entry,” and only then did the Buddha set out the many parables. The parables are for a mind that has opened.
V. How to Read the Fascicle
One parable, two parts. The first part is the story; the second is the Dharma. The fool in the story has no name, only “a foolish man,” “a man,” “one man”; the one pointed at in the Dharma has no name either, only followers of other paths, bhikṣus, worldly people. This is how a parable is written: it points not at one person, but at everyone who does this thing.
In reading each parable, first find the opening sentence of the application. The application usually begins with “it is just the same,” “so too,” “like,” or “as”; from that sentence, match backward: each thing in the story against which thing in the Dharma. Salt against moderating food, milk against giving, water against the precepts, garments against the Dharma, pears against gain and offerings, the dead son against the broken precept, the corpse against wrong teachings, the bowl against liberation, the syrup against quiet, the three-storied tower against the four fruits, the guide against good conduct, the hundred taels of flesh against living beings, the son one has against the body. Once matched, the laughter falls on oneself. Unmatched, it is only a story. In some parables the application names a thing the story does not contain; in some the story contains a thing the application does not name; the apparatus records these parable by parable, and the exposition does not supply the match for it.
Of the twenty-one parables, the base text writes of laughter in twelve: storing up milk, thirsty at the sight of water, the dead son, claiming a stranger as elder brother, praising a father, the three-storied tower, boiling the syrup, the physician and the princess, the debt of half a coin, sharpening the knife, the lost bowl, and wanting another son. Among these, in the physician and the princess the one laughed at is the king; in the parable of wanting another son the one who laughs is a single wise man standing by, who laughs and then scolds. The other nine do not write of laughter: the parable of the man quick to anger writes of wonder, “the people deeply wondered at his folly and delusion”; the brāhmaṇa who killed his son is revered; in the killing of the caravan leader the merchants all perish and no one sees. Laughter is the sound of onlookers seeing the fault; when the fault destroys the onlookers too, or when the onlookers themselves believe, there is no laughter. The last parable in this fascicle is the killing of a son to get a son; the wise man scolds, “so foolish and without understanding as this,” and with the scolding the fascicle ends. From laughter to scolding: that is the movement of this fascicle.
Carrying Forward — The Application as Its Own Commentary
This fascicle is covered by no commentary of the old masters; the Sūtra of One Hundred Parables has no running commentary in the canon. The application of each parable is that parable’s own interpretation; every scriptural proof cited in this exposition is drawn from the applications, and no further meaning is set up.
卷第二Fascicle 2
全文五層 →Full five layers →這一卷二十喻,沒有序分,卷首目錄之後直接是喻。寫法與卷一同:前一段事,後一段「亦復如是」。被指的對象卻換了。卷一有七喻指外道、四喻指比丘;這一卷合段點名外道的只有貧人燒衣、估客偷金、毘舍闍鬼三喻,一喻不指比丘,其餘都指世間之人、世間愚人、凡夫。卷一笑聲多,底本明寫笑的十二喻;這一卷明寫笑的只有一喻,賊偷錦繡「為智人所笑」〔T04 0546c08〕。其餘的愚人沒有人笑:有人被王趕出國,有人被師罵,有人被鬼看著飛走,有人自己殺了自己的身。卷一讀的是眾人為什麼笑得出來;這一卷讀的是為什麼笑不出來。笑不出來,是因為錯處已經不可補。沈水燒成了炭,胡麻熬熟了種下去,樹斫倒了,牛全殺了,眼挑了,鼻割了。這一卷的愚人多半做的是一件做了就回不去的事。
雇借瓦師喻裡師父罵弟子的一句,可以作這一卷的題:「此驢今者適可能破,假使百年不能成一。」〔T04 0547c24〕瓦器久時所作,驢須臾能破。弟子看見的是破得快,以為是能耐;師父看見的是成得慢,知道破不是能耐。二十喻裡的愚人幾乎都站在弟子那一邊:拿破當成,拿快當功,拿不要當放下。讀這一卷,先認清每一喻裡什麼是「久時所作」,什麼是「須臾能破」。
一、佛果與聲聞(喻二二、二四、三四)
三喻一個題:大與小、難與易、久與速。長者子入海取沈水「積有年載,方得一車」〔T04 0546b26〕,到市上賣,「以其貴故卒無買者」〔T04 0546b27〕;見人賣炭賣得快,便想「不如燒之作炭,可得速售」〔T04 0546c01〕,燒了,「不得半車炭之價直」〔T04 0546c02〕。合段:「無量方便勤行精進仰求佛果,以其難得便生退心,不如發心求聲聞果,速斷生死作阿羅漢。」〔T04 0546c03〕沈水是佛果,炭是聲聞果;不是炭不好,是沈水燒成炭,連一車炭的價都不到。退心的人以為退一步得的是一車炭的價,底本說連半車炭的價都不到。
種熬胡麻子喻把同一事說得更盡。生的胡麻不美,熬過的美,愚人想「不如熬而種之,後得美者」〔T04 0546c14〕,「便熬而種,永無生理」〔T04 0546c15〕。合段:世人「以菩薩曠劫修行,因難行苦行以為不樂」〔T04 0546c15〕,便說「不如作阿羅漢,速斷生死,其功甚易」〔T04 0546c17〕;「後欲求佛果終不可得,如彼燋種無復生理」〔T04 0546c17〕。沈水喻說的是價減了,這喻說的是種死了。熬是為了好吃,不是為了種;苦行以為不樂而捨,捨的不是苦,是種子。這兩喻合段都說「速斷生死」,速字是要害。要快,所以燒;要快,所以熬。
送美水喻把這件事翻過來說。村人日日送水,疲苦欲去,村主說「改五由旬作三由旬,使汝得近往來不疲」〔T04 0548a22〕,王真改了,眾人歡喜;有人說「此故是本五由旬,更無有異」〔T04 0548a25〕,村人「雖聞此言,信王語故終不肯捨」〔T04 0548a25〕。合段:「如來法王有大方便,於一乘法分別說三」〔T04 0548a28〕,小乘之人聞之歡喜易行,「後聞人說無有三乘,故是一道。以信佛語終不肯捨」〔T04 0548b02〕。前兩喻的愚人是自己把大的燒成小的;這一喻路沒有變短,是王改了名字叫它短。村人沒有錯,他們信王。譬段末說村人「信王語故終不肯捨」〔T04 0548a26〕,合段承這一句說「以信佛語終不肯捨」〔T04 0548b02〕,都是正面的。合段先說的是走不下去的人:「修行正法度於五道向涅槃城,心生厭惓,便欲捨離,頓駕生死不能復進」〔T04 0548a27〕,王改路名,是為這些人改的。三喻合讀:想要快的人自己把沈水燒了,是退;信王說路近而肯走的人,路一樣遠,卻不捨。前者是從大退到小,後者是從小的名字走大的路。一卷裡有這一喻,是給前兩喻的人留一條路。
二、戒之火與水(喻二三、二五、三三、三七)
四喻合段都說戒。賊偷得錦繡,「即持用裹故弊氀褐種種財物,為智人所笑」〔T04 0546c07〕;合段:既有信心入佛法中,修善法功德,「以貪利故破於清淨戒及諸功德」〔T04 0546c10〕。錦繡是戒與功德,氀褐是利。賊不是不知道錦繡貴,是拿貴的裹賤的。破戒的人也知道戒清淨,拿清淨的去換利。
水火喻說失的方式。一人要火也要冷水,把水放在火上,「火及冷水二事俱失」〔T04 0546c23〕。合段:出家求道,「既得出家還復念其妻子眷屬、世間之事五欲之樂」〔T04 0546c25〕,於是「失其功德之火、持戒之水」〔T04 0546c26〕。火與水各有用,放在一起互滅。合段把功德叫火、持戒叫水,念妻子眷屬、世間五欲是把水放到火上的那隻手;兩樣都想要,兩樣都沒了。不是說戒是冷的,是說念著五欲去持戒,戒會被煮熱,功德的火會被澆滅;火與水要都留住,先得把那隻手收回來。
斫樹取果喻說破戒之不可回。王有好樹當生勝果,一人說「此樹高廣,雖欲食之何由能得?」〔T04 0548a11〕,「即便斷樹望得其果,既無所獲徒自勞苦,後還欲竪,樹已枯死都無生理」〔T04 0548a11〕。合段:「如來法王有持戒樹能生勝果」〔T04 0548a14〕,欲得果食,「不解方便,返毀其禁,如彼伐樹,復欲還活都不可得」〔T04 0548a15〕。前兩喻破戒是為了利、為了五欲;這喻破戒是為了果。他要的是戒所生的果,他毀的是戒。合段先說正路「應當持戒修諸功德」〔T04 0548a15〕,果是這樣來的。斫倒的樹再豎不活,這是本卷第一次把『不可回』說明白。
殺群牛喻說得最直。二百五十牛失了一頭,牛主想「已失一牛俱不全足,用是牛為?」〔T04 0548c05〕,便把其餘全殺。合段:受持如來具足之戒,「若犯一戒,不生慚愧清淨懺悔」〔T04 0548c08〕,便說「我已破一戒,既不具足,何用持為?」〔T04 0548c09〕,「一切都破無一在者」〔T04 0548c09〕。二百五十是戒數,底本不說破的是哪一條,只說一。卷一渴見水喻的愚人因戒多持不盡而一條都不持,是不開始;這喻的愚人因破一條而全破,是不繼續。兩喻的理由都是「不全」。合段的要處在「不生慚愧清淨懺悔」八字:破一戒有懺悔這條路,牛失一頭沒有。愚人把戒當牛,以為失一就不全,不全就無用;不知道戒失一條還有懺悔之路,牛殺了回不來。這喻是用一件回不去的事喻一件回得去的事,讀者要看見這個不對稱。
三、効與竊(喻二六、二七、二八、三〇、三一)
五喻的愚人都在學人,學錯了。人効王眼瞤:有人教他「王之形相汝當効之」〔T04 0547a01〕,他見王眼瞤便効王瞤,王問「汝為病耶?為著風耶?何以眼瞤?」〔T04 0547a03〕,他答「我不病眼,亦不著風,欲得王意,見王眼瞤故効王也」〔T04 0547a04〕,王大瞋,把他趕出國。合段:於佛法王欲得親近,「不解如來法王為眾生故,種種方便現其闕短,或聞其法見有字句不正,便生譏毀,効其不是」〔T04 0547a08〕。這喻的要處是「為眾生故」四字:王眼瞤是病,如來現闕短是方便。愚人學的是病,不是王;譏毀的人學的是字句不正,不是法。愚人被趕出國,譏毀的人「於佛法中永失其善墮於三惡」〔T04 0547a11〕。
治鞭瘡喻學錯了藥。一人被王鞭,以馬屎塗背求速差;愚人見了想「我決得是治瘡方法」〔T04 0547a16〕,回家叫兒子「汝鞭我背,我得好法今欲試之」〔T04 0547a17〕。合段:「聞有人言修不淨觀,即得除去五陰身瘡」〔T04 0547a19〕,便說「我欲觀於女色及以五欲」〔T04 0547a20〕,「未見不淨,返為女色之所惑亂」〔T04 0547a21〕。馬屎治鞭瘡,是有瘡才用藥;沒有瘡先打一頓,為了用藥。不淨觀是對著女色觀不淨,愚人聽成要先去看女色。藥是對的,次序倒了:他把治法當成致病之法。合段說他的去處:「流轉生死墮於地獄」〔T04 0547a21〕。
為婦貿鼻喻學錯了「有」。其人見他婦鼻好,想「我今寧可截取其鼻著我婦面上,不亦好乎?」〔T04 0547a26〕,截了他鼻,割了己婦鼻,「既不相著復失其鼻」〔T04 0547a29〕。合段:聞他宿舊沙門婆羅門有大名德得大利養,便想「我今與彼便為不異」〔T04 0547b03〕,「虛自假稱,妄言有德,既失其利,復傷其行」〔T04 0547b04〕。鼻是德,面是行。德是長在自己面上的,割不來。他想要的是別人的鼻長在自己婦的面上;妄言有德的人想要的是別人修來的名長在自己身上。結果一樣:他的鼻沒有長上去,自己的鼻也沒了。
牧羊人喻是被人學走了。巧詐者對牧羊人說「我今共汝極成親愛,便為一體更無有異」〔T04 0547b26〕,先說替他求婦,再說婦生子,再說「汝兒生已今死矣」〔T04 0547c03〕,牧羊人大哭。合段:「既修多聞,為其名利秘惜其法,不肯為人教化演說,為此漏身之所誑惑妄期世樂」〔T04 0547c05〕。牧羊人慳貪不肯外用,所以有人用一個不存在的妻子、不存在的兒子騙空了他。多聞的人秘惜其法不肯說,所以被這個身用不存在的世樂騙空。合段把騙他的叫做「漏身」:騙牧羊人的是外面一個人,騙多聞者的是自己這個身。合段說失的次序:「喪失善法,後失身命并及財物,便大悲泣生其憂苦」〔T04 0547c07〕,先失法,後失命與財,最後是哭。前三喻是自己學人學錯,這喻是自己不教人,於是被身教錯。
雇借瓦師喻收這一節。師要瓦器,叫弟子雇瓦師;弟子見驢須臾破盡瓦師積年所作之器,歡喜說「此驢乃是佳物,久時所作須臾能破,我今當買此驢」〔T04 0547c19〕,買了驢回來,答師「此驢勝於瓦師,瓦師久時所作瓦器,少時能破」〔T04 0547c22〕。師語:「汝大愚癡無有智慧!此驢今者適可能破,假使百年不能成一。」〔T04 0547c24〕合段:「雖千百年受人供養都無報償,常為損害終不為益」〔T04 0547c26〕,是背恩之人。弟子把能破看成勝於能成。這一節五喻的愚人都是這樣看的:眼瞤比法易學,鞭背比觀不淨易做,割鼻比修德易得,秘惜比演說省力,驢比瓦師快。易、省、快,都在破那一邊。師父的話說的是另一邊:瓦師「勤苦積年始得成器」〔T04 0547c16〕,驢給它百年也不能成一件。
四、外道三喻(喻二九、三二、四一)
這一卷直說外道的只有三喻,三喻說的是三件事:外道怎麼騙人,外道怎麼偷法,外道怎麼爭。貧人燒麤褐衣喻:有人對貧人說「汝種姓端正貴人之子,云何著此麤弊衣褐?」〔T04 0547b09〕,然後說「今可脫此麤褐衣著於火中,於此燒處,當使汝得上妙欽服」〔T04 0547b13〕,貧人燒了衣,什麼也沒得。合段:「從過去身修諸善法得此人身,應當保護進德修業」〔T04 0547b16〕,卻被外道邪惡妖女欺誑:「汝今當信我語修諸苦行,投巖赴火捨是身已,當生梵天長受快樂。」〔T04 0547b18〕捨了身,「既失人身空無所獲」〔T04 0547b21〕,「身死之後墮於地獄備受諸苦」〔T04 0547b21〕。麤褐衣是人身。衣粗,但是衣;身苦,但是身。騙人的話有兩層:先說你本來該有好的,再說把現有的燒了才得好的。譬段裡「貴人之子」〔T04 0547b10〕是誑者說的,底本不說真假;合段裡「從過去身修諸善法得此人身」〔T04 0547b16〕是撰者說的,是真的。第二層兩邊都是假的。外道騙人的法子,是用一句真話帶一句假話。
估客偷金喻說偷法。二估客一賣真金,一賣兜羅綿;買金的人燒金試真,第二估客偷了被燒之金,用綿裹住,「時金熱故燒綿都盡,情事既露二事俱失」〔T04 0548a03〕。合段:「如彼外道偷取佛法著己法中,妄稱己有非是佛法,由是之故燒滅外典不行於世」〔T04 0548a03〕。卷一山羗喻說外道竊法穿不對,被人看出;這喻說外道竊法會燒了自己的綿。金是真的,熱的;綿包不住。拿佛法放進己法,不是佛法被己法蓋住,是己法被佛法燒盡。譬段說「二事俱失」〔T04 0548a03〕,合段說「燒滅外典不行於世」〔T04 0548a05〕:偷的人失了綿,也沒得金。
毘舍闍鬼喻收全卷。二鬼爭一篋一杖一屐,一人問「此篋杖屐有何奇異?汝等共諍瞋忿乃爾」〔T04 0549b01〕,鬼說了三物之用;人說「汝等小遠,我當為爾平等分之」〔T04 0549b06〕,鬼退開,人抱篋捉杖躡屐飛去,說「爾等所諍我已得去,今使爾等更無所諍」〔T04 0549b09〕。合段是逐項對的:「毘舍闍者喻於眾魔及以外道。」〔T04 0549b10〕「布施如篋,人天五道資用之具皆從中出。禪定如杖,消伏魔怨煩惱之賊。持戒如屐,必昇人天。」〔T04 0549b10〕「諸魔外道諍篋者,喻於有漏中強求果報,空無所得。」〔T04 0549b13〕這一喻的愚人是鬼,被指的也是鬼,拿走三物的人不是愚人。這一喻事裡有一個人做對了事。他做對的是什麼:鬼爭的是三物歸誰,他問的是三物何用;問清了用,他就用。施、戒、定三物在爭的人手裡是爭的東西,在用的人手裡是飛的東西。合段末說用的結果:「若能修行善行及以布施持戒禪定,便得離苦獲得道果」〔T04 0549b14〕。這是這一卷唯一一個飛起來的人,放在卷末。
五、見與求(喻三五、三六、三八、三九、四〇)
五喻合段都說見。寶篋鏡喻說身見。貧人逃債至空曠處,得篋滿珍寶,上有鏡;開篋見鏡中人,驚怖叉手說「我謂空篋都無所有,不知有君在此篋中,莫見瞋也」〔T04 0548b09〕。合段:凡夫「為無量煩惱之所窮困,而為生死魔王債主之所纏著」〔T04 0548b10〕,入佛法修善,「如值寶篋,為身見鏡之所惑亂,妄見有我,即便封著,謂是真實」〔T04 0548b13〕,於是「禪定道品無漏諸善三乘道果一切都失」〔T04 0548b15〕。篋是佛法,珍寶是功德,鏡是身見,鏡中人是我。鏡上沒有人,有的是他自己。他見了自己,以為篋有主,不敢拿寶。這喻合段說「妄見有我」,不說見到別人:鏡中人就是看的人,我見就是把自己的影當成篋裡原有的主。這一卷所有愚人裡,這一個最接近寶,也最快走開。
破五通仙眼喻說毀他人的眼。王問臣「云何得使此人常在我國不餘處去?使我藏中得多珍寶」〔T04 0548b21〕,愚臣挑了仙人雙眼回報「臣以挑眼,更不得去,常住是國」〔T04 0548b23〕,王說「所以貪得仙人住者,能見地中一切伏藏,汝今毀眼,何所復任?」〔T04 0548b24〕合段:見他頭陀苦行修四意止不淨觀,「便強將來於其家中,種種供養,毀他善法,使道果不成,喪其道眼」〔T04 0548b28〕。要留的是人,要的是人的眼;留人而毀眼,留下的不是要的那個。供養修行人而把他從山林帶回家,留下的是人,壞的是他的道眼。王要的是伏藏,眼沒了伏藏也沒了;供養的人要的是福,道眼沒了福也沒了。前喻是自己妄見有我,這喻是把別人的眼毀了。
飲木筩水喻說離欲。一人飲足,對木筩說「我已飲竟,水莫復來」〔T04 0548c15〕,水照流,他瞋恚。有人說:「汝大愚癡無有智慧!汝何以不去,語言莫來?」〔T04 0548c17〕合段:「為生死渴愛,飲五欲鹹水」〔T04 0548c19〕,厭了便說「汝色聲香味莫復更來使我見也」〔T04 0548c21〕,五欲相續不斷,便復瞋恚。智人語:「汝欲得離者,當攝汝六情閉其心意,妄想不生便得解脫。何必不見、欲使不生?」〔T04 0548c24〕這是本卷說法最明白的一句,也是全卷把修法說得最具體的一句。離欲不是叫色聲香味不來,是自己走開。走開的法叫『攝六情閉心意』。這喻合段把五欲叫做鹹水:喝了更渴。愚人的錯不在飲,在飲完了對水發令。
見他人塗舍喻說自殺身。愚人見人屋壁塗得平好,問用什麼和泥,主人說用稻穀的糠殼浸水和泥,他想純用糠殼不如連稻穀一起用,「便用稻穀和泥用塗其壁望得平正,返更高下,壁都劈裂」〔T04 0549a04〕;底本在此加一句「虛棄稻穀都無利益,不如惠施可得功德」〔T04 0549a05〕。合段:聞聖人說法修行諸善,捨此身已可得生天解脫,「便自殺身望得生天及以解脫,徒自虛喪空無所獲」〔T04 0549a08〕。糠殼能和泥,稻穀不能;捨身是修善之後的事,不是修善的法。愚人把「捨此身已」聽成先捨身。這喻與貧人燒衣喻是一對:那喻是人騙他捨身,這喻是他自己聽錯了殺身。都是把身當成要先丟掉的東西。底本「不如惠施」一句是譬段裡插的,稻穀與其塗壁,不如布施;身與其殺,不如修善。
治禿喻收這一節。禿人求醫「唯願大師為我治之」〔T04 0549a15〕,醫師脫帽也是禿,說「我亦患之以為痛苦,若令我治能得差者,應先自治以除其患」〔T04 0549a16〕。合段:為生老病死所侵,欲求長生不死之處,往沙門婆羅門所求除無常生死之患;婆羅門等答「我亦患此無常生老病死,種種求覓長存之處終不能得。今我若能使汝得者,我亦應先自得,令汝亦得」〔T04 0549a23〕,「如彼患禿之人,徒自疲勞不能得差」〔T04 0549a25〕。這一喻沒有愚人做錯一件事。禿人求醫沒有錯,醫師說實話沒有錯。錯的是所求:求的是「長生不死之處」,求的對象是也在老死裡的人。這喻和卷一序分裡佛說「汝今不死亦知死苦」是一對:泥洹是不生不死法,不是長生不死之處;長生不死之處誰也沒有,所以誰也給不了。禿是無常,無常人人有。這喻放在倒數第二,接著就是毘舍闍鬼喻裡那個飛起來的人:不求長生不死,拿起施戒定就走。
六、一卷的讀法
這一卷合段以「亦復如是」起的十五喻:世間之人九、世間愚人三、凡夫之人二、凡夫愚人一;以「世人亦爾」起的三喻;估客偷金以「如彼外道」起,毘舍闍鬼以「毘舍闍者喻於」起,兩喻合段不以亦復如是開頭。結句不以「亦復如是」收的有七喻:入海取沈水止於「速斷生死作阿羅漢」〔T04 0546c05〕,破五通仙眼、殺群牛、飲木筩水、見他人塗舍、治禿五喻止於『如彼…』一類的回指,毘舍闍鬼止於「便得離苦獲得道果」〔T04 0549b15〕。讀每一喻仍先找合段第一句,從那一句往回對:沈水對佛果,炭對聲聞果,胡麻對苦行,錦繡對戒,火水對功德持戒,眼瞤對如來闕短,馬屎對不淨觀,鼻對德,麤褐衣對人身,羊對法,驢對背恩,兜羅綿對外典,樹對戒,五由旬對一乘,鏡對身見,仙眼對道眼,牛對戒,鹹水對五欲,稻穀對身,禿對無常,篋杖屐對施定戒。對得上,是這一卷的事;對不上處考據逐喻記著。
這一卷有三件事卷一沒有。一是沒有人笑:底本明寫笑的只有賊偷錦繡一喻,其餘愚人的錯處沒有旁觀者,或旁觀者只罵不笑。二是有兩喻事裡有人做對了事:送美水喻的村人信王而不捨,毘舍闍鬼喻的人問清用處就拿起來飛了。這兩喻放在一卷最中與最末,是給其餘十八喻的人看的。三是合段裡有一句修法:「當攝汝六情閉其心意,妄想不生便得解脫。」〔T04 0548c24〕卷一說的多是什麼不該做,這一卷說了一句該做什麼。
承衍——合段自釋
本卷無古德疏所攝;百喻經在藏中無逐文古疏。每喻之合段即本喻自釋,義疏所引經證皆取自譬段與合段,不另立義。
This fascicle has twenty parables and no preface; after the table of contents at its head come the parables themselves. The form is the same as in the first fascicle: first the story, then “it is just the same.” But those pointed at have changed. The first fascicle had seven parables pointing at followers of other paths and four at bhikṣus; in this fascicle the application names followers of other paths in only three, the poor man who burned his robe, the merchant who stole gold, and the piśāca demons, not one points at a bhikṣu, and all the rest point at worldly people, the fools of the world, ordinary people. The first fascicle was full of laughter, with twelve parables in which the base text writes of it; in this fascicle it writes of laughter in only one, the thief who wrapped rags in brocade, who “was laughed at by the wise.” The other fools are laughed at by no one. One is driven out of the country by the king, one is scolded by his teacher, one is watched by two demons as he flies away, and one kills his own body. The first fascicle asked why the people were able to laugh; this one asks why they cannot. They cannot, because the fault can no longer be mended. The aloeswood has been burnt to charcoal, the sesame has been roasted and sown, the tree has been felled, the whole herd has been killed, the eyes have been put out, the nose has been cut off. The fools of this fascicle mostly do a thing that, once done, cannot be undone.
In the parable of hiring a potter the teacher’s rebuke to his disciple could stand as the title of the fascicle: “This donkey can only break things now; give it a hundred years and it could not make one.” A pot is made over a long time; a donkey breaks it in a moment. What the disciple sees is how fast it breaks, and he takes that for a skill; what the teacher sees is how slowly it is made, and he knows that breaking is no skill. Nearly all the fools of these twenty parables stand on the disciple’s side: they take breaking for making, speed for accomplishment, not wanting for letting go. In reading this fascicle, first make out in each parable what is “made over a long time” and what “breaks in a moment.”
I. The Fruit of Buddhahood and the Fruit of the Hearers (Parables 22, 24, 34)
Three parables, one theme: great and small, hard and easy, long and quick. The elder’s son goes to sea for aloeswood and “after many years had gathered one cartload”; he takes it to market, and “because it was so costly, no one would buy it.” He sees a man selling charcoal and selling it fast, and thinks, “better to burn it into charcoal, then it will sell quickly”; he burns it, and “did not get even the price of half a cartload of charcoal.” The application: “With countless means they practice diligently and with vigor, aspiring to the fruit of buddhahood; because it is hard to attain a mind of retreat arises in them, and think it better to set their minds on the fruit of the hearers, to cut off birth and death quickly and become arhats.” The aloeswood is the fruit of buddhahood, the charcoal is the fruit of the hearers; it is not that charcoal is bad, but that aloeswood burnt into charcoal does not fetch even a cartload’s price of charcoal. The one who loses heart thinks that by stepping back he gets a cartload of charcoal’s price; the base text says he does not get even half.
The parable of planting roasted sesame says the same thing to the end. Raw sesame tastes poor, roasted tastes good; the fool thinks, “better to roast it and then sow it, and afterwards I shall have the good kind,” and “he roasted it and sowed it, and it never could grow.” The application: worldly people, “because the bodhisattva cultivates through vast kalpas and because the austerities hard to perform seem joyless,” say “better to become an arhat, cut off birth and death quickly, the effort is very easy”; “afterwards when they wish to seek the fruit of buddhahood it can never be had, like that scorched seed that can never grow again.” The aloeswood parable says the price was lowered; this one says the seed was killed. Roasting is for eating, not for sowing; to give up austerity because it is joyless is to give up not the hardship but the seed. The applications of both parables say “cut off birth and death quickly,” and the word quickly is the crux. He wants speed, so he burns; he wants speed, so he roasts.
The parable of delivering fine water turns the matter round. The villagers carry water day after day, grow weary, and want to leave; the headman says, “I shall change five yojanas to three, so that you find it near and are not wearied going back and forth,” and the king really does change it, and the people rejoice. Someone says, “this is still the original five yojanas, nothing has changed,” but the villagers, “though they heard this, because they trusted the king’s word, would not give it up.” The application: “The Tathāgata, the Dharma King, with great skill in means divides the one vehicle and teaches it as three”; those of the Lesser Vehicle hear it and rejoice that it is easy to practise, and “afterwards, hearing someone say that there are no three vehicles but only one path, because they trust the Buddha’s word they will not give it up.” In the first two parables the fool himself burnt the great down to the small; in this one the road has not grown shorter, the king has changed the name to make it short. The villagers are not wrong; they trust the king. The story ends with the villagers, who “because they trusted the king’s word would not give it up,” and the application takes up that sentence as “because they trust the Buddha’s word they will not give it up”; both are said in their favour. The application first speaks of those who cannot go on: “practising the right Dharma, crossing the five paths toward the city of nirvāṇa, they grow weary and wish to give it up, and stalled in birth and death they can advance no further”; the king changes the name of the road for them. Read the three together: the man who wants speed burns his own aloeswood, and that is retreat; the man who trusts the king’s word that the road is near, and is willing to walk, walks just as far and does not give up. The one retreats from great to small; the other walks the great road under the small road’s name. That this parable is in the fascicle leaves a way open for the people of the first two.
II. The Fire and the Water of the Precepts (Parables 23, 25, 33, 37)
The applications of all four parables speak of the precepts. A thief steals brocade and “used it to wrap coarse wool rags and all manner of goods, and was laughed at by the wise”; the application: having faith and entering the Buddha’s Dharma, cultivating good dharmas and merits, “out of greed for gain they break the pure precepts and all their merits.” The brocade is the precepts and merits, the coarse wool rags are gain. The thief is not ignorant that brocade is costly; he wraps the cheap in the costly. The one who breaks the precepts knows too that the precepts are pure; he spends the pure to buy gain.
The parable of water and fire tells how the loss happens. A man needs fire and needs cold water too; he sets the water over the fire, and “the fire and the cold water, both were lost.” The application: one leaves home to seek the Way, and “having left home, thinks again of his wife and children and kin, of the affairs of the world and the pleasures of the five desires,” and so “loses the fire of his merit and the water of keeping the precepts.” Fire and water each have their use; put together, each puts out the other. The application calls merit fire and the precepts water; thinking of wife and kin and the pleasures of the five desires is the hand that sets the water over the fire. He wants both, and both are gone. It is not to say that the precepts are cold, but to say that keeping the precepts while longing for the five desires heats the precepts through and quenches the fire of merit; to keep both the fire and the water, that hand has first to be drawn back.
The parable of felling the tree to get its fruit tells how breaking a precept cannot be undone. The king has a fine tree that is about to bear excellent fruit; a man says, “this tree is tall and broad; though I would eat of it, how could I reach it?” and “he cut the tree down hoping to get its fruit; he got nothing and laboured in vain; afterwards he wished to set it up again, but the tree was dead and could never grow.” The application: “The Tathāgata, the Dharma King, has the tree of keeping the precepts, which bears the excellent fruit”; wishing to eat the fruit, “not understanding the means, he destroys the precepts instead, like the man who felled the tree, and when he wishes to bring it back to life, it cannot be done.” In the first two parables the precepts were broken for gain and for the five desires; here they are broken for the fruit. What he wants is the fruit the precepts bear; what he destroys is the precepts. The application first gives the right road, “one should keep the precepts and cultivate merits”; that is how the fruit comes. A felled tree cannot be set up alive again, and this is the first place in the fascicle where not being able to go back is said plainly.
The parable of killing the whole herd says it most directly. Of two hundred and fifty cattle one is lost, and the owner thinks, “one is already lost, they are no longer the full number; what use are these cattle?” and kills all the rest. The application: having received the Tathāgata’s full precepts, “if he breaks one precept and feels no shame and remorse and does not purely repent,” he says, “I have already broken one precept; since they are no longer complete, what use is it to keep them?” and “breaks them all, leaving not one.” Two hundred and fifty is the number of the precepts; the base text does not say which one was broken, only one. In the first fascicle the fool who was thirsty at the sight of water would not keep a single precept because there were too many to keep them all, and that is not beginning; this fool breaks them all because he broke one, and that is not continuing. The reason in both is “not complete.” The crux of the application is in the eight characters “feels no shame and remorse and does not purely repent”: for a broken precept there is the road of repentance, for a lost cow there is none. The fool treats the precepts as cattle, thinking that to lose one is to be incomplete and to be incomplete is to be useless, and does not know that for a precept lost there is still the road of repentance while a cow killed does not come back. This parable uses a thing that cannot be undone to figure a thing that can, and the reader has to see that asymmetry.
III. Imitating and Stealing (Parables 26, 27, 28, 30, 31)
The fools of these five parables are all learning from others, and learning the wrong thing. The man who imitated the king’s twitching eye: someone tells him, “you should imitate the king’s features,” and seeing the king’s eye twitch he imitates the twitch; the king asks, “are you ill? have you caught a chill? why does your eye twitch?” and he answers, “my eye is not ill, nor have I caught a chill; I wanted to win the king’s favour, and seeing the king’s eye twitch I imitated the king,” and the king in his rage drives him out of the country. The application: wishing to draw near to the Buddha, the Dharma King, “he does not understand that the Tathāgata, the Dharma King, for the sake of living beings shows shortcomings by all manner of means, or hearing his Dharma and seeing some phrase that is not correct, gives rise to mockery and imitates what is not right.” The crux of the parable is the four characters “for the sake of living beings”: the king’s twitch is an ailment, the Tathāgata’s shortcomings are a means. The fool learns the ailment, not the king; the mocker learns the incorrect phrase, not the Dharma. The fool is driven out of the country; the mocker “loses his good for ever within the Buddha’s Dharma and falls into the three evil destinies.”
The parable of treating whip wounds learns the wrong medicine. A man flogged by the king puts horse dung on his back to heal it quickly; a fool sees it and thinks, “I have found the method for treating wounds,” and goes home and tells his son, “flog my back; I have found a good method and want to try it.” The application: “hearing someone say that by cultivating the contemplation of impurity one can remove the wound of the body of the five aggregates,” he says, “I shall look at female beauty and the five desires,” and “before he has seen their impurity he is deluded and disturbed by female beauty instead.” Horse dung treats a whip wound when there is a wound to treat; to have oneself flogged first so as to use the medicine is another thing. The contemplation of impurity is contemplating female beauty as impure; the fool hears it as having to go and look at women first. The medicine is right and the order is reversed: he takes the cure for the cause of the disease. The application says where he goes: “he turns in birth and death and falls into hell.”
The parable of trading noses for his wife learns the wrong “having.” The man sees another woman with a fine nose and thinks, “why not cut off her nose and set it on my wife’s face? would that not be good?”; he cuts off the other nose, cuts off his own wife’s, and “it would not stay on, and she had lost her own nose too.” The application: hearing that some elder ascetic or brāhmaṇa has great renown and virtue and much gain and offerings, he thinks, “now I and he are no different,” and “falsely calls himself so, lying that he has virtue; he loses that gain and damages his own conduct besides.” The nose is virtue, the face is conduct. Virtue grows on one’s own face and cannot be cut from elsewhere. What he wanted was another woman’s nose growing on his wife’s face; what the man who lies about his virtue wants is another man’s cultivated name growing on himself. The result is the same: the other nose did not grow on, and his own nose is gone.
The parable of the shepherd is about being learned from. The swindler tells the shepherd, “now you and I are the closest of friends, as one body, with no difference between us”; first he says he will find him a wife, then that the wife has borne a son, then “your son was born and has now died,” and the shepherd weeps aloud. The application: “having cultivated much learning, for the sake of fame and gain he hoards his Dharma and will not teach and expound it for others, and is deceived by this leaking body into vainly hoping for worldly pleasures.” The shepherd was grasping and would not spend his wealth outside, so a man emptied him with a wife who did not exist and a son who did not exist. The learned man hoards his Dharma and will not speak it, so this body empties him with worldly pleasures that do not exist. The application calls the deceiver a “leaking body”: what cheats the shepherd is another man outside him, what cheats the learned man is his own body. The application gives the order of the loss: “he loses the good dharmas, and afterwards loses his life and his goods too, and weeps aloud in his grief,” first the Dharma, then life and goods, and last the weeping. In the first three parables the fool learns from others and learns wrong; in this one he will not teach others, and so his body teaches him wrong.
The parable of hiring a potter closes the section. The teacher needs pots and sends his disciple to hire a potter; the disciple sees a donkey smash in a moment the pots a potter made over years, and says in delight, “this donkey is a fine thing; what took a long time to make it can break in a moment; I shall buy this donkey,” and buys it and brings it back, and answers his teacher, “this donkey is better than the potter: the pots the potter made over a long time, it can break in a short one.” The teacher says: “You great fool, without any wisdom! This donkey can only break things now; give it a hundred years and it could not make one.” The application: “though for a hundred or a thousand years they receive the offerings of others, they repay nothing, and do constant harm and never any good,” and such are those who turn their backs on kindness. The disciple took being able to break for better than being able to make. The fools of these five parables all see it that way: a twitch is easier to learn than the Dharma, a flogging is easier to get than the contemplation of impurity, a cut-off nose is easier to come by than cultivated virtue, hoarding is less trouble than expounding, a donkey is faster than a potter. Easy, cheap, fast are all on the side of breaking. The teacher’s words are about the other side: the potter “toiled for years before he could make a vessel,” and the donkey, given a hundred years, could not make one.
IV. Three Parables of the Followers of Other Paths (Parables 29, 32, 41)
Only three parables in this fascicle speak of followers of other paths directly, and the three tell three things: how they deceive, how they steal the Dharma, how they quarrel. The poor man who burned his coarse wool robe: someone says to him, “you are of upright lineage, a nobleman’s son; why do you wear this coarse and shabby wool?” and then, “now you may take off this coarse wool robe and put it in the fire; where it burns, I shall make you receive fine garments,” and the poor man burns his robe and gets nothing. The application: “from a past body he cultivated good dharmas and obtained this human body, and he should guard it and advance in virtue and cultivate his work,” but he is deceived by the wicked, bewitching women of other paths: “Now believe my words and practise austerities; throw yourself from a cliff, leap into the fire, cast off this body, and you shall be born in the Brahmā heaven and long enjoy happiness.” He casts off the body, and “having lost the human body, he gains nothing at all,” and “after the body dies he falls into hell and suffers every pain.” The coarse wool robe is the human body. The robe is coarse, but it is a robe; the body is painful, but it is a body. The deceiver’s speech has two layers: first, that you ought to have something better, then, that you must burn what you have to get it. In the story the “nobleman’s son” is the deceiver’s word, and the base text does not say whether it is true; in the application, “from a past body he cultivated good dharmas and obtained this human body” is the author’s word, and it is true. The second layer is false on both sides. The way the followers of other paths deceive is to carry a false sentence on a true one.
The parable of the merchant who stole gold tells of stealing the Dharma. Two merchants, one selling true gold, the other tūla cotton; a buyer heats the gold to test it, the second merchant steals the heated gold and wraps it in his cotton, and “because the gold was hot it burnt all the cotton; the matter came to light and both were lost.” The application: “like those followers of other paths who steal the Buddha’s Dharma and put it among their own teachings, falsely calling it their own and not the Buddha’s Dharma, and for that reason burn up their outer scriptures so that they do not circulate in the world.” In the first fascicle the hill tribesman stole the Dharma and could not wear it right, and was found out; here the follower of another path who steals the Dharma burns his own cotton. The gold is real and hot; the cotton cannot hold it. To put the Buddha’s Dharma inside one’s own teaching is not to cover the Buddha’s Dharma with one’s own, but to have one’s own burnt through by it. The story says “both were lost,” and the application says “their outer scriptures are burnt up and do not circulate in the world”: the thief lost his cotton and did not get the gold.
The parable of the piśāca demons closes the fascicle. Two demons quarrel over a chest, a staff, and a pair of sandals; a man asks, “what is so remarkable about this chest, staff, and sandals, that you quarrel and rage so?” and the demons tell him what the three things do; the man says, “step a little way off, and I shall divide them fairly between you”; the demons step back, and the man takes up the chest, grasps the staff, puts on the sandals and flies away, saying, “what you were quarrelling over I have taken; now you have nothing left to quarrel about.” The application is matched item by item: “The piśācas stand for the many demons and the followers of other paths.” “Giving is like the chest: the goods that sustain life in the five paths of humans and gods all come out of it. Meditation is like the staff: it subdues the enemy Māra and the thieves that are the afflictions. Keeping the precepts is like the sandals: one is sure to rise to the realms of men and gods.” “The demons and followers of other paths quarrelling over the chest stand for those who, within the realm of the outflows, force a quest for fruition and retribution and get nothing at all.” In this parable the fools are the demons and those pointed at are the demons; the man who takes the three things is no fool. In the story of this parable a man does a right thing. What he does right is this: the demons quarrel over whom the three things belong to, he asks what the three things are for; having found out their use, he uses them. Giving, precepts, and meditation in the hands of the quarrellers are things to quarrel over; in the hands of the man who uses them they are things to fly with. The application closes with what using them brings: “if one can cultivate good conduct, and giving, keeping the precepts, and meditation, one is freed from suffering and obtains the fruits of the Way.” He is the only one in the fascicle who gets off the ground, and he is placed at the end.
V. Seeing and Seeking (Parables 35, 36, 38, 39, 40)
The applications of all five parables speak of seeing. The parable of the mirror in the treasure chest speaks of the view of the body. The poor man flees his creditors to an empty place, finds a chest full of treasure with a mirror on top; he opens it, sees the man in the mirror, and in fright joins his hands and says, “I thought this chest was empty and had nothing in it; I did not know you were in the chest, sir; do not be angry with me.” The application: ordinary people, “pressed by countless afflictions and bound by the creditor Māra, king of birth and death,” enter the Buddha’s Dharma and cultivate good, and “as on finding the treasure chest, they are deluded and disturbed by the mirror of the view of the body, falsely see a self, and at once seal themselves to it and take it for real,” and so “meditation, the factors of the path, the many good dharmas without outflows, the fruits of the Way of the three vehicles, all are lost.” The chest is the Buddha’s Dharma, the treasure is merit, the mirror is the view of the body, the man in the mirror is the self. There is no one in the mirror; what is there is himself. He sees himself and thinks the chest has an owner, and does not dare take the treasure. The application says “falsely see a self,” not see someone else: the man in the mirror is the one looking, and the view of self is taking one’s own reflection for the owner who was there in the chest all along. Of all the fools in this fascicle, this one comes closest to the treasure and walks away fastest.
The parable of putting out the eyes of the sage with five powers speaks of destroying another’s eyes. The king asks his minister, “how can this man be made to stay always in my country and go nowhere else, so that my treasury may gain many jewels?” The foolish minister puts out the sage’s two eyes and reports, “I have put out his eyes, so he cannot go, and will stay always in this country.” The king says, “the reason I wanted the sage to stay was that he could see all the hidden treasures in the earth; now that you have destroyed his eyes, what is he good for?” The application: seeing another practising the austerities of dhūta in the forests and wilds, among the tombs and under the trees, cultivating the four stations of mindfulness and the contemplation of impurity, “he brings him by force into his own house and makes him all manner of offerings, destroying his good dharmas, so that the fruit of the Way is not accomplished and he loses the eye of the Way.” What was to be kept was the man, what was wanted was the man’s eyes; keep the man and destroy the eyes, and what is kept is not what was wanted. To make offerings to a practitioner and bring him home from the forest keeps the man and ruins his eye of the Way. The king wanted the hidden treasures, and with the eyes gone the treasures are gone too; the giver wanted merit, and with the eye of the Way gone the merit is gone too. In the parable before, the man falsely saw a self; in this one he destroyed another’s eyes.
The parable of drinking from the wooden pipe speaks of leaving desire behind. A man drinks his fill and says to the pipe, “I have finished drinking; water, come no more”; the water flows on, and he is angry. Someone says: “You great fool, without any wisdom! Why do you not go away, instead of telling it not to come?” The application: “for the thirsting craving of birth and death they drink the salt water of the five desires,” and when they are sick of it they say, “forms, sounds, odours, and tastes, come no more and let me see you no more,” and the five desires continue unbroken, and they are angry again. The wise man says: “If you wish to be free of them, you should gather in your six senses and shut your mind; when false thinking does not arise you will attain liberation. Why must you not see them, why must you make them not arise?” This is the plainest statement of the Dharma in the fascicle, and the one that says most concretely how to practise. To leave desire is not to tell forms, sounds, odours, and tastes not to come, but to walk away oneself. The way of walking away is called gathering in the six senses and shutting the mind. The application calls the five desires salt water: drink it and you are thirstier. The fool’s fault is not in drinking, but in giving orders to the water when he has done.
The parable of seeing another man’s plastered house speaks of killing one’s own body. The fool sees a wall well plastered and asks what was mixed into the mud; the host says the chaff of rice soaked in water, and he thinks that pure chaff is not as good as mixing in the rice grain itself, “and he mixed rice grain into the mud and plastered his wall with it, hoping for a smooth surface, and it came out more uneven than before, and the whole wall split.” Here the base text adds a sentence: “He wasted his rice for no benefit at all; better to have given it freely and gained merit.” The application: hearing the sages teach that by cultivating the many good dharmas one may, after casting off this body, be born in the heavens and attain liberation, “he kills his own body, hoping to be born in the heavens and attain liberation, and loses his life in vain and gains nothing at all.” Chaff can be mixed into mud; rice grain cannot. Casting off the body is what comes after cultivating good, not the way of cultivating it. The fool hears “after casting off this body” as casting off the body first. This parable is a pair with the poor man who burned his robe: there someone deceived him into casting off the body, here he misheard and killed it on his own. Both treat the body as a thing to be thrown away first. The base text’s sentence “better to have given it freely” is set inside the story: rather than plaster a wall with rice grain, give it away; rather than kill the body, cultivate good.
The parable of curing baldness closes the section. The bald man asks the physician, “I beg you, great master, treat me”; the physician takes off his hat, bald himself, and says, “I suffer from it too and find it painful; if I could cure it, I should first cure myself and be rid of my own affliction.” The application: pressed by birth, old age, sickness, and death, he seeks a place of long life without death, and goes to the ascetics and brāhmaṇas to have the affliction of impermanence and birth and death removed; the brāhmaṇas answer, “we too suffer from this impermanence, birth, old age, sickness, and death; we have sought by every means a place of lasting life and never found it. If we could make you attain it, we should first attain it ourselves and then let you attain it too,” and he is “like the bald man, wearying himself in vain and never cured.” In this parable no fool does a wrong thing. The bald man is not wrong to seek a physician, and the physician is not wrong to tell the truth. What is wrong is the thing sought: “a place of long life without death,” sought from men who are themselves inside old age and death. This parable is a pair with the Buddha’s words in the preface to the first fascicle, “you are not yet dead, and yet you know that death is suffering”: nirvāṇa is the dharma that is neither born nor dies, not a place of long life without death; a place of long life without death no one has, and so no one can give. Baldness is impermanence, and everyone has it. This parable stands second to last, and right after it comes the man in the parable of the piśāca demons who flies away: he does not seek a place of long life without death; he picks up giving, precepts, and meditation and goes.
VI. How to Read the Fascicle
In this fascicle the application opens with “it is just the same” in fifteen parables: nine with “worldly people,” three with “the fools of the world,” two with “ordinary people,” one with “ordinary fools”; three open with “so too with worldly people”; the merchant who stole gold opens with “like those followers of other paths,” and the piśāca demons with “the piśācas stand for,” and these two applications do not open with “it is just the same.” Seven parables do not close with “it is just the same”: fetching aloeswood from the sea ends at “cut off birth and death quickly and become arhats”; putting out the eyes of the sage, killing the whole herd, drinking from the wooden pipe, seeing another man’s plastered house, and curing baldness end with a “like that…” pointing back to the story; the piśāca demons ends at “freed from suffering and obtains the fruits of the Way.” In reading each parable, still find the first sentence of the application and match backward from it: aloeswood against the fruit of buddhahood, charcoal against the fruit of the hearers, sesame against austerity, brocade against the precepts, water and fire against merit and the precepts, the twitching eye against the Tathāgata’s shortcomings, horse dung against the contemplation of impurity, the nose against virtue, the coarse wool robe against the human body, the sheep against the Dharma, the donkey against turning one’s back on kindness, the tūla cotton against the outer scriptures, the tree against the precepts, the five yojanas against the one vehicle, the mirror against the view of the body, the sage’s eyes against the eye of the Way, the cattle against the precepts, the salt water against the five desires, the rice against the body, baldness against impermanence, the chest, staff, and sandals against giving, meditation, and the precepts. Where they match is the matter of this fascicle; where they do not, the apparatus records it parable by parable.
Three things in this fascicle are not in the first. First, no one laughs: the base text writes of laughter only in the parable of the thief who wrapped rags in brocade, and the other fools’ faults have no onlooker, or an onlooker who only scolds and does not laugh. Second, in two parables someone in the story does a right thing: in delivering fine water the villagers trust the king and do not give up, and in the piśāca demons the man asks what the things are for and picks them up and flies. These two stand in the very middle and at the very end of the fascicle, set there for the people of the other eighteen. Third, the application contains one sentence of method: “you should gather in your six senses and shut your mind; when false thinking does not arise you will attain liberation.” The first fascicle mostly said what not to do; this one says once what to do.
Carrying Forward — The Application as Its Own Commentary
This fascicle is not treated by any commentary of the ancient masters; the Sūtra of One Hundred Parables has no sentence-by-sentence ancient commentary in the canon. The application of each parable is that parable’s own commentary, and every scriptural proof cited in this exposition is taken from the story and its application; no further doctrine is set up.
卷第三Fascicle 3
全文五層 →Full five layers →這一卷二十四喻,沒有序分,卷首目錄之後直接是喻。寫法與前兩卷同:前一段事,後一段「亦復如是」。被指的對象又換了一回。卷一合段點名外道七喻、比丘或四輩弟子四喻;卷二點名外道三喻、比丘無。這一卷點名外道的四喻都在後半:二子分財、梵天弟子造物因、病人食雉肉、五百歡喜丸;點名比丘的一喻是奴守門;點名弟子、學徒的三喻是野干為折樹枝所打、師患脚付二弟子、蛇頭尾共爭在前。其餘指世間之人、世間愚人、凡夫。卷二底本明寫旁人笑的只有一喻;這一卷有三喻:小兒爭分別毛「為一切人之所嗤笑」〔T04 0550c09〕,願為王剃鬚「如此愚人世人所笑」〔T04 0551a20〕,二子分財「如是分物人所嗤笑」〔T04 0551c02〕。索無物喻裡也有一個笑,是二人之中「其一人者含笑而言」〔T04 0551b05〕,那是說者自己笑,不是旁人笑他。
這一卷有兩件事前兩卷沒有。一是合段作偈:觀作瓶喻、見水底金影喻兩喻的合段,前兩卷都是散文,這一卷頭一回用了偈。二是直說陰中無我:卷二寶篋鏡喻說的是身見,妄見有我;這一卷接著說五陰裡沒有那個我。見水底金影「於無我陰中,橫生有我想」〔T04 0552a10〕,伎兒著戲羅剎服「方知五陰無有真我」〔T04 0552b28〕,人謂故屋中有惡鬼「一一推析誰是我者?」〔T04 0552c10〕,喻六〇、六三、六四都在卷末之前。前兩卷說的多是愚人把法拿錯;這一卷說到了愚人把自己認錯。
估客駝死喻裡的一句,可以作這一卷的題:「皮㲲之價理自懸殊,以愚癡故以㲲覆皮。」〔T04 0549c10〕㲲是細軟上㲲,貴;駝皮是剝下來的皮,賤。二人用貴的去蓋賤的,天雨,㲲爛了,皮也沒保住。合段把這件事叫做「捨根取末不求其本」〔T04 0549c15〕。二十四喻裡的愚人多半做的是這件事:拿貴的蓋賤的,拿根換末,拿不是樂的當樂,拿不是我的當我。讀這一卷,先認清每一喻裡什麼是㲲,什麼是皮。
一、根與末(喻四二、四五、四六、五〇)
四喻合段都說戒。估客駝死喻合段逐項對:「其不殺者喻於白㲲,其駝皮者即喻財貨,天雨濕爛喻於放逸敗壞善行。」〔T04 0549c12〕「不殺戒者即佛法身最上妙因」〔T04 0549c14〕,卻不能修,「但以財貨造諸塔廟供養眾僧」〔T04 0549c15〕,於是「漂浪五道莫能自出」〔T04 0549c16〕。不是塔廟不該造,是用㲲去蓋皮。合段末說「是故行者應當精心持不殺戒」〔T04 0549c16〕,根在這裡。
奴守門喻說怎麼丟的。主人出門囑咐「爾好守門并看驢索」〔T04 0550a09〕,奴要聽樂,用索把門繫在驢上,連門帶驢去了,財物被偷盡。主人回來問,奴答「大家先付門驢及索,自是以外非奴所知」〔T04 0550a14〕。主人說:「留爾守門正為財物,財物既失用於門為?」〔T04 0550a15〕合段:「如來教誡常護根門,莫著六塵,守無明驢看於愛索。」〔T04 0550a17〕而諸比丘「貪求利養詐現清白靜處而坐」〔T04 0550a19〕,心流馳五欲,「正念覺意道品財寶悉皆散失」〔T04 0550a21〕。奴沒有丟門、丟驢、丟索,三樣都帶著;丟的是門所守的財物。合段說的比丘也沒有丟靜處而坐這個樣子,丟的是坐在那裡所要守的道品。守門是為財物,持戒靜坐是為道品;守著門而把門帶走了,門不是財物,正如坐著而心流馳,坐不是道。這喻與駝死喻是一對:那喻拿貴的蓋賤的,這喻拿守的當所守。
偷犛牛喻說藏。一村偷牛共食,失牛者問,偷者答「我實無村」,無池,無樹,無東,無中;問到「縱可無村及以無樹,何有天下無東無時?」〔T04 0550b01〕,才答「實食」。合段:破戒之人「覆藏罪過不肯發露,死入地獄,諸天善神以天眼觀不得覆藏,如彼食牛不得欺拒」〔T04 0550b04〕。偷牛的人為了藏一件事,否認了村、池、樹,最後否認東方與日中。罪過可以不說,東方不能沒有。合段的要處在「不肯發露」四字:發露是戒律裡本有的路,牛吃了,說出來就是;藏到否認天下有東方,才是這喻的愚處。
醫治脊僂喻說損。醫以酥塗,上下著板用力壓,「不覺雙目一時併出」〔T04 0550c13〕。合段:世間愚人「為修福故,治生估販作諸非法」〔T04 0550c14〕,「其事雖成利不補害」〔T04 0550c15〕,將來入地獄,「喻雙目出」〔T04 0550c16〕。脊是要治的,眼是壓出來的。福是要修的,非法是作出來的。為修福而作非法,和為治脊而壓出雙目一樣:所得的直了,所失的是眼。四喻合起來:戒是根、是財物、是該發露的事、是眼;財貨塔廟、門驢索、否認東方、治生估販,都是末。
二、學與名(喻四三、四八、四九、五三、五四、五八)
六喻的愚人都在學,學問、師徒、說法、分別。磨大石喻起頭:磨一大石,經歷日月,作一個小戲牛,「用功既重所期甚輕」〔T04 0549c20〕。合段:「磨大石者喻於學問精勤勞苦,作小牛者喻於名聞互相是非。」〔T04 0549c21〕為學的人研思博通,「宜應履行遠求勝果」〔T04 0549c23〕,卻「方求名譽憍慢貢高,增長過患」〔T04 0549c24〕。學問不是錯的,石頭真的磨了;錯在磨出來的是一個玩具。這喻合段不說學問是末,說名聞是末。
野干為折樹枝所打喻說弟子離師。野干在樹下,風吹枝折打在脊上,「即便閉目不欲看樹」〔T04 0550b23〕,跑到露地;日暮見大樹枝搖,說是喚我,又回樹下。合段:愚癡弟子得近師長,「以小呵責即便逃走」〔T04 0550b26〕,「復於後時遇惡知識惱亂不已,方還所去」〔T04 0550b27〕,「如是去來是為愚惑」〔T04 0550b28〕。枝折是風吹的,不是樹打的;呵責是師長教的,不是師長害的。野干怪樹,弟子怪師。回來不是因為懂了,是因為外面被惡知識惱亂;去也不對,回也不對,合段說的是「去來」兩字。
小兒爭分別毛喻說答非所問。二小兒爭一把毛是仙鬚還是羆毛,去問仙人;仙人含米胡麻吐在掌中說「我掌中者似孔雀屎」〔T04 0550c06〕。合段:世間愚人「說法之時戲論諸法不答正理」〔T04 0550c08〕,如彼仙人不答所問,「為一切人之所嗤笑,浮漫虛說亦復如是」〔T04 0550c09〕。小兒的問題小,仙人的答更小。合段把不答正理叫戲論,把戲論叫浮漫虛說;被笑的不是小兒,是仙人。這一卷三個被笑的愚人,這是第一個,笑他的是「一切人」。
師患脚付二弟子喻說互非。師患脚,二弟子各按一脚,相憎,一人把另一人所按的脚用石打折,另一人回來也打折那一隻。合段:「方等學者非斥小乘,小乘學者復非方等,故使大聖法典二途兼亡。」〔T04 0551a07〕兩隻脚是一個師的。弟子以為打折的是對方的脚,打折的是師的脚。合段說的是「兼亡」:不是方等贏了小乘,是兩途都沒了。
蛇頭尾共爭在前喻說次第。尾要在前,頭說「我恒在前,何以卒爾?」〔T04 0551a11〕;放尾在前,「即墮火坑燒爛而死」〔T04 0551a12〕。合段:師徒弟子亦復如是,「言師耆老每恒在前,我諸年少應為導首」〔T04 0551a13〕,「如是年少不閑戒律多有所犯,因即相牽入於地獄」〔T04 0551a14〕。頭在前不是頭贏了尾;底本只說放尾在前便墮火坑,讀者可以自己對出:頭看得見路,尾看不見。年少導首不是年少贏了耆老,是年少不閑戒律。這喻合段點出了「戒律」:師在前,因為師閑戒律;前兩喻說弟子不能離師、不能互非,這喻說弟子不能在師前。三喻合讀是一件事的三面。
二子分財喻收這一節。愚老人教分物:衣裳中割,槃瓶中破,錢也破作二分,「如是分物人所嗤笑」〔T04 0551c02〕。合段:「如諸外道偏修分別論,論門有四種」〔T04 0551c03〕,決定答、分別答、反問答、置答。底本把四門都舉了例:「有決定答論門」〔T04 0551c04〕,一切有皆死;分別答,死者必有生是應分別,「愛盡者無生,有愛必有生」〔T04 0551c05〕;反問答,問人為最勝不,先問是對三惡道還是對諸天;置答,「若問十四難」〔T04 0551c10〕,世界眾生有邊無邊、有始終無始終,置而不答。諸外道「破於四種論作一分別論,喻如愚人分錢物破錢為兩段」〔T04 0551c12〕。這一喻的合段是全卷說法最成體的一段。愚老人的錯不是分,是每一物都分:衣裳可分,錢破了就不是錢。四門之中分別答是一門,外道的錯不是用了分別答,是每一問都分別答;該決定的也分別,該反問的也分別,該置答的也分別。這和小兒爭毛喻是一對:那喻是該答不答,這喻是不該分而分。學的事到這裡說完:學問為名、離師、不答正理、互非、僭前、偏執一門,六樣都不是不學,都是學成了小牛。
三、樂(喻四四、五一、五二、五五)
四喻合段都說樂,說樂不是樂。欲食半餅喻:吃六枚半飽了,恚悔「我今飽足由此半餅」〔T04 0549c28〕,前六枚白丟了。合段:世間之人「從本以來常無有樂,然其癡倒橫生樂想」〔T04 0550a01〕,如彼癡人於半餅生飽想,世人以富貴為樂。「夫富貴者,求時甚苦,既獲得已守護亦苦,後還失之憂念復苦,於三時中都無有樂。」〔T04 0550a03〕「猶如衣食遮故名樂」〔T04 0550a05〕——衣食遮了寒飢,遮住了,叫作樂。合段末引諸佛說言:「三界無安,皆是大苦,凡夫倒惑,橫生樂想。」〔T04 0550a06〕飽不在半餅,在六枚半;樂不在富貴,在苦暫時被遮。「橫生樂想」四字,在這喻合段裡出現三回。
五人買婢共使作喻說苦從哪裡來。五人買一婢,各叫她浣衣,她先給前人浣,後者說「我共前人,同買於汝,云何獨爾?」〔T04 0550c20〕,鞭十下,五人各鞭十下。合段:「五陰亦爾,煩惱因緣合成此身」〔T04 0550c21〕,五陰「恒以生老病死無量苦惱搒笞眾生」〔T04 0550c22〕。這喻合段只有一句。婢是眾生,五人是五陰;婢沒有做錯什麼,五個主人都有理由打她。前喻說樂是遮苦,這喻說苦是誰打的:不是外面的人,是這個身的五個成分。
伎兒作樂喻說樂的實。伎兒王前作樂,王許千錢,後不給,說「汝向作樂空樂我耳,我與汝錢亦樂汝耳」〔T04 0550c26〕。合段:「人中天上雖受少樂亦無有實,無常敗滅不得久住,如彼空樂。」〔T04 0550c28〕王的話是賴帳的話,可是在喻裡說得通:樂過了耳,什麼也沒剩。合段拿賴帳的王的話說人天果報,人天的樂也是過了耳就沒了。半餅喻說世間無樂,這喻說人中天上也「亦無有實」〔T04 0550c28〕,比半餅喻說得更遠。
願為王剃鬚喻收這一節。親信沒命救王,王許所願,他求「王剃鬚時,願聽我剃」〔T04 0551a19〕。「半國之治、大臣輔相悉皆可得,乃求賤業。」〔T04 0551a21〕合段:諸佛無量劫難行苦行成佛,遇佛及值遺法、得人身,「人身難得譬如盲龜值浮木孔」〔T04 0551a24〕;「此二難值今已遭遇,然其意劣」〔T04 0551a24〕,「奉持少戒便以為足」〔T04 0551a25〕,「不求涅槃勝妙法也,無心進求,自行邪事,便以為足」〔T04 0551a26〕。少戒自足是一層,不求進而自行邪事還自足是又一層。這喻的愚人不是求錯了,是求小了,小到連邪事也當足。前三喻說世間人天之樂無實,這喻說遇佛法得人身是真實難得之值,而人拿它去換一件賤業。合段「便以為足」四字說了兩回。半餅喻的人以半餅為足,這喻的人以少戒為足;一個把不是樂的當樂,一個把真能換大的拿去換小的。
四、時(喻四七、五七、五九)
三喻合段都說時。貧人作鴛鴦鳴喻:貧人入王池作鴛鴦鳴偷花,守池者問「池中者誰」,他失口答「我是鴛鴦」〔T04 0550b14〕;被捉去的路上又作鴛鴦鳴,守池者說:「爾先不作,今作何益?」〔T04 0550b15〕合段:世間愚人「終身殘害作眾惡業,不習心行使令調善」〔T04 0550b16〕,臨命終時方說「今我欲得修善」〔T04 0550b18〕,獄卒將去付閻羅王,「雖欲修善亦無所及已」〔T04 0550b19〕。鴛鴦鳴他本來會,池中那時該叫而失口說了人話;路上不該叫了才叫。修善他本來能,一生該修時不修;臨終不及了才要修。「爾先不作,今作何益」〔T04 0550b15〕是這一節的題。
蹋長者口喻說提前。左右侍人等長者唾落地才蹋,愚人每常不及,想「若唾地者諸人蹋却,欲唾之時,我當先蹋」〔T04 0551b14〕,長者正欲咳唾,他舉脚蹋長者口,破脣折齒。他說的是「望得汝意」〔T04 0551b20〕。合段:「凡物須時,時未及到,彊設功力返得苦惱」〔T04 0551b20〕,「以是之故世人當知時與非時」〔T04 0551b21〕。鴛鴦喻是太晚,這喻是太早。愚人要的是討長者喜歡,和諂者一樣;差別只在時候。合段不說他想錯了,說他「時未及到」。這一卷合段不以「亦復如是」起的五喻,這是其一;它沒有說「世間之人亦復如是」,是直接說「凡物須時」,像是撰者自己開口。
觀作瓶喻收這一節。二人觀陶師作瓶,一人去了,到大會得美膳珍寶;一人說「待我看訖」〔T04 0551c17〕,看到日沒,「觀瓶不已失於衣食」〔T04 0551c18〕。合段:「愚人亦爾,修理家務不覺非常。」〔T04 0551c19〕下面是偈:「今日營此事,明日造彼業」〔T04 0551c20〕,「諸佛大龍出,雷音遍世間,法雨無障礙,緣事故不聞」〔T04 0551c21〕,「不知死卒至,失此諸佛會,不得法珍寶,常處惡道窮」〔T04 0551c23〕,「背棄放正法,彼觀緣事瓶,終常無竟已,是故失法利,永無解脫時」〔T04 0551c25〕。瓶是家務,大會是諸佛會。觀瓶的人不是不想去大會,是說等看完;家務沒有看完的時候,偈說「終常無竟已」。失的有三層:失諸佛會,失法珍寶,失法利;所處的是惡道,所背的是正法。偈不說他不想要法,說他「背棄」,背過身去看瓶。鴛鴦鳴是過了時才作,蹋口是不到時先作,觀瓶是把時看過去了。三喻合起來,就是「世人當知時與非時」〔T04 0551b22〕。
五、我與鬼(喻五六、六〇、六一、六二、六三、六四)
六喻合段都說見。索無物喻起頭。二人助推車到平地,問「與我物來」,答「無物」;一人說「與我無物」〔T04 0551b05〕,又說「與我無物,必應有無物」〔T04 0551b07〕;另一人說:「無物者,二字共合是為假名。」〔T04 0551b07〕合段兩句:「世俗凡夫若無物者,便生無所有處」〔T04 0551b08〕;「第二人言無物者,即是無相無願無作」〔T04 0551b09〕。這喻的兩個人沒有一個被笑,一個索「無物」當成一件東西,一個說「無物」是兩個字合起來的名。合段也分兩面:凡夫執無物,生無所有處;第二人說的無物,是三解脫門。這喻譬段裡就有人把法說對了,說對的那個人是「含笑而言」〔T04 0551b06〕的。
見水底金影喻說認影。癡人見水底有真金影,入水撓泥求覓,疲極不得,水清又見,又入。父看了「而知此金在於樹上,所以知之,影現水底」〔T04 0552a06〕,說「必飛鳥銜金著於樹上」〔T04 0552a07〕,兒「即隨父語,上樹求得」〔T04 0552a08〕。偈:「凡夫愚癡人,無智亦如是,於無我陰中,橫生有我想;如彼見金影,勤苦而求覓,徒勞無所得。」〔T04 0552a09〕金是真的,水底沒有金。我想是有的,陰中沒有我。這喻譬段裡有一個父親,父親看見的是同一個影,說的是影在這裡,金不在這裡。偈只說了癡人那一半;父親那一半要讀者自己對:知道影是影,金就找得到。
梵天弟子造物因喻說誰造的。婆羅門說「大梵天王是世間父,能造萬物」〔T04 0552a14〕;梵天的弟子說我也能造,梵天說你不能,他不聽,造出來的「作頭太大,作項極小,作手太大,作臂極小,作脚極小,作踵極大,作如似毘舍闍鬼」〔T04 0552a19〕。合段:「以此義當知,各各自業所造,非梵天能造」〔T04 0552a21〕。「諸佛說法不著二邊,亦不著斷亦不著常,如似八正道說法。」〔T04 0552a22〕諸外道見斷見常便生執著,「欺誑世間作法形像,所說實是非法」〔T04 0552a24〕。弟子造的是一個鬼樣子,合段說眾生的樣子各是自業所造;要害在「非梵天能造」五字,不是說弟子不如梵天,是說造物主這件事本身沒有。合段從這裡轉到二邊:造物主是常見的一頭。這喻合段也不以「亦復如是」起,是以「以此義當知」起。
病人食雉肉喻說一識。醫教恒食雉肉,病人吃了一隻不再吃,醫問:「汝今云何正食一雉望得愈病?」〔T04 0552b03〕合段:一切外道聞佛菩薩說「當解心識」〔T04 0552b05〕,執常見,「便謂過去未來現在唯是一識無有遷謝」〔T04 0552b06〕,猶食一雉。諸佛教除常見:「一切諸法念念生滅,何有一識常恒不變?」〔T04 0552b08〕佛教眾生令得解,「諸法壞故不常,續故不斷」〔T04 0552b11〕,即得剗除常見之病。一隻雉和一個識是同一個錯:醫說恒食,是一隻接一隻;病人聽成一隻吃到底。佛說解心識,是念念生滅相續;外道聽成一識不變。「壞故不常,續故不斷」八字接著前喻的「不著斷亦不著常」〔T04 0552a23〕,前喻說不著,這喻說為什麼。
伎兒著戲羅剎服共相驚怖喻說鬼是誰。伎兒宿山中,一人怕冷穿了戲裡的羅剎服向火坐,同伴醒來見火邊一羅剎,「竟不諦觀捨之而走」〔T04 0552b19〕,一夥全逃;穿羅剎服的也跟著跑,同伴見他在後以為要害人,更怕,越山河投溝壑,傷破疲極,「乃至天明方知非鬼」〔T04 0552b23〕。合段:一切凡夫「處於煩惱飢儉善法,而欲遠求常樂我淨無上法食,便於五陰之中橫計於我」〔T04 0552b24〕,「以我見故流馳生死」〔T04 0552b26〕,墮三塗溝壑;「至天明者喻生死夜盡智慧明曉,方知五陰無有真我」〔T04 0552b27〕。羅剎是自己人穿的衣服,追的人就是逃的人。合段對得很細:飢儉對飢儉,溝壑對溝壑,天明對智慧明曉。要處在「竟不諦觀」四字:看一眼就能知道不是鬼,沒有人看。我見也是這樣,五陰裡的我是穿上去的衣服,天亮了看一眼就知道。
人謂故屋中有惡鬼喻收這一節。故屋人說有鬼,一人自謂大膽入宿;後一人自謂更膽勇,也入,排門;先入的以為他是鬼,推門不讓;後來的也以為有鬼;二人鬪到天明,「既相覩已,方知非鬼」〔T04 0552c08〕。合段:一切世人亦復如是,「因緣暫會無有宰主,一一推析誰是我者?」〔T04 0552c09〕然諸眾生「橫計是非強生諍訟,如彼二人等無差別」〔T04 0552c11〕。前喻的鬼是衣服,這喻的鬼是對面的人;兩喻譬段都以「方知非鬼」收。這喻多說一層:鬼沒有,鬪卻真鬪了一夜。眾生爭是非,爭的雙方都以為對面有一個宰主,一一推析,誰也不是。六喻合讀:無物不是一物,金影不是金,造物主沒有,一識沒有,羅剎是衣服,鬼是對面的人。六喻說的都是一件事:看見的不是那個。
六、一卷的讀法
這一卷二十四喻,合段以「亦復如是」起的十五喻:世間之人三、世間愚人三,生死愚人為愛奴僕、破戒之人、愚癡弟子、世間果報、佛法學徒、師徒弟子、一切外道、一切凡夫、一切世人各一;以「亦爾」起的三喻:五陰亦爾、愚人亦爾兩回;見水底金影以偈中「無智亦如是」起;不帶此類字起的五喻:索無物直說「世俗凡夫若無物者」,蹋長者口直說「凡物須時」,二子分財以「如諸外道」起,梵天弟子造物因以「以此義當知」起,五百歡喜丸以「其婦人歡喜丸者喻」起。合段作偈的兩喻是觀作瓶與見水底金影;前兩卷合段皆散文,偈從這一卷起。讀每一喻仍先找合段第一句,從那一句往回對:㲲對不殺戒,門驢索對根門,無東無時對不肯發露,雙目對地獄,小牛對名聞,枝折對呵責,孔雀屎對戲論,二脚對方等小乘,頭尾對耆老年少,破錢對分別論,半餅對樂想,五人對五陰,空樂對人天果報,剃鬚對少戒,鴛鴦鳴對臨終修善,蹋口對時未及到,瓶對家務,無物對無相無願無作,金影對我想,鬼樣子對自業,一雉對一識,羅剎服對我見,故屋鬼對宰主,歡喜丸對不淨施。對得上,是這一卷的事;對不上處考據逐喻記著。
五百歡喜丸喻放在卷末,是全卷最長的一喻,也是前兩卷沒有的一種:愚人在裡面得了好報。婦造毒丸要害夫,夫忘在樹下,五百賊吃了全死,夫詐稱殺賊,得王厚賞;舊臣嫉妬,他說無人敢敵;王遣他殺師子,他怕得上樹,「其人怖急失所捉刀,值師子口,師子尋死」〔T04 0553a19〕。合段逐項對:「其婦人歡喜丸者喻不淨施,王遣使者喻善知識」〔T04 0553a22〕,「至他國者喻於諸天」〔T04 0553a23〕,「殺群賊者喻得須陀洹強斷五欲并諸煩惱」〔T04 0553a23〕,「遇彼國王者喻遭值賢聖」〔T04 0553a24〕;舊臣嫉妬,「喻諸外道見有智者能斷煩惱及以五欲,便生誹謗言無此事」〔T04 0553a26〕;遠人說舊臣無人能敵,「喻於外道無敢抗衝」〔T04 0553a28〕;「殺師子者喻破魔。既斷煩惱又伏惡魔,便得無着道果封賞」〔T04 0553a29〕;「每常怖怯者喻能以弱而制於彊」〔T04 0553b01〕。十項對得整齊:施、善知識、諸天、須陀洹、賢聖、外道誹謗、外道不敵、破魔、道果、以弱制彊,一路從不淨施走到無著道果。結語:「其於初時雖無淨心,然彼其施遇善知識便獲勝報,不淨之施猶尚如此,況復善心歡喜布施?」〔T04 0553b02〕「是故應當於福田所勤心修施。」〔T04 0553b04〕毒丸是害人的,施出去成了歡喜丸。這一喻的人沒有一件事是自己做成的:丸是婦造的,賊是丸毒死的,師子是刀掉進口裡死的;他自己動手的只有詐稱殺賊。合段把這叫「不淨之施」而「遇善知識」:施的人心不淨,施本身到了該到的地方。前面二十三喻說的多半是愚人拿貴的蓋賤的,最後一喻說的是賤的也能成貴的,條件是遇善知識。放在卷末,是給前面二十三喻的人留一條路:㲲蓋了皮,皮爛了,不淨的施還是施。
承衍——合段自釋
本卷無古德疏所攝;百喻經在藏中無逐文古疏。每喻之合段即本喻自釋,義疏所引經證皆取自譬段與合段,不另立義。
This fascicle has twenty-four parables and no preface; after the table of contents at its head come the parables themselves. The form is the same as in the first two fascicles: first the story, then “it is just the same.” Those pointed at have changed once more. The first fascicle named followers of other paths in seven applications and bhikṣus or the four kinds of disciples in four; the second named followers of other paths in three and bhikṣus in none. In this fascicle the four that name followers of other paths all fall in the second half: the two sons dividing the estate, Brahmā’s disciple who tried to create things, the sick man who ate pheasant, and the five hundred joy pills. One names bhikṣus, the servant who guarded the door. Three name disciples or students, the jackal struck by a broken branch, the teacher’s sore legs and his two disciples, and the snake’s head and tail quarrelling over who goes first. The rest point at worldly people, the fools of the world, ordinary people. In the second fascicle the base text writes of onlookers laughing in only one parable; in this fascicle there are three: the boys who quarrelled over a tuft of hair, where the sage “was ridiculed by everyone”; asking to shave the king’s beard, where “such a fool is laughed at by the people of the world”; and the two sons dividing the estate, where “one who divides goods like this is ridiculed by people.” There is one more laugh, in the parable of demanding “nothing,” where of the two men “one of them said with a smile”; that is the speaker smiling himself, not others laughing at him.
Two things in this fascicle have no precedent in the first two. One is an application in verse: in the parables of watching the potter make pots and seeing the reflection of gold in the water, the application is in verse, where in the first two fascicles it was always prose. The other is the plain statement that there is no self in the aggregates: the second fascicle’s mirror in the treasure chest spoke of the view of the body, the false seeing of a self; this fascicle goes on to say that in the five aggregates there is no such self. Seeing the reflection of gold, “within the aggregates where there is no self they falsely conceive the notion of a self”; the players frightened by the rākṣasa costume, “only then do they know that in the five aggregates there is no true self”; the old house said to have a demon, “analysed one by one, which of them is the self?” Parables 60, 63 and 64 all fall before the end of the fascicle. The first two fascicles mostly spoke of fools taking hold of the Dharma wrongly; this one comes to fools mistaking themselves.
A sentence in the parable of the merchant whose camel died could stand as the title of the fascicle: “The price of the hide and the price of the cotton are by rights worlds apart, yet out of foolishness they covered the hide with the cotton.” The cotton was fine soft cloth of the best kind, and dear; the camel hide was a skin stripped from a carcass, and cheap. The two men used the dear thing to cover the cheap one; it rained, the cotton rotted, and the hide was not saved either. The application calls this “discarding the root and taking the branch, not seeking the source.” That is what most of the fools of these twenty-four parables do: they cover the cheap with the dear, trade the root for the branch, take for pleasure what is not pleasure, take for self what is not self. In reading this fascicle, first make out in each parable what is the cotton and what is the hide.
I. Root and Branch (Parables 42, 45, 46, 50)
The applications of all four speak of the precepts. The application of the merchant whose camel died matches item by item: “Not killing is the white cotton; the camel hide is wealth; the rain that soaked and rotted it is heedlessness that ruins wholesome conduct.” “The precept against killing is the supreme and wonderful cause of the Buddha’s Dharma-body,” yet people cannot practise it and “only use their wealth to build stupas and shrines and make offerings to the monks,” and so “drift through the five paths unable to get themselves out.” It is not that stupas and shrines should not be built; it is that the cotton is used to cover the hide. The application ends, “therefore practitioners should keep the precept against killing with a focused mind.” The root is here.
The servant who guarded the door tells how it is lost. The master going away charges him, “guard the door well, and watch the donkey and the rope”; the servant wants to hear the music, ties the door to the donkey with the rope, takes door and donkey off together to listen, and the goods are stolen clean. When the master comes back and asks, the servant answers, “the master gave the door, the donkey and the rope into my charge; beyond those, nothing is the servant’s concern.” The master says: “I left you to guard the door precisely for the sake of the goods; now the goods are lost, what use is the door?” The application: “The Tathāgata’s instruction is always to guard the doors of the senses, not to cling to the six objects, to watch the donkey of ignorance and keep an eye on the rope of craving.” But the bhikṣus, “seeking gain and offerings, feign purity and sit in quiet places,” while their minds run after the five desires, and “the treasures of right mindfulness, the factors of awakening and the factors of the path are all scattered and lost.” The servant did not lose the door, the donkey or the rope; he took all three with him; what he lost was the goods the door was guarding. The bhikṣus of the application did not lose the look of sitting in a quiet place either; what they lost were the factors of the path that the sitting was meant to guard. The door is guarded for the sake of the goods; the precepts are kept and one sits still for the sake of the path. To guard the door and take the door away is to forget that the door is not the goods, just as to sit while the mind runs is to forget that sitting is not the path. This parable pairs with the camel: that one uses the dear to cover the cheap; this one takes the guard for the thing guarded.
Stealing the yak tells of hiding. A whole village steals a yak and eats it together; the owner asks, and the thieves answer, “in truth we have no village,” no pond, no tree, no east, no noon; only when asked “granted there may be no village and no tree, how can there be no east and no time in all the world?” do they answer, “in truth we ate it.” The application: those who break the precepts “conceal their offences and will not disclose them, and at death fall into hell; the devas and good spirits see with the divine eye and nothing can be concealed, just as those who ate the ox could not deny it.” To hide one thing, the thieves denied the village, the pond and the tree, and in the end denied the east and midday. An offence may go unspoken; the east cannot cease to exist. The point of the application is in the words “will not disclose them”: disclosure is a road the discipline itself provides; the ox was eaten, and saying so is all. To hide it until one denies that the world has an east is the folly of this parable.
Treating a hunched back tells of loss. The physician smears the back with ghee, puts boards above and below and presses hard, and “before anyone knew it both eyes popped out at once.” The application: the fools of the world “for the sake of making merit trade and deal and do all manner of unlawful things”; “though the business succeeds, the gain does not make good the harm,” and in the life to come they enter hell, “which is the eyes popping out.” The back needed treating; the eyes were pressed out. Merit needs making; the unlawful deeds are what was done. To do unlawful things for the sake of merit is the same as to press out both eyes for the sake of a back: the back is straightened, and what is lost is the eyes. Taken together, the four parables say: the precepts are the root, the goods, the thing to be disclosed, the eyes; wealth and stupas, door and donkey and rope, denying the east, trading and dealing, are all the branch.
II. Learning and Reputation (Parables 43, 48, 49, 53, 54, 58)
The fools of all six are at learning: study, teacher and disciple, preaching, analysis. Grinding a great stone opens the set: a man grinds a great stone for days and months and makes a little toy ox, “the labour spent was heavy and the thing hoped for was slight.” The application: “Grinding the great stone is learning pursued with diligence and toil; making the little ox is reputation and quarrelling over who is right.” One who studies and attains wide knowledge “ought to put it into practice and seek the excellent fruit afar,” yet instead “seeks fame, grows arrogant and proud, and increases his faults.” Learning is not the error; the stone really was ground. The error is that what came out of it was a toy. The application does not call learning the branch; it calls reputation the branch.
The jackal struck by a broken branch tells of a disciple leaving his teacher. A jackal under a tree is struck on the back by a branch the wind has broken; “he shut his eyes at once, not wanting to look at the tree,” and ran off into the open; at dusk he saw the great branches swaying in the wind, said they were calling him, and came back under the tree. The application: the foolish disciple who has drawn near his teacher, “at a small rebuke runs away at once,” and “later, when troubled without end by bad friends, goes back to the place he left”; “such going and coming is delusion.” The branch broke because of the wind, not because the tree struck him; the rebuke was the teacher teaching, not the teacher harming. The jackal blames the tree; the disciple blames the teacher. He comes back not because he has understood but because outside he has been harried by bad friends. Neither the leaving nor the returning was right; the application’s word is “going and coming.”
The boys who quarrelled over a tuft of hair tells of answering beside the question. Two boys quarrel over whether a tuft of hair is a sage’s beard or a bear’s fur and go to ask a sage; the sage chews rice and sesame, spits them into his palm and says, “what is in my palm looks like peacock droppings.” The application: the fools of the world, “when preaching the Dharma, indulge in frivolous talk about dharmas and do not answer according to right principle,” like that sage who did not answer what was asked, and are “ridiculed by everyone; loose and empty talk is just the same.” The boys’ question was small; the sage’s answer was smaller. The application calls not answering according to principle frivolous talk, and frivolous talk loose and empty; the one laughed at is not the boys but the sage. Of the three fools laughed at in this fascicle he is the first, and those who laugh at him are “everyone.”
The teacher’s sore legs and his two disciples tells of condemning each other. The teacher’s legs ache, and two disciples each massage one; they hate each other, and one takes the leg the other tends and breaks it with a stone; the other comes back and breaks the leg the first was tending. The application: “Those who study the Vaipulya reject and condemn the Lesser Vehicle, and those who study the Lesser Vehicle in turn condemn the Vaipulya, and so both paths of the Great Sage’s Dharma are lost.” The two legs belong to one teacher. Each disciple thinks he has broken the other’s leg; he has broken the teacher’s. The application’s word is “both lost”: it is not that the Vaipulya beat the Lesser Vehicle; both paths are gone.
The snake’s head and tail quarrelling over who goes first tells of order. The tail wants to go first; the head says, “I have always gone first; why this all of a sudden?” When the tail is let go first, “it fell straight into a fire pit and was burned to death.” The application: teachers and disciples are just the same; the disciples “say the teacher is old and always goes first, and we who are young should be the leaders,” and “such young men, unversed in the discipline, commit many offences and so drag one another into hell.” The head going first is not the head defeating the tail; the base text says only that when the tail was let go first it fell into the fire pit, and the reader can match the rest himself: the head can see the road, and the tail cannot. The young leading is not the young defeating the old; it is the young being unversed in the discipline. The application names “the discipline”: the teacher goes first because the teacher knows the discipline. The two parables before this one say a disciple must not leave his teacher and must not condemn his fellow; this one says he must not go ahead of his teacher. Read together, the three are three faces of one thing.
The two sons dividing the estate closes the set. The foolish old man teaches them to divide: cut the garments down the middle, break the dishes and jars down the middle, break the coins in two as well, and “one who divides goods like this is ridiculed by people.” The application: “like the followers of other paths who cultivate only the analytical mode of answering; there are four modes of answering,” the categorical, the analytical, the counter-question, and the set-aside. The base text gives an example of each: “there is the categorical mode of answering,” that all who exist die; the analytical, that whoever dies is reborn, which calls for analysis, since “one whose craving is exhausted is not reborn, and one who has craving must be reborn”; the counter-question, that when asked whether humans are supreme one first asks whether the comparison is with the three evil paths or with the devas; and the set-aside, “if one is asked the fourteen difficult questions,” whether the world and beings are finite or infinite, with or without beginning and end, which are set aside and not answered. The followers of other paths “destroy the four modes and make one analytical mode, like the fool who divided the goods and broke the coins in two.” This application is the most fully formed stretch of teaching in the whole fascicle. The old man’s error is not dividing but dividing every single thing: garments can be divided; a coin broken is no longer a coin. Among the four modes the analytical is one; the error of the followers of other paths is not that they use the analytical answer but that they answer every question analytically: what should be answered categorically they analyse, what should be met with a counter-question they analyse, what should be set aside they analyse. This pairs with the boys and the tuft of hair: there, what should be answered goes unanswered; here, what should not be divided is divided. With this the matter of learning is told through: learning for fame, leaving the teacher, not answering according to principle, condemning each other, going ahead of the teacher, clinging to one mode. None of the six is a failure to learn; all six are learning that came out as a toy ox.
III. Pleasure (Parables 44, 51, 52, 55)
The applications of all four speak of pleasure, and say that pleasure is not pleasure. Wanting to eat half a cake: a man is full after six and a half cakes, and in vexation and regret says, “my fullness now comes from this half cake,” and the six before it were thrown away for nothing. The application: the people of the world “from the very beginning have never had any pleasure, yet in their deluded inversion they falsely conceive the notion of pleasure,” as that fool conceived the notion of fullness from half a cake, and the people of the world in their ignorance take wealth and rank for pleasure. “As for wealth and rank, they are great suffering when sought; once obtained, guarding them is suffering too; and when later they are lost, the grief and longing are suffering again; in all three times there is no pleasure at all.” “It is as with food and clothing: because they shelter us, they are called pleasure.” Clothing and food shelter us from cold and hunger, and the sheltering is called pleasure. The application ends by citing the Buddhas: “The three realms have no safety; all is great suffering; ordinary beings, inverted and deluded, falsely conceive the notion of pleasure.” The fullness is not in the half cake but in the six and a half; the pleasure is not in wealth and rank but in suffering sheltered for a while. The words “falsely conceive the notion of pleasure” come three times in this one application.
Five men who bought one slave girl tells where suffering comes from. Five men buy a slave girl together; each tells her to wash his clothes; she washes for the first, and the next says, “I bought you together with the man before me; why only him?” and whips her ten times, and all five whip her ten times each. The application: “The five aggregates are likewise; the body is compounded by the causes and conditions of the afflictions,” and the five aggregates “constantly flog beings with birth, old age, sickness, death and countless sufferings.” This application is a single sentence. The slave girl is the beings; the five men are the five aggregates. The girl did nothing wrong, and each of her five masters had a reason to beat her. The parable before says pleasure is suffering sheltered; this one says who does the beating: not people outside, but the five parts of this very body.
The musician’s performance tells of the substance of pleasure. A musician plays before the king, the king promises a thousand coins, and afterwards will not pay, saying, “just now your music was only pleasing my ears for nothing; my promise to give you money also only gave pleasure to your ears.” The application: “The slight pleasures of reward among humans and in the heavens are likewise without substance; impermanent, they decay and cannot last, like that empty music.” The king’s words are the words of a man reneging, yet within the parable they hold: the pleasure passed through the ear and left nothing behind. The application takes the words of a reneging king to speak of the rewards of humans and devas: their pleasure too is gone once it has passed the ear. The half cake says the world has no pleasure; this one says that among humans and in the heavens too it is “likewise without substance,” which reaches further than the half cake.
Asking to shave the king’s beard closes the set. A trusted man saves the king at the risk of his life; the king grants him whatever he wishes, and he asks, “when the king shaves his beard, let me be the one to shave it.” “Half the kingdom to rule, the office of great minister or chancellor, all were his for the asking, and he asked for a menial trade.” The application: the Buddhas attained buddhahood through hard practice over measureless kalpas; to meet a buddha or his surviving Dharma, and to obtain a human body, are as rare as “a blind turtle finding the hole in a floating log”; “these two hard things to meet have now been met, yet their resolve is weak,” and “keeping a few precepts they count themselves content,” and “do not seek the excellent and wonderful Dharma of nirvāṇa; with no mind to advance, they practise wrong things, and count themselves content.” Content with a few precepts is one layer; not advancing, practising wrong things, and still content is another. This fool did not ask for the wrong thing; he asked for too small a thing, so small that even wrong things count as enough. The three parables before say that the pleasures of the world and the heavens have no substance; this one says that meeting the Buddha’s Dharma and gaining a human body is a thing of real value, hard to come by, and people trade it for a menial trade. The words “count themselves content” come twice in the application. The man of the half cake was content with half a cake; this man is content with a few precepts; the one takes for pleasure what is not pleasure, the other takes what could truly be traded for something great and trades it for something small.
IV. Time (Parables 47, 57, 59)
The applications of all three speak of time. The poor man who cried like a mandarin duck: he goes into the king’s pond crying like a mandarin duck to steal flowers; the keeper asks “who is in the pond,” and he blurts out, “I am a mandarin duck.” On the way to the king he cries like a mandarin duck again, and the keeper says: “You did not do it before; what good is doing it now?” The application: the fools of the world “all their lives do harm and pile up evil deeds, and do not train their minds and make them good”; at the point of death they say, “now I want to practise good,” and the hell wardens take them to King Yama, and “though they wish to practise good, it is beyond their reach.” The duck’s cry was something he could do all along; in the pond, when he should have cried, he blurted out human speech; on the road, when crying was useless, he cried. Doing good was something they could do all along; through a whole life, when they should have practised, they did not; at death, when it is beyond reach, they want to. “You did not do it before; what good is doing it now” is the title of this section.
Kicking the elder’s mouth tells of being too early. The attendants wait for the elder’s spittle to reach the ground before they wipe it away with a foot; the fool is always too late, and thinks, “when he spits on the ground the others wipe it away; when he is about to spit, I will be first to kick.” As the elder is about to cough and spit, he raises his foot and kicks the elder in the mouth, splitting his lip and breaking his teeth. What he wanted, he says, was “to win your favour.” The application: “Everything needs its time; when the time has not yet come, to force one’s effort brings suffering instead”; “therefore people of the world should know what is timely and what is not.” The mandarin duck is too late; this is too early. What the fool wanted was to please the elder, like the flatterers; the difference was only in the timing. The application does not say he wanted the wrong thing; it says “the time had not yet come.” This is one of the five parables in the fascicle whose application does not open with “it is just the same”; it does not say “the people of the world are just the same,” but goes straight to “everything needs its time,” as if the author himself were speaking.
Watching the potter make pots closes the set. Two men watch a potter making pots; one leaves and goes to a great gathering where he gets fine food and precious things; the other says, “wait till I have finished watching,” and watches until sunset, and “watching the pots without end, he lost his food and clothing.” The application: “Fools are likewise; they attend to the business of the household and do not perceive impermanence.” Then the verse: “today they manage this affair, tomorrow they make that undertaking”; “the Buddhas, the great dragons, appear, their thunderous voice fills the world, the rain of Dharma falls without hindrance, yet because of their affairs they do not hear it”; “not knowing that death comes suddenly, they miss this assembly of the Buddhas, do not obtain the treasure of the Dharma, and dwell always in the poverty of the evil paths”; “turning their backs on the true Dharma, they watch the pot of their affairs, and it never comes to an end; therefore they lose the benefit of the Dharma, and there is never a time of liberation.” The pot is the household; the great gathering is the assembly of the Buddhas. The man watching the pot did not refuse to go to the gathering; he said he would go when he had finished watching, and household business has no moment of being finished: the verse says “it never comes to an end.” The loss has three layers: the assembly of the Buddhas, the treasure of the Dharma, the benefit of the Dharma; where they dwell is the evil paths, and what they turn from is the true Dharma. The verse does not say they do not want the Dharma; it says they “turn their backs,” turning away to watch the pot. The duck’s cry came after its time; the kick came before its time; the watching let the time go by. Put the three together and you have “people of the world should know what is timely and what is not.”
V. Self and Demon (Parables 56, 60, 61, 62, 63, 64)
The applications of all six speak of views. Demanding “nothing” opens the set. Two men help push a cart up to level ground and ask for something; the owner answers, “nothing.” One says, “give me nothing,” and again, “give me nothing; there must be a nothing.” The other says: “‘Nothing’ is two words joined together; it is a provisional name.” The application has two sentences: “Worldly ordinary people who take ‘nothing’ as a thing are born in the Station of Nothingness”; “the ‘nothing’ of which the second man spoke is signlessness, wishlessness and non-action.” Neither of the two men in this parable is laughed at: one demands “nothing” as though it were an object; the other says that “nothing” is a name made of two words. The application too has two sides: the ordinary person who grasps at nothing is born in the Station of Nothingness; the nothing of which the second man spoke is the three gates of liberation. In this parable someone in the story itself gets the Dharma right, and the one who gets it right is the one who “said with a smile.”
Seeing the reflection of gold in the water tells of mistaking a reflection. A fool sees the reflection of real gold at the bottom of a pond, goes into the water and churns the mud looking for it, wears himself out and finds nothing; when the water clears he sees it again and goes in again. His father looks and “knew that the gold was up in the tree, and knew it because its reflection appeared in the water,” and says, “a bird must have carried the gold and set it in the tree”; the son “did as his father said, climbed the tree and found it.” The verse: “Ordinary people in their folly, lacking wisdom, are just the same: within the aggregates where there is no self, they falsely conceive the notion of a self; like that man who saw the gold’s reflection, they toil and search and gain nothing for their labour.” The gold is real; there is no gold at the bottom of the water. The notion of a self is there; there is no self in the aggregates. In the story there is a father, and the father sees the same reflection and says: the reflection is here, the gold is not here. The verse tells only the fool’s half; the father’s half the reader must match for himself: know the reflection for a reflection, and the gold can be found.
Brahmā’s disciple who tried to create things tells of who made it. The brāhmaṇas say, “the Great Brahmā King is the father of the world and can create all things.” Brahmā’s disciple says he too can create; Brahmā says he cannot; he does not listen, and what he makes has “a head too big and a neck too small, hands too big and arms too small, feet too small and heels too big, like a piśāca demon.” The application: “From this it should be known that each is made by his own deeds, and not something Brahmā can create.” “The Buddhas teach the Dharma without clinging to the two extremes, neither to annihilation nor to permanence, in the way of the eightfold right path.” The followers of other paths see annihilation and permanence and cling to them, and “deceive the world with a semblance of Dharma; what they teach is in truth not Dharma.” What the disciple made was the shape of a demon; the application says the shape of each being is made by his own deeds. The point is in the words “not something Brahmā can create”: not that the disciple falls short of Brahmā, but that there is no such thing as a creator at all. From there the application turns to the two extremes: a creator is one end of the view of permanence. This application too does not open with “it is just the same,” but with “from this it should be known.”
The sick man who ate pheasant tells of the one consciousness. The physician tells him to eat pheasant constantly; he eats one and eats no more; the physician asks: “How can you hope to be cured by eating just one pheasant?” The application: all followers of other paths, hearing the Buddhas and bodhisattvas say “understand the mind and consciousness,” cling to the view of permanence and “hold that past, future and present are only one consciousness, with no passing away,” like eating one pheasant. The Buddhas teach them to remove the view of permanence: “all dharmas arise and cease moment by moment; how could there be one consciousness constant and unchanging?” The Buddha teaches beings so that they understand that “because dharmas decay they are not permanent, and because they continue they are not annihilated,” and so the sickness of the view of permanence is uprooted. One pheasant and one consciousness are the same mistake: the physician said eat constantly, meaning one after another; the patient heard one pheasant to the end. The Buddha said understand the mind and consciousness, meaning arising and ceasing moment by moment in continuity; the followers of other paths heard one unchanging consciousness. “Because they decay they are not permanent; because they continue they are not annihilated” takes up the previous parable’s “neither to annihilation nor to permanence”: that one says do not cling; this one says why.
The players frightened by the rākṣasa costume tells who the demon is. Players spend the night in the mountains; one, feeling cold, puts on the rākṣasa costume from the play and sits by the fire; a companion wakes, sees a rākṣasa by the fire, and “without looking closely abandons everything and runs,” and the whole troupe flees; the one in the costume runs after them too, and the companions, seeing him behind, think he means to harm them and are more frightened still, crossing mountains and rivers and plunging into ravines, wounded and exhausted, “until at daybreak they knew at last that it was no demon.” The application: all ordinary people, “dwelling amid the afflictions, in famine of wholesome dharmas, want to seek far off the supreme Dharma-food of permanence, bliss, self and purity, and so falsely posit a self within the five aggregates”; “through the view of self they run through birth and death” and fall into the ravines of the three evil destinies; “the daybreak is the end of the night of birth and death and the dawning of wisdom, when they know at last that in the five aggregates there is no true self.” The rākṣasa is a costume one of their own has put on; the pursuer is the very one who is fleeing. The application matches closely: famine to famine, ravines to ravines, daybreak to the dawning of wisdom. The point is in the words “without looking closely”: one look would have shown it was no demon, and no one looked. The view of self is the same: the self in the five aggregates is a costume put on, and one look at daybreak shows it.
The old house said to have a demon closes the set. People say the old house has a demon; one man, thinking himself bold, goes in to spend the night; a second, thinking himself bolder, goes in too and pushes at the door; the first takes him for the demon and pushes back to keep him out; the second thinks there is a demon too, and the two fight until daybreak, and “when they saw each other they knew at last that it was no demon.” The application: all the people of the world are just the same; “causes and conditions come together for a moment and there is no master; analysed one by one, which of them is the self?” Yet beings “falsely reckon right and wrong and force quarrels upon one another, no different from those two men.” In the previous parable the demon was a costume; in this one the demon is the man on the other side; both stories close with “they knew at last that it was no demon.” This one adds a layer: there was no demon, but the fight was fought in earnest all night long. When beings quarrel over right and wrong, each side takes there to be a master on the other side; analysed one by one, none of them is. Read the six together: “nothing” is not a thing, the reflection of gold is not gold, there is no creator, there is no one consciousness, the rākṣasa is a costume, the demon is the man opposite. All six say one thing: what is seen is not what it seems.
VI. How to Read the Fascicle
Of the twenty-four parables of this fascicle, fifteen have applications that open with “it is just the same”: the people of the world three times, the fools of the world three times, and once each the fool in birth and death who is a slave of craving, those who break the precepts, the foolish disciple, the rewards of the world, students of the Buddha’s teaching, teachers and disciples, all followers of other paths, all ordinary people, and all people of the world. Three open with “likewise”: the five aggregates once, fools twice. Seeing the reflection of gold opens with the verse’s “lacking wisdom, are just the same.” Five open with none of these: demanding “nothing” goes straight to “worldly ordinary people who take ‘nothing’ as a thing”; kicking the elder’s mouth goes straight to “everything needs its time”; the two sons dividing the estate opens with “like the followers of other paths”; Brahmā’s disciple opens with “from this it should be known”; the five hundred joy pills opens with “the wife’s joy pills stand for.” The two whose applications are in verse are watching the potter and seeing the reflection of gold; in the first two fascicles every application was prose, and verse begins with this fascicle. In reading each parable, still find the first sentence of the application and match backwards from it: the cotton to the precept against killing, the door and donkey and rope to the doors of the senses, no east and no time to not disclosing, the eyes to hell, the little ox to reputation, the broken branch to the rebuke, the peacock droppings to frivolous talk, the two legs to the Vaipulya and the Lesser Vehicle, head and tail to old and young, the broken coins to the analytical mode, the half cake to the notion of pleasure, the five men to the five aggregates, the empty music to the rewards of humans and devas, shaving the beard to a few precepts, the duck’s cry to doing good at death, the kick to the time not yet come, the pot to the household, “nothing” to signlessness, wishlessness and non-action, the gold’s reflection to the notion of self, the demon shape to one’s own deeds, the one pheasant to the one consciousness, the rākṣasa costume to the view of self, the demon in the old house to a master, and the joy pills to impure giving. Where they match, that is the business of this fascicle; where they do not, the notes record it parable by parable.
The five hundred joy pills stands at the end of the fascicle; it is the longest parable of the fascicle, and it is a kind the first two fascicles do not have: the fool in it comes to a good reward. A wife makes poisoned pills to kill her husband; he forgets them under a tree; five hundred bandits eat them and all die; he claims to have killed the bandits and is richly rewarded by the king; the old ministers are jealous, and he says no one dares match him; the king sends him to kill a lion, and he is so frightened he climbs a tree, and “in his terror the man dropped the knife he was holding; it fell into the lion’s mouth, and the lion died.” The application matches item by item: “the wife’s joy pills stand for impure giving; the king who sent him as an envoy stands for the good friend”; “reaching the other country stands for the devas”; “killing the bandits stands for attaining the fruit of stream-entry, forcibly cutting off the five desires and the afflictions”; “meeting that king stands for encountering the noble ones”; the old ministers’ jealousy “stands for the followers of other paths who, seeing a wise man able to cut off the afflictions and the five desires, slander him and say there is no such thing”; the newcomer’s word that none of the old ministers can match him “stands for the followers of other paths being unable to withstand him”; “killing the lion stands for defeating Māra; having cut off the afflictions and subdued the evil Māra, one receives the fruit of the Way of non-attachment as one’s reward”; “his constant fearfulness stands for the weak overcoming the strong.” The ten items line up: giving, the good friend, the devas, stream-entry, the noble ones, the slander of other paths, other paths unable to withstand, the defeat of Māra, the fruit of the path, the weak overcoming the strong, a single road from impure giving to the fruit without attachment. The close: “Though at the start he had no pure mind, that giving of his met a good friend and gained an excellent reward; if impure giving is like this, how much more giving with a wholesome and joyful mind?” “Therefore one should give with a diligent mind in the field of merit.” The pills were made to kill, and once given away they became joy pills. Not one thing in this parable did the man bring about himself: the pills were his wife’s making, the bandits were killed by the poison, the lion died of a knife that fell into its mouth; the only thing he did with his own hands was to claim falsely that he had killed the bandits. The application calls this “impure giving” that nonetheless “met a good friend”: the giver’s mind was not pure, and the giving itself arrived where it should. The twenty-three parables before it mostly tell of fools covering the cheap with the dear; the last tells that even the cheap can become dear, on the condition that it meets a good friend. Set at the end of the fascicle, it leaves a road open for the people of the twenty-three before: the cotton covered the hide and the hide rotted, and still an impure gift is a gift.
Carrying Forward — The Application as Its Own Commentary
This fascicle is not treated by any commentary of the ancient masters; the Sūtra of One Hundred Parables has no sentence-by-sentence ancient commentary in the canon. The application of each parable is that parable’s own commentary, and every scriptural proof cited in this exposition is taken from the story and its application; no further doctrine is set up.
卷第四Fascicle 4
全文五層 →Full five layers →這一卷三十三喻,是全經最後一卷,也是四卷裡喻最多的一卷。沒有序分,卷首目錄之後直接是喻;三十三喻說完,撰者自己作了十二行偈,說這部論是怎麼寫的、該怎麼讀,末了一行「尊者僧伽斯那造作癡花鬘竟。」〔T04 0557c24〕前三卷卷末只有卷題,這一卷多了這一段跋。寫法與前三卷同:前一段事,後一段「亦復如是」。被指的對象又換了一回。卷三點名外道四喻、比丘一喻、弟子三喻;這一卷點名外道的只有搆驢乳一喻,「外道凡夫亦復如是」〔T04 0555a21〕;小兒得大龜的合段裡也有外道,「邪見外道天魔波旬,及惡知識而語之言」〔T04 0557c08〕,可是那裡外道是說話的人,被指的仍是凡夫。點名出家人的有六喻:出家凡夫貪利養、與兒期早行、父取兒耳璫、獼猴把豆、貧兒欲與富等財物、小兒得歡喜丸,是四卷裡最多的一卷。地得金錢喻點的是「遇佛法者亦復如是」〔T04 0556c02〕,這個稱呼前三卷沒有。底本明寫旁人笑的十一喻:夫婦食餅「世人聞之無不嗤笑」〔T04 0553c20〕,詐言馬死「為人所笑」〔T04 0554c03〕,駝甕俱失「如此癡人世間所笑」〔T04 0554c23〕,搆驢乳「為一切世人之所嗤笑」〔T04 0555a21〕,與兒期早行是父親罵兒子的話裡說的「為一切世人之所嗤笑」〔T04 0555b02〕,為王負机、倒灌、老母捉熊三喻都是「為世所笑」,比種田「為人嗤笑」〔T04 0555c21〕,父取兒耳璫「為世間所笑」〔T04 0556a23〕,詐稱眼盲「為世人所笑」〔T04 0557b12〕。愚人自己笑的有兩處:食餅的丈夫「拍手笑言」〔T04 0553c19〕,田夫聽說王女已到手「欣然而笑,謂呼必得」〔T04 0555a08〕。這兩個笑,和前面十一個笑正相反:旁人笑是看見了,愚人笑是沒看見。
跋偈裡有一句,可以作這一卷的題,也可以作全經的題:「如阿伽陀藥,樹葉而裹之,取藥塗毒竟,樹葉還棄之。」〔T04 0557c20〕下一偈自己解了:「戲笑如葉裹,實義在其中,智者取正義,戲笑便應棄。」〔T04 0557c22〕三十三個愚人的事是葉,三十三段「亦復如是」是藥。前三卷的義疏教人先找合段第一句,從那一句往回對;這一卷讀完,撰者自己把這個讀法說出來了。葉是要的,不裹,藥拿不到手;葉也是要棄的,拿到藥還捏著葉,那就是又一個愚人。
一、不解方便(喻六六、七八、八〇、八二、九八)
五喻合段都說學法要有師、要知方便。口誦乘船法而不解用喻放在卷首。長者子「善誦入海捉船方法」〔T04 0553b28〕,水漩洄流處「當如是捉、如是正、如是住」〔T04 0553b29〕,告訴眾人「入海方法我悉知之」〔T04 0553c01〕。船師病死,他代了船師,到了駛流中「唱言:「當如是捉、如是正。」」〔T04 0553c04〕船只是打轉,「舉船商人沒水而死」〔T04 0553c05〕。合段:凡夫「少習禪法安般數息及不淨觀,雖誦其文不解其義」〔T04 0553c06〕,「妄授禪法使前人迷亂失心,倒錯法相」〔T04 0553c08〕。「如是捉、如是正」兩回出現,一回在陸地上誦,一回在洄流裡唱,字一個不差;差的是誦的時候腳下沒有水。他不是不會背,是只會背;合段說的也不是不誦,是「不解其義」四字。這一喻的愚人害的不是自己一個,是一船人;合段對的也是「妄授」,教錯了別人。
與兒期早行喻說沒有師。父夜裡說「明當共汝至彼聚落有所取索」〔T04 0555a26〕,兒天亮「竟不問父獨往詣彼」〔T04 0555a27〕,到了那裡什麼也沒拿到,餓得要死又回來。父責他:「何不待我?空自往來,徒受其苦」〔T04 0555b02〕。合段:凡夫「設得出家即剃鬚髮服三法衣,不求明師諮受道法」〔T04 0555b03〕,失諸禪定道品,「形似沙門實無所得」〔T04 0555b06〕。兒子知道聚落在哪裡,路也走對了,去了也回來了;少的只是父親。父親知道到那裡要取什麼。出家人剃了頭、穿了衣、到了那個地方,少的是明師,明師知道到那裡要取什麼。
倒灌喻說顛倒。醫說「當須倒灌乃可差耳」〔T04 0555b20〕,病人「醫未至頃便取服之」〔T04 0555b21〕,腹脹欲死。醫責他「汝大愚人不解方便」〔T04 0555b25〕,給他別的藥,吐了才好。合段:凡夫修學禪觀,「應効不淨,反効數息,應數息者効觀六界,顛倒上下無有根本」〔T04 0555b28〕,「不諮良師顛倒禪法」〔T04 0555c01〕。藥是對的,門錯了。合段把這叫「顛倒上下」,和「倒灌」的倒字對得正好:該從下入的從上入,該對不淨觀的人數息,該數息的人觀六界。這喻和乘船喻合讀:那喻誦對了字不會用,這喻拿對了藥不會用;兩喻合段都說禪法。
比種田喻說自己加一條。野人問麥主,主答「平治其地,兼加糞水」〔T04 0555c16〕,他照做了,又「畏其自脚蹋地令堅其麥不生」〔T04 0555c18〕,叫四人抬一床,坐在上面撒種,「地堅逾甚為人嗤笑,恐己二足更增八足」〔T04 0555c20〕。合段:凡夫「既修戒田善芽將生,應當師諮受行教誡,令法芽生」〔T04 0555c22〕,「而返違犯多作諸惡,便使戒芽不生」〔T04 0555c23〕。這喻的人問對了人,麥主說的一句也沒錯,他也照做了;錯在他自己想出來的那一條。前兩喻是不問師;這喻是問了師,又在師的話之外加了自己的。
小兒得大龜喻收這一節,也收全經。小兒得龜要殺,問人「云何得殺?」〔T04 0557c03〕人說「汝但擲置水中即時可殺」〔T04 0557c04〕,他信了,「龜得水已即便走去」〔T04 0557c05〕。合段:凡夫「欲守護六根修諸功德不解方便」〔T04 0557c06〕,問人怎樣得解脫,答的是外道天魔惡知識:「汝但極意六塵恣情五欲,如我語者必得解脫」〔T04 0557c08〕,「如是愚人不諦思惟,便用其語」〔T04 0557c10〕。五喻放在一處看:乘船法、到聚落、倒灌、糞水、殺龜,前四喻裡的法都是對的,人都想做對的事;錯在人與法之間少了一樣東西。乘船的少了水上的經驗,早行的少了父親,倒灌的少了醫,種田的多了自己一條。殺龜的那一喻不同:小兒要的是殺龜,凡夫要的是守護六根,所要的對;問的人錯了,拿到手的法也就錯了。合段對的是:不解其義、不求明師、不諮良師、不受教誡、不諦思惟。「不解方便」四字,醫對病人說了一回,合段對凡夫說了一回。前三卷的愚人多半是把法拿錯;這一卷頭一喻是把法拿對了而不會用,末一喻是要的對而問錯了人。
二、詐(喻六七、七三、七四、八六、九六)
五喻的愚人都在裝。夫婦食餅共為要喻:三番餅各吃一枚,剩一枚,約「若有語者要不與餅」〔T04 0553c13〕。賊進門搬光財物,夫婦不語;賊「即其夫前侵略其婦,其夫眼見亦復不語」〔T04 0553c17〕。婦喊賊,罵他「云何癡人為一餅故見賊不喚?」〔T04 0553c18〕夫拍手笑:「咄婢我定得餅,不復與爾」〔T04 0553c19〕。合段:凡夫「為小名利故詐現靜默,為虛假煩惱種種惡賊之所侵略,喪其善法墜墮三塗」〔T04 0553c21〕,「方於五欲躭著嬉戲,雖遭大苦不以為患」〔T04 0553c23〕。他贏了,餅是他的。合段點的是「詐現靜默」:不語不是定,是裝;裝給誰看?給那一枚餅看。這喻的賊是真賊,合段把它換成「種種惡賊」,煩惱進門搬東西的時候,裝靜默的人也是眼看不語。
詐言馬死喻說裝死。騎黑馬入陣,怕,「便以血污塗其面目,詐現死相臥死人中」〔T04 0554b27〕,馬被奪了。軍散回家,「即截他人白馬尾來」〔T04 0554b29〕,說馬死了,拿尾巴回來。傍人問:「汝馬本黑,尾何以白?」〔T04 0554c02〕合段:世人「自言善好修行慈心不食酒肉,然殺害眾生加諸楚毒,妄自稱善無惡不造」〔T04 0554c04〕。一句問話就破了:尾是白的。慈心不食酒肉是黑馬,殺害眾生是白尾,兩樣掛在一人身上,問一句就對不上。
出家凡夫貪利養喻說裝洗。王令婆羅門洗淨,不洗的驅去苦役。「有婆羅門空捉澡灌,詐言洗淨,人為其著水即便瀉棄」〔T04 0554c10〕,說「我不洗淨王自洗之」〔T04 0554c11〕。合段:出家凡夫「剃頭染衣內實毀禁,詐現持戒望求利養」〔T04 0554c13〕,「外似沙門,內實虛欺,如捉空瓶但有外相」〔T04 0554c15〕。這是全卷唯一一喻合段直說「出家凡夫」而不帶一個笑字:事裡沒有人笑他,合段也沒有。空瓶是這一節的要處:瓶是真瓶,手裡真捉著,裡面沒有水。前兩喻裝的是沒有的事,這喻裝的是有的樣子。
父取兒耳璫喻說一句妄語。路上遇賊,父怕丟了兒耳上的金璫,拉不下來,「為耳璫故便斬兒頭」〔T04 0556a20〕;賊走了,「還以兒頭著於肩上不可平復」〔T04 0556a21〕。合段:凡夫「為名利故造作戲論,言二世有二世無,中陰有中陰無,心數法有心數法無」〔T04 0556a23〕,被人如法破了,便說「我論中都無是說」〔T04 0556a26〕,「如是愚人為小名利,便故妄語喪沙門道果」〔T04 0556a27〕。頭斬了接不回去,說過的話也收不回來。合段對的那一句妄語,是說『我沒說過』;為了保一句話的體面,把說過的話整個砍了。璫是小利,頭是兒;體面是小利,沙門道果是頭。
詐稱眼盲喻收這一節。工匠不堪王役,「詐言眼盲便得脫苦」〔T04 0557b09〕;「有餘作師聞之,便欲自壞其目用避苦役」〔T04 0557b10〕。合段:凡夫「為少名譽及以利養,便故妄語毀壞淨戒」〔T04 0557b13〕。第一個人說謊,第二個人把謊話做成真的,比第一個更愚。五喻合起來:裝靜默、裝死、裝洗淨、裝沒說、裝盲。合段對的都是為名利裝一個樣子:靜默、慈心、持戒、無過、脫苦。裝的那個樣子都是法裡本來有的好樣子,所以可以裝;裝得像不像,一句話就試得出來:尾何以白。
三、瞋(喻六八、八一、八三、八四)
四喻的愚人都在恨,恨的箭都沒有射到該射的人。共相怨害喻:有人毀他,他力不能報,愁。人說「唯有毘陀羅呪可以害彼,但有一患,未及害彼返自害己」〔T04 0554a01〕,他大喜:「願但教我,雖當自害要望傷彼」〔T04 0554a03〕。合段:世人「為瞋恚故欲求毘陀羅呪,用惱於彼竟未害他,先為瞋恚反自惱害」〔T04 0554a04〕。這喻裡教呪的人把話說全了:先害己,再害彼;他聽見了,還要。合段說的是這個次序:瞋先到自己身上,到不到對方還不知道。
為熊所嚙喻說射錯。子入林被熊抓傷,說「有一種物,身毛躭毿來毀害我」〔T04 0555c07〕,父執弓入林,「見一仙人,毛髮深長,便欲射之」〔T04 0555c08〕。傍人說:「何故射之?此人無害,當治有過。」〔T04 0555c09〕合段:世間愚人「為彼雖著法服無道行者之所罵辱,而濫害良善有德之人」〔T04 0555c10〕。熊有毛,仙人也有毛;罵他的人穿法服,有德的人也穿法服。恨認的是毛,不認人。
獼猴喻說恨錯時候。獼猴被大人打,「不能奈何,反怨小兒」〔T04 0555c27〕。合段:凡夫愚人「先所瞋人代謝不停滅在過去,乃於相續後生之法謂是前者,妄生瞋忿毒恚彌深」〔T04 0555c28〕。這喻只有三行,合段卻說到了一件前三卷沒有說過的事:打你的那個人已經過去了,眼前這個是「相續後生之法」,不是前者。獼猴怨小兒,是認錯了人;凡夫恨眼前人,合段說也是認錯了人,因為前一刻的人已經不在了。
月蝕打狗喻收這一節。「昔阿修羅王,見日月明淨以手障之;無智常人,狗無罪咎橫加於惡。」〔T04 0556a04〕合段:「凡夫亦爾,貪瞋愚癡橫苦其身,臥蕀刺上五熱炙身」〔T04 0556a05〕。月蝕是阿修羅的手遮的,人打狗。四喻合起來:呪害己、箭射仙人、怨落小兒、棍落狗身,沒有一回到了該到的地方。合段末一喻說「橫苦其身」:恨到最後,受的是自己的身。前面三喻分開說,第四喻一句收:臥刺、炙身,外道苛行是瞋的最後一站。
四、信與施(喻七〇、八五、八七、八九、九〇、九一)
六喻合段都說因果、說施。嘗菴婆羅果喻起頭。果主說「我此樹果悉皆美好無一惡者,汝嘗一果足以知之」〔T04 0554a23〕,買者說「我今當一一嘗之然後當取,若但嘗一何以可知?」〔T04 0554a25〕,嘗遍了拿回去,「長者見已惡而不食,便一切都棄」〔T04 0554a27〕。合段:世人「聞持戒施得大富樂,身常安隱無有諸患,不肯信之」〔T04 0554a28〕,說「布施得福,我自得時然後可信」〔T04 0554a29〕,眼見貴賤貧窮都是先業果報,「不知推一以求因果,方懷不信,須己自經」〔T04 0554b02〕。要處在「推一」兩字:一果可以知一樹,眼前一個人的貴賤可以知因果;要自己一一嘗過,嘗過的果就都不能吃了。這喻說的不是不信,是信的方法:信要推一,不信要一一。
婦女患眼痛喻說怕。女人眼痛,另一女人說「有眼必痛,我雖未痛並欲挑眼恐其後痛」〔T04 0556a10〕。傍人說:「眼若在者或痛不痛,眼若無者終身長痛。」〔T04 0556a11〕合段:凡愚之人「聞富貴者衰患之本,畏不布施恐後得報,財物殷溢重受苦惱」〔T04 0556a13〕;有人說「汝若施者或苦或樂,若不施者貧窮大苦」〔T04 0556a15〕。眼在,或痛或不痛;眼沒了,一定痛。施了,或苦或樂;不施,一定窮。怕將來的苦而想先挑眼,怕富貴的患而先不施,是同一個算法:為了不要「或」,選了「必」。
劫盜分財喻說少施。群賊分贓,「唯有鹿野欽婆羅色不純好,以為下分與最劣者」〔T04 0556b03〕,他恨,拿去城裡賣,「諸貴長者多與其價,一人所得倍於眾伴」〔T04 0556b05〕。合段:「猶如世人不知布施有報無報,而行少施得生天上,受無量樂方更悔恨,悔不廣施」〔T04 0556b06〕,「少作多得,爾乃自慶,恨不益為」〔T04 0556b09〕。這一卷三十三喻,合段說到少施而得大利的只有這一喻;可是合段仍把這人放在悔裡:少施得多報,到那時候悔的是為什麼不多施。這喻和嘗果喻是一對:那喻不信,一果都不肯推;這喻信得晚,到了天上才知道欽婆羅值錢。
得金鼠狼喻說心。得金鼠狼,渡水脫衣,「尋時金鼠變為毒蛇」〔T04 0556b20〕;他想「寧為毒蛇螫殺,要當懷去」〔T04 0556b20〕,「心至冥感,還化為金」〔T04 0556b21〕。傍邊愚人見了,「謂為恒爾」〔T04 0556b22〕,拿毒蛇放懷裡,被螫死。合段:世間愚人「見善獲利內無真心,但為利養來附於法」〔T04 0556b24〕。第一個人懷的是蛇,蛇變了金;第二個人懷的也是蛇,蛇還是蛇。差在「心至」兩字。合段說的「附於法」,是看見別人在法裡得了利,照著做一遍:做的是同一件事,沒有那個心。這喻裡那個被螫死的人,是全卷唯一一個學著做對的事而死的。
地得金錢喻說遇。貧人得一囊金錢,「數未能周,金主忽至,盡還奪錢」〔T04 0556b29〕。合段:「遇佛法者亦復如是,雖得值遇三寶福田,不勤方便修行善業,忽爾命終」〔T04 0556c02〕。合段後是這一卷第一組偈:「今日營此事,明日造彼事,樂著不觀苦,不覺死賊至。」〔T04 0556c06〕「怱怱營眾務,凡人無不爾,如彼數錢者,其事亦如是。」〔T04 0556c08〕他沒有花,他在數。數是營事,數完了才打算用;金主來了。偈說的「死賊」,是這一卷許多賊裡唯一一個誰也躲不過的。
貧兒欲與富等財物喻收這一節。貧人有少財,想和富人一樣,不能,「雖有少財欲棄水中」〔T04 0556c12〕。傍人說:「此物雖尠,可得延君性命數日,何故捨棄擲著水中?」〔T04 0556c13〕合段:世間愚人「雖得出家少得利養,心有悕望常懷不足」〔T04 0556c14〕,見宿舊有德多眾供養,「意欲等之不能等故,心懷憂苦便欲罷道」〔T04 0556c17〕。六喻合起來是一件事的六個時候:不信因果而要自己嘗;怕將來而不施;少施了到天上才悔;看別人得利而附法;遇到了而只數不用;有一點而因為不如人就丟掉。嘗果喻的「推一」是這六喻的門:一果知一樹,少施知多報,一點少財可以活幾天。不肯推一的人,每一樣都要自己經過一回,到了那時候,果都嘗爛了。
五、戒與賊(喻七一、七二、七五、七九、八八、九二、九五、九七)
八喻合段都說戒,說怎麼破的、破了怎麼辦。為二婦故喪其兩目喻:娶二婦,近一個另一個瞋,「不能裁斷,便在二婦中間正身仰臥」〔T04 0554b07〕,屋漏,「水土俱下墮其眼中,以先有要不敢起避,遂令二目俱失其明」〔T04 0554b08〕。合段:世間凡夫「親近邪友習行非法,造作結業墮三惡道,長處生死喪智慧眼」〔T04 0554b10〕。他不是不知道水在往眼裡落,是有約在先不敢起。邪友的要害在這裡:不是邪友害他,是他和邪友有約。
唵米決口喻說藏。偷米含在口裡,婦來說話他不應,「羞其婦故不肯棄之,是以不語」〔T04 0554b16〕;婦以為口腫,父喚醫,醫說「此病最重,以刀決之可得差耳」〔T04 0554b19〕,刀割開,米出來了。合段:世人「作諸惡行犯於淨戒,覆藏其過不肯發露」〔T04 0554b21〕,「如彼愚人以小羞故不肯吐米,以刀決口乃顯其過」〔T04 0554b23〕。吐出來是一口米;藏到底是一刀。卷三偷犛牛喻說藏要否認東方,這喻說藏要割嘴。「不肯發露」四字兩卷都用。
駝甕俱失喻說一破全捨。駱駝頭進了甕出不來,老人教他「汝當斬頭自得出之」〔T04 0554c21〕,他「既復殺駝而復破甕」〔T04 0554c22〕。合段:凡夫愚人「悕心菩提志求三乘,宜持禁戒防護諸惡,然為五欲毀破淨戒,既犯禁已捨離三乘」〔T04 0554c24〕,「乘及淨戒二俱捐捨」〔T04 0554c26〕。甕是戒,駝是乘;破了戒,連所求的乘也不要了。
為王負机喻說一與三十六。王叫臣拿一張机到園裡,臣羞「我不能捉,我願擔之」〔T04 0555b11〕,「時王便以三十六机置其背上」〔T04 0555b12〕。合段:凡夫「若見女人一髮在地,自言持戒不肯捉之;後為煩惱所惑,三十六物髮毛爪齒屎尿不淨不以為醜,三十六物一時都捉不生慚愧」〔T04 0555b14〕。一机不捉,三十六机全擔;一髮不拾,三十六物全捉。合段把這叫持戒,說的是只持那一條看得見的。
獼猴把豆喻說一與一切。獼猴一把豆掉了一粒,「便捨手中豆欲覓其一,未得一豆先所捨者雞鴨食盡」〔T04 0556b13〕。合段:凡夫出家「初毀一戒而不能悔,以不悔故放逸滋蔓一切都捨」〔T04 0556b14〕。這喻和駝甕喻是一對,都是一破全捨;差在這喻說出了「不能悔」。獼猴不是不要那一粒,是為了那一粒把手鬆了。合段說的也不是犯了一戒,是犯了不悔;不悔,手就鬆了。
二鴿喻說悔得晚。雄鴿見果少了半巢,說雌鴿獨食,雌鴿說「我不獨食,果自減少」〔T04 0557a29〕,雄不信,啄殺。天雨,果濡潤又滿了,雄鴿「方生悔恨:「彼實不食,我妄殺他。」」〔T04 0557b03〕合段:凡夫「顛倒在懷,妄取欲樂不觀無常,犯於重禁悔之於後竟何所及?」〔T04 0557b05〕這一卷說悔的四處,連起來讀:劫盜分財是悔不廣施,地得金錢是悔不疾去,獼猴把豆是不能悔,二鴿是悔之於後。四處只有一處是悔得其時:獼猴那一處合段說該悔而不悔。其餘三處,悔都在事後。合段這一句「竟何所及」,說的是悔有時候。
小兒得歡喜丸喻說賊。乳母抱兒疲極睡了,人拿歡喜丸給小兒,「小兒得已貪其美味不顧身物,此人即時解其鉗鏁瓔珞衣物都盡持去」〔T04 0556c22〕。合段:「比丘亦爾,樂在眾務憒閙之處,貪少利養為煩惱賊奪其功德戒寶瓔珞」〔T04 0556c24〕。歡喜丸在卷三是五百個毒丸殺了五百賊;這一卷一個歡喜丸是賊的工具。賊給的那一點甜,換走了身上全部。
為惡賊所劫失㲲喻收這一節。二人行曠野,一人被劫,他的㲲頭裹著一枚金錢,對賊說「此衣適可直一枚金錢,我今求以一枚金錢而用贖之」〔T04 0557b19〕;賊問錢在哪裡,他解開㲲頭給賊看,還說「今此草中有好金師,可往問之」〔T04 0557b23〕——金師就是躲在草裡的同伴。「如是愚人㲲與金錢一切都失,自失其利復使彼失。」〔T04 0557b24〕合段:凡夫「修行道品作諸功德,為煩惱賊之所劫掠,失其善法喪諸功德,不但自失其利復使餘人失其道業」〔T04 0557b26〕。他想贖回㲲,結果㲲、錢、同伴三樣全交給了賊;每一樣都是他自己說出來的。八喻合讀:二婦喻的約、唵米喻的羞、駝甕喻的斬、負机喻的羞不肯捉、把豆喻的鬆手、二鴿喻的不信、歡喜丸喻的甜、失㲲喻的贖,破戒的門各不同,出去的東西是一樣的:眼、口、乘、慚愧、一切、雌鴿、瓔珞、㲲。這一卷的賊多:食餅喻的賊、耳璫喻的賊、分財的群賊、擊賊的陣、劫㲲的賊,事裡的賊五回;合段裡的賊三回,都叫煩惱賊、惡賊,加上偈裡的死賊。賊從外面進來的時候,門是裡面的人開的。
六、錯解(喻六九、七六、七七、九三、九四)
五喻的愚人都把一句話聽成了另一句。効其祖先急速食喻:北天竺人娶南天竺婦,吃飯急吞不避熱,婦問,他說「有好密事不得語汝」〔T04 0554a13〕,問久了才答「我祖父已來法常速食,我今効之,是故疾耳」〔T04 0554a15〕。合段:世間凡夫「不達正理不知善惡,作諸邪行不以為恥,而云我祖父已來作如是法,至死受行終不捨離」〔T04 0554a16〕。祖父速食是真的,可是祖父速食不是法;他把一件事聽成了一條法,還叫它密事。
田夫思王女喻說聽半句。田夫見王女病了,親里說「我當為汝作好方便,使汝得之,勿得愁也」〔T04 0555a05〕,過幾天說「我等為汝便為是得,唯王女不欲」〔T04 0555a07〕,他「欣然而笑,謂呼必得」〔T04 0555a08〕。合段:世間愚人「不別時節春秋冬夏,便於冬時擲種土中望得果實」〔T04 0555a09〕,「修習少福謂為具足,便謂菩提已可證得」〔T04 0555a11〕。「便為是得,唯王女不欲」,前半句是安慰,後半句是實話;他只聽見前半句。冬天撒種的人也是只聽見了『撒種得果』,沒聽見『春天』。這是這一卷愚人自己笑的第二處。
搆驢乳喻說沒見過。邊國人不識驢,「聞他說言驢乳甚美,都無識者」〔T04 0555a15〕,得了一頭公驢,「有捉頭者、有捉耳者、有捉尾者、有捉脚者,復有捉器者」〔T04 0555a17〕,「中捉驢根謂呼是乳」〔T04 0555a19〕。合段:外道凡夫「聞說於道不應求處,妄生想念,起種種邪見,裸形自餓投巖赴火」〔T04 0555a22〕。驢乳是有的,公驢沒有;道是有的,在那裡求沒有。這喻合段是全卷唯一一處點名外道作被指的人,點的是苦行:裸形、自餓、投巖、赴火,都是在公驢身上搆乳。
老母捉熊喻說接手。老母被熊追,繞樹,合樹捺住熊兩手,有人來,她說「汝共我捉,殺分其肉」〔T04 0557a03〕,那人信了,一起捉;「老母即便捨熊而走,其人後為熊所困」〔T04 0557a05〕。合段:凡夫「作諸異論既不善好,文辭繁重多有諸病,竟不成訖便捨終亡,後人捉之欲為解釋,不達其意反為其困」〔T04 0557a07〕。這喻的被困者沒有做錯什麼,他只是接了別人的手。合段說的是接了別人未完的論:作論的人走了,解釋的人被論困住。這一卷合段說到論的有兩喻:耳璫喻是作戲論被破了而否認,這喻是作論不成而後人接手;兩喻都在跋偈之前,跋偈頭一句就是「此論我所造」〔T04 0557c12〕。
摩尼水竇喻收這一節。與他婦通,夫從外來守在門外,婦說「我夫已覺,更無出處,唯有摩尼可以得出」〔T04 0557a14〕——底本在這一句下面夾了一行注:「摩尼者齊云水竇孔也」〔T04 0557a15〕,是全經四卷底本唯一一處行內注字。「其人錯解謂摩尼珠,所在求覓而不知處」〔T04 0557a16〕,說「不見摩尼珠我終不去」〔T04 0557a17〕,被殺。合段:有人說「生死之中無常苦空無我,離斷常二邊,處於中道,於此中過可得解脫」〔T04 0557a19〕,「凡夫錯解,便求世界有邊無邊及以眾生有我無我,竟不能觀中道之理」〔T04 0557a20〕。摩尼一個詞,一邊是水竇,一邊是珠;他聽成珠,就在屋裡找珠,門就在那裡。中道一句話,一邊是處於其中而過,一邊是有邊無邊有我無我的問題;凡夫聽成問題,就在問題裡求,過不去。「錯解」兩字事裡一回合段一回。底本在這一行加了注,是怕讀者也聽成珠。五喻合起來:把祖父的習慣聽成法,把安慰聽成實話,把聽說的乳當成有,把別人的論接到手,把水竇聽成珠。錯解不是不聽,是聽了一半。
七、一卷的讀法——癡花鬘
這一卷三十三喻,合段以「亦復如是」起的三十喻:凡夫之人十三、世間之人四、世間愚人四、世間凡夫二、凡夫愚人二,出家凡夫、凡夫出家、外道凡夫、凡愚之人、遇佛法者各一;以「亦爾」起的二喻:凡夫亦爾、比丘亦爾;劫盜分財以「猶如世人」起。「凡夫之人亦復如是」十三回,是四卷裡這一句用得最多的一卷。讀每一喻仍先找合段第一句,從那一句往回對:乘船法對禪法,一餅對小名利,毘陀羅呪對瞋恚,速食對祖父法,嘗果對推一,二婦對邪友,唵米對覆藏,白尾對妄稱善,空澡灌對詐現持戒,駝甕對乘與戒,王女對菩提,驢乳對不應求處,獨往對不求明師,三十六机對三十六物,倒灌對顛倒禪法,射仙對濫害良善,八足對違犯教誡,怨小兒對後生之法,打狗對橫苦其身,挑眼對不施,兒頭對妄語,欽婆羅對少施,一豆對一戒,毒蛇對無真心,數錢對不勤修,棄財對罷道,歡喜丸對少利養,捉熊對異論,摩尼對中道,殺雌鴿對悔之於後,壞目對妄語毀戒,㲲對善法,擲龜對六根。對得上,是這一卷的事;對不上處考據逐喻記著。
三十三喻之後是跋偈十二行,撰者自己說這部論。「此論我所造,合和喜笑語,多損正實說,觀義應不應。」〔T04 0557c12〕頭一句就認了:喜笑語會損正說,讀的人要自己看哪一句該取。下面四個譬:「如似苦毒藥,和合於石蜜,藥為破壞病,此論亦如是。」〔T04 0557c14〕「正法中戲笑,譬如彼狂藥,佛正法寂定,明照於世間。」〔T04 0557c16〕「如服吐下藥,以酥潤體中,我今以此義,顯發於寂定。」〔T04 0557c18〕「如阿伽陀藥,樹葉而裹之,取藥塗毒竟,樹葉還棄之。」〔T04 0557c20〕四譬裡三個說笑是包藥的:石蜜、酥、樹葉;一個說笑是狂藥。撰者沒有把這個矛盾抹平:笑在正法裡是危險的東西,所以要用;用了,就要棄。末一偈把讀法說死了:「戲笑如葉裹,實義在其中,智者取正義,戲笑便應棄。」〔T04 0557c22〕四卷九十八喻,撰者給它的名字不是百喻,是「癡花鬘」〔T04 0557c24〕:把九十八個癡人穿成一串。花鬘是戴的,不是看的;穿起來給人戴在身上,戴的人自己是哪一朵,自己對。前三卷義疏末節都說『對得上,是這一卷的事』;這一卷讀到跋偈,知道撰者要的就是這個對:對上了,葉就可以棄了。
承衍——合段自釋
本卷無古德疏所攝;百喻經在藏中無逐文古疏。每喻之合段即本喻自釋,卷末跋偈為撰者自述造論之意,義疏所引經證皆取自譬段、合段與跋偈,不另立義。
This fascicle has thirty-three parables. It is the last of the four, and the one with the most parables. There is no preface; after the table of contents at its head come the parables themselves. When the thirty-three are told, the author adds twelve lines of verse of his own, saying how this treatise was written and how it should be read, and ends with one line: “The Venerable Sengqiesina has finished composing the Garland of Fools.” The first three fascicles end with nothing but the fascicle title; this one has that closing section besides. The form is the same as before: first the story, then “it is just the same.” Those pointed at have changed once more. The third fascicle named followers of other paths in four applications, bhikṣus in one, disciples in three. In this fascicle only one application names followers of other paths, milking the donkey: “ordinary people on other paths are just the same.” Followers of other paths appear in the application of the child who caught a great tortoise too, “followers of other paths with wrong views, the heavenly Māra Pāpīyān, and bad friends say to him,” but there they are the ones speaking, and the one pointed at is still the ordinary person. Six applications name those who have left home: the renunciant who craved gain and offerings, telling his son to set out early, the father who took his son’s earrings, the monkey with a fistful of beans, the poor man who wanted wealth equal to the rich, the child who got a joy pill. That is the most of any of the four fascicles. Finding gold coins on the ground points at “those who meet the Buddha’s Dharma are just the same,” a name the first three fascicles never used. The base text writes plainly of onlookers laughing in eleven parables: the husband and wife and the cake, “everyone in the world who heard of it laughed at him”; falsely claiming the horse had died, “he was laughed at by people”; losing both the camel and the jar, “such a fool is laughed at by the world”; milking the donkey, “he was ridiculed by all the people of the world”; telling his son to set out early, where it is the father scolding his son who says “ridiculed by all the people of the world”; carrying the king’s stool, the enema taken the wrong way and the old woman who caught a bear, all “laughed at by the world”; imitating the sowing of a field, “ridiculed by people”; the father who took his son’s earrings, “laughed at by the world”; feigning blindness, “laughed at by the people of the world.” Twice the fool laughs himself: the husband with the cake “clapped his hands and laughed,” and the farmer, told the princess was his, “laughed with delight, thinking he was sure to have her.” These two laughs are the exact opposite of the eleven before them. The onlookers laugh because they have seen; the fool laughs because he has not.
A sentence in the closing verses could stand as the title of this fascicle, or of the whole sūtra: “Like the agada medicine, wrapped in a leaf: once the medicine has been taken and put on the poison, the leaf is thrown away.” The next verse explains it: “Jests are like the leaf that wraps; the real meaning lies within it. The wise take the right meaning, and the jests should then be discarded.” The doings of thirty-three fools are the leaf; the thirty-three applications, “it is just the same,” are the medicine. The expositions of the first three fascicles taught the reader to find the first sentence of the application and match the story back against it. At the end of this fascicle the author says that reading out himself. The leaf is needed: without the wrapping, the medicine never reaches the hand. The leaf is also to be thrown away: to hold the medicine and still clutch the leaf is to be one more fool.
One. Not Understanding the Means (Parables 66, 78, 80, 82, 98)
The five applications all say that learning the Dharma needs a teacher and needs the means. Reciting the art of steering a boat stands at the head of the fascicle. The elder’s son “was good at reciting the method of entering the sea and handling a boat”: where the water eddies and swirls, “hold it so, steer it so, keep it so,” and he told everyone, “the method of entering the sea, I know it all.” The helmsman fell ill and died; he took the helmsman’s place, and in the rushing current “he cried out: ‘Hold it so, steer it so.’” The boat only went round and round, and “all the merchants on board sank in the water and died.” The application: the ordinary person “has a little practice in the methods of meditation, ānāpāna, counting the breath and the contemplation of impurity, and though he recites the text he does not understand its meaning,” and “wrongly teaches the methods of meditation, so that the one before him grows confused and loses his mind, and the marks of the Dharma are turned upside down.” “Hold it so, steer it so” comes twice, once recited on dry land, once cried out in the whirlpool, and not a word differs; what differs is that when he recited it there was no water under his feet. It is not that he could not recite; it is that reciting was all he could do. Nor does the application say he failed to recite; it says the four characters “does not understand its meaning.” The fool of this parable harms not himself alone but a whole boat; what the application matches is “wrongly teaches,” teaching others wrongly.
Telling his son to set out early tells of having no teacher. In the night the father said, “tomorrow you and I will go together to that village to fetch something,” and at dawn the son “went off there alone without asking his father at all.” He got nothing there, nearly starved, and came back. The father scolded him: “Why did you not wait for me? You went and came back for nothing, and suffered for nothing.” The application: the ordinary person, “if he manages to leave home, shaves his hair and beard and puts on the three Dharma robes, but does not seek an enlightened teacher to receive the Dharma of the Way,” loses meditation and the factors of the path, and “looks like an ascetic but has gained nothing at all.” The son knew where the village was; he took the right road; he went and he came back. All that was missing was the father, and the father knew what was to be fetched there. The one who leaves home has shaved his head, put on the robe, arrived at that place; what is missing is the enlightened teacher, who knows what is to be fetched there.
The enema taken the wrong way tells of inversion. The physician said, “you must have an enema; only then will you recover,” and the sick man “took it by mouth before the physician had come,” and his belly swelled till he nearly died. The physician scolded him, “you great fool, you do not understand the means,” gave him another medicine, and only when he had vomited did he recover. The application: the ordinary person practising meditative contemplation, “where he should practise the impure, practises counting the breath instead, and where he should count the breath, practises the contemplation of the six elements; above and below are inverted, and there is no root,” and “he does not consult a good teacher, and inverts the methods of meditation.” The medicine was right; the opening was wrong. The application calls this “above and below inverted,” and the word matches “the wrong way” exactly: what should go in below goes in above; the one who should contemplate impurity counts the breath; the one who should count the breath contemplates the six elements. Read this parable with the boat: there, the words were recited rightly and could not be used; here, he had the right medicine but did not know how to use it. Both applications speak of the methods of meditation.
Imitating the sowing of a field tells of adding a rule of one’s own. The countryman asked the owner of the wheat, who answered, “level the ground and add manure and water.” He did so, and then “feared that his own feet treading the ground would harden it and his wheat would not sprout,” so he had four men carry a bed and sat on it to scatter the seed, and “the ground was harder than ever, and people ridiculed him, for in fearing his own two feet he had added eight more.” The application: the ordinary person, “once he has cultivated the field of the precepts and the good sprout is about to come up, should consult a teacher and receive his practice and instruction, so that the sprout of the Dharma may grow,” but “instead he violates them and does much evil, so that the sprout of the precepts does not grow.” This man asked the right person; not a word the wheat-owner said was wrong; he did as he was told. The error was in the one rule he thought up himself. The two parables before were of not asking a teacher; this one asked the teacher, and then added his own to what the teacher said.
The child who caught a great tortoise closes this section, and closes the whole sūtra. The child caught a tortoise and wanted to kill it, and asked someone, “how can I kill it?” The man said, “just throw it into the water and it will die at once,” and he believed him, and “once the tortoise had the water it swam away.” The application: the ordinary person, “wishing to guard the six sense faculties and cultivate merit, does not understand the means,” and asks how liberation is gained; the ones who answer are followers of other paths, the heavenly Māra and bad friends: “just give the six sense objects free rein and indulge the five desires to your heart’s content; do as I say and you will surely gain liberation,” and “such a fool does not consider carefully, but acts on their words.” Set the five together: the art of the boat, the road to the village, the enema, the manure and water, the killing of the tortoise. In the first four the Dharma was right, and each man wanted to do the right thing; the error was that something was missing between the man and the Dharma. The boatman lacked experience on the water, the early riser lacked his father, the sick man lacked the physician, the sower added a rule of his own. The killing of the tortoise is different: the child wanted the tortoise killed, and the ordinary person wants to guard the six sense faculties, and what they want is right; but the one asked was wrong, and so the Dharma that came to hand was wrong too. What the applications match is: not understanding the meaning, not seeking an enlightened teacher, not consulting a good teacher, not receiving instruction, not considering carefully. “Does not understand the means”: the physician says it once to the sick man, and the application says it once to the ordinary person. The fools of the first three fascicles mostly took hold of the Dharma wrongly; in this fascicle the first parable takes hold of it rightly and cannot use it, and the last wants the right thing and asks the wrong person.
Two. Pretence (Parables 67, 73, 74, 86, 96)
The fools of these five are all putting on a show. The husband and wife who made a wager over a cake: of three cakes they ate one each and one was left, and they agreed, “whoever speaks shall not have the cake.” A thief came in and carried off everything, and the couple said nothing; the thief “assaulted the wife in front of her husband, and the husband saw it with his own eyes and still said nothing.” The wife cried thief and scolded him, “what kind of fool are you, that for one cake you see a thief and do not call out?” The husband clapped his hands and laughed: “Ha, you slave, I have got the cake for certain, and I will not give it to you.” The application: ordinary people, “for the sake of some small fame and gain, feign silence, and are assailed by the false afflictions, bandits of every kind, lose their good dharmas and fall into the three evil destinies,” and “cling to the five desires and play in them, and though they meet great suffering they do not take it for harm.” He won; the cake was his. What the application points at is “feign silence”: the silence was not concentration, it was a show. A show for whom? For that one cake. The thief in this parable is a real thief; the application changes him into “bandits of every kind,” and while the afflictions are inside carrying things off, the one feigning silence watches with his own eyes and says nothing.
Falsely claiming the horse had died tells of playing dead. Riding a black horse into battle, he was afraid, “smeared his face with blood, put on the look of death and lay among the dead,” and the horse was taken. When the army dispersed and he went home, he “cut off the tail of another man’s white horse,” said the horse had died, and brought the tail back. A bystander asked: “Your horse was black. Why is the tail white?” The application: people of the world “claim that they are good and cultivate a mind of kindness and eat no meat and drink no wine, yet they kill living beings and inflict every cruelty, and falsely call themselves good while there is no evil they do not do.” One question broke it: the tail was white. The mind of kindness and no meat or wine are the black horse; killing living beings is the white tail. Hang the two on one man, and one question shows they do not match.
The renunciant who craved gain and offerings tells of feigning a wash. The king ordered the brāhmaṇas to wash themselves clean, and whoever did not was driven to hard labour. “A brāhmaṇa held an empty washing jug and claimed he had washed, and when someone put water in it for him he poured it straight out,” saying, “I shall not wash; let the king wash himself.” The application: the ordinary person who has left home “shaves his head and dyes his robe while inwardly breaking the prohibitions, feigns keeping the precepts in hope of gain and offerings,” and is “outwardly like an ascetic and inwardly all deceit, like one who holds an empty jar that has nothing but its outside.” This is the only parable in the fascicle whose application says plainly “the ordinary person who has left home” without a single word of laughter: no one in the story laughs at him, and the application does not either. The empty jar is the point of this section: the jar is a real jar, really held in the hand, and there is no water in it. The two parables before feigned something that was not; this one feigns the look of something that is.
The father who took his son’s earrings tells of one lie. Meeting bandits on the road, the father feared to lose the gold earrings on his son’s ears, and when he could not pull them off, “for the sake of the earrings he cut off his son’s head.” When the bandits had gone, he “put the son’s head back on his shoulders, and it could not be made whole again.” The application: the ordinary person, “for the sake of fame and gain, makes up idle play, saying the two worlds exist, the two worlds do not; the intermediate existence exists, it does not; mental factors exist, they do not,” and when someone refutes him according to the Dharma he says, “there is no such statement anywhere in my treatise,” and “such a fool, for a little fame and gain, deliberately lies and loses the fruit of the ascetic’s Way.” A head cut off cannot be put back; a word spoken cannot be taken back. The one lie the application matches is ‘I never said that’: to save the face of one sentence, he cuts off everything he said. The earrings are a small gain and the head is his son; face is a small gain and the fruit of the ascetic’s Way is the head.
Feigning blindness closes this section. A craftsman could not bear the king’s labour and “claimed to be blind, and so escaped the hardship”; “another craftsman heard of it and wanted to destroy his own eyes to escape the labour.” The application: the ordinary person, “for a little reputation and for gain and offerings, deliberately lies and destroys the pure precepts.” The first man told a lie; the second made the lie come true, and was the greater fool. The five together: feigning silence, feigning death, feigning a wash, feigning not to have said it, feigning blindness. What the applications match is a show put on for fame and gain: silence, a mind of kindness, keeping the precepts, being without fault, escaping hardship. Every look that is feigned is a good look the Dharma really has, which is why it can be feigned; and whether the feigning passes, one question tests: why is the tail white?
Three. Anger (Parables 68, 81, 83, 84)
The fools of these four are all in hatred, and the arrow of hatred never reaches the one it should. Harming each other out of hatred: a man was slandered, could not pay it back, and was in anguish. Someone said, “only the vetāla spell can harm him, but it has one drawback: before it reaches him it will harm you yourself first,” and he was overjoyed: “Only teach it to me; though I must harm myself, I hope to injure him.” The application: people of the world “out of anger seek the vetāla spell to afflict another, and before they have harmed the other they are first afflicted and harmed by their own anger.” In this parable the one who teaches the spell says the whole of it: first yourself, then him. The man heard it, and still wanted it. What the application speaks of is that order: anger reaches one’s own body first, and whether it ever reaches the other is unknown.
Bitten by a bear tells of shooting wrong. The son went into the woods and was mauled by a bear, and said, “a kind of creature with long shaggy hair came and hurt me.” The father took his bow into the woods, “saw a sage with long deep hair, and was about to shoot him.” A bystander said: “Why shoot him? This man did no harm; punish the one at fault.” The application: the fool of the world, “because he has been abused by those who wear the Dharma robe without practising the Way, does wanton harm to good and virtuous people.” The bear has hair and so has the sage; the one who abused him wears the Dharma robe and so does the virtuous man. Hatred recognises the hair and not the person.
The monkey tells of hating at the wrong time. Beaten by a grown man, the monkey “could do nothing about it, and turned its resentment on a child instead.” The application: the foolish ordinary person, “the one he was angry at before has passed away in the ceaseless change and is gone into the past, and he takes the dharmas that arise afterward in continuity to be that former person, and wrongly gives rise to anger, and the venom of his hatred grows deeper.” The parable is three lines long, and its application says something the first three fascicles never said: the one who struck you has already passed; the one before you now is “the dharmas that arise afterward in continuity,” not the former one. The monkey that resents the child has mistaken the person; the ordinary person who hates the one before him, the application says, has also mistaken the person, because the person of a moment ago is already gone.
Beating the dog for the eclipse of the moon closes this section. “Of old the king of the asuras, seeing the sun and moon bright and clear, covered them with his hand; and people without wisdom, when the dog has done no wrong, wantonly do it harm.” The application: “Ordinary people are the same: through greed, anger and delusion they wantonly torment their own bodies, lying on beds of thorns and roasting themselves at five fires.” The moon was covered by the asura’s hand, and the people beat the dog. The four together: the spell harms oneself, the arrow aims at the sage, the resentment falls on the child, the stick falls on the dog; not once did it reach where it should. The last application says “wantonly torment their own bodies”: in the end it is one’s own body that takes what hatred gives. The first three parables say it separately, and the fourth says it in one sentence: lying on thorns, roasting the body, the austerities of other paths are the last stop of anger.
Four. Faith and Giving (Parables 70, 85, 87, 89, 90, 91)
The six applications all speak of cause and effect, and of giving. Tasting the āmra fruit opens it. The owner said, “the fruit of this tree of mine is all fine and good, not one is bad; taste one and you will know,” and the buyer said, “I shall taste each one and then take them; if I taste only one, how can I know?” He tasted them all and brought them home, and “when the elder saw them he was disgusted and would not eat, and threw them all away.” The application: people of the world “hear that keeping the precepts and giving bring great wealth and happiness, that the body is ever at ease and free of all ills, and will not believe it,” saying, “giving brings blessings; when I get them myself, then I shall believe,” and though they see with their own eyes that high and low, rich and poor, are all the fruition of former deeds, “they do not know how to infer from one to seek the cause and effect, but harbour disbelief and must pass through it themselves.” The point is in the two characters “infer from one”: one fruit tells of the whole tree, and the rank of one person before your eyes tells of cause and effect. To insist on tasting every one yourself is to leave every fruit you have tasted unfit to eat. This parable is not about disbelief; it is about the method of believing. Belief infers from one; disbelief tastes one by one.
The woman with aching eyes tells of fear. A woman’s eyes ached, and another woman said, “whoever has eyes must ache; though mine do not ache yet, I mean to gouge them out for fear they will ache later.” A bystander said: “If the eyes are there, they may ache or they may not; if the eyes are gone, there is lifelong pain.” The application: foolish ordinary people “hear that wealth and rank are the root of decline and misfortune, are afraid and will not give, fearing that later they will receive the reward, that their goods will overflow and they will suffer greatly for it,” and someone says to them, “if you give, there may be suffering or there may be joy; if you do not give, there is the great suffering of poverty.” With the eyes, aching or not aching; without them, pain for certain. With giving, suffering or joy; without it, poverty for certain. To want to gouge out the eyes now for fear of pain to come, and to withhold giving now for fear of the misfortune of wealth, is one and the same sum: to be rid of “may,” they chose “must.”
The robbers dividing their loot tells of giving little. A band of robbers shared out what they had taken, and “only a deer-park kambala robe, its colour not pure and fine, was reckoned the worst share and given to the least of them.” He resented it, took it to the city to sell, and “the noble elders paid him a great price, so that what one man got was twice what his companions had.” The application: “It is like people of the world who do not know whether giving brings reward or not, and give a little, and are born in heaven and receive measureless happiness, and only then regret it, regretting that they did not give widely,” and “having done little and gained much, only then do they rejoice and regret that they did not do more.” Of the thirty-three parables in this fascicle, this is the only one whose application speaks of giving little and gaining much; and still the application sets that man among the regretful: having gained a great reward for a little giving, what he regrets at that moment is not having given more. This parable and the āmra fruit are a pair: there, he would not believe and would not infer from a single fruit; here, he believed late, and only in heaven learned what the kambala was worth.
Finding a golden weasel tells of the mind. A man found a golden weasel, and when he took off his clothes to cross a stream, “in a moment the golden weasel turned into a venomous snake.” He thought, “better to be stung to death by the snake than not carry it,” and “his mind reached so far that it was answered, and it turned back into gold.” A fool beside him saw it, “thought it was always so,” put a venomous snake into his bosom, and was stung to death. The application: the fool of the world “sees the good gaining benefit, and with no true mind within, attaches himself to the Dharma only for gain and offerings.” The first man held a snake to his breast and the snake became gold; the second also held a snake, and the snake stayed a snake. The difference is in the two characters “mind reached.” What the application calls “attaches himself to the Dharma” is to see another gain benefit in the Dharma and do the same thing over: the same deed, without that mind. The man stung to death in this parable is the only one in the fascicle who dies of doing the right thing in imitation.
Finding gold coins on the ground tells of meeting. A poor man found a bag of gold coins, and “before he had finished counting them, the owner of the gold came suddenly and took back every coin.” The application: “Those who meet the Buddha’s Dharma are just the same: though they chance to meet the Three Jewels, the field of merit, they do not diligently apply the means and cultivate good deeds, and suddenly their life ends.” After the application comes the first verse of the fascicle: “Today attending to this business, tomorrow doing that; delighting in attachment and not seeing the suffering, they do not notice the thief that is death arriving.” “Hurrying about their many affairs, no ordinary person is otherwise; like the man counting coins, the matter is just the same.” He did not spend; he was counting. Counting is attending to business; when the count was done he meant to use it, and the owner came. The “thief that is death” of the verse is, of all the bandits in this fascicle, the only one no one escapes.
The poor man who wanted wealth equal to the rich closes this section. A poor man with a little property wanted to be the equal of the rich, could not be, and “though he had a little property, wanted to throw it in the water.” A bystander said: “Though this is small, it could keep you alive a few days; why throw it away into the water?” The application: the fool of the world, “having left home and gained a little in gain and offerings, has hopes in his heart and is forever discontented, cannot equal the men of high virtue,” and seeing the venerable elders with many offerings, “wishes to be their equal and cannot, and in grief and distress wants to give up the Way.” The six together are six moments of one thing: not believing in cause and effect and insisting on tasting; fearing the future and not giving; giving a little and regretting it only in heaven; seeing another’s gain and attaching oneself to the Dharma; meeting it and only counting, never using; having a little and throwing it away because it is less than another’s. The “infer from one” of the āmra fruit is the door to all six: one fruit tells of the tree, a little giving tells of a great reward, a little property keeps a man alive a few days. The one who will not infer from one must pass through every one himself, and by then every fruit has been tasted to ruin.
Five. Precepts and Bandits (Parables 71, 72, 75, 79, 88, 92, 95, 97)
The eight applications all speak of the precepts, of how they are broken and what follows. Losing both eyes on account of two wives: a man married two wives, and when he drew near one the other was angry; “unable to decide, he lay flat on his back between the two of them,” and when the roof leaked, “water and mud fell together into his eyes, and because of his earlier promise he dared not get up and move, and so both his eyes lost their sight.” The application: the ordinary person of the world “keeps company with wrong friends and practises what is not the Dharma, makes karma that binds and falls into the three evil paths, and dwelling long in birth and death loses the eye of wisdom.” It is not that he did not know the water was falling into his eyes; he had promised, and dared not rise. That is the harm of wrong friends: it is not that the wrong friend harms him, but that he has a promise with the wrong friend.
The mouthful of rice and the cut cheek tells of hiding. A man stole rice and held it in his mouth, and when his wife came and spoke he did not answer, “ashamed before his wife, he would not spit it out, and so said nothing.” The wife thought his mouth was swollen, the father called a physician, and the physician said, “this illness is most serious; cut it open with a knife and he may recover,” cut it open, and the rice came out. The application: people of the world “do evil deeds and break the pure precepts, and cover up their faults and will not bring them to light,” and “like that fool who for a little shame would not spit out the rice, and whose fault was shown only when his cheek was cut, they fall into hell and the realms of animals and hungry ghosts.” Spat out, it is a mouthful of rice; hidden to the end, it is a knife. The stolen yak of the third fascicle said that hiding means denying the east; this says that hiding means cutting the mouth. “Will not bring them to light” is used in both fascicles.
Losing both the camel and the jar tells of one broken, all given up. The camel’s head went into the jar and could not come out; an old man told him, “cut off its head and you will get it out,” and he “killed the camel and then broke the jar as well.” The application: the foolish ordinary person, “aspiring to bodhi and seeking the three vehicles, should keep the precepts and guard against every evil, yet for the five desires he destroys the pure precepts, and having broken the prohibitions he abandons the three vehicles,” and “the vehicle and the pure precepts are both thrown away.” The jar is the precepts; the camel is the vehicle. Having broken the precepts, he no longer wants the vehicle he was seeking.
Carrying the king’s stool tells of one and thirty-six. The king told a minister to bring one stool into the garden, and the minister, ashamed, said, “I cannot carry it in my hand; I would rather carry it on my back,” and “the king then set thirty-six stools on his back.” The application: the ordinary person, “if he sees a single hair of a woman on the ground, says he keeps the precepts and will not pick it up; afterwards, deluded by the afflictions, he finds nothing ugly in the thirty-six impure things, hair, nails, teeth, excrement and urine, and takes hold of all thirty-six at once without shame.” One stool he would not carry in his hand, and he carried thirty-six on his back; one hair he would not pick up, and he took hold of all thirty-six things. The application calls this keeping the precepts, and means keeping only the one that can be seen.
The monkey with a fistful of beans tells of one and everything. The monkey dropped one bean from its fistful, and “let go of the beans in its hand to look for the one, and before it had found that one bean, the chickens and ducks had eaten all it had let go.” The application: the ordinary person who has left home “first breaks one precept and cannot repent, and because he does not repent, heedlessness spreads and he gives up everything.” This parable and the camel and jar are a pair; both are one broken and all given up. The difference is that this one says “cannot repent.” The monkey did not not want the one bean; for the sake of that one bean it opened its hand. What the application speaks of is not breaking one precept but breaking it and not repenting; without repentance, the hand opens.
The two pigeons tells of repenting late. The cock pigeon saw that the fruit had shrunk to half the nest and said the hen had eaten it alone; the hen said, “I did not eat it alone; the fruit shrank by itself,” and the cock would not believe her and pecked her to death. Then the rains came, the fruit swelled with moisture and filled the nest again, and the cock pigeon “only then felt remorse: ‘She truly did not eat it; I killed her wrongly.’” The application: the ordinary person, “with inversion in his heart, wrongly seizes the pleasures of desire and does not contemplate impermanence, and breaks the grave prohibitions, and what use is it to repent afterwards?” Read the four places in this fascicle that speak of regret together: the robbers dividing their loot regret not having given widely; finding gold coins, not having gone quickly; the fistful of beans, not being able to repent; the two pigeons, repenting afterwards. Of the four, only one is the right time for repentance: at the monkey’s one bean, the application says he should repent and does not. In the other three, the regret comes after the deed. The application’s “what use is it” says that repentance has its time.
The child who got a joy pill tells of bandits. The nurse, exhausted, fell asleep holding the child; a man gave the child a joy pill, and “the child took it and craved its sweet taste and paid no heed to what he wore, and the man at once undid his neck ring and lock and his necklaces and carried off every garment.” The application: “Bhikṣus are the same: delighting in the bustle and clamour of many affairs, they crave a little gain and offerings, and the thieves of the afflictions rob them of the jewelled necklace of merit and the precepts.” In the third fascicle five hundred joy pills killed five hundred bandits; in this one, a single joy pill is the bandit’s tool. The bit of sweetness the bandit gives buys everything on the body.
Robbed of his fine cotton by bandits closes this section. Two men crossed a wilderness together; one was robbed, and in the hem of his fine cotton cloth he had wrapped a gold coin, and he said to the bandit, “this cloth is worth just one gold coin; I now ask to redeem it with one gold coin.” The bandit asked where the coin was; he undid the hem and showed it to the bandit, and went on, “in this grass here is a fine goldsmith; you may go and ask him,” and the goldsmith was the companion hiding in the grass. “Such a fool lost the fine cotton cloth and the gold coin alike; he lost his own gain and made the other lose too.” The application: the ordinary person, “cultivating the factors of the path and doing meritorious deeds, is plundered by the thieves of the afflictions, loses his good dharmas and all his merit, and not only loses his own gain but makes others lose their practice of the Way.” He meant to redeem the fine cotton cloth, and in the end he handed the bandit the fine cotton cloth, the coin and his companion, every one of them by his own mouth. Read the eight together: the promise of the two wives, the shame of the mouthful of rice, the cutting in the camel and jar, the shame of the stool that would not be carried, the opened hand of the beans, the disbelief of the pigeons, the sweetness of the joy pill, the ransom of the fine cotton cloth. The door by which the precepts are broken differs each time; what goes out through it is the same: the eyes, the mouth, the vehicle, shame, everything, the hen, the necklace, the fine cotton cloth. This fascicle is full of bandits: the thief of the cake, the bandits of the earrings, the robbers dividing loot, the battle against the enemy, the bandits of the fine cotton cloth, five times in the stories; three times in the applications, always the thieves of the afflictions, the false thieves; and the thief that is death of the verse besides. When the bandit comes in from outside, the door was opened by the one inside.
Six. Misunderstanding (Parables 69, 76, 77, 93, 94)
The fools of these five each heard one sentence as another. Eating fast in imitation of his ancestors: a man of north India married a wife from the south, and ate in a rush, swallowing without waiting for the food to cool. When his wife asked, he said, “there is a fine secret that I cannot tell you,” and only when she had pressed him long did he answer, “from my grandfather’s time our rule has always been to eat fast; I am imitating it, and that is why I am quick.” The application: ordinary people of the world “do not reach the right principle and do not know good from evil, practise every wrong deed and are not ashamed of it, and say, from my grandfather’s time we have done thus, and they hold to it till death and never give it up.” The grandfather’s fast eating was true, but the grandfather’s fast eating was not a rule; he heard a fact as a law, and called it a secret.
The farmer who pined for the princess tells of hearing half. The farmer saw the princess and fell sick, and his kinsmen said, “we shall contrive a fine means for you to get her; do not grieve,” and some days later said, “we have arranged it for you, and it is done; only the princess is unwilling,” and he “laughed with delight, thinking he was sure to have her.” The application: the fool of the world “does not distinguish the seasons, spring, autumn, winter and summer, and in winter throws seed into the ground and hopes for fruit,” and “having cultivated a little merit takes it for complete, and says that bodhi can already be attained.” “It is done; only the princess is unwilling”: the first half is consolation and the second is the truth, and he heard only the first half. The man who sows in winter has likewise heard only ‘sow and reap,’ and not ‘in spring.’ This is the second place in the fascicle where the fool laughs himself.
Milking the donkey tells of never having seen. The people of a border country did not know the donkey; “they heard others say that donkey’s milk was very fine, and none of them knew it.” They got a male donkey, and “some held its head, some its ears, some its tail, some its legs, and others held the vessel,” and “the one who held the donkey’s member thought that this was the milk.” The application: ordinary people on other paths, “hearing talk of the Way, seek it where it is not to be sought, give rise to false notions and wrong views of every kind, go naked, starve themselves, throw themselves from cliffs and into fire.” Donkey’s milk exists; a male donkey has none. The Way exists; sought there, it is not. This application is the only place in the fascicle that names followers of other paths as the ones pointed at, and what it names is austerity: going naked, starving, leaping from cliffs, into fire, all of it milking a male donkey.
The old woman who caught a bear tells of taking over. An old woman chased by a bear ran round a tree and pinned the bear’s two paws against the trunk; when a man came she said, “hold it with me, and we will kill it and share the meat,” and he believed her and took hold with her; “the old woman then let go of the bear and ran, and afterwards the man was caught by the bear.” The application: the ordinary person “composes various treatises that are not well done, wordy and burdensome and full of faults, and before they are finished he abandons them and dies; and later people take them up and try to explain them, and not reaching their meaning are caught by them instead.” The man caught in this parable did nothing wrong; he only took over another’s hold. The application speaks of taking over another’s unfinished treatise: the author has gone, and the one who explains it is caught by it. Two applications in this fascicle speak of treatises: the earrings, where idle play is refuted and denied, and this one, where a treatise is left unfinished and someone later takes it up. Both come before the closing verses, and the first line of those verses is “This treatise is my composition.”
Maṇi and the water drain closes this section. A man lay with another’s wife; the husband came home and waited at the door, and the wife said, “my husband has found out; there is no other way out; only by the maṇi can you get out.” Beneath that sentence the base text sets a note within the line, “maṇi is what in the Qi tongue is called a water-drain hole,” the only note inside the text in all four fascicles of the base text. “The man misunderstood and took it for the maṇi jewel, and searched for it everywhere and did not know where it was,” saying, “until I see the maṇi jewel I will not leave,” and he was killed. The application: someone says, “in birth and death all is impermanent, suffering, empty and without self; leave the two extremes of annihilation and permanence, dwell in the middle way, and by passing through this middle liberation can be gained,” and “the ordinary person misunderstands, and seeks whether the world has a limit or has none, and whether beings have a self or have none, and in the end cannot contemplate the principle of the middle way.” One word, maṇi: on one side a drain, on the other a pearl. He heard the pearl, searched the room for the pearl, and the way out was right there. One sentence, the middle way: on one side, to dwell in it and pass through; on the other, the questions of limit and no limit, self and no self. The ordinary person hears the questions, seeks inside the questions, and does not get through. “Misunderstood” comes once in the story and once in the application. The base text added its note to that line for fear the reader too would hear the pearl. The five together: the grandfather’s habit heard as a law, consolation heard as truth, hearsay of milk taken for the thing, another’s treatise taken into one’s hands, the drain heard as the pearl. Misunderstanding is not failing to listen; it is listening to half.
Seven. How to Read This Fascicle — The Garland of Fools
Of the thirty-three parables in this fascicle, thirty open their application with “is just the same”: the ordinary person thirteen times, people of the world four, the fool of the world four, the ordinary person of the world two, the foolish ordinary person two, and the ordinary person who has left home, the ordinary person leaving home, ordinary people on other paths, foolish ordinary people and those who meet the Buddha’s Dharma once each. Two open with “the same”: ordinary people are the same, bhikṣus are the same. The robbers dividing their loot opens with “it is like people of the world.” “The ordinary person is just the same” thirteen times is the most that sentence is used in any of the four fascicles. To read each parable, still find the first sentence of the application and match the story back against it: the art of the boat against the methods of meditation; one cake against a little fame and gain; the vetāla spell against anger; eating fast against the grandfather’s rule; tasting the fruit against inferring from one; two wives against wrong friends; the mouthful of rice against covering up; the white tail against falsely calling oneself good; the empty washing jug against feigning the precepts; the camel and jar against the vehicle and the precepts; the princess against bodhi; donkey’s milk against seeking where it is not to be sought; going alone against not seeking an enlightened teacher; thirty-six stools against the thirty-six things; the enema against inverted meditation; shooting the sage against wanton harm to the good; eight feet against violating instruction; resenting the child against the dharma that arises later; beating the dog against tormenting one’s own body; gouging the eyes against not giving; the son’s head against lying; the kambala against giving little; one bean against one precept; the venomous snake against no true mind; counting coins against not practising diligently; throwing away property against giving up the Way; the joy pill against a little gain and offerings; holding the bear against the treatises of others; the maṇi against the middle way; killing the hen against repenting afterwards; destroying the eyes against lying and breaking the precepts; the fine cotton cloth against the good dharmas; throwing the tortoise against the six sense faculties. Where they match is the business of this fascicle; where they do not, the apparatus records it parable by parable.
After the thirty-three parables come twelve lines of closing verse, the author speaking of this treatise himself. “This treatise is my composition; I have mixed in words to make you laugh, and much of it detracts from true and right speech; look to the meaning, what should be kept and what should not.” The first line admits it: words for laughing detract from right speech, and the reader must see for himself which sentence to take. Then four comparisons: “Like a bitter poisonous medicine mixed with sugar: the medicine is to break the illness, and this treatise is just the same.” “Jests in the true Dharma are like that maddening drug; the Buddha’s true Dharma is tranquil concentration, and shines upon the world.” “Like a purge taken and then ghee to soothe the body within: so I now with this meaning bring to light that tranquil concentration.” “Like the agada medicine, wrapped in a leaf: once the medicine has been taken and put on the poison, the leaf is thrown away.” Three of the four say the laughter is what wraps the medicine, sugar, ghee, a leaf; one says the laughter is a maddening drug. The author did not smooth the contradiction away: laughter in the true Dharma is a dangerous thing, and so it is to be used; once used, it is to be thrown away. The last verse fixes the reading: “Jests are like the leaf that wraps; the real meaning lies within it. The wise take the right meaning, and the jests should then be discarded.” Four fascicles, ninety-eight parables, and the name the author gives them is not “a hundred parables” but “the Garland of Fools”: ninety-eight fools strung on one thread. A garland is for wearing, not for looking at. It is strung to be set on someone’s shoulders, and which flower the wearer is, the wearer matches for himself. The last section of each of the first three expositions said ‘where they match is the business of this fascicle’; by the time this fascicle reaches the closing verses, the reader knows that this matching is exactly what the author wanted. Once it is matched, the leaf can be thrown away.
Carrying Forward — The Application as Its Own Commentary
This fascicle is not treated by any commentary of the ancient masters; the Sūtra of One Hundred Parables has no sentence-by-sentence ancient commentary in the canon. The application of each parable is that parable’s own commentary, and the closing verses are the author’s own account of why the treatise was made; every scriptural proof cited in this exposition is taken from the story, its application and the closing verses, and no further doctrine is set up.