清淨道論 義疏通講 · 冊4Visuddhimagga · Exposition Throughout · Vol. 4

地遍品第四 · 11 單元 · 第 423 冊 · 4. The Earth Kasiṇa · 11 units · Vol. 4 of 23 · 冊目次Volume index

進場——擇處・十八過・五支・小障Entering the Practice—Choosing a Dwelling, the Eighteen Faults, Five Factors, and Minor Impediments

全文五層 →Full five layers →
義疏Exposition

一塊泥盤,怎麼通到第四禪|這一品是「範本章」:讀懂它,四十業處就都讀得動——而範本從「選地方」開始

大局 — 為什麼覺音尊者用一塊泥盤教你整個定段

第三品給了地圖(四十業處、六性行配藥),第四品開始示範:它牽著你,把一個業處——地遍——從頭走到底。〔讀法〕為什麼挑地遍?因為它最素、最不依賴特殊根器,最適合當範本:你在這一品學會的那套步驟,第 5–11 品的其他業處幾乎照搬,只換所緣。

那套步驟,剝到底其實只有三步:盯住一個所緣 → 心裡長出一個淨化過的「相」 → 守著那個相,心沉入定。〔04-02 白話 §6–§7〕泥盤只是腳手架——真正發生的事,全在心裡。

而這一品藏著一個全書最該記住的形狀:禪那的上昇,是「減法」。 你不是靠「加上更多東西」爬得更高,而是每上一層,捨掉一支:二禪捨尋伺、三禪捨喜、四禪捨樂。〔04-09〜04-11 白話 §20–§25〕這把「上昇=減法」的尺,正是本義疏一以貫之那把尺,在「定」這一側最清楚的一次現身。

本品的行文骨架也值得先看一眼:前段(本單元,白話 §1–§4)是進場的環境學,中段(04-02〜04-05,白話 §5–§11)是造器、取相、養相的工法,04-06〜04-07(白話 §12–§16)把「入定的那一刻」剖到剎那級並逐句解經文,04-08(白話 §17–§19)教你守住、養大、練熟,04-09〜04-11(白話 §20–§25)才逐層上行。論主把一條完整的修定之路,鋪成了一條可以照著走的工序。

本品行品內單元制,十一單元:進場〔本單元〕・修法——安立其器・取相似相・近行安止 04-02・七隨順 04-03・十種安止善巧 04-04・趣向於相 04-05・初禪 04-06・初禪之德相 04-07・得後之工 04-08・二禪 04-09・三禪 04-10・四禪與五分法 04-11。本單元是全品的門檻:住處之遠近、十八種不相宜、五支相宜、小障之斷。

§01 進場的環境學——擇處、十八過、五支與小障 → 白話 §1–§4

修定的第一個動作,不是坐下,是選地方。白話 §1 說得很實際:業處要在阿闍梨座下學、在阿闍梨座下「淨治」——把功課上每一個打結的地方問到通、通到「一轉向就現起」。所以住處的第一標準是離師遠近:同寺最好;不行,就在一伽烏多到一由旬之內;連這也不行,就先把業處徹底問清楚了再走遠——路可以遠,功課上的結不能留。

接著白話 §2 開出十八種不相宜的住處。這張清單粗看瑣碎,細讀就會發現它只問一件事:這個地方會不會把你的時間與心神吃掉? 大寺義務多、人多口雜;新寺要你參與營建;舊寺要你修葺;臨路的寺夜夜有客;有石池就有取水的人潮;有菜、有花、有果,就有採摘與乞討的人;名氣大的寺有禮拜的人潮;近城則所緣雜遝;近柴近田,糾紛跟著財產走;寺裡有不和的比丘,爭吵會燒到你頭上;碼頭商埠人流不絕;邊地的人不信三寶;國界之間有王難,還可能被當成探子;「不合宜」一條,論主放了那則女夜叉在經行道盡頭唱歌的故事——有些地方的干擾,不是你忍耐就能解決的。但清單也留著轉圜:大寺若一切義務有人作、紛擾不及於你,新寺若比丘們說「營建我們來作」,臨路之寺若無客眾之逼,名剎若於己合宜、白天避開夜裡回住——條件轉了,同一處也可以住。而第十八條「得不到善友」,論主特別點明是大過——善友指四種人:阿闍梨、與阿闍梨相等的人、親教師(upajjhāya)、與親教師相等的人。前十七條磨你的環境,這一條斷你的路。

反面就簡單了:白話 §3 引世尊的話,五支具足——不遠不近、晝不喧夜靜、少蚊虻風日蟲、四資具易得、有可以請問的多聞上座。最後(白話 §4)連「小障」都要清:剃髮剪爪、補衣染衣、燒治缽垢、整理床椅。這一段合起來讀,教的是一個修行觀:定不是意志力的產物,是條件的產物——論主把環境學放在初禪之前,正是要你先把「會扯後腿的東西」清出去。

給一般讀者

若只帶走一件事:先清場,再坐下(白話 §1–§4)。離師不遠、住處不吃掉你的心神、五支具足、小障清完——這四段合起來,是論主給「定」定的第一條工程學前提。你不必住寺,但同一個問題照樣可以問自己:這個地方、這段日子,會不會把我的時間與心神吃掉?答得誠實,才輪到 04-02 的造盤與取相。

想讀本單元全文:白話 §1–§4 即進場四段之逐段全譯(tr. mine,譯自公版巴利原典;底本事項詳本單元考據);他家譯本可對讀葉均譯本第四品、Ñāṇamoli 英譯第四章。

How Does a Disk of Clay Lead to the Fourth Absorption? | This Chapter Is a “Template Chapter”: Understand It and All Forty Meditation Subjects Become Readable—and the Template Begins with “Choosing a Place”

The Big Picture — Why Venerable Buddhaghosa Uses a Disk of Clay to Teach the Entire Concentration Division

Chapter 3 supplied the map—the forty meditation subjects and medicines matched to six temperaments. Chapter 4 begins the demonstration: it takes a single meditation subject, the earth kasiṇa, and leads you through it from beginning to end. 〔Reading〕 Why choose the earth kasiṇa? Because it is the plainest and least dependent on special aptitude, making it the best template. The sequence learned in this chapter is almost entirely reused for the other meditation subjects in Chapters 5–11; only the object changes.

Stripped to its foundation, that sequence has only three steps: hold to a single object → allow a purified “sign” to arise in the mind → remain with that sign as the mind settles into concentration. 〔04-02 Vernacular §6–§7〕 The clay disk is scaffolding; everything that actually happens takes place in the mind.

This chapter also contains the shape most worth remembering in the whole treatise: the ascent through absorption is subtraction. Higher attainment does not come by “adding more things.” At each level a factor is relinquished: applied thought and sustained thought at the second absorption, rapture at the third, and pleasure at the fourth. 〔04-09–04-11 Vernacular §20–§25〕 This measure, “ascent equals subtraction,” is the single measure running throughout this exposition, and here it appears most clearly on the side of concentration.

It is also worth seeing the chapter’s architecture in advance. The opening movement—the present unit, Vernacular §1–§4—is the environmental engineering of entry. The middle movement—04-02–04-05, Vernacular §5–§11—is the craft of making the device, acquiring the sign, and cultivating the sign. Units 04-06–04-07—Vernacular §12–§16—dissect the instant of entering concentration down to the level of mind-moments and explain the canonical wording phrase by phrase. Unit 04-08—Vernacular §17–§19—teaches you to preserve, enlarge, and master the attainment. Only in 04-09–04-11—Vernacular §20–§25—does the path ascend level by level. The author lays out a complete path of concentration as a sequence that can be followed in practice.

This chapter is divided internally into eleven units: Entering the Practice 〔this unit〕; The Method of Development—Preparing the Device, Acquiring the Learning and Counterpart Signs, Access and Absorption, 04-02; The Seven Suitabilities, 04-03; Tenfold Skill in Absorption, 04-04; Facing the Sign, 04-05; First Absorption, 04-06; The Excellent Qualities of the First Absorption, 04-07; The Work after Attainment, 04-08; Second Absorption, 04-09; Third Absorption, 04-10; and Fourth Absorption and the Fivefold System, 04-11. The present unit is the threshold of the whole chapter: distance from the dwelling to the teacher, the eighteen unsuitable conditions, the five suitable factors, and the removal of minor impediments.

§01 The Environmental Engineering of Entry—Choosing a Dwelling, the Eighteen Faults, Five Factors, and Minor Impediments → Vernacular §1–§4

The first act in developing concentration is not sitting down; it is choosing a place. Vernacular §1 is intensely practical: the meditation subject must be learned at the teacher’s feet and “clarified” there—every knot in the practice must be questioned through, until it “appears as soon as the mind adverts to it.” Thus the first criterion for a dwelling is distance from the teacher: the same monastery is best; if that is impossible, somewhere within one gāvuta to one yojana; if even that is impossible, first understand the meditation subject completely and only then travel far. The road may be long; knots in the practice cannot remain.

Vernacular §2 then lists eighteen kinds of unsuitable dwelling. The list looks miscellaneous at first, but on closer reading it asks only one question: will this place consume your time and attention? A large monastery brings many duties and clashing voices; a new monastery expects participation in construction; an old one needs repair; a roadside monastery receives guests at every hour; a stone pool draws crowds fetching water; greens, flowers, and fruit bring gatherers and petitioners; a famous monastery brings streams of worshipers; proximity to a city creates a jumble of objects; proximity to timber and fields brings disputes over property; discordant bhikkhus make their quarrels spread to you; ports and trading posts have an unending flow of people; border peoples lack confidence in the Three Jewels; national frontiers bring danger from kings and the risk of being taken for a spy. Under “unsuitable,” the author gives the story of a female yakkha singing at the far end of a walking path: some disturbances cannot be solved by endurance. Yet the list leaves room for changed conditions. If all duties in a large monastery are done and its disturbances do not reach you, if the bhikkhus at a new monastery say, “We will do the construction,” if a roadside monastery brings no pressure from guests, or if a famous sanctuary suits you and you avoid it by day and return at night, the same place can become suitable. The eighteenth condition, “lacking a good friend,” is singled out as a grave fault. Good friends here comprise four kinds: a teacher, a person equal to the teacher, a preceptor (upajjhāya), and a person equal to the preceptor. The first seventeen wear away at your environment; this one cuts off your path.

The converse is simple. In Vernacular §3 the Blessed One describes the five factors: neither too far nor too near, uncrowded by day and quiet at night, few gadflies, mosquitoes, wind, sun, and creeping creatures, easy access to the four requisites, and learned elders available for questions. Finally, Vernacular §4 clears even the “minor impediments”: cut hair and nails, patch and dye robes, fire grime from the bowl, and put beds and chairs in order. Read together, the passage teaches a view of practice: concentration is not the product of willpower; it is the product of conditions. The author places environmental engineering before the first absorption because the things that pull backward must be removed first.

For the General Reader

If you retain only one thing, let it be this: clear the field before sitting down (Vernacular §1–§4). Remain close enough to the teacher, choose a dwelling that does not consume your attention, secure the five factors, and clear away the minor impediments. Together these four passages form the author’s first engineering prerequisite for “concentration.” You need not live in a monastery, but you can still ask the same question: will this place and this stretch of life consume my time and attention? Only after answering honestly is it time for 04-02 and the making of the disk and acquisition of the sign.

To read this unit in full: Vernacular §1–§4 is the complete passage-by-passage translation of the four entry sections (tr. mine, from the public-domain Pāli original; see this unit’s apparatus for the base-text particulars). Other translations that may be read alongside it include Ye Jun’s translation, Chapter 4, and Ñāṇamoli’s English translation, Chapter 4.

修法——安立其器・取相似相・近行安止The Method of Development—Preparing the Device, Acquiring the Learning and Counterpart Signs, Access and Absorption

全文五層 →Full five layers →
義疏Exposition

盤不是重點,相才是|從一塊晨曦色的泥盤,到心裡那個無色無形的似相

大局 — 造器、取相、二定:定段的三步在此一次走完

本單元是全品的工法核心(白話 §5–§7):先造盤(安立其「器」——連坐姿、起修的心、張眼之度都有工法),再取相(閉眼時盤落入心境是取相,蓋伏而心得近行時似相生起),再立二定(近行定與安止定之別)。全書「盯住一個所緣 → 心裡長出淨化過的相 → 守著那個相沉入定」三步,論主在這三段裡示範得最素、最完整。

§01 造盤——安立其「器」 → 白話 §5

宿世曾於教中或以仙人出家而出家、曾於地遍生起四分法與五分法之禪的人,不用造盤:像摩羅迦長老,只看著一塊耕地,與地同大的相就生起;他增大那相,生起五分法之禪,以禪為近因建立觀,證得阿羅漢(白話 §5)——一塊耕地走完全程。論主先講這種例外,是要你知道盤不是重點,相才是。沒有那種宿作的人,就照師教造:避開四遍過——青、黃、赤、白之雜(顏色會把「地」帶偏成色遍),取晨曦色、如恆河之流的土;在隱蔽處造,可搬移的或固定的皆可;尺寸一張手又四指——經文「如簸箕、如淺盤」說的正是這個大小,「有邊限」等語則是說它必須有界;用抹刀磨平如鼓面(木刀會留下雜色)。

連坐姿都有工法:離盤二肘半,椅高一張手又四指——遠了盤不現,近了瑕疵顯,高了要低頭,低了膝蓋痛。然後是起修的心:先觀諸欲過患、於出離生希求,再隨念三寶而生喜悅,於「一切佛所行過的出離之道」生恭敬,於「我必分得遠離之樂味」生策勵——欲厭、道敬、果望,三個念頭把心擺正了,才張眼取相。

取相的工法有三個「不」:張眼以平常之度(太開眼累、盤太清楚,相反而不生;太小盤不清、心退縮);不觀察顏色不作意特相(不去分析地的硬性)。要把顏色與所依合為一色,把心安放在施設之法上——「地」這個概念——然後「地、地」地念。地有種種名,取最顯明的「pathavī」即可。百次、千次、乃至更多——論主連「修多久」都不給你浪漫的想像。

§02 那個「相」不是泥盤——取相、似相與二定 → 白話 §6–§7

〔讀法〕最容易誤解的一點:修地遍不是「一直盯著泥巴」。泥盤只是引子。真正要等的,是閉眼時心中那個明淨、無瑕、可隨意調動的相——似相(白話 §6)。它不是肉眼看到的東西,是心把粗糙的所緣淨化後、自己造出來的版本。

似相一出,五蓋暫伏,這就是近行定;守著它不丟,心才沉進安止(初禪)。〔白話 §7〕〔讀法〕對現代讀者的用處:這套「粗所緣 → 心中淨相 → 入定」的機制,不限於泥盤——呼吸、其餘九遍、十不淨、身至念,凡論主所列會生似相的二十二業處(03-05),深修到某個點,都會出現這個「相穩→心沉」的轉折;梵住等則不由似相入定(03-05 論自明之)。地遍只是把它演得最清楚。

〔讀法〕解碼框架慣以三相貫說此程:所盯的盤面是「遍作相」,閉眼初得是「取相」,淨化而出是「似相」。本章正文唯出後二名——「遍作相」是框架之語,不是本章之文。

白話 §6 把兩個相的分界說得很細。閉眼轉向時盤像張眼時一樣落入心境,是取相——從這一刻起就離開泥盤,回住處修(還要備鞋與拐杖:年少的定若失去,就回去把相取回來——論主連「相丟了怎麼辦」都排了工序)。以尋一再擊打所緣,蓋漸伏、心得近行,似相才生起。二相之別:取相上還看得出盤的瑕疵;似相「如從袋中取出的鏡盤,如洗淨的螺貝,如雲間出來的月輪,如雲端的白鷺」,比取相清淨百千倍——而且無色無形:它不是眼識的對象,是「得定者的現起之相,由想所生」。這一句是本品的義理樞紐:相是心造的,不在盤上。

白話 §7 再把二定立起來:近行定捨蓋而得,安止定以支現起而得。差別用兩個喻:近行的支還弱,如幼兒被扶起又一再跌坐——心時而在相上、時而落入有分;安止的支有力,如壯士一站一整天——一斷有分,整夜整日相續。所以論主叮嚀:似相極難得,能就這一坐增大而得安止最好;不能,就如守轉輪王之胎般守護它——「守護其相的人,不會退失所得」。

給一般讀者

若只帶走一件事:相是心造的,不在盤上(白話 §6)。造盤的每一條規矩(土色、尺寸、距離、張眼之度)都只為了讓心少受干擾地長出那個相;相一出,泥盤就可以放下。近行如幼兒被扶起又跌坐、安止如壯士一站一整天(白話 §7)——你在任何一個所緣上修,遲早會遇到這兩個階段,本單元把它們的分界先替你畫好。守相之法在 04-03。

想讀本單元全文:白話 §5–§7 即造器・取相・二定三段之逐段全譯(tr. mine,譯自公版巴利原典;底本事項詳本單元考據)。

The Disk Is Not the Point; the Sign Is | From a Disk of Dawn-Colored Clay to the Formless, Colorless Counterpart Sign in the Mind

The Big Picture — Making the Device, Acquiring the Sign, and the Two Concentrations: the Three Steps of the Concentration Division Completed Here in One Sequence

This unit is the technical core of the whole chapter (Vernacular §5–§7). First comes making the disk—preparing the “device,” with a method extending even to posture, the mind at the start of practice, and the degree to which the eyes are opened. Next comes acquiring the sign: when the disk enters the mind while the eyes are closed, that is the learning sign; when the hindrances are suppressed and the mind reaches access, the counterpart sign arises. Finally come the two concentrations: the distinction between access concentration and absorption concentration. The treatise presents, in these three sections, the plainest and most complete demonstration of the three steps used throughout the work: “hold to a single object → allow a purified sign to arise in the mind → remain with that sign as the mind settles into concentration.”

§01 Making the Disk—Preparing the “Device” → Vernacular §5

A practitioner who in a past life went forth in the Dispensation or as an ascetic and who brought forth absorptions in the earth kasiṇa according to the fourfold and fivefold systems need not make a disk. Like the Elder Mallaka, merely looking at a plowed field may cause a sign as large as the field to arise. He enlarged that sign, brought forth absorption according to the fivefold system, established insight with absorption as its proximate cause, and attained arahantship (Vernacular §5)—a plowed field carries him through the entire path. The author begins with this exception to show that the disk is not the point; the sign is. A practitioner without that prior practice follows the teacher’s instructions: avoid the four faults of a kasiṇa, admixtures of blue, yellow, red, and white, which divert “earth” into a color kasiṇa; take dawn-colored clay like that carried by the Ganges; make the device in a concealed place, either portable or fixed; use the measure of one span plus four fingers. The canonical phrases “as large as a winnowing basket or shallow bowl” designate this size, while “bounded” and the rest mean that the disk must have a boundary. Smooth it with a stone trowel until it resembles the face of a drum, since a wooden one leaves variegated colors.

Even posture has its technique: sit two and a half cubits from the disk, with the chair one span plus four fingers high. Farther away, the disk does not appear; closer, its imperfections show. A higher seat requires bending the head; a lower one makes the knees ache. Then comes the mind with which practice begins: first contemplate the dangers of sensuality and long for renunciation; next recollect the Three Jewels and give rise to gladness and respect for “the path of renunciation followed by all Buddhas”; then arouse effort through the thought, “I shall surely obtain the savor of the pleasure of seclusion.” Aversion to sensuality, reverence for the path, and hope for its fruit—these three thoughts set the mind straight before the eyes open to acquire the sign.

The method of acquiring the sign has three negatives. Open the eyes to their ordinary extent: too wide and the eyes tire while the disk is too distinct, preventing the sign from arising; too narrow and the disk is unclear while the mind becomes sluggish. Do not examine the color. Do not attend to the characteristic—do not analyze the hardness of earth. Treat color and its supporting earth as one and set the mind on the concept, “earth,” repeating “earth, earth.” Earth has many names, but the clearest is pathavī. Repeat it a hundred times, a thousand times, and still more. The treatise permits no romantic picture of “how long practice takes.”

§02 That “Sign” Is Not the Clay Disk—The Learning Sign, the Counterpart Sign, and the Two Concentrations → Vernacular §6–§7

〔Reading〕 The point most easily misunderstood is that developing the earth kasiṇa does not mean “staring forever at clay.” The clay disk is only a prompt. What the practitioner actually awaits is the bright, purified, flawless, and maneuverable sign in the mind—the counterpart sign (Vernacular §6). It is not something seen by the physical eye. It is the mind’s own version of the coarse object after purifying it.

When the counterpart sign appears, the five hindrances are temporarily suppressed: this is access concentration. By retaining it without loss, the mind can settle into absorption—the first absorption. 〔Vernacular §7〕 〔Reading〕 For a modern reader, the usefulness of this mechanism—“coarse object → purified mental sign → entry into concentration”—is not confined to a clay disk. Breathing, the other nine kasiṇas, the ten kinds of foulness, and mindfulness of the body—all twenty-two meditation subjects that the author says produce counterpart signs (03-05)—reach, in deep development, this turning point where “the sign stabilizes → the mind settles.” The divine abidings and others do not enter absorption through counterpart signs, as 03-05 expressly states. The earth kasiṇa simply displays the mechanism most clearly.

〔Reading〕 The decoding framework commonly uses three signs to describe this process: the disk that is observed is the “preliminary sign,” its first appearance with closed eyes is the “learning sign,” and the purified version is the “counterpart sign.” The body of this chapter names only the latter two. “Preliminary sign” is a term of the framework, not a term in this chapter’s text.

Vernacular §6 draws the boundary between the two signs with precision. When the disk enters the mind after the eyes close just as it did when they were open, this is the learning sign. From that instant the practitioner leaves the clay disk and practices in his dwelling. He even keeps sandals and a walking stick ready: if the still-young concentration disappears, he goes back to recover the sign—the author specifies a procedure even for “what to do when the sign is lost.” Applied thought strikes the object repeatedly; the hindrances are gradually suppressed, the mind reaches access, and only then does the counterpart sign arise. The difference: the disk’s imperfections remain visible in the learning sign; the counterpart sign is “like a mirror disk taken from its case, a washed conch bowl, the moon emerging between clouds, or a white crane at a cloud’s edge,” a hundred or thousand times more purified—and without color or shape. It is not an object of eye-consciousness but “a mode of manifestation for a practitioner who has obtained concentration, born of perception.” This is the chapter’s doctrinal hinge: the sign is mind-made; it is not on the disk.

Vernacular §7 then establishes the two concentrations. Access concentration is gained through abandonment of the hindrances; absorption concentration is gained through the manifestation of the factors. Two similes show the difference. The factors in access are still weak, like a child lifted to its feet who repeatedly falls—the mind is sometimes on the sign and sometimes drops into the life-continuum. In absorption the factors are strong, like a powerful man standing for an entire day—once the life-continuum is interrupted, continuity remains throughout the night and day. The author therefore warns that the counterpart sign is exceedingly difficult to gain. It is best to enlarge it and reach absorption in that very sitting; if this is impossible, guard it as one guards the embryo of a wheel-turning monarch: “A practitioner who guards the sign does not lose what has been gained.”

For the General Reader

If you retain only one thing, let it be this: the sign is mind-made; it is not on the disk (Vernacular §6). Every rule for making the disk—color of the clay, dimensions, distance, and degree of opening the eyes—serves only to let the mind bring forth the sign with fewer disturbances. Once the sign appears, the clay disk can be relinquished. Access is like a child lifted up only to fall again; absorption is like a powerful man standing all day (Vernacular §7). On any object, practice eventually meets these two stages; this unit draws their boundary in advance. The way to guard the sign appears in 04-03.

To read this unit in full: Vernacular §5–§7 is the complete passage-by-passage translation of the three sections on preparing the device, acquiring the signs, and the two concentrations (tr. mine, from the public-domain Pāli original; see this unit’s apparatus for the base-text particulars).

七隨順The Seven Suitabilities

全文五層 →Full five layers →
義疏Exposition

定不是「夠虔誠就會來」|住處、行處、言談、人、食、時節、威儀——把條件調到不扯後腿

大局 — 相得了之後,怎麼守

上一單元末尾論主叮嚀「如守轉輪王之胎般守護似相」;本單元(白話 §8)就是守相之法:七隨順——住處、行處、言談、人、食、時節、威儀,七者各以「令心得定者親近、令相退失者避開」為判準,各有三日一試之工法。它是全品最生活化的一段:定的成敗,很大一部分決定在坐墊之外。

§01 七隨順——守相的七個條件 → 白話 §8

〔讀法〕定不是「夠虔誠就會來」。白話 §8 的七隨順(住處、行處、言談、人、食、時節、威儀)說的很素:先把你的條件調到不扯後腿。 睡不好的住處、聊到散心的人、過飽的食——都會讓定立不住。這不是神秘學,是工程學。

論主給的工法也具體:住處,一寺多房就每處各住三天,心得定的才住下(龍山帝須長老之例;小龍窟五百比丘因住處相宜而全數證阿羅漢——至於先證入流等果、後在他處證阿羅漢的,更是不可計數);行處,乞食村在一俱盧舍半內、食易得;言談,三十二種無益之論令相隱沒,依十論事的話也要適量;人,不說廢話、有戒德的人讓你的心更定,好說無益之論的人「如泥水弄濁清水」——拘吒山那位年少比丘,遇錯人連等至都失去了;食與時節,甜酸涼熱因人而異,以「安適而心得定」為準;威儀,行住坐臥哪一種讓你得定,同樣各試三天。七條合起來就一句話:凡令心得定者親近之,凡令相退失者避開之——把「相」當一株剛發的芽來養。

給一般讀者

若只帶走一件事:凡令心得定者親近之,凡令相退失者避開之(白話 §8)。七隨順不是清規,是一份自我觀察表:住處、日常動線、談話、往來的人、飲食、時節、姿勢——哪一項讓你的心更定,哪一項讓剛發的芽枯掉,各試三天就知道。這樣行道仍得不到安止的人,論主在 04-04 另有十條安止善巧。

想讀本單元全文:白話 §8 即七隨順一段之逐段全譯(tr. mine,譯自公版巴利原典;底本事項詳本單元考據)。

Concentration Does Not Come Merely because “You Are Devout Enough” | Dwelling, Alms Resort, Speech, People, Food, Climate, and Posture—Bring the Conditions into Accord So They Do Not Pull Backward

The Big Picture — How to Guard the Sign after Gaining It

At the end of the preceding unit, the author instructed the practitioner to “guard the counterpart sign as one guards the embryo of a wheel-turning monarch.” This unit (Vernacular §8) gives the method for guarding it: the seven suitabilities—dwelling, alms resort, speech, person, food, climate, and posture. For each, the criterion is to cultivate what makes the mind concentrated and avoid what makes the sign disappear; the practical method includes testing each condition for three days. This is the most everyday passage in the whole chapter: a large part of success or failure in concentration is decided away from the meditation cushion.

§01 The Seven Suitabilities—Seven Conditions for Guarding the Sign → Vernacular §8

〔Reading〕 Concentration does not come merely because “you are devout enough.” The seven suitabilities in Vernacular §8—dwelling, alms resort, speech, person, food, climate, and posture—say something very plain: first bring your conditions into accord so they do not pull backward. A dwelling where you sleep poorly, a person whose conversation scatters the mind, or food taken to excess can all keep concentration from standing. This is engineering, not mysticism.

The method the author gives is equally concrete. If a monastery has many dwellings, live in each for three days and remain only where the mind becomes concentrated. The example is the Elder Tissa of Nāgapabbata; at the Little Nāga Cave, five hundred bhikkhus, because the dwelling was suitable, all attained arahantship, while those who first reached stream-entry and other stages and later attained arahantship elsewhere were beyond counting. The alms resort should lie within one and a half kosas and make food easy to obtain. For speech, the thirty-two kinds of pointless talk make the sign disappear, and even talk based on the ten topics of discourse should be measured. A person who avoids futile talk and possesses virtue makes your mind firmer, while a person fond of pointless talk is “like muddy water clouding clear water”: the young bhikkhu of Koṭapabbata lost even his attainment after meeting the wrong person. Food and climate—sweet or sour, cool or hot—differ by person and are judged by comfort and whether the mind becomes concentrated. Among postures, test walking, standing, sitting, and lying down for three days each and retain whichever makes the mind concentrated. Together the seven say one thing: cultivate whatever concentrates the mind; avoid whatever makes the sign disappear. Raise the “sign” like a newly sprouted plant.

For the General Reader

If you retain only one thing, let it be this: cultivate whatever concentrates the mind; avoid whatever makes the sign disappear (Vernacular §8). The seven suitabilities are not a monastic rulebook but a form of self-observation: dwelling, daily routes, conversation, the people you spend time with, food, climate, and posture. Test each for three days and see which steadies the mind and which withers the new shoot. For a practitioner who still cannot reach absorption after following this course, the author gives ten further kinds of skill in absorption in 04-04.

To read this unit in full: Vernacular §8 is the complete passage-by-passage translation of the section on the seven suitabilities (tr. mine, from the public-domain Pāli original; see this unit’s apparatus for the base-text particulars).

十種安止善巧Tenfold Absorption-Skill

全文五層 →Full five layers →
義疏Exposition

心太緊就鬆、太鬆就提、剛好就別動|全品最像操作手冊的一段

大局 — 七隨順之後仍不得安止的人,論主給了十條

白話 §9–§10 是全品最像「操作手冊」的一段:十種安止善巧——令事清淨、令諸根平等、相善巧、於時策勵、於時抑制、於時令喜、於時等捨、遠離不定之人、親近得定之人、於定傾心。前三條打底,中間四條看時機下手(各附覺支之修法、其「食」與生起之法),末三條收尾;結頌收成一句:捨棄正精進的人,要證得哪怕一點殊勝也不可能。

§01 十種安止善巧 → 白話 §9–§10

這樣行道仍得不到安止的人,論主開出十條「安止善巧」(白話 §9–§10)——這是全品最像「操作手冊」的一段。

前三條是打底。令事清淨:內事(髮爪身垢)外事(衣、住處)不淨,智就不淨,如燈盞燈芯油不淨則焰不明——連衛生都是修定的一部分。令諸根平等:這條最值得單獨拎出來——信要配慧(免得盲信或乾慧)、精進要配定(免得躁動或昏沉),而在任何時候都不嫌多。這條是整個修定的微調旋鈕:心太緊就鬆(抑),太鬆就提(策),剛好就別動(捨)。〔讀法〕白話 §9 給了兩端的案例:跋迦梨長老信強慧弱,輸那長老精進過猛;信強慧弱成「愚信」,慧強信弱偏向詭詐「如藥物所生的病難醫」;定強精進弱落懈怠,精進強定弱落掉舉。削弱過強之根也有法:或觀察諸法自性、或不再作那使它變強的作意(跋迦梨對治之方);精進過強則修輕安等(輸那之方)。論主也留了餘地:修定的人,信強一些、心一境性強一些是可以的;修觀的人則慧強一些可以——這樣才達通達諸相;而定慧平等,安止也一樣會有;而念「如鹽之於一切菜餚,如總理一切事務的大臣」——一切處需要,因為策勵與抑制都得靠它看時機。相善巧:未作者善於作、已作者善於修、已得者善於護——作、修、護三階各有其巧。

中間四條是看時機下手(白話 §10)。心退縮時策勵:不修輕安、定、捨三覺支(濕柴救不了小火),改修擇法、精進、喜三覺支(乾柴+風)——每一覺支還各有「食」:於善不善、有罪無罪、劣勝、黑白相對之法多作如理作意是擇法之食;於發勤、出離、勇猛三界多作如理作意是精進之食(三界一重比一重有力——初起之精進、已離懈怠而出、步步向前踏進);於喜覺支處之法多作如理作意是喜之食。生起之法也逐支開列:生擇法七法——多所請問、令事清淨、令諸根平等、遠離劣慧之人、親近有慧之人、觀察甚深智之所行、於此傾心;生精進十一法——觀惡趣等怖畏、見世出世殊勝證得繫於精進之德、念「佛與辟支佛大聲聞所行之路我亦當行」、以令施者得大果而敬所受之食、觀導師之偉大(祂稱讚精進之發起,其教誡不可違越,唯有以行道供養才算真正供養)、觀「正法大遺產唯精進能取」、以光明想與變換威儀習近露地除惛沉睡眠、遠離懈怠之人、親近已發精進之人、觀察四正勤、於此傾心;生喜十一法——佛法僧戒捨天六隨念、寂止隨念、遠離粗劣之人、親近柔和之人、觀察能生淨信的經典、於此傾心。心掉舉時抑制:反過來,不修擇法精進喜(乾柴滅不了大火),改修輕安、定、捨(濕柴+塵土)——身心輕安是輕安之食,止相與不散亂之相是定之食,捨覺支處之法是捨之食;生輕安七法——受用勝妙之食、安適的時節、安適的威儀、中庸的用功、遠離身粗躁之人、親近身輕安之人、於此傾心;生定十一法——事之清淨、相善巧、諸根平等、於時抑制、於時策勵、以信與悚懼令無味之心喜悅、於正轉起者等捨而觀、遠離不定之人、親近得定之人、觀察禪與解脫、於此傾心;生捨五法——對有情的中捨、對諸行的中捨、遠離愛執有情與諸行之人、親近於彼保持中捨之人、於此傾心。心無味時令喜:觀八悚懼事令心悚動——生、老、病、死四者,惡趣之苦第五,過去以輪迴為根本之苦、未來以輪迴為根本之苦、現在以覓食為根本之苦,再隨念三寶令心生信。心平正時等捨:什麼都不做——「如御者對平正而行的馬」。最後三條收尾:遠離不定的人、親近得定的人、於定傾心。

結頌把整段收成一個形狀:安止善巧成就者,相上安止自轉起;仍不成,智者也不棄精進——因為「捨棄正精進的人,要證得哪怕一點殊勝,也是不可能的事」。

給一般讀者

若只帶走一件事:令諸根平等那個旋鈕(白話 §9)——信配慧、精進配定,念在任何時候都不嫌多;心太緊就鬆、太鬆就提、剛好就別動。白話 §10 那四條「看時機下手」是它的展開:退縮時添乾柴,掉舉時澆濕柴,無味時以悚懼與三寶令心喜,平正時像御者對平正而行的馬——什麼都不做。用力要平等的口訣,論主在 04-05 用五個譬喻說盡。

想讀本單元全文:白話 §9–§10 即十種安止善巧全段之逐段全譯(tr. mine,譯自公版巴利原典;底本事項詳本單元考據)。

When the Mind Is Too Tight, Loosen It; Too Loose, Raise It; Just Right, Leave It Alone | The Chapter’s Most Operational Passage

The Big Picture — For Practitioners Who Still Do Not Reach Absorption after the Seven Suitabilities, the Author Gives Ten Skills

Vernacular §9–§10 is the most “operational manual”–like passage in the chapter: tenfold absorption-skill—making the basis clean, balancing the faculties, skill in the sign, exerting at the right time, restraining at the right time, gladdening at the right time, regarding with equanimity at the right time, avoiding unconcentrated people, cultivating the company of concentrated people, and resolving upon concentration. The first three establish the foundation; the middle four intervene according to timing, each with its method of developing awakening factors, their “nutriments,” and the conditions that bring them forth; the final three conclude the sequence. The closing verse reduces it to one statement: a practitioner who abandons right effort cannot attain even the slightest distinction.

§01 Tenfold Absorption-Skill → Vernacular §9–§10

For a practitioner who follows this course yet still does not reach absorption, the author sets out ten “skills in absorption” (Vernacular §9–§10). This is the most “operational manual”–like passage in the whole chapter.

The first three establish the foundation. Making the basis clean: when internal things—hair, nails, bodily grime—and external things—robes and lodging—are unclean, knowledge is unclean, just as a flame is dim when its bowl, wick, and oil are unclean. Even hygiene belongs to the development of concentration. Balancing the faculties deserves special attention. Faith must be paired with wisdom, avoiding blind belief and arid cleverness; energy must be paired with concentration, avoiding agitation and torpor; and mindfulness can never be too strong. This is the fine-adjustment dial for the whole practice of concentration: when the mind is too tight, loosen it through restraint; too loose, raise it through exertion; just right, leave it alone through equanimity. 〔Reading〕 Vernacular §9 gives examples at both extremes: the Elder Vakkali had faith stronger than wisdom; the Elder Soṇa had energy too forceful. Faith strong and wisdom weak becomes “credulous devotion,” while wisdom strong and faith weak inclines toward craftiness and is “as hard to cure as a disease caused by medicine.” Concentration strong and energy weak falls into indolence; energy strong and concentration weak falls into restlessness. There are also methods for weakening an excessive faculty: examine the intrinsic nature of phenomena or cease the attention that makes the faculty strong—the treatment in Vakkali’s case; when energy is excessive, develop tranquility and the rest—the treatment in Soṇa’s case. The author also allows nuance: for a practitioner of concentration, faith and one-pointedness may be somewhat stronger; for a practitioner of insight, wisdom may be somewhat stronger, enabling penetration of the characteristics. Balance between concentration and wisdom still produces absorption. Mindfulness, “like salt in every dish and a minister managing every royal affair,” is needed everywhere because it sees when to exert and when to restrain. Skill in the sign means skill at three stages: making what has not been made, developing what has been made, and guarding what has been gained.

The middle four are interventions governed by timing (Vernacular §10). When the mind is sluggish, exert it: do not develop tranquility, concentration, and equanimity—the wet wood that cannot revive a small fire—but develop investigation of phenomena, energy, and rapture—dry wood and wind. Each awakening factor has its “nutriment.” Frequent wise attention to wholesome and unwholesome, blameworthy and blameless, inferior and superior, dark and bright counterparts is the nutriment of investigation. Frequent wise attention to the elements of initiation, launching forth, and advancing is the nutriment of energy, each element stronger than the last—initial energy, emergence from indolence, and advance step by step. Wise attention to the basis for rapture is the nutriment of rapture. The author then lists conditions for arising: seven for investigation—asking many questions, making the basis clean, balancing the faculties, avoiding people of inferior wisdom, cultivating wise people, examining the range of profound knowledge, and resolving upon it; eleven for energy—examining danger in the bad destinations, seeing that excellent mundane and supramundane attainments depend on energy, recalling “I too must travel the path of Buddhas, paccekabuddhas, and great disciples,” honoring food so the donor receives great fruit, contemplating the Teacher’s greatness—he praises energy, his instruction cannot be transgressed, and only practice truly honors him—contemplating that only energy obtains the great inheritance of true Dhamma, dispelling sloth with perception of light, changed posture, and open air, avoiding indolent people, cultivating energetic people, examining the four right strivings, and resolving upon it; eleven for rapture—the six recollections of Buddha, Dhamma, Saṅgha, virtue, generosity, and deities, recollection of peace, avoiding coarse people, cultivating gentle people, examining confidence-inspiring discourses, and resolving upon it. When the mind is restless, restrain it: reverse the prescription. Do not develop investigation, energy, and rapture—the dry wood that cannot extinguish a great fire—but develop tranquility, concentration, and equanimity—wet wood and dust. Bodily and mental tranquility are the nutriment of tranquility; the sign of serenity and nondistraction are the nutriment of concentration; phenomena that are a basis for equanimity are the nutriment of equanimity. Seven conditions bring forth tranquility—excellent food, comfortable climate, comfortable posture, moderate application, avoiding physically agitated people, cultivating physically tranquil people, and resolving upon it. Eleven bring forth concentration—cleanliness of the basis, skill in the sign, balanced faculties, restraining and exerting at the right times, gladdening a savorless mind with faith and urgency, regarding a mind proceeding evenly with equanimity, avoiding unconcentrated people, cultivating concentrated people, examining absorption and liberation, and resolving upon it. Five bring forth equanimity—neutrality toward beings, neutrality toward formations, avoiding those attached to beings and formations, cultivating those neutral toward them, and resolving upon it. When the mind is devoid of savor, gladden it: stir it with the eight grounds for urgency—birth, aging, sickness, death, suffering in bad destinations, suffering rooted in the round in the past and future, and suffering rooted in the present search for food—then recollect the Three Jewels to inspire confidence. When the mind proceeds evenly, regard it with equanimity and do nothing, “like a charioteer with horses moving evenly.” The final three complete the list: avoid unconcentrated people, cultivate the company of concentrated people, and resolve upon concentration.

The closing verse gives the whole passage a single shape. For a practitioner accomplished in skill in absorption, absorption proceeds on the sign; if it still does not, the wise do not abandon effort, because “a practitioner who abandons right effort cannot possibly attain even the slightest distinction.”

For the General Reader

If you retain only one thing, let it be the dial of balancing the faculties (Vernacular §9): pair faith with wisdom and energy with concentration; mindfulness can never be too strong. When the mind is too tight, loosen it; when too loose, raise it; when just right, leave it alone. The four interventions in Vernacular §10 unfold that dial: add dry wood when the mind is sluggish, wet the fuel when it is restless, gladden a savorless mind with urgency and the Three Jewels, and do nothing when the mind proceeds evenly—like a charioteer with horses moving evenly. In 04-05, the author captures the whole formula for balanced effort in five similes.

To read this unit in full: Vernacular §9–§10 is the complete passage-by-passage translation of tenfold absorption-skill (tr. mine, from the public-domain Pāli original; see this unit’s apparatus for the base-text particulars).

趣向於相——五喻Facing the Sign—Five Similes

全文五層 →Full five layers →
義疏Exposition

精進過猛落掉舉、過緩落懈怠|蜜蜂、外科弟子、蜘蛛絲、船帆、注油——平等用力的五幅畫

大局 — 「策、抑、捨」三個旋鈕的總口訣

上一單元十種安止善巧裡「觀察心轉起的行相,一再令精進趨於平等」一句,論主在白話 §11 用五個譬喻演足。單元雖短,卻是把「用力」這件事講到讀者身上的一段:太猛與太怯,兩邊都到不了相。

§01 平等的用力——五個譬喻 → 白話 §11

那句「觀察心轉起的行相,一再令精進趨於平等」,論主用五個喻演足(白話 §11):蜜蜂採粉(飛太猛過了頭、太緩粉已盡)、外科弟子在蓮葉上練刀(太猛切破、太怯不敢碰)、取蜘蛛絲(猛拉即斷、怕斷不碰)、船長張帆(強風滿帆衝到異國、微風降帆停在原地)、注油入筒(貪快灑出、怕灑不敢倒)。五個喻說一件事:精進過猛落掉舉,過緩落懈怠;把稍退縮的心從退縮中解放、把掉舉的心從掉舉中解放,以平等的用力使心趣向於相——安止是這樣到的。 這是前面「策、抑、捨」三個旋鈕的總口訣。

給一般讀者

若只帶走一件事:用力要平等(白話 §11)。五個譬喻挑一個記住就夠——多數人記得住蓮葉上練刀的外科弟子:太猛切破,太怯不敢碰。坐下時發現自己在「用力打坐」,或發現自己在「等它自己來」,都是這一段在提醒你。安止真的到來的那一刻長什麼樣,04-06 剖到剎那。

想讀本單元全文:白話 §11 即趣向於相一段之逐段全譯(tr. mine,譯自公版巴利原典;底本事項詳本單元考據)。

Excessive Energy Falls into Restlessness; Slack Energy into Indolence | Bee, Surgeon’s Pupil, Spider’s Thread, Sail, and Pouring Oil—Five Pictures of Even Effort

The Big Picture — The Master Formula for the Three Dials: “Exert, Restrain, and Regard with Equanimity”

In the preceding unit on tenfold absorption-skill, the author said, “Examine the mode in which the mind proceeds and repeatedly bring energy into balance.” In Vernacular §11 he plays this out through five similes. Although short, the unit makes the matter of “effort” directly palpable: neither excessive force nor timidity reaches the sign.

§01 Even Effort—Five Similes → Vernacular §11

The author enacts the statement, “Examine the mode in which the mind proceeds and repeatedly bring energy into balance,” through five similes (Vernacular §11): a bee collecting pollen—flying too fast and overshooting, too slowly and arriving after the pollen is gone; a surgeon’s pupil practicing on a lotus leaf—too forceful and cutting it, too timid to touch it; obtaining a spider’s thread—pulling hard and breaking it, fearing breakage and not touching it; a shipmaster setting sail—full sail in a strong wind drives the ship to a foreign country, lowered sail in a light wind leaves it still; pouring oil into a tube—haste spills it, fear of spilling prevents the pour. The five similes say one thing: excessive energy falls into restlessness; slack energy into indolence. Free the slightly sluggish mind from sluggishness and the restless mind from restlessness; direct the mind toward the sign with even effort—and absorption is reached in this way. This is the master formula for the earlier three dials: exertion, restraint, and equanimity.

For the General Reader

If you retain only one thing, let it be this: effort must be even (Vernacular §11). Remember any one of the five similes. Most readers can retain the surgeon’s pupil practicing with a knife on a lotus leaf: too forceful and it is cut; too timid and the knife never touches it. When you sit down and notice yourself “trying hard to meditate,” or notice yourself “waiting for it to arrive by itself,” this passage is speaking to you. In 04-06 the instant when absorption actually arrives is dissected down to the mind-moment.

To read this unit in full: Vernacular §11 is the complete passage-by-passage translation of the section on facing the sign (tr. mine, from the public-domain Pāli original; see this unit’s apparatus for the base-text particulars).

初禪——安止心路與定型句逐句釋First Absorption—The Absorption Cognitive Process and the Stock Formula Explained Phrase by Phrase

全文五層 →Full five layers →
義疏Exposition

「入定」不是一種氛圍,是一條可以逐剎那點名的心路|然後經文「離諸欲……入住初禪」每個字逐一解

大局 — 入定的那一刻,剖到剎那級

本單元三段(白話 §12–§14)是全品義理最密處:先把安止之發生剖到剎那(遍作・近行・隨順・種姓・安止之心路,四或五速行,初安止唯一剎那),再逐句解初禪定型句——「離諸欲、離諸不善法」(三種遠離・事欲煩惱欲之八重配對・蓋與禪支敵對),「有尋有伺、由遠離而生喜樂、入住」(尋伺之別、五種喜、喜與樂之別)。讀完這三段,「證得初禪」四個字才有落點。

§01 安止的那一刻——剎那級的心路 → 白話 §12

安止怎麼發生?白話 §12 把它剖到剎那:斷有分——意門轉向——同一所緣上四個或五個速行。前幾個是欲界心,各有名字:遍作(為安止作準備)、近行(已到安止的近郊,如「村的近郊」)、隨順(順於前後)、種姓(超越欲界種姓、修習色界種姓的那一剎那);最後一個才是色界的安止心。四或五,依速通達者與遲通達者而別。

這裡論主記了一場論諍:瞿達多長老引「前前善法為後後善法之習行緣」,主張第六、第七速行也能安止;諸義注斥為「長老自己的意見」——安止唯在第四、第五,因為之後的速行已近有分,「如向斷崖奔跑的人,收不住腳」。而初安止只有一個心剎那:論主列了七處「無時分之限定」(初安止、世間神通、四道、道無間之果、色無色有中的有分禪、滅盡定之緣的非想非非想處、出滅定者的果等至),並逐處給了分限——道無間之果不過三剎那,滅盡定之緣的非想非非想處不過二剎那,色無色有中的有分無有限量,其餘各處唯一剎那。初安止即屬「唯一剎那」者:一剎那,隨即墮入有分,再轉向觀察禪那。讀這一段的要領:「入定」在論主筆下不是一種氛圍,是一條可以逐剎那點名的心路——到此,經文「離諸欲……入住初禪」的每個字才開始逐一解。

§02 「離諸欲、離諸不善法」——逐句解(上) → 白話 §13

初禪定型句的第一句,論主解得極密(白話 §13)。「離」字帶一個「唯」(eva)的限定:諸欲是禪那的對治面——有它們在,禪那不轉起,「如有黑暗在,燈光就不轉起」;且唯有捨棄它們才證得,「如唯有捨棄此岸才到彼岸」。有人問:「唯」字為何只在前句?答:兩句都有——如「唯此處有沙門」一例,字雖一見,義貫兩句。「離」攝三種遠離:身遠離、心遠離、鎮伏遠離

「諸欲」則攝二義:事欲(可意的色等)與煩惱欲(欲求、貪)。於是兩句成對開展:前句離事欲=身遠離=捨欲樂;後句離煩惱欲=心遠離=取出離之樂。論主一連給了八重配對:捨雜染之事/捨雜染;捨貪求之因/捨愚癡之因;行為清淨/意樂養成;貪欲之鎮伏遠離/餘蓋之鎮伏遠離;貪/瞋癡;欲暴流欲軛欲漏欲取欲繫欲結/其餘的暴流軛漏取繫結;渴愛/無明;八種貪相應心/四種餘不善心。讀法上不必背全表,要看見的是論主的解經法:一句經文,從每一個煩惱分類系統各切一刀,刀刀對齊。

為什麼《分別論》釋「諸不善法」時唯說五蓋?因為蓋與禪支互為敵對:《藏釋》說,定治貪欲、喜治瞋恚、尋治惛沉睡眠、樂治掉舉惡作、伺治疑——這張對治表,04-07 §01(五蓋五支)還會用到。

§03 尋、伺、喜、樂與「入住」——逐句解(下) → 白話 §14

是把心投注於所緣(相),以擊觸為味;審察、隨行,以相續繫著為味。二者之別,論主給了一整排喻(白話 §14):尋如初敲鐘,伺如鐘的餘韻;尋如鳥起飛時振翅,伺如升空後展翅;如蜂投向蓮花與在蓮上繞飛;如一手牢握生垢銅器、一手磨拭;如陶師按壓來回塑形;如圓規釘定的腳旋轉的腳。白話就是:尋是「把心放上去」,伺是「讓心待在上面」。 放得上、待得住,所緣才穩。《二集義注》另有一讀:如大鳥以兩翼承風、使雙翼平定而行是尋,為承風而振翅是伺——論主注明此讀合於「相續而轉」的場合。這種差別在初禪二禪才明顯。「由遠離而生」的「遠離」也有二解:諸蓋的離去;或已離諸蓋、與禪那相應的法聚——從彼而生,或於彼中生。

pīti)以歡悅為相、踴躍為現起,有五種:小喜(毛豎)、剎那喜(如電光)、繼起喜(如岸浪)、踊躍喜(能舉身騰空——大帝須長老望塔騰空、伐多迦羅迦村的孕婦望塔騰空,兩個故事都在說:喜是有身體力量的)、遍滿喜(如吹滿的皮囊、如大水灌入山腹)。五喜成熟則生二輕安,輕安成熟生二樂,樂成熟生三定——此處禪支之「喜」,指的是與安止定相應的遍滿喜sukha)以悅適為相;喜與樂之別:「喜如疲於曠野的人見到林邊、聽到水聲;樂如進入林蔭、飲用水」——得所愛是喜,受用其味是樂;有喜之處必有樂,有樂之處不必有喜;喜屬行蘊、樂屬受蘊。或者把「喜樂」讀作一個複合語,如「法與律」——由遠離而生的喜與樂屬於此禪,這樣讀「由遠離而生喜與樂」也通。「入」是達到;「住」是以相應威儀而住。逐句解到此,定型句每個字都有了落點。

給一般讀者

若只帶走一件事:尋是「把心放上去」,伺是「讓心待在上面」(白話 §14)——這一對,是往後你讀任何禪那次第都要用的最小單位。其次記住白話 §12 那條可以逐剎那點名的心路:入定不是氛圍,是一件有結構的事。至於「離諸欲」的八重配對(白話 §13),不必背,看見論主怎麼從每一個煩惱分類系統各切一刀就夠。初禪之德相——捨了什麼、具了什麼、三善十相——在 04-07。

想讀本單元全文:白話 §12–§14 即初禪三段之逐段全譯(tr. mine,譯自公版巴利原典;底本事項詳本單元考據)。

“Entering Concentration” Is Not an Atmosphere but a Cognitive Process Whose Moments Can Be Individually Named | Then Every Word of “Secluded from Sensual Pleasures … Enters and Dwells in the First Absorption” Is Explained

The Big Picture — Dissecting the Instant of Entry into Concentration down to the Mind-Moment

The three sections of this unit (Vernacular §12–§14) are the doctrinally densest in the chapter. First, the occurrence of absorption is dissected down to the mind-moment: the process of preliminary work, access, conformity, change-of-lineage, and absorption; four or five impulsions; initial absorption as a single moment. Then the stock formula of the first absorption is explained phrase by phrase: “secluded from sensual pleasures, secluded from unwholesome phenomena”—three kinds of seclusion, an eightfold pairing of objective and defiled sensual pleasures, and the antagonism between hindrances and absorption factors; “with applied thought and sustained thought, with rapture and pleasure born of seclusion, enters and dwells”—the distinction between applied and sustained thought, five kinds of rapture, and the distinction between rapture and pleasure. Only after these three sections do the words “attained the first absorption” have a precise referent.

§01 The Instant of Absorption—A Cognitive Process at the Level of Mind-Moments → Vernacular §12

How does absorption occur? Vernacular §12 dissects it down to the moment: interruption of the life-continuum, mind-door adverting, then four or five impulsions on the same object. The first impulses belong to the sensual sphere and each has a name: preliminary work, because it prepares for absorption; access, because it has reached absorption’s outskirts, like “the village’s outskirts”; conformity, because it accords with what comes before and after; change-of-lineage, because in that instant it transcends the sensual-sphere lineage and develops the fine-material-sphere lineage. Only the final impulsion is the fine-material-sphere absorption mind. Whether there are four or five depends on the distinction between quick and slow penetrators.

The author records a controversy. Elder Godatta cited “A preceding wholesome phenomenon is a condition, by repetition condition, for a subsequent wholesome phenomenon” and argued that the sixth and seventh impulsions can also be absorption. The commentaries rejected this as “the elder’s own opinion.” Absorption occurs only on the fourth or fifth, because subsequent impulsions are already close to the life-continuum, “like a person running toward a precipice who cannot stop at its edge.” Initial absorption itself lasts only one mind-moment. The author lists seven cases with “no fixed duration”—initial absorption, mundane direct knowledge, the four paths, the fruit immediately following a path, life-continuum absorption in fine-material and immaterial existence, the base of neither perception nor non-perception that conditions the attainment of cessation, and fruition attainment after emerging from cessation—and gives the limits of each. The fruit immediately following a path does not exceed three moments; the base of neither perception nor non-perception conditioning cessation, two; the life-continuum in fine-material and immaterial existence is unlimited; the remaining cases last one moment. Initial absorption belongs to this final class: one moment, then the mind falls into the life-continuum and adverts to reviewing the absorption. The key to reading the passage is this: for the author, “entering concentration” is not an atmosphere but a cognitive process whose moments can be individually named. Only then does he begin explaining every word of “secluded from sensual pleasures … enters and dwells in the first absorption.”

§02 “Secluded from Sensual Pleasures, Secluded from Unwholesome Phenomena”—Phrase-by-Phrase Explanation (I) → Vernacular §13

The author explains the opening phrase of the first-absorption formula with extraordinary density (Vernacular §13). “Secluded” carries the restriction “only” (eva). Sensual pleasures are the opposing side of absorption: when they are present, absorption does not occur, “just as lamplight does not occur when darkness is present”; and absorption is attained only by abandoning them, “just as the farther shore is reached only by abandoning this shore.” Someone asks why “only” occurs only in the first phrase. The answer is that it applies to both, as in the example “Only here is there an ascetic”: the word appears once but its meaning carries over both phrases. “Seclusion” includes three kinds: bodily seclusion, mental seclusion, and seclusion by suppression.

“Sensual pleasures” comprises two senses: objective sensual pleasures, such as agreeable forms, and defiled sensual pleasures, desire and lust. Thus the two phrases unfold in pairs: the first leaves objective sensual pleasures—bodily seclusion and abandonment of sensual pleasure; the second leaves defiled sensual pleasures—mental seclusion and adoption of the pleasure of renunciation. The author gives eight paired cuts: abandonment of the basis of defilement / abandonment of defilement; abandonment of the cause of craving / abandonment of the cause of delusion; purification of conduct / cultivation of inclination; suppression of sensual desire / suppression of the remaining hindrances; greed / hate and delusion; the sensual flood, yoke, taint, clinging, tie, and fetter / the remaining floods, yokes, taints, clingings, ties, and fetters; craving / ignorance; eight mind-arisings associated with greed / four remaining unwholesome mind-arisings. The reader need not memorize the table. What matters is seeing the author’s method of interpreting canonical text: a single sentence is cut once through each system of classifying defilements, and every cut aligns.

Why does the Vibhaṅga explain “unwholesome phenomena” using only the five hindrances? Because the hindrances and absorption factors are mutual antagonists. The Peṭaka says concentration counters sensual desire, rapture counters ill will, applied thought counters sloth and torpor, pleasure counters restlessness and remorse, and sustained thought counters doubt. This table of counteraction returns in 04-07 §01 on the five abandoned hindrances and five possessed factors.

§03 Applied Thought, Sustained Thought, Rapture, Pleasure, and “Entering and Dwelling”—Phrase-by-Phrase Explanation (II) → Vernacular §14

Applied thought places the mind on the object—the sign—and functions by striking it. Sustained thought examines and follows along, functioning by keeping associated phenomena continuously bound there. The author gives a whole procession of similes for the distinction (Vernacular §14): applied thought is the initial striking of a bell, sustained thought its resonance; applied thought is a bird flapping at takeoff, sustained thought spreading its wings in flight; a bee diving toward a lotus and circling above it; one hand gripping a tarnished vessel and the other polishing; a potter pressing and shaping back and forth; the fixed leg and turning leg of a compass. In plain speech: applied thought is “putting the mind there”; sustained thought is “keeping the mind there.” Place it and keep it, and the object stabilizes. The commentary on the Duka offers another reading: a great bird holding both wings steady to catch the wind is applied thought, while flapping to catch the wind is sustained thought. The author notes that this suits a case of continuous occurrence. Their difference is evident in the first and second absorptions. “Born of seclusion” also has two readings: born from the departure of the hindrances, or born in the group of absorption-associated phenomena already secluded from them.

Rapture (pīti) has delight as its characteristic and elation as its manifestation, and it is of five kinds: minor rapture—the hairs stand; momentary rapture—like lightning; showering rapture—like waves on a shore; uplifting rapture, which can lift the body into the air—the Elder Mahātissa looking toward the shrine and the pregnant woman of Vattakālaka village looking toward it both rose into the air; and pervading rapture—like an inflated skin bag or a mountain hollow flooded with water. The five kinds of rapture, when mature, produce two kinds of tranquility; tranquility produces two kinds of pleasure; pleasure produces three kinds of concentration. The “rapture” that is an absorption factor here is pervading rapture associated with absorption concentration. Pleasure (sukha) has gratification as its characteristic. The distinction: “Rapture is like a person exhausted in a wilderness seeing the forest’s edge and hearing water; pleasure is like entering the forest shade and drinking the water.” Delight in obtaining the desired object is rapture; experiencing its savor is pleasure. Where there is rapture there is pleasure; where there is pleasure there is not necessarily rapture. Rapture belongs to the formations aggregate; pleasure to the feeling aggregate. Alternatively, “rapture-and-pleasure” can be read as a compound like “Dhamma-and-Discipline”: rapture and pleasure born of seclusion belong to this absorption. “Enters” means reaches; “dwells” means dwelling in an associated posture. With this phrase-by-phrase explanation, every word of the stock formula has a referent.

For the General Reader

If you retain only one thing, let it be this: applied thought is “putting the mind there”; sustained thought is “keeping the mind there” (Vernacular §14). This pair is the smallest unit you will need in reading every subsequent absorption sequence. Next, remember the moment-by-moment cognitive process in Vernacular §12: entering concentration is not an atmosphere but an event with structure. You need not memorize the eightfold pairing for “secluded from sensual pleasures” (Vernacular §13); it is enough to see how the author cuts once through every classification of defilements. The excellent qualities of the first absorption—what it abandons, what it possesses, and its three excellences and ten characteristics—appear in 04-07.

To read this unit in full: Vernacular §12–§14 is the complete passage-by-passage translation of the three sections on the first absorption (tr. mine, from the public-domain Pāli original; see this unit’s apparatus for the base-text particulars).

初禪之德相——五蓋捨・五支具・三善十相The Excellent Qualities of the First Absorption—Five Hindrances Abandoned, Five Factors Possessed, Three Excellences and Ten Characteristics

全文五層 →Full five layers →
義疏Exposition

卡住時別硬壓那個蓋,先問「我缺的是哪一支」|然後看清:一剎那之內,有始有中有終

大局 — 初禪的成就式:捨了什麼、具了什麼、善在何處

經文說初禪「五支捨斷、五支具足、三種善、十相具足」;本單元二段(白話 §15–§16)逐一開演:五蓋為捨斷支(各各特別礙禪)、五禪支為具足支(相資而起,禪那唯是五支);三種善(行道清淨・增長於捨・令喜悅)與十相皆在安止一剎那之內。品題「初禪——地遍」之名目亦在此立。

§01 五蓋與五禪支——一張診斷表 → 白話 §15

〔讀法〕白話 §15 那張「一支對治一蓋」的表,倒過來讀,就是一張自我診斷表:坐不住、心被什麼勾走了,往往對應某一禪支還沒長出來。貪欲重→一境性不足;瞋惱起→喜不足;昏沉→尋不足;掉悔→樂不足;疑→伺不足。卡住時,與其硬壓那個蓋,不如問:我缺的是哪一支?

論主的正面陳述同樣要讀全:五蓋所以獨稱「捨斷支」,是因為各各特別礙禪——貪散其境、瞋斷其續、惛沉奪其堪能、掉悔奪其寂止、疑斷其上路之道。五支所以稱「具足支」,是因為它們相資而起:尋投注、伺相續,二者成就「不散亂的用力」;喜作喜悅、樂作增長;一境性得此四者之助,把心「平等地、正確地」安放在一境上。而且禪那不是支之外的另一個東西——「如四支軍、五支樂、八支道」,禪那唯是五支。近行中五支已有而弱,安止中則強到「達到色界之相」:喜樂遍滿全身、一境性與所緣如上下蓋密合的匣子。一境性雖不在經句中,《分別論》明列——世尊總標的意趣,在那裡開顯。

§02 三種善與十相 → 白話 §16

初禪是「三種善、十相具足」的(白話 §16):初=行道清淨(三相:心從障礙清淨、清淨故入中間止相、入故躍入其中),中=增長於捨(三相:對已清淨的心、對已入止的心、對一性的現起,皆不再費力而等捨),後=令喜悅(四相:諸法互不超越、諸根一味、精進隨轉、習行——皆由智之作用而成)。有人把三者配成「近行—安止—出定觀察」三段,論主依聖典駁之:三者都在安止之內——行道清淨是安止生起剎那「依其來由」而有,增長於捨是中捨性之作用,令喜悅是智之作用。一剎那之內,有始有中有終——這是論主對「一剎那」的顯微解剖。節末順手把名目立了(白話 §16 末):「初」——依計數次第,亦因最先生起;「禪那」——由靜慮所緣、由燒盡敵對法;「地遍」——地輪依「全」之義名遍,其相、其上所得之禪那皆得此名。「證得了初禪——地遍」一句由此讀通。

給一般讀者

若只帶走一件事:那張診斷表(白話 §15)——貪欲重看一境性、瞋惱看喜、昏沉看尋、掉悔看樂、疑看伺;卡住時問「我缺的是哪一支」,比硬壓那個蓋有用。三種善與十相(白話 §16)則告訴你,「一剎那」在論主筆下也有始有中有終——初禪不是一團渾沌的舒服。得了初禪之後怎麼守、怎麼養、怎麼練熟,在 04-08。

想讀本單元全文:白話 §15–§16 即五蓋禪支・三善十相二段之逐段全譯(tr. mine,譯自公版巴利原典;底本事項詳本單元考據)。

When Stuck, Do Not Simply Crush the Hindrance; First Ask, “Which Factor Is Missing?” | Then See Clearly: Within a Single Moment There Is a Beginning, Middle, and End

The Big Picture — The Accomplishment Formula of the First Absorption: What It Abandons, What It Possesses, and Where Its Excellence Lies

The canonical text says that the first absorption has “abandoned five factors, possesses five factors, has three excellences, and is endowed with ten characteristics.” The two sections of this unit (Vernacular §15–§16) develop each point: the five hindrances are factors of abandonment, each especially obstructing absorption; the five absorption factors are factors of possession, arising through mutual support, while absorption is nothing apart from the five factors; and the three excellences—purification of the way of practice, intensification of equanimity, and gladdening—and ten characteristics all occur within the single moment of absorption. The designation “first absorption—the earth kasiṇa” is also established here.

§01 Five Hindrances and Five Absorption Factors—A Diagnostic Table → Vernacular §15

〔Reading〕 Read the table in Vernacular §15, “one factor counteracts one hindrance,” in reverse and it becomes a table of self-diagnosis. When the mind cannot settle and is pulled away, a corresponding absorption factor has often not yet developed. Heavy sensual desire → insufficient one-pointedness; ill will → insufficient rapture; sloth and torpor → insufficient applied thought; restlessness and remorse → insufficient pleasure; doubt → insufficient sustained thought. When stuck, instead of forcing down the hindrance, ask: which factor is missing?

The author’s positive statement must also be read in full. The five hindrances alone are called “factors of abandonment” because each especially obstructs absorption: sensual desire disperses the object’s unity, ill will breaks continuity, sloth and torpor remove workability, restlessness and remorse remove peace, and doubt severs the path leading upward. The five factors are called “factors of possession” because they arise through mutual support: applied thought places, sustained thought continues; together they accomplish “exertion in nondistraction.” Rapture gladdens and pleasure increases. Supported by all four, one-pointedness places the mind “evenly and rightly” on the single object. Moreover, absorption is not some further thing apart from the factors. Like a four-limbed army, fivefold music, or the eightfold path, absorption consists solely of the five factors. The factors are already present but weak in access; in absorption they become strong enough to “reach the character of the fine-material sphere”: rapture and pleasure pervade the whole body, while one-pointedness fits the mind to the object like the two lids of a casket fitting tightly together. Although one-pointedness is absent from the canonical phrase, the Vibhaṅga lists it explicitly, disclosing the Blessed One’s intention in the summary designation.

§02 Three Excellences and Ten Characteristics → Vernacular §16

The first absorption has “three excellences and ten characteristics” (Vernacular §16): beginning = purification of the way of practice, with three characteristics—the mind is purified from the obstruction, enters the sign of serenity that is the middle because it is purified, and leaps into it because it has entered; middle = intensification of equanimity, with three characteristics—without further labor, equanimity toward the purified mind, toward the mind entered into serenity, and toward the manifestation of unity; end = gladdening, with four characteristics—phenomena not exceeding one another, faculties of a single flavor, energy carried forward, and repetition, all accomplished through the function of knowledge. Some match these three with successive phases of “access—absorption—review after emergence,” but the author rejects this on the basis of the canonical text: all three are within absorption. Purification of the way of practice occurs “by way of its approach” in the moment absorption arises; intensification of equanimity is the function of specific neutrality; gladdening is the function of knowledge. Within a single moment there is beginning, middle, and end—this is the author’s microscopic dissection of “a single moment.” At the close of the section he establishes the terms: “first,” by numerical order and because it arises first; “absorption,” by contemplating the object and burning away opposing phenomena; “earth kasiṇa,” because the earth disk is called a kasiṇa in the sense of “whole,” and the same name extends to its sign and the absorption attained upon it. The phrase “attained the first absorption—the earth kasiṇa” thus becomes readable.

For the General Reader

If you retain only one thing, let it be the diagnostic table (Vernacular §15): with strong sensual desire, examine one-pointedness; with ill will, rapture; with sloth, applied thought; with restlessness and remorse, pleasure; with doubt, sustained thought. When stuck, asking “Which factor is missing?” is more useful than crushing the hindrance. The three excellences and ten characteristics (Vernacular §16) show that, for the author, even “a single moment” has a beginning, middle, and end. The first absorption is not an undifferentiated mass of comfort. How to preserve, cultivate, and master the first absorption after attaining it appears in 04-08.

To read this unit in full: Vernacular §15–§16 is the complete passage-by-passage translation of the two sections on the five hindrances and factors and on the three excellences and ten characteristics (tr. mine, from the public-domain Pāli original; see this unit’s apparatus for the base-text particulars).

得後之工——令久住・增大似相・五自在The Work after Attainment—Making It Last, Enlarging the Counterpart Sign, and Five Masteries

全文五層 →Full five layers →
義疏Exposition

初禪得了,會丟|取行相、清障、劃界而大、練到「隨所欲之處、之時、之久」

大局 — 上行之前,先守住、養大、練熟

初禪不是終點,也不是穩態。本單元三段(白話 §17–§19)是論主給「得後」的三帖工法:令久住(取行相以再得、清障以久住),增大似相(劃界而大,如農夫劃界而耕;初得者多入定勿多觀察——那頭前腳未穩就抬後腳的山地母牛),五自在(轉向・入定・住定・出定・觀察)。五自在是上二禪的門檻。

§01 得而復失之防——久住與增大 → 白話 §17–§18

初禪得了,會丟。論主開兩帖藥(白話 §17)。其一,取行相:如射毛的弓師記住「我這樣站、這樣執弓執弦」而能一再命中,如善巧的廚師記住主人愛吃什麼而一再受賞(論主全引了世尊的廚師經——取「自心之相」正是四念處的工夫),瑜伽者也要記住「我吃了什麼、近了什麼人、在什麼住處威儀時節,才證得這個」——失去時照方重配。其二,清障:只取行相能再得,不能久住;久住須先善清定的障礙法(欲貪、身粗重、惛沉睡眠、掉舉惡作)才入定——「如入未淨之巢的蜂、入未淨之園的王,很快就出來了」。古師之偈把這收成一幅畫:除五蓋,「以由遠離而生喜悅的心,如已入清淨內宮的王,就在那裡歡樂」。

然後是增大(白話 §18):不是把盤想大,是劃界而大——如農夫劃界而耕、如結界先標相:一指、二指、三指、四指、一張手、一肘、門廊、僧房、寺界、村鎮國海、乃至輪圍之界;增大之地唯二——近行或安止,達於其一即可增大,而必在其一為之。如鵝雛練飛,一小段一小段,終至日月之邊;增大所至之處,相「如百樁釘展的公牛皮」平覆一切高低崎嶇。最後一個叮嚀:初得初禪者多入定、勿多觀察——多觀察則支粗而弱,急著上二禪,「兩邊落空」,如那頭前腳未穩就抬後腳的山地母牛。這個喻直接引出下一段:上行之前,先修自在。

§02 五自在——熟練初禪,方可上行 → 白話 §19

五自在(白話 §19):轉向(出定後能逐支轉向五禪支,心路無滯——其極速者,唯世尊雙神變之時)、入定(如大目犍連調伏難陀優波難陀龍王時之速)、住定(能住一彈指、十彈指之精確)、出定(能準時出——佛護長老八年戒臘,於三萬神通者座中瞬間化山護龍王,靠的正是入出之速)、觀察(緊接轉向的觀察速行)。五者共說一事:禪那要練到「隨所欲之處、之時、之久」,才算你的。這是上二禪的門檻,也是 §01 那頭山牛之喻的正面答案。

給一般讀者

若只帶走一件事:那頭山地母牛(白話 §18)——前腳未穩就抬後腳,兩邊落空。得了一點定就急著往上、急著觀察,是最常見的失手;論主的次序是:先取行相、清障以久住(白話 §17),再劃界而大,再把五自在練到「隨所欲之處、之時、之久」(白話 §19)。上行的通式與二禪,在 04-09。

想讀本單元全文:白話 §17–§19 即久住・增大・五自在三段之逐段全譯(tr. mine,譯自公版巴利原典;底本事項詳本單元考據)。

The First Absorption, Once Attained, Can Be Lost | Apprehend the Modes, Clear the Obstructions, Enlarge by Marking Boundaries, and Practice until It Is Available “Where, When, and for as Long as Desired”

The Big Picture — Before Ascending, First Preserve, Enlarge, and Master It

The first absorption is neither the endpoint nor a stable state. The three sections of this unit (Vernacular §17–§19) give three sets of post-attainment instructions: making it last—apprehend the modes to regain it, clear obstructions to make it last; enlarging the counterpart sign—enlarge by marking boundaries, as a farmer marks a field before plowing, while a beginner enters often and reviews little, unlike the mountain cow lifting her hindfoot before the forefoot is planted; and five masteries—adverting, entering, sustaining, emerging, and reviewing. The five masteries are the threshold to the second absorption.

§01 Preventing the Loss of What Has Been Gained—Duration and Enlargement → Vernacular §17–§18

The first absorption, once attained, can be lost. The author gives two medicines (Vernacular §17). First, apprehend the modes. A hair-shooting archer remembers, “I stood this way and held the bow and string this way,” and can strike the target again. A skillful cook remembers what the master likes and repeatedly wins a reward—the author quotes the entire discourse of the cook, in which apprehending “the sign of one’s own mind” is precisely the work of the four establishments of mindfulness. In the same way, the meditator remembers: “I ate this food, associated with these people, and was in this dwelling, posture, and time when I attained this.” If the absorption is lost, the prescription can be reassembled. Second, clear the obstructions. Apprehending the modes allows the meditator to regain absorption, but not to make it last. Duration requires thoroughly clearing the phenomena that obstruct concentration—sensual desire, bodily rigidity, sloth and torpor, restlessness and remorse—before entering. Otherwise the meditator is “like a bee entering an unclean hive or a king entering an unclean park” and soon emerges. The ancient teachers’ verse gathers this into one picture: remove the five hindrances and, “with a mind gladdened by what is born of seclusion, delight there like a king entered into a purified inner palace.”

Next comes enlargement (Vernacular §18). This does not mean imagining a larger disk; it means enlarging by marking a boundary—like a farmer marking a field before plowing or a Saṅgha marking signs before establishing a boundary: one finger, two fingers, three, four, a span, a cubit, a porch, a cell, a monastery boundary, village, town, country, ocean, up to the boundary of the world-system. There are only two planes for enlargement—access or absorption; it can be enlarged upon reaching either, but must be enlarged in one. Like a young goose practicing short flights and eventually reaching the sun and moon, the practitioner enlarges the sign a little at a time. Wherever it reaches, the sign covers high, low, and broken terrain “like an ox hide stretched with a hundred stakes.” One final warning: a beginner in the first absorption should enter often and review little. Frequent reviewing makes the factors coarse and weak; hurrying toward the second absorption then leaves the practitioner “empty on both sides,” like the mountain cow who lifts her hindfoot before the forefoot is planted. This simile leads directly into the next section: before ascending, develop mastery.

§02 Five Masteries—Master the First Absorption before Ascending → Vernacular §19

The five masteries (Vernacular §19) are: adverting, directing the mind successively to all five factors after emerging, without delay—at its swiftest only in the Blessed One’s Twin Marvel; entering, as swift as Mahāmoggallāna’s entry when subduing the nāga kings Nanda and Upananda; sustaining, for exactly one or ten finger-snaps; emerging, at the intended instant—the Elder Buddharakkhita, only eight rains after ordination and seated among thirty thousand practitioners with direct knowledge, instantly created a mountain to protect a nāga king, relying on this speed of entry and emergence; and reviewing, the reviewing impulsions immediately following adverting. All five say one thing: absorption must be practiced until it is available “at any desired place, at any desired time, and for any desired duration.” Only then is it yours. This is the threshold to the second absorption and the positive answer to the mountain-cow simile in §01.

For the General Reader

If you retain only one thing, let it be the mountain cow (Vernacular §18): she lifts the hindfoot before the forefoot is secure and loses on both sides. Hurrying upward or rushing to review after only a little concentration is the most common error. The author’s sequence is to apprehend the modes and clear the obstructions so that absorption lasts (Vernacular §17), then enlarge by marking boundaries, then develop the five masteries until the absorption is available “where, when, and for as long as desired” (Vernacular §19). The general pattern of ascent and the second absorption appear in 04-09.

To read this unit in full: Vernacular §17–§19 is the complete passage-by-passage translation of the three sections on duration, enlargement, and the five masteries (tr. mine, from the public-domain Pāli original; see this unit’s apparatus for the base-text particulars).

二禪The Second Absorption

全文五層 →Full five layers →
義疏Exposition

爬得更高=捨得更多|二禪捨掉尋伺那份「動」,得內淨與心之一趣

大局 — 上行的通式,與第一次「鬆手」

從本單元起三單元(04-09〜04-11,白話 §20–§25)逐層上行。白話 §20 先給每一層通用的通式(於下禪修足五自在→出定→見過患→作意上禪為寂靜→觀支→同一個相→心路如初禪,唯最後一速行屬上禪),再解二禪定型句:尋伺止息、內淨、心之一趣、無尋無伺、由定而生。二禪是「上昇=減法」那把尺第一次現身:捨尋伺二支,具喜樂一境性三支。

§01 上昇是減法——通式與二禪 → 白話 §20

〔讀法〕再說一次,因為它是這一品最該帶走的:爬得更高=捨得更多。 二禪捨掉尋伺那份「動」、三禪捨掉喜那份「踴」、四禪連樂都捨,只剩捨與一境性那層不動的清涼。〔白話 §20–§25〕每一層的「更高」,都是一次「鬆手」。

上行的通式每層一樣(白話 §20):於下禪修足五自在——出定——見過患(「敵對者還很近,現存的支還粗」)——作意上禪為寂靜、捨下禪之愛著——觀支、見粗支與靜支——同一個相「地、地」——心路如初禪,唯最後一速行屬上禪。每一層的成就式也收在同一句裡:離其捨斷支、具其具足支、三種善、十相具足——三善十相之義同初禪(04-07 §02 所疏),二、三、四禪逐禪皆具。

二禪(白話 §20)捨尋伺,得「內淨、心之一趣」。內淨sampasādana)即:禪與淨相應,「如青衣與青色」;初禪如被浪攪的水,雖有信不名淨——尋伺一息,信得機而盛,定隨之顯,故唯此處說「淨」與「一趣」。一趣ekodi)論主給三釋:最上最勝而起、獨一無伴而起、令相應法起——是「定」的稱謂;且明言「這一趣是的,不是有情的、不是命我的」。「無尋無伺」與「尋伺止息」二句不重複:前句顯此禪之淨與一趣因何而有(因尋伺止息,非因斷蓋、非因支現),後句顯尋伺不存在本身。「由定而生」:唯此定離動搖,「才配得上稱為定」。離二支(尋伺——在安止剎那才離,異於初禪之蓋在近行已斷)、具三支(喜樂一境性;《分別論》連「淨」數之,是「連同資具」的方便說)。

給一般讀者

若只帶走一件事:每一層的「更高」,都是一次「鬆手」(白話 §20)。二禪鬆開的是尋伺——那份把心放上去、讓心待在上面的「動」;鬆開之後,信得機而盛,定隨之顯,這才叫「內淨」與「一趣」。通式記住一句:先在下禪練足五自在,再見它的粗、才作意上禪為寂靜。三禪之離喜與十種捨,在 04-10。

想讀本單元全文:白話 §20 即二禪一段之逐段全譯(tr. mine,譯自公版巴利原典;底本事項詳本單元考據)。

Climbing Higher Means Letting Go of More | The Second Absorption Lets Go of the “Movement” of Applied and Sustained Thought and Gains Inner Purity and Unification of Mind

The Big Picture — The General Pattern of Ascent and the First “Letting Go”

Beginning with this unit, three units (04-09–04-11, Vernacular §20–§25) ascend level by level. Vernacular §20 first gives the general pattern common to every level—develop the five masteries in the lower absorption → emerge → see its defects → attend to the higher absorption as peaceful → review the factors → take the same sign → follow the same cognitive process as in the first absorption, except that the final impulsion belongs to the higher absorption—and then explains the stock formula of the second absorption: the stilling of applied and sustained thought, inner purity, unification of mind, without applied or sustained thought, and born of concentration. The second absorption is the first appearance of the measure “ascent = subtraction”: it abandons the two factors of applied and sustained thought and possesses the three factors of rapture, pleasure, and one-pointedness.

§01 Ascent Is Subtraction—the General Pattern and the Second Absorption → Vernacular §20

〔Reading〕 It bears saying again because it is what matters most in this chapter: climbing higher means letting go of more. The second absorption lets go of the “movement” of applied and sustained thought, the third lets go of the “leaping” of rapture, and the fourth lets go even of pleasure, leaving only equanimity and one-pointedness, that level of unmoving coolness. 〔Vernacular §20–§25〕 Every level’s “higher” is an act of “letting go.”

The general pattern of ascent is the same at every level (Vernacular §20): develop the five masteries in the lower absorption—emerge—see its defects (“the enemy is still near, and the present factors are still coarse”)—attend to the higher absorption as peaceful and abandon attachment to the lower absorption—review the factors, seeing the coarse factors and the peaceful factors—attend to the same sign as “earth, earth”—follow the cognitive process of the first absorption, except that the final impulsion belongs to the higher absorption. Every level’s formula of accomplishment is also gathered into a single sentence: it has abandoned its factors of abandonment, possesses its factors of possession, has three excellences, and is endowed with ten characteristics. The meaning of the three excellences and ten characteristics is the same as for the first absorption (explained in 04-07 §02); the second, third, and fourth absorptions each possess them.

The second absorption (Vernacular §20) abandons applied and sustained thought and gains “inner purity and unification of mind.” Inner purity (sampasādana) is faith: absorption is associated with purity, “as blue cloth is associated with blue color.” The first absorption resembles water churned by waves and, though faith is present, is not called pure; when applied and sustained thought cease, faith gains an opportunity and grows strong, and concentration becomes manifest with it. Hence only here are “purity” and “unification” stated. The author gives three explanations of unification (ekodi): it arises as foremost and supreme; it arises alone, without a companion; and it causes the associated phenomena to arise. It is a designation for “concentration,” and the author expressly says, “this unification belongs to the mind, not to a being and not to a life-self.” “Without applied and sustained thought” and “with the stilling of applied and sustained thought” are not redundant: “with the stilling” shows why this absorption has purity and unification—because applied and sustained thought are stilled, not because the hindrances are abandoned or because the factors manifest—while “without applied and sustained thought” shows the absence of those two factors themselves. “Born of concentration” means that this concentration alone, being free from disturbance, “deserves to be called concentration.” It has abandoned two factors—applied and sustained thought, which depart only at the moment of absorption, unlike the hindrances of the first absorption, which are already abandoned in access—and possesses three factors—rapture, pleasure, and one-pointedness. The Vibhaṅga counts “purity” along with them only as a figurative expression that includes the accessory.

For the General Reader

If you retain only one thing, let it be this: every level’s “higher” is an act of “letting go” (Vernacular §20). What the second absorption releases is applied and sustained thought—the “movement” that places the mind on the object and keeps it there. Once that movement is released, faith gains an opportunity and grows strong, and concentration becomes manifest with it; this is called “inner purity” and “unification.” Remember the general pattern in one sentence: first develop the five masteries in the lower absorption, then see its coarseness, and only then attend to the higher absorption as peaceful. The third absorption’s abandonment of rapture and its ten kinds of equanimity appear in 04-10.

To read this unit in full: Vernacular §20 is the complete passage-by-passage translation of the section on the second absorption (tr. mine, from the public-domain Pāli original; see this unit’s apparatus for the base-text particulars).

三禪——離喜・十捨・念正知The Third Absorption—Leaving Rapture Behind, Ten Kinds of Equanimity, Mindfulness and Clear Comprehension

全文五層 →Full five layers →
義疏Exposition

樂到頂點處,靠念與正知不染|本品最大的一張詞義表:捨有十種

大局 — 捨掉喜那份「踴」,住於捨、念、正知

三禪三段(白話 §21–§23):「由於喜的離貪」而住捨(virāga 二配之讀、「尋伺止息」重提之為稱讚);十種捨之逐一定義與收攏(六者就義為一即中捨性;此處所指是禪捨);念與正知何以唯在三禪特說(行剃刀刃、被牽離母牛的犢),「以身領受樂」與「聖者所說」之釋。離一支(喜)、具二支(樂、心一境性)。

§01 三禪——離喜、十捨與念正知 → 白話 §21–§23

三禪(白話 §21–§23)「由於喜的離貪」而住捨。virāga 二配之讀(厭離/超越)、「尋伺止息」在此重提是稱讚(如第三道說「五下分結之捨斷」)——白話 §21 錄其語法之辨。接著是本品最大的一張詞義表:捨有十種(白話 §22),逐一有其定義——六支捨:漏盡者於六門面對可意不可意所緣、不捨清淨本性之捨;梵住捨:對諸有情持中庸;覺支捨:對俱生諸法持中庸;精進捨:不過度策勵也不過度鬆緩之精進;行捨:思擇諸蓋等而安住時、對其執取持中庸;受捨:不苦不樂之受;觀捨:於審察持中庸;中捨性:對俱生諸法平等運載;禪捨:於最上之樂亦不生偏袒;遍淨捨:於一切敵對法皆清淨、連對其止息也無所作為(四禪之捨)。論主隨即收攏:六支捨、梵住捨、覺支捨、中捨性、禪捨、遍淨捨六者「就義來說是一個,就是中捨性」,如同一人依位而稱童子、青年、將軍、國王;行捨觀捨「本來就是慧」,依作用分二(那條蛇喻:審「是不是蛇」時的中庸是觀捨,捉住了只求怎麼放的中庸是行捨);受捨則義自別。此處所指是禪捨——中庸為相、不作意為味、無所作為為現起、喜之離貪為近因。初二禪中非無中捨性,但被尋伺喜「所勝」而作用不顯,「如未抬起頭」——所以不說。念與正知(白話 §23):念以記憶為相、不忘失為味、守護為現起;正知以不癡為相、推度為味、簡擇為現起。二者唯在三禪特說,三喻遞進:下禪如人行地上,此禪細如行剃刀刃,非念與正知攝持不可;三禪之樂如被牽離母牛的犢,不看住就跑回喜那裡;且此樂「再沒有比它更上的」,唯念正知之力能於中不染。「以身領受樂」:樂與名身相應,色身被其所等起的勝妙之色遍滿——出定亦領受。「聖者所說」是稱讚:能於樂之頂點有捨、有念、受用聖者所愛之無染樂——值得稱讚。離一支(喜)、具二支(樂、心一境性)。

給一般讀者

若只帶走一件事:樂到頂點處,靠念與正知不染(白話 §23)——三禪之樂「再沒有比它更上的」,正因如此才要像行在剃刀刃上、像看住一頭會跑回母牛那裡的犢。十種捨(白話 §22)不必背全,記住六者「就義為一,就是中捨性」、此處所指是禪捨即可。四禪之捨念清淨與五分法,在 04-11。

想讀本單元全文:白話 §21–§23 即三禪三段之逐段全譯(tr. mine,譯自公版巴利原典;底本事項詳本單元考據)。

At the Summit of Pleasure, Mindfulness and Clear Comprehension Prevent Attachment | The Chapter’s Largest Table of Word Meanings: Ten Kinds of Equanimity

The Big Picture — Letting Go of the “Leaping” of Rapture and Dwelling in Equanimity, Mindfulness, and Clear Comprehension

The three sections on the third absorption (Vernacular §21–§23) explain dwelling in equanimity “with the fading-away of rapture”—the two construals of virāga and why the stilling of applied and sustained thought is repeated as praise; define and gather together the ten kinds of equanimity—the six identical in meaning are specific neutrality, while absorption equanimity is intended here; explain why mindfulness and clear comprehension are specially stated only for the third absorption, through the images of walking on a razor’s edge and a calf led away from its mother; and explain “experiences pleasure with the body” and “of which the noble ones declare.” It has abandoned one factor, rapture, and possesses two factors, pleasure and one-pointedness of mind.

§01 The Third Absorption—Leaving Rapture Behind, Ten Kinds of Equanimity, and Mindfulness and Clear Comprehension → Vernacular §21–§23

The third absorption (Vernacular §21–§23) dwells in equanimity “with the fading-away of rapture.” Vernacular §21 records the grammatical distinction between the two construals of virāga—revulsion and surmounting—and explains that the stilling of applied and sustained thought is repeated here as praise, just as the third path is described through “the abandonment of the five lower fetters.” Next comes the chapter’s largest table of word meanings: equanimity is of ten kinds (Vernacular §22), each with its own definition—six-factored equanimity: the equanimity in which an arahant does not depart from the purified natural state when agreeable and disagreeable objects meet the six doors; divine-abode equanimity: neutrality toward beings; awakening-factor equanimity: neutrality toward co-arisen phenomena; energy equanimity: energy that is neither overexerted nor overly slack; equanimity about formations: neutrality toward grasping when the mind comes to a stand after discerning the hindrances and the rest; equanimous feeling: neither-painful-nor-pleasant feeling; insight equanimity: neutrality in examination; specific neutrality: evenly bearing co-arisen phenomena; absorption equanimity: no partiality even toward supreme pleasure; and purification equanimity: purified of all opposing phenomena and inactive even toward their stilling—the equanimity of the fourth absorption. The author immediately gathers them together: six-factored equanimity, divine-abode equanimity, awakening-factor equanimity, specific neutrality, absorption equanimity, and purification equanimity are “identical in meaning: specific neutrality,” just as the same person may be called a boy, youth, general, or king according to status. Equanimity about formations and insight equanimity “are simply wisdom,” divided in two according to function: in the snake simile, neutrality while examining “snake or not a snake” is insight equanimity, while neutrality after seizing it and seeking only a way to release it is equanimity about formations. Equanimous feeling differs in meaning. What is intended here is absorption equanimity—its characteristic is neutrality, its function nonattention, its manifestation inactivity, and its proximate cause the fading-away of rapture. Specific neutrality is not absent from the first two absorptions, but its function is overwhelmed by applied thought, sustained thought, and rapture, “as though its head were not raised”; therefore it is not stated there. Mindfulness and clear comprehension (Vernacular §23): mindfulness has remembering as characteristic, non-forgetting as function, and guarding as manifestation; clear comprehension has nondelusion as characteristic, investigation as function, and discrimination as manifestation. They are specially stated only for the third absorption through three progressively stronger images: the movement of mind in lower absorptions is like walking on the ground, but in this subtle absorption it is like walking on a razor’s edge and cannot proceed without the governance of mindfulness and clear comprehension; the pleasure of the third absorption is like a calf led away from its mother, which returns to rapture if not watched; and this pleasure “has none beyond it,” yet only the power of mindfulness and clear comprehension prevents attachment to it. “Experiences pleasure with the body”: pleasure is associated with the mental body, and the material body is pervaded by the excellent materiality it produces, so pleasure is experienced even after emergence. “Of which the noble ones declare” is praise: remaining equanimous and mindful at the summit of pleasure and enjoying the undefiled pleasure cherished by the noble ones are worthy of praise. It has abandoned one factor, rapture, and possesses two factors, pleasure and one-pointedness of mind.

For the General Reader

If you retain only one thing, let it be this: at the summit of pleasure, mindfulness and clear comprehension prevent attachment (Vernacular §23). The pleasure of the third absorption “has none beyond it”; for that very reason the meditator must proceed as though walking on a razor’s edge and must watch it like a calf that will run back to its mother. The ten kinds of equanimity (Vernacular §22) need not all be memorized. Remember that six are “identical in meaning: specific neutrality,” and that absorption equanimity is intended here. The fourth absorption’s purification of mindfulness by equanimity and the fivefold system appear in 04-11.

To read this unit in full: Vernacular §21–§23 is the complete passage-by-passage translation of the three sections on the third absorption (tr. mine, from the public-domain Pāli original; see this unit’s apparatus for the base-text particulars).

四禪與五分法・品末The Fourth Absorption, the Fivefold System, and the Chapter Close

全文五層 →Full five layers →
義疏Exposition

連樂都捨,只剩捨與一境性那層不動的清涼|然後看清:那份喜樂是腳手架,不是終點

大局 — 減法走到底,與這一品要交給後面的東西

四禪二段(白話 §24–§25):「不苦不樂,捨念清淨」——四受於各禪近行已斷而說滅在禪中之由、四受聚說之四由(牛欄喻)、不苦不樂為第三種受、捨念清淨之月牙喻;五分法只是把「捨尋」「捨伺」分成兩步。品末迴向偈「為令善人歡喜而造」。本單元並收本品之破執(喜樂是腳手架,不是終點——直指第 20 品十觀染)、對位(心流與禪那有交集而不相等),與全品之「給一般讀者」。

§01 上昇是減法——四禪與五分法 → 白話 §24–§25

四禪(白話 §24)「不苦不樂,捨念清淨」。四受之滅,論主排得極整:苦、憂、樂、悅分別在初、二、三、四禪的近行剎那已斷——但經文說滅在禪中,因為近行之滅只是滅,禪中之滅是殊勝之滅(近行中苦可因蚊虻座不平再起、憂可因尋伺勞損再起、樂可因喜所等起之勝色再起、悅因近而未越再起;安止中則「無餘地滅」)。四受聚說之由有四:令易把握(牛欄喻:把難捉的牛與群牛同欄,逐一牽出而識之——不苦不樂受微細難知,靠排除四受而顯)、顯不苦不樂心解脫之四緣、稱讚此禪、顯貪瞋於此極遠(樂→悅→貪、苦→憂→瞋,緣壞則果遠)。不苦不樂第三種受,不只是苦樂的不存在——領受「與可意不可意相反者」為相。捨念清淨:非唯念淨,一切相應法皆淨,說時以念為首;而令淨者是捨——月牙喻:中捨性之月牙在下三禪如晝月,被尋等日光所勝、又無捨受之夜相助,雖有而不皎;至四禪,敵對法息、捨受之夜至,月牙極淨,俱生之念等隨之皎潔。連速行也與捨受相應、喜於此俱退。離一支(悅——在同一心路的前幾個速行中已捨)、具二支(捨受、心一境性)。

五分法(白話 §25)只是把「捨尋」與「捨伺」分成兩步:五分法的二禪唯捨尋(捨一支、具伺喜樂一境性四支),三禪再捨伺(捨一支、具喜等三支,如四分法之二禪);四分法的二禪於是拆成五分法的二、三禪,三、四禪順推為四、五禪,初禪照舊。品末的迴向偈「為令善人歡喜而造」——這句會在每一品的結尾回來,是論主給全書定的體溫。

這與第 9 品捨梵住接第四禪是同一個體溫,也預告了慧段那把更利的減法尺:解脫不是堆出來的,是看穿、放下出來的。

§02 破執 — 那份喜樂是腳手架,不是終點〔解碼者的讀法〕 → 白話 §7·§14·§20–§25

這是本品最該標出來的一頁,也是本義疏那把尺在「定」這一側的關鍵現身。標明:解碼者的讀法,但它直接扣在 04-02 白話 §7/04-09〜04-11 白話 §20–§25 的禪那機制上。

修定修到似相穩、初禪生,會湧出喜(pīti)與樂(sukha)——一種前所未有的明淨安樂。這裡埋著一個最甜美、也最危險的誤認:把這份禪那的喜樂,當成「我證到了什麼」。

要看清兩件事。其一,禪那是「淨心之術」,不是「解脫之引擎」:它伏蓋、不斷惑,能感梵天善報,但就其本身不直接導向解脫——解脫是後面慧段觀(vipassanā)的事。這與第 9 品四梵住的定位完全一致。其二——這是最關鍵的前指——你在這裡嚐到的喜、樂、明淨,正是第 20 品「十觀染」名單上的東西:光明、智、喜、樂、勝解……修觀者也會湧出這些,並極易誤認為證悟。

換句話說:地遍這一品,讓你第一次嚐到那杯酒;第 20 品,教你別把那杯酒當成終點。 同一把尺:喜樂可受用、可作定的資糧,但一旦「黏」上去、當成成就攥住,它就從腳手架變成新的執取。修法是看穿、不黏、繼續走——上昇本身(04-09〜04-11 的減法)已經在示範這件事:連樂都要捨。而 04-10 白話 §23 所錄的三禪念正知之義,正是論主自己安在文內的同一個護欄:樂到頂點處,靠念與正知不染。

§03 對位 — 和現代講的「心流/專注」對得上嗎〔可選〕 → 白話 §6–§7·§12–§15·§20–§25

從心理學或世俗冥想那邊過來的讀者,這裡放一個輕對照,免得對錯號。

現代常把深度專注比作「心流(flow)」——任務與能力相稱時那種忘我的投入。禪那與之有交集而不相等:交集在「高度專注、自我感稀薄、伴隨愉悅」;不相等在——心流多半繫於外在活動(攀岩、演奏),禪那則是主動把心收於單一所緣,並有明確的階位(似相、近行、安止、四禪之減法次第),且其愉悅(喜樂)被論主明確地對象化、可捨化。世俗冥想取其「放鬆減壓」之用即止;本品的禪那是要把這套定力,交給後面的慧去用。對位清楚了,就不會把「放鬆一下」誤當「入了禪那」。

給一般讀者 — 你今天能從這一品拿走的

老實說:多數在家讀者不會去做一塊晨曦色的泥盤。 這一品對你的價值,不在那塊盤,在三樣可遷移的東西:

  1. 那套機制。〔讀法〕凡會生似相的所緣(呼吸最方便;二十二業處之界見 03-05),盯久了、心淨了,都會走「相穩 → 心沉」這條路。你不必懂地遍,也用得上這條路。
  2. 入定是工程,不是運氣。 先調七隨順(睡好、環境靜、別過飽、別聊散),再調心的鬆緊(太緊就鬆、太散就提)。把條件鋪對,定自己會來。〔04-03〜04-04 白話 §8–§10〕
  3. 那把減法的尺。 連禪那的喜樂都不可攥死——這是全書最早一次教你「好東西也要鬆手」。

實際起手,仍回第 3 品的建議:一般人從第 8 品入出息念(呼吸)或第 9 品慈心入手,比地遍親切得多;地遍的價值是當「看懂全程」的範本。

想讀本單元全文:白話 §24–§25 即四禪與五分法二段之逐段全譯(tr. mine,譯自公版巴利原典;底本事項詳本單元考據);本品全文=十一單元白話 §1–§25,他家譯本可對讀葉均譯本第四品、Ñāṇamoli 英譯第四章。

一句話收束:地遍教的不是泥盤,是一條路和一把尺——盯住、淨化、沉入;然後每上一層,都靠捨掉一樣東西,連那份喜樂也不例外。

Even Pleasure Is Abandoned, Leaving the Unmoving Coolness of Equanimity and One-Pointedness | Then See Clearly: That Rapture and Pleasure Are Scaffolding, Not the Destination

The Big Picture — Subtraction Carried to Its End, and What This Chapter Hands Forward

The two sections on the fourth absorption (Vernacular §24–§25) explain “neither painful nor pleasant, purity of mindfulness through equanimity”; why the four feelings, though already abandoned in access to their respective absorptions, are said to cease within absorption; the four reasons for gathering the four feelings together, including the cattle-pen simile; neither-painful-nor-pleasant feeling as the third kind of feeling; the crescent-moon simile for purity of mindfulness through equanimity; and the fivefold system, which simply divides “abandoning applied thought” and “abandoning sustained thought” into two steps. The chapter closes with the dedication “composed to gladden good people.” This unit also gathers the chapter’s critique of fixation—rapture and pleasure are scaffolding, not the destination, pointing directly toward the ten imperfections of insight in Chapter 20—its comparison showing that flow and absorption overlap but are not identical, and the chapter-wide “For General Readers.”

§01 Ascent Is Subtraction—the Fourth Absorption and the Fivefold System → Vernacular §24–§25

The fourth absorption (Vernacular §24) is “neither painful nor pleasant, purity of mindfulness through equanimity.” The author arranges the cessation of the four feelings with great precision: pain, grief, pleasure, and joy are already abandoned, respectively, at the moments of access to the first, second, third, and fourth absorptions. Yet the canonical text says that they cease within absorption, because cessation in access is mere cessation, whereas cessation within absorption is surpassing cessation. In access, pain may arise again through gadflies, mosquitoes, or an uneven seat; grief may arise again through fatigue and injury conditioned by applied and sustained thought; pleasure may arise again through excellent materiality produced by rapture; and joy may arise again because it remains near and has not yet been surmounted. Within absorption they “cease without remainder.” The four feelings are gathered together for four reasons: to make the intended feeling easy to apprehend—the cattle-pen simile, in which a difficult ox is penned with the herd and recognized as the cattle are led out one by one; neither-painful-nor-pleasant feeling is subtle and difficult to know, so it becomes manifest by eliminating the four feelings—to show the four conditions for the neither-painful-nor-pleasant mind-liberation, to praise this absorption, and to show that greed and hatred are exceedingly remote here: pleasure → joy → greed, pain → grief → hatred; when the conditions are destroyed, their results are remote. Neither-painful-nor-pleasant is the third kind of feeling, not merely the absence of pain and pleasure; its characteristic is experiencing what is contrary to agreeable and disagreeable objects. Purity of mindfulness through equanimity: mindfulness is not the only phenomenon purified—all associated phenomena are purified, with mindfulness placed first in the exposition—and equanimity is what purifies them. The crescent-moon simile explains this: in the three lower absorptions, the crescent moon of specific neutrality is like a moon seen by day, overpowered by the sunlight of applied thought and the rest and lacking the supportive night of equanimous feeling; it is present but not bright. In the fourth absorption, the opposing phenomena have ceased and the night of equanimous feeling has arrived, so the crescent moon is extremely pure and the co-arisen mindfulness and the rest become bright with it. Even the impulsions are associated with equanimous feeling, and rapture fades away here as well. It has abandoned one factor—joy, abandoned in the earlier impulsions of the same cognitive process—and possesses two factors, equanimous feeling and one-pointedness of mind.

The fivefold system (Vernacular §25) simply divides “abandoning applied thought” and “abandoning sustained thought” into two steps: the second absorption of the fivefold system abandons applied thought alone and possesses the four factors of sustained thought, rapture, pleasure, and one-pointedness; the third then abandons sustained thought and possesses the three factors beginning with rapture, like the second absorption of the fourfold system. Thus the second absorption of the fourfold system is divided into the second and third of the fivefold system, while its third and fourth become the fourth and fifth; the first absorption remains unchanged. The chapter closes with the dedication “composed to gladden good people.” This line returns at the end of every chapter and establishes the temperature of the entire treatise.

This is the same temperature with which equanimity as a divine abode connects to the fourth absorption in Chapter 9, and it foreshadows the sharper measure of subtraction in the wisdom division: liberation is not built by accumulation; it comes through seeing through and letting go.

§02 Critique of Fixation—That Rapture and Pleasure Are Scaffolding, Not the Destination 〔Decoder’s Reading〕 → Vernacular §7 · §14 · §20–§25

This is the page most worth marking in the chapter, and the key appearance on the side of “concentration” of the measure used by this exposition. It is expressly a decoder’s reading, but it connects directly with the absorption mechanism in 04-02 Vernacular §7 and 04-09–04-11 Vernacular §20–§25.

When concentration has been cultivated until the counterpart sign is stable and the first absorption arises, rapture (pīti) and pleasure (sukha) surge forth—a clarity and ease never experienced before. Here lies the sweetest and most dangerous misrecognition: taking this rapture and pleasure of absorption to mean “I have attained something.”

Two things must be seen clearly. First, absorption is a “technique for purifying the mind,” not an “engine of liberation”: it suppresses the hindrances but does not eradicate the defilements; it can bring the wholesome result of rebirth in the Brahmā world, but by itself it does not directly lead to liberation—liberation belongs to insight (vipassanā) in the later wisdom division. This is entirely consistent with the positioning of the four divine abodes in Chapter 9. Second—and this is the crucial forward pointer—the rapture, pleasure, and clarity tasted here are the very phenomena on the list of the “ten imperfections of insight” in Chapter 20: illumination, knowledge, rapture, pleasure, resolution, and the rest. They also surge forth for the insight practitioner and are exceedingly easy to mistake for awakening.

In other words: this chapter on the earth kasiṇa lets you taste the wine for the first time; Chapter 20 teaches you not to mistake that wine for the destination. The same measure applies: rapture and pleasure may be enjoyed and may serve as resources for concentration, but as soon as the practitioner sticks to them and grasps them as an attainment, they change from scaffolding into a new appropriation. The practice is to see through, not stick, and keep going. Ascent itself—the subtraction across 04-09–04-11—already demonstrates this: even pleasure must be abandoned. The role of mindfulness and clear comprehension in the third absorption, recorded in 04-10 Vernacular §23, is the very same guardrail placed by the author within the text: at the summit of pleasure, mindfulness and clear comprehension prevent attachment.

§03 Comparison—Does This Match the Modern Idea of “Flow / Concentration”? 〔Optional〕 → Vernacular §6–§7 · §12–§15 · §20–§25

For readers approaching from psychology or secular meditation, a light comparison here can prevent mismatching the categories.

Modern discussions often compare deep concentration to “flow,” the absorbed involvement that occurs when a task and a person’s abilities are well matched. Absorption and flow overlap but are not identical. They overlap in “high concentration, diminished sense of self, and accompanying pleasure.” They differ in that flow is usually bound to an external activity such as climbing or performing music, while absorption deliberately gathers the mind onto a single object and has explicit stages—the counterpart sign, access, absorption, and the subtractive sequence of the four absorptions. Moreover, the author explicitly objectifies and makes abandonable its pleasant tone of rapture and pleasure. Secular meditation may stop after obtaining relaxation and stress relief; the absorption in this chapter is intended to hand this capacity for concentration to the wisdom that follows. Once the comparison is clear, “relaxing for a while” will not be mistaken for “entering absorption.”

For the General Reader — What You Can Take from This Chapter Today

Honestly, most lay readers will not make a dawn-colored clay disk. The value of this chapter for you lies not in the disk but in three transferable things:

  1. The mechanism. 〔Reading〕 Any object capable of producing a counterpart sign—breathing is the most convenient; see 03-05 for the boundary of the twenty-two meditation subjects—will, when attended to long enough and when the mind has been purified, follow the path “sign stabilizes → mind settles.” You need not understand the earth kasiṇa to use this path.
  2. Entering concentration is engineering, not luck. First adjust the seven suitabilities—sleep well, find a quiet environment, avoid overeating, and avoid scattered talk—then adjust the mind’s tension: relax it when too tight, arouse it when too loose. Arrange the conditions correctly and concentration will come of itself. 〔04-03–04-04 Vernacular §8–§10〕
  3. The measure of subtraction. Even the rapture and pleasure of absorption cannot be clutched. This is the work’s earliest lesson that “even good things must be released.”

For an actual starting point, return to the advice in Chapter 3: for most people, mindfulness of breathing in Chapter 8 or loving-kindness in Chapter 9 is much more approachable than the earth kasiṇa. The value of the earth kasiṇa is as a model for “seeing the whole process.”

To read this unit in full: Vernacular §24–§25 is the complete passage-by-passage translation of the two sections on the fourth absorption and the fivefold system (tr. mine, from the public-domain Pāli original; see this unit’s apparatus for the base-text particulars). The full chapter comprises Vernacular §1–§25 across eleven units; for comparison with other translations, see Ye Jun’s translation of Chapter 4 and Ñāṇamoli’s English translation of Chapter IV.

In one sentence: The earth kasiṇa teaches not a clay disk but a path and a measure—attend, purify, settle; then every ascent comes by abandoning something, including that very rapture and pleasure.

Translator · 釋慧鏡 Shi Huijing — with AI-assisted rendering, translator-ruled

License · CC BY-NC-SA 4.0