清淨道論 義疏通講 · 冊20Visuddhimagga · Exposition Throughout · Vol. 20
思惟智Knowledge of Comprehension
全文五層 →Full five layers →第三種清淨要辨「道與非道」,但論主先不談道,先教你「聚思惟」——把一切行按十一處逐一貼上無常、苦、無我三張標籤;因為不先把觀發起來,那個要辨的「贗品」根本還沒出現
大局 — 道非道智見清淨的入口,是先把觀發起來
前二清淨(見清淨・度疑清淨)把「人」與「第一因」拆掉了;第三清淨——道非道智見清淨——是「這是道、這不是道」的智。但論主開篇即說:想成就它的人先要做「聚思惟」(§1)。理由有二:道非道智要等觀發起、光明等現起時才會生起,而聚思惟是觀的開端;再者道非道智生於「度遍知」現行時,而度遍知緊接所知遍知之後。於是論主先給三種世間遍知的地圖(§2):所知遍知(自相)到緣攝受為止已成,度遍知(共相)從聚思惟起到生滅隨觀,斷遍知從壞滅隨觀起。然後引無礙解道的聖典全文(§3),補出所略的二十四聚與應知之解說(§4),末以五蘊為例示範:一蘊按過去未來現在・內外・粗細・劣勝・遠近十一處逐一確定「以盡之義無常、以怖畏之義苦、以無實之義無我」(§5)。〔所見〕本品是全弧的引爆點所在(十觀隨染在末篇),但入口極樸實:先把觀修起來。這是全書一貫的節奏——每一個清淨的第一單元都在說「回到功夫」。
§01 道非道智見清淨之立——何以先修聚思惟之二由 → 白話 §1
道非道智見清淨=了知「這是道、這不是道」而住立的智。欲成就者先於名為聚思惟的理趣觀努力:因道非道智於已發起觀者光明等生起時方生,而聚思惟是觀之開端,故此清淨安立於度疑之後;又道非道智生於度遍知現行時,度遍知緊接所知遍知,故亦當先於聚思惟努力(白話 §1)。〔讀法〕兩個「為什麼先做聚思惟」其實是同一件事的兩面:一面從現象說(贗品要等觀熟了才冒出來),一面從遍知的次第說(你手上有的只是所知遍知,度遍知還沒開始)。〔所見〕注意論主定義此清淨用的是「住立」二字——與度疑清淨的「度疑而住立」同一個詞:不是一閃的辨識,是站穩了的辨識。
§02 三種世間遍知與其地——本品之位在度遍知 → 白話 §2
世間遍知三種:所知遍知(依「色以變壞為相、受以所受為相」審察諸法自相之慧)、度遍知(依「色無常、受無常」以共相加於諸法之觀慧)、斷遍知(於彼諸法捨斷常想等之觀慧)。其地:自行之界定起至緣攝受止為所知遍知之地(自相通達增上);自聚思惟起至生滅隨觀止為度遍知之地(共相通達增上);壞滅隨觀以上為斷遍知之地(無常隨觀捨常想・苦隨觀捨樂想・無我隨觀捨我想・厭離捨喜貪・離貪捨貪・令滅捨集・捨遣捨取著——七隨觀增上)。此瑜伽者行之界定與緣攝受已成,唯得所知遍知,餘二應證,故先聚思惟(白話 §2)。〔讀法〕這是整段觀道的里程碑地圖:三種遍知=三段路,各以某一種「增上」為記——先是看清每一法「是什麼」(自相),再是給它們貼共相的標籤(無常苦無我),最後是把想(常想樂想我想)真的捨掉。前二品走完第一段;本品開第二段;第三段要到二十一品。〔所見〕「唯有自相通達是增上的」——注意「增上」一詞:三段不是截然分開的,每段都有三樣事,只是哪一樣為主不同。這給讀者一個心安的話:你在第一段裡也在做無常,只是還沒成為主軸。
§03 思惟智之聖典——引無礙解道之全文與所略之二十四聚 → 白話 §3
聖典:總攝過去未來現在諸法而確定的慧為思惟智——凡是任何色(過去未來現在・內外・粗細・劣勝・遠近)確定為無常是一思惟、為苦一思惟、為無我一思惟;受想行識同;眼乃至老死同。總攝「色三世以盡之義無常、以怖畏之義苦、以無實之義無我」而確定是思惟智;總攝「色三世是無常・有為・緣生・盡法・衰法・離貪法・滅法」是思惟智;總攝「生緣老死,生若無則無老死;三世皆然」乃至「無明緣行,無明若無則無行」是思惟智;以所知之義為智、了知之義為慧。「眼……乃至……老死」略式所省之法聚:門所轉諸法・五蘊・六門・六所緣・六識・六觸・六受・六想・六思・六渴愛・六尋・六伺・六界・十遍・三十二身分・十二處・十八界・二十二根・三界・九有・四禪・四無量・四等至・十二緣起支(白話 §3)。〔讀法〕聖典給了三個公式:三相公式(盡・怖畏・無實)、七法公式(無常有為緣生盡衰離貪滅)、緣起公式(生若無則無老死)——同一個「思惟」可以用三種深淺不同的句子做。所略的二十四聚是一張「你可以在什麼上面做」的清單。〔所見〕「以所知之義為智、以了知之義為慧」——論主每引聖典必錄這句尾巴:智與慧不是兩樣,是同一個知的兩個名字。
§04 應知之解說——所略之目之補與二處取捨 → 白話 §4
〈應知之解說〉:一切應知——眼・色・眼識・眼觸・眼觸所生受(樂苦不苦不樂)乃至意;色乃至識;眼乃至意;色乃至法;六識六觸六受;色想乃至法想、色思乃至法思、色渴愛乃至法渴愛、色尋色伺乃至法;地界乃至識界;地遍乃至識遍;髮乃至尿・腦;眼處乃至法處;眼界乃至意識界;眼根乃至具知根;三界三有六有;初禪至第四禪、慈至捨心解脫、空無邊處至非想非非想處等至;無明乃至老死。以其彼處已廣,此處皆以略式省之;所略中之出世間法不堪思惟不取;堪思惟者中,對誰顯現易把握者即於彼著手(白話 §4)。〔讀法〕這一節是上一節那張清單的「全稱版」,然後給兩條取捨律:出世間法不取(沒證的不觀,與 18-01 同一原則);顯現的、好把握的先做(不從最難的開始)。〔所見〕「凡是對誰顯現、容易得到把握的,他就應當在那些上面著手」——這是全單元最實用的一句:觀不從書上最完整的清單開始,從你眼前最清楚的那一法開始。
§05 五蘊之思惟——十一處之分別與無常等之異門 → 白話 §5
依蘊著手:把「凡是任何色」以過去等三法與內外等四對之十一處限定,一切色確定為無常——過去色於過去已盡不至此有、未來色將於彼盡不至後有、現在色於此盡不去別處、內色於內盡不成外……近色於彼盡不成遠——以盡之義無常:一句而言一思惟,依分別十一種。同以怖畏之義苦(無常者帶來怖畏,如師子喻經之諸天):一思惟、十一種。同以無實之義無我(我・住者・作者・受者・自在者之實體不存在;無常苦者連自身生滅之逼迫都不能遮止,何有作者等性;「若此色是我,色不應導向疾患」):一思惟、十一種。受等同理。無常者必有「有為」等分別,為顯異門與種種作意,聖典再說「色三世是無常有為緣生盡法衰法離貪法滅法」,受等同(白話 §5)。〔讀法〕十一處是把「一切色」切成十一片來看:三片時間、八片對比。「盡」是無常的義:過去的在過去盡了、現在的在這裡盡、內的在內盡——每一片都「就地盡去、不去到別處」。「怖畏」是苦的義,「無實」是無我的義:因為它連自己的生滅都攔不住,哪裡有一個「作者」在裡面。〔所見〕「凡是無常的,它連自己的無常性或生滅的逼迫都不能遮止,哪裡還會有它的作者等等的性質」——這一句是三相之間的因果:無常推出苦,無常與苦一起推出無我。三張標籤不是並列貼的,是一張引出下一張。
給一般讀者
本單元教的是「聚思惟」——把一切行按十一處逐一貼上三張標籤:過去的已盡、未來的將盡、現在的正盡——所以無常;無常就帶來怖畏——所以苦;連自己的生滅都攔不住——所以沒有一個作者在裡面,無我。不必從最完整的清單開始,從你眼前最清楚的那一法開始。這一單元還沒講到「道非道」,論主要你先把觀發起來——贗品要等觀熟了才會出現,那是本品末篇的事。
想讀本單元全文:白話 §1–§5 即此清淨之立與先修聚思惟之二由、三種世間遍知與其地、思惟智之聖典與所略二十四聚、應知之解說與二處取捨、五蘊十一處之思惟的全段逐段全譯。
The third purification must distinguish “the path from what is not the path,” yet the commentator does not begin with the path. He first teaches you “comprehension by groups”: place the three labels impermanent, suffering, and not-self on all formations, one by one, in eleven instances. Until insight has been initiated, the “counterfeit” that must be distinguished has not even appeared
The Big Picture — The Entrance to Purification by Knowledge and Vision of What Is and Is Not the Path Is to Initiate Insight First
The first two purifications—purification of view and purification by overcoming doubt—dismantled the “person” and the “first cause.” The third, purification by knowledge and vision of what is and is not the path, is the knowledge “this is the path; this is not the path.” Yet the commentator says at the outset that one who wishes to accomplish it must first undertake “comprehension by groups” (§1). There are two reasons. Knowledge of what is and is not the path arises only after insight has been initiated and illumination and the rest appear, while comprehension by groups is the beginning of insight. Furthermore, that knowledge arises while “full understanding as investigation” is occurring, and full understanding as investigation immediately follows full understanding of the known. The commentator therefore first gives a map of the three mundane kinds of full understanding (§2): full understanding of the known—the individual characteristics—has been completed through the apprehension of conditions; full understanding as investigation—the general characteristics—runs from comprehension by groups through contemplation of rise and fall; and full understanding as abandoning begins with contemplation of dissolution. He then cites the entire canonical passage from the Paṭisambhidāmagga (§3), supplies the twenty-four omitted groups and the Exposition of What Is to Be Directly Known (§4), and finally uses the five aggregates as an example: for each aggregate, determine in each of the eleven instances—past, future, present; internal/external, gross/subtle, inferior/superior, and far/near—that it is “impermanent in the sense of exhaustion, suffering in the sense of fear, and not-self in the sense of having no essence” (§5). 〔What is seen〕 This chapter is the ignition point of the whole arc—the ten corruptions of insight arrive in its final unit—but the entrance is extremely plain: first get insight underway. This is the rhythm sustained throughout the book: the first unit of each purification says, in effect, “return to the work.”
§01 Establishing Purification by Knowledge and Vision of What Is and Is Not the Path—Two Reasons for First Cultivating Comprehension by Groups → Vernacular §1
Purification by knowledge and vision of what is and is not the path is the knowledge that stands after knowing “this is the path; this is not the path.” One who wishes to accomplish it first applies himself to the methodical insight called comprehension by groups: knowledge of what is and is not the path arises only when illumination and the rest arise in one who has initiated insight, while comprehension by groups is the beginning of insight, so this purification is placed after overcoming doubt. That knowledge also arises while full understanding as investigation is occurring, and full understanding as investigation immediately follows full understanding of the known; therefore one must first apply oneself to comprehension by groups for this reason too (Vernacular §1). 〔How to read〕 The two answers to “Why begin with comprehension by groups?” are two aspects of one fact. One speaks from phenomena: the counterfeit does not emerge until insight has matured. The other speaks from the sequence of full understandings: what you have in hand is only full understanding of the known; full understanding as investigation has not yet begun. 〔What is seen〕 Notice that the commentator defines this purification with the word “stands.” It is the same word used for purification by overcoming doubt—“stands having overcome doubt.” This is not a flash of recognition but a recognition upon which one stands firm.
§02 The Three Mundane Kinds of Full Understanding and Their Domains—This Chapter’s Place Within Full Understanding as Investigation → Vernacular §2
The three mundane kinds of full understanding are: full understanding of the known, the wisdom that examines phenomena’s individual characteristics according to such statements as “form has the characteristic of being altered, feeling the characteristic of being felt”; full understanding as investigation, the insight wisdom that applies the general characteristics to phenomena according to such statements as “form is impermanent, feeling is impermanent”; and full understanding as abandoning, the insight wisdom that abandons the perception of permanence and the rest with respect to those phenomena. Their domains are these: from the delimitation of formations through apprehension of conditions is the domain of full understanding of the known, where penetration of individual characteristics predominates; from comprehension by groups through contemplation of rise and fall is the domain of full understanding as investigation, where penetration of the general characteristics predominates; and from contemplation of dissolution upward is the domain of full understanding as abandoning, where the seven contemplations predominate—contemplation of impermanence abandons the perception of permanence, contemplation of suffering the perception of pleasure, contemplation of not-self the perception of self, disenchantment delight, dispassion greed, causing cessation origination, and relinquishment clinging. Since this meditator has accomplished the delimitation of formations and apprehension of conditions, he has attained only full understanding of the known; the other two remain to be attained. Hence comprehension by groups comes first (Vernacular §2). 〔How to read〕 This is the milestone map for the entire road of insight: the three full understandings are three stretches of road, each marked by what “predominates.” First, see what each phenomenon is—its individual characteristic. Next, label them with the general characteristics—impermanence, suffering, and not-self. Finally, actually abandon the perceptions of permanence, pleasure, and self. The preceding two chapters completed the first stretch; this chapter opens the second; the third will not begin until Chapter Twenty-One. 〔What is seen〕 “Penetration of the individual characteristics alone is predominant”: attend to the word “predominant.” The three stretches are not sealed apart. All three activities occur within each stretch, but one takes the lead. This reassures the reader: even in the first stretch you were attending to impermanence, though it had not yet become the main axis.
§03 The Canonical Text on the Knowledge of Comprehension—The Full Passage from the Paṭisambhidāmagga and the Twenty-Four Groups Abbreviated in It → Vernacular §3
The canonical text says that wisdom in defining after gathering together phenomena of the past, future, and present is knowledge in comprehension: whatever form there is—past, future, present; internal/external, gross/subtle, inferior/superior, far/near—is defined as impermanent in one comprehension, as suffering in one, and as not-self in one; the same applies to feeling, perception, formations, and consciousness, and from the eye through aging-and-death. Defining after gathering together “form in the three times is impermanent in the sense of exhaustion, suffering in the sense of fear, and not-self in the sense of having no essence” is knowledge in comprehension. Gathering together “form in the three times is impermanent, conditioned, dependently arisen, subject to exhaustion, decline, dispassion, and cessation” is knowledge in comprehension. Gathering together “with birth as condition there is aging-and-death; without birth there is no aging-and-death, in the three times alike,” back through “with ignorance as condition there are formations; without ignorance there are no formations,” is knowledge in comprehension. It is knowledge in the sense of the known and wisdom in the sense of understanding. The groups of phenomena omitted by the formula “the eye ... through ... aging-and-death” are: phenomena occurring at a door, the five aggregates, six doors, six objects, six consciousnesses, six contacts, six feelings, six perceptions, six volitions, six cravings, six applications of thought, six sustainments of thought, six elements, ten kasiṇas, thirty-two body parts, twelve bases, eighteen elements, twenty-two faculties, three realms, nine kinds of becoming, four jhānas, four immeasurables, four attainments, and twelve factors of dependent origination (Vernacular §3). 〔How to read〕 The canonical text offers three formulas: the three-characteristic formula—exhaustion, fear, no essence; the seven-mode formula—impermanent, conditioned, dependently arisen, exhaustion, decline, dispassion, cessation; and the dependent-origination formula—without birth, no aging-and-death. The same “comprehension” can be conducted with sentences of three different depths. The twenty-four omitted groups form a list of “what you may practice upon.” 〔What is seen〕 “Knowledge in the sense of the known, wisdom in the sense of understanding”: whenever the commentator cites this canonical text he preserves this closing phrase. Knowledge and wisdom are not two different things; they are two names for the same knowing.
§04 The Exposition of What Is to Be Directly Known—Supplying the Omitted Items and Two Principles of Selection → Vernacular §4
The Exposition of What Is to Be Directly Known says that all is to be directly known: the eye, visible form, eye-consciousness, eye-contact, and feeling born of eye-contact—pleasant, painful, or neither—through the mind; form through consciousness; the eye through mind; visible forms through mental phenomena; the six consciousnesses, contacts, and feelings; perception, volition, craving, applied thought, and sustained thought regarding the six objects; the earth element through the consciousness element; the earth kasiṇa through the consciousness kasiṇa; hair through urine and the brain; the eye base through the mental-phenomena base; the eye element through the mind-consciousness element; the eye faculty through the faculty of one who has final knowledge; the three realms, three kinds of becoming, and six further kinds of becoming; the first through fourth jhānas, the mind-deliverances from loving-kindness through equanimity, the immaterial attainments from boundless space through neither perception nor non-perception; and ignorance through aging-and-death. Since the items are given there in full, here they are all omitted by an abbreviated formula. Of the omitted items, supramundane phenomena are not amenable to comprehension and should not be taken; among those amenable to comprehension, one begins with whichever appear clearly and are easy to apprehend (Vernacular §4). 〔How to read〕 This section is the universal version of the preceding list and then supplies two rules of selection: do not take supramundane phenomena—do not contemplate what has not been attained, the same principle as in 18-01—and begin with what appears and can readily be grasped, rather than beginning with the hardest item. 〔What is seen〕 “One should begin comprehension upon whichever ones appear clearly and are easily apprehended by oneself” is the most practical sentence in the unit. Insight does not begin with the book’s most exhaustive list; it begins with the clearest phenomenon before you.
§05 Comprehending the Five Aggregates—Analysis into Eleven Instances and Alternative Expressions of Impermanence and the Rest → Vernacular §5
To begin by way of the aggregates, delimit “whatever form there is” through the three beginning with past and the four pairs beginning with internal, making eleven instances, and define all form as impermanent: past form was exhausted in the past and did not reach this becoming; future form will be exhausted there and not reach a later becoming; present form is exhausted here and does not pass elsewhere; internal form is exhausted internally and does not become external ... and near form is exhausted there and does not become far. It is impermanent in the sense of exhaustion: one comprehension as a single statement, elevenfold by analysis. All of it is likewise suffering in the sense of fear, because what is impermanent brings fear, as with the deities in the Discourse on the Simile of the Lion: one comprehension, elevenfold. All of it is likewise not-self in the sense of having no essence: the substance of a self conceived as self, indweller, agent, experiencer, and master of itself does not exist; what is impermanent and suffering cannot even prevent the oppression of its own rise and fall, so how could it possess the nature of an agent and the rest? “If this form were self, form would not lead to affliction”: one comprehension, elevenfold. The same applies to feeling and the rest. Since what is impermanent is necessarily “conditioned” and so forth, the canonical text further states, to show alternative expressions and varied acts of attention, that “form in the three times is impermanent, conditioned, dependently arisen, subject to exhaustion, decline, dispassion, and cessation”; the same applies to feeling and the rest (Vernacular §5). 〔How to read〕 The eleven instances cut “all form” into eleven pieces: three of time and eight of contrast. “Exhaustion” is the import of impermanence: the past was exhausted in the past, the present is exhausted here, the internal is exhausted internally—each “is exhausted right where it is and does not pass elsewhere.” “Fear” is the import of suffering, and “no essence” the import of not-self: since it cannot even arrest its own rise and fall, how could there be an “agent” within it? 〔What is seen〕 “Whatever is impermanent cannot prevent even its own impermanence or the oppression of rise and fall; how then could it possess the nature of an agent?” This sentence gives the causal relation among the three characteristics: impermanence leads to suffering, and impermanence together with suffering leads to not-self. The three labels are not placed side by side; each gives rise to the next.
For the General Reader
This unit teaches “comprehension by groups”: place three labels on all formations, one by one, across eleven instances. The past has been exhausted, the future will be exhausted, and the present is being exhausted—therefore impermanent. What is impermanent brings fear—therefore suffering. What cannot even halt its own rise and fall contains no agent—therefore not-self. You need not begin with the most exhaustive list. Begin with the clearest phenomenon before you. This unit has not yet explained “what is and is not the path.” The commentator first asks you to initiate insight; the counterfeit appears only after insight matures, and that is the concern of the chapter’s final unit.
To read this unit in full: Vernacular §§1–5 presents the complete, sequential translation of the establishment of this purification and the two reasons for first cultivating comprehension by groups; the three mundane kinds of full understanding and their domains; the canonical text on knowledge in comprehension and its twenty-four abbreviated groups; the Exposition of What Is to Be Directly Known and its two principles of selection; and comprehension of the five aggregates in eleven instances.
四十行相隨觀・根利之九因Contemplation in Forty Modes and the Nine Causes for Sharpening the Faculties
全文五層 →Full five layers →三張標籤不夠用時,論主給你四十張——它們其實只是那三張的四十種說法;貼滿五蘊,得二百之分;還不成,就把「根」磨利,並避開七種不隨順
大局 — 把「無常苦無我」從三個字變成四十種看法,再變成二百次功夫
上一單元教聚思惟:一切行按十一處貼三相。本單元說:若要那思惟堅固,就依世尊所說「以哪四十種行相得隨順忍、入正性決定」的四十行相來觀五蘊(§1);論主把四十行相逐一釋義,然後算給你看:十個是無常隨觀、五個是無我隨觀、二十五個是苦隨觀,各乘五蘊得五十・二十五・一百二十五——二百之分(§2)。若這樣理趣觀仍不成,就依九種行相令諸根銳利、避七不隨順親七隨順、時而思惟色時而思惟無色(§3)。〔所見〕四十行相不是四十個新道理,是同一件事的四十個角度——像把一顆石頭轉四十次看。論主要的是「堅固」:三相貼一次會滑掉,貼二百次就黏住了。這一單元的功夫感很重:觀不是想通,是磨。
§01 四十行相之綱——引無礙解道,隨順忍與正性決定 → 白話 §1
為令於五蘊之無常苦無我思惟堅固,依世尊「以哪四十行相得隨順忍、以哪四十行相入正性決定」之分別所說:觀五蘊以無常・以苦・以病・以癰・以箭・以災・以疾・以他・以壞・以厄・以禍・以怖畏・以難・以動・以壞滅・以不堅・以無護・以無避處・以無歸・以虛・以空無・以空・以無我・以過患・以變易法・以無實・以災根・以殺者・以無有・以有漏・以有為・以魔食・以生法・以老法・以病法・以死法・以愁法・以悲法・以惱法・以雜染法——四十行相;又依「觀五蘊無常者得隨順忍、觀五蘊之滅是常是涅槃者入正性決定」等,於分別隨順智時以差別說無常等之思惟——他即依此思惟五蘊(白話 §1)。〔讀法〕四十行相是從「隨順智」那一段借來的(論主自標其所屬);此處先借來用,是因為它是三相最完整的展開。兩個果要看清:得隨順忍、入正性決定——四十行相是通向道的最後一段路上的東西,論主現在就把它拿到觀道的開頭來練,可見它的分量。〔所見〕列出來的四十個字有些看起來像近義詞(災・厄・禍・難),論主在下一節會逐一給出各自的「以其……故」的理由;讀者不必先分辨,先讓它們一個個過眼。
§02 四十行相之逐一釋與二百之分 → 白話 §2
一一蘊:非究竟有初有終故無常;生滅所逼為苦之事故苦;賴緣維持為病之根故病;與苦刺相應流出煩惱不淨由生老壞而腫脹成熟潰破故癰;生逼惱於內刺痛難拔故箭;應受呵責招致不增長為災之事故災;生不自主為疾患近因故疾;不受支配不可安排故他;為病老死所壞散故壞;招致眾多災厄故厄;招致不為人知而廣大之無利益為一切禍害之事故禍;為一切怖畏之源為最上安穩之對敵故怖畏;為眾多無利益所隨逐為過失所侵如難之不堪忍故難;為病老死與世間法所動故動;有由外由己趣壞滅之性故壞滅;一切位皆墮落無堅固故不堅;不能守護不得安穩故無護;不堪依附對已依附者不作避處故無避處;於依止者無除怖畏之實故無歸;空無所計常淨樂我故虛;由虛故空無(或以少故——世間亦稱少為空無);離主住者作者受者支配者故空;自身有無主等性故無我;轉起即苦為苦之過患故過患(或「趣向轉起於卑劣」為可憐人之稱謂,蘊似之);依老死二種變異故變易法;羸弱如邊材易折故無實;為災之因故災根;如以友面貌而來之怨敵殺害信賴者故殺者;其有已離自無有而生故無有;為諸漏近因故有漏;為因緣所造故有為;為死魔煩惱魔之食故魔食;有生老病死之性故生法老法病法死法;為愁悲惱之因故愁法悲法惱法;為渴愛見惡行雜染之境故雜染法。其中無常・壞・動・壞滅・不堅・變易法・無實・無有・有為・死法十者各乘五蘊為五十無常隨觀;他・虛・空無・空・無我五者為二十五無我隨觀;餘苦・病等二十五者為一百二十五苦隨觀——以此二百之分思惟五蘊,理趣觀之三相思惟即堅固(白話 §2)。〔讀法〕這一節長,但骨架只有三句:四十個角度各有理由;四十個角度歸三類(十・五・二十五);三類乘五蘊得二百。「二百」是一個工作量,不是一個教理——它告訴你「堅固」要付多少功夫。〔所見〕幾個釋義特別動人:「以殺者」——如以朋友面貌而來的怨敵,殺害信賴它的人;「以災根」——蘊是一切災的根;「以魔食」——死魔與煩惱魔的食物。四十行相裡最鋒利的不是「無常」,是這些讓你對五蘊起「厭」的字眼——它們在替後面的品(怖畏・過患・厭離)先鋪路。
§03 令諸根銳利之九因與七不隨順七隨順 → 白話 §3
理趣觀努力而不成者,依九行相令諸根銳利:只看見一再生起之諸行之盡;於彼以恭敬・以常恆・以隨順而作成就;以取定之相;以覺支之隨轉;於身於命無所顧惜;於彼勝之而出離;中途不中止——並依地遍解說避七不隨順親七隨順,時而思惟色時而思惟無色;思惟色者當見色之生起(白話 §3)。〔讀法〕九因是「觀不上路時的檢查表」:只盯著滅(不要盯著生)、三種態度(恭敬・持續・順著方法)、兩個借力(定之相・覺支之隨轉)、兩個放下(不顧身命・勝之而出離)、一個不放(不中途停)。七不隨順七隨順是第四品地遍講過的環境衛生:住處、行處、言談、人、食、時節、威儀。〔所見〕「只看見一再生起的諸行之盡」——九因之首就是全單元四十行相的濃縮:不看生,看盡。而末句「時而色、時而無色」是一個很體貼的操作建議:卡在名上就回到色,卡在色上就換到名——與 18-01「不棄軛」同一精神。
給一般讀者
三相不夠黏,就用四十行相——它們只是無常苦無我的四十種說法,但每一種都是一把不同角度的刀:病・癰・箭・殺者・魔食・災根……讀一遍,看看哪一個字最讓你對這副身心起「厭」;那就是你的入口。二百之分是工作量,不是考題。觀不上路時檢查九件事:是不是只盯著滅、有沒有恭敬持續順著方法、有沒有借定與覺支的力、肯不肯不顧身命、有沒有半途停下——還有,環境對不對。
想讀本單元全文:白話 §1–§3 即四十行相之綱、四十行相之逐一釋與二百之分、根利之九因與七不隨順七隨順的全段逐段全譯。
When three labels are not enough, the commentator gives you forty. They are really only forty ways of expressing those same three. Apply them throughout the five aggregates and obtain a two-hundredfold division; if insight still does not succeed, sharpen the “faculties” and avoid the seven unsuitable things
The Big Picture — Turning “Impermanent, Suffering, Not-Self” from Three Words into Forty Ways of Seeing, Then into Two Hundred Acts of Practice
The preceding unit taught comprehension by groups: apply the three characteristics to all formations in eleven instances. This unit says that to make that comprehension firm, contemplate the five aggregates through the forty modes stated by the Blessed One in the question, “Through which forty modes does one gain conformity acceptance and enter the fixed course of rightness?” (§1). The commentator explains each of the forty modes, then calculates them for you: ten are contemplations of impermanence, five contemplations of not-self, and twenty-five contemplations of suffering. Multiplied by the five aggregates, they yield fifty, twenty-five, and one hundred and twenty-five—a two-hundredfold division (§2). If methodical insight still fails, sharpen the faculties through nine modes, avoid the seven unsuitable things, cultivate the seven suitable things, and alternate between comprehending form and the immaterial (§3). 〔What is seen〕 The forty modes are not forty new doctrines but forty angles on the same thing—like turning one stone forty times to view it. The commentator wants “firmness”: the three characteristics may slide off when applied once; applied two hundred times, they adhere. The practice quality of this unit is emphatic: insight is not merely figuring something out; it is honing.
§01 The Framework of the Forty Modes—Citing the Paṭisambhidāmagga, Conformity Acceptance, and Entry into the Fixed Course of Rightness → Vernacular §1
To make firm comprehension of the five aggregates as impermanent, suffering, and not-self, the text follows the analysis of the Blessed One’s question, “Through which forty modes does one gain conformity acceptance, and through which does one enter the fixed course of rightness?” Contemplate the five aggregates as impermanent, suffering, a disease, a boil, a dart, a calamity, an affliction, alien, disintegrating, a plague, a disaster, fear, a menace, unstable, dissolving, unenduring, without protection, without shelter, without refuge, void, hollow, empty, not-self, danger, subject to change, without essence, the root of calamity, a killer, non-being, tainted, conditioned, Māra’s bait, subject to birth, aging, illness, death, sorrow, lamentation, despair, and defilement—forty modes. And according to the formula “One contemplating the five aggregates as impermanent gains conformity acceptance; one contemplating that the cessation of the five aggregates is permanent, is Nibbāna, enters the fixed course of rightness,” comprehension as impermanent and so forth was stated with distinctions when knowledge in conformity was analyzed. He therefore comprehends the five aggregates accordingly (Vernacular §1). 〔How to read〕 The forty modes are borrowed from the section on “knowledge in conformity”—the treatise itself marks where they belong—and are borrowed here because they are the fullest expansion of the three characteristics. Keep the two results clear: gaining conformity acceptance and entering the fixed course of rightness. The forty modes belong to the final stretch toward the path, yet the commentator brings them to the beginning of the insight course for practice now; that shows their weight. 〔What is seen〕 Some of the forty expressions may initially look synonymous—calamity, plague, disaster, menace. The next section gives each its own “because it is ...” rationale. The reader need not distinguish them in advance; first let each one pass before the eye.
§02 Individual Explanation of the Forty Modes and Their Two-Hundredfold Division → Vernacular §2
Each aggregate is impermanent because not ultimate and having beginning and end; suffering because oppressed by rise and fall and the basis of suffering; a disease because dependent upon conditions and the root of disease; a boil because joined to the barb of pain, oozing the impurity of defilements, and swelling, ripening, and bursting through birth, aging, and dissolution; a dart because producing oppression, piercing within, and hard to extract; a calamity because censurable, bringing no growth, and a basis of calamity; an affliction because producing a lack of autonomy and being the proximate cause of illness; alien because uncontrolled and unarrangeable; disintegrating because broken by illness, aging, and death; a plague because bringing many plagues; a disaster because bringing vast, unrecognized harms and being the basis of every disaster; fear because the source of every fear and adversary of supreme security; a menace because pursued by many harms, assailed by faults, and intolerable like a menace; unstable because shaken by illness, aging, death, and worldly conditions; dissolving because disposed to dissolution both from without and from itself; unenduring because falling away in every state and lacking firmness; without protection because unable to protect and incapable of providing security; without shelter because unfit to rely upon and unable to shelter even one who relies upon it; without refuge because it has no substance of removing fear for dependents; void because devoid of imagined permanence, purity, pleasure, and self; hollow because void—or because slight, since the world too calls what is slight “hollow”; empty because devoid of owner, indweller, agent, experiencer, and director; not-self because its own nature is ownerless and so forth; danger because its occurrence is suffering and it is the danger of suffering—or because it “approaches and proceeds toward the wretched,” a designation for a pitiable person whom the aggregates resemble; subject to change because changing in the two ways of aging and death; without essence because weak and readily broken like sapwood; root of calamity because the cause of calamity; a killer because, like an enemy wearing a friend’s face, it kills one who trusts it; non-being because its being has departed and it arises from non-being; tainted because the proximate cause of the taints; conditioned because constructed by causes and conditions; Māra’s bait because food for Māra as death and Māra as defilement; subject to birth, aging, illness, and death because it has that nature; subject to sorrow, lamentation, and despair because it causes them; subject to defilement because it is the domain of the defilements of craving, view, and misconduct. Of these, the ten impermanent, disintegrating, unstable, dissolving, unenduring, subject to change, without essence, non-being, conditioned, and subject to death, multiplied by the five aggregates, yield fifty contemplations of impermanence. The five alien, void, hollow, empty, and not-self yield twenty-five contemplations of not-self. The other twenty-five, beginning with suffering and disease, yield one hundred and twenty-five contemplations of suffering. By comprehending the five aggregates through this two-hundredfold division, comprehension through the three characteristics called methodical insight becomes firm (Vernacular §2). 〔How to read〕 The section is long, but its skeleton has only three statements: each of forty angles has a reason; the forty divide into three groups—ten, five, and twenty-five; the three groups multiplied by five aggregates yield two hundred. “Two hundred” is a workload, not a doctrine; it tells you the amount of work firmness costs. 〔What is seen〕 Several explanations cut especially sharply: “a killer,” like an enemy wearing a friend’s face who kills the one who trusts it; “the root of calamity,” the aggregates as the root of every calamity; and “Māra’s bait,” food for Māra as death and Māra as defilement. The sharpest expressions among the forty are not merely “impermanent” but those that cause disenchantment with the aggregates. They prepare the way for the later chapters on fear, danger, and disenchantment.
§03 Nine Causes for Sharpening the Faculties and the Seven Unsuitable and Seven Suitable Things → Vernacular §3
One who applies himself to methodical insight without succeeding sharpens the faculties through nine modes: he sees only the exhaustion of formations as they arise again and again; accomplishes this with respect, constantly, and suitably; grasps the sign of concentration; keeps the awakening factors in operation; has no concern for body or life; overcomes them through renunciation; and does not stop midway. According to the Earth Kasiṇa explanation, he also avoids the seven unsuitable things, cultivates the seven suitable things, and alternates between comprehending form and the immaterial; when comprehending form, he should see the arising of form (Vernacular §3). 〔How to read〕 The nine causes are a checklist for when insight will not get underway: attend only to exhaustion rather than arising; maintain three attitudes—respect, continuity, and suitability; draw on two supports—the sign of concentration and the operation of the awakening factors; make two relinquishments—show no concern for body and life, and overcome them through renunciation; and uphold one non-relinquishment—do not stop midway. The seven unsuitable and seven suitable things are the environmental hygiene taught in Chapter Four’s Earth Kasiṇa: lodging, resort, speech, person, food, climate, and posture. 〔What is seen〕 “He sees only the exhaustion of formations as they arise again and again”: the first of the nine causes condenses the forty modes of the whole unit—do not attend to arising; attend to exhaustion. And the final instruction, “at one time form, at another the immaterial,” is a considerate practical suggestion: if stuck on name, return to form; if stuck on form, turn to name—the same spirit as 18-01’s “not letting go of the yoke.”
For the General Reader
If the three characteristics do not adhere, use the forty modes. They are simply forty ways of expressing impermanence, suffering, and not-self, but each is a blade cutting from a different angle: disease, boil, dart, killer, Māra’s bait, root of calamity. Read them once and notice which word most strongly arouses disenchantment toward this body and mind; that is your entrance. The two-hundredfold division is a workload, not an examination question. When insight will not get underway, check nine things: are you attending only to exhaustion; are you practicing respectfully, continuously, and suitably; are you drawing on concentration and the awakening factors; are you willing to relinquish concern for body and life; have you stopped midway? And check the environment too.
To read this unit in full: Vernacular §§1–3 gives the complete, sequential translation of the framework of the forty modes, their individual explanation and two-hundredfold division, and the nine causes for sharpening the faculties together with the seven unsuitable and seven suitable things.
見色之生起與無色之生起之行相Modes of Seeing the Arising of Form and the Immaterial
全文五層 →Full five layers →「思惟色的人應當看見色的生起」——這一單元把「生起」拆到十六個心剎那與四種等起的每一轉,讓「生」不再是一個字,而是一部你看得見齒輪的機器
大局 — 從「說無常」到「看見生起」:色的四種來源與無色的六門心路
上一單元末句說「思惟色的人應當看見色的生起」;本單元就教怎麼看:色由業・心・食・時節四種原因生起(§1 總標),論主逐一給出「業之六目」(§2)、「心之五目」(§3)、「食之五目」(§4)、「時節之五目」(§5)——每一目都是一張「這種色從哪裡來、又如何再生下一輪」的表;其間穿插一個極重要的觀察:色遲滅而重轉、心速滅而輕轉,一色住時有分心生滅十六度(§1)。然後轉到無色:八十一世間心之生起——結生・有分・死・彼所緣,與六門心路的一整串(轉向・眼識・領受・推度・確定・速行・彼所緣)(§6)。末句:時而思惟色、時而思惟無色,加三相而次第行道,一類瑜伽者即成就慧之修習。〔所見〕本單元沒有一句「教理」,全是解剖圖;但解剖圖的用意是讓「生滅」變成可見的——你看見一粒色生起、住到第十六個心才滅,你就不必相信「無常」,你在看它。這是二十品「度遍知」段的血肉:共相要貼在看見的東西上。
§01 業生色之生起——結生時之三十色與心色遲速之對 → 白話 §1
色依業等四原因生起,最先從業:胎生者結生剎那依三相續有所依十法・身十法・性十法三十色生起,於結生心之生住壞三剎那皆然。色遲滅重轉、心速滅輕轉(「我不見其他一法如心之輕轉」):一色存續期間有分心生滅十六度;心之生住壞三剎那相等,色唯生壞二剎那與之等而住剎那大——十六心生滅方過。依結生心生剎那所生、已至住位之前生所依,第二有分生;依與之同生已住之所依,第三有分生……直至壽盡;將死者依唯一已住所依有十六心生。結生心生剎那所生之色與其後第十六心同滅、住剎那所生與第十七心生剎那同滅、壞剎那所生至第十七心住剎那滅——轉起未止即如是轉;化生者七十色依七相續同此(白話 §1)。〔讀法〕先記一個比例:一個色的壽命=十六個心的壽命。心像水面的漣漪一圈接一圈,色像水面下較慢的湧動;每一圈漣漪都踩著一片湧動起來(「依前生已住的所依」)。〔所見〕「將死的人,依於唯一個已至住位的所依,有十六個心生起」——這一句是把「死」也放進同一部機器:最後一片色上跑完最後十六個心,就是死。無常在這裡沒有神秘感,只有齒輪。
§02 業之六目 → 白話 §2
業(善不善之思)・業等起(異熟蘊與眼十法等七十色)・業緣(同彼色,業為其支持之緣)・業緣心等起(異熟心等起之色)・業緣食等起(業等起色中已住之食素生另一食素第八,結成四五轉)・業緣時節等起(業生火界已住生時節等起之食素第八,四五轉)——如是見業生色之生起(白話 §2)。〔讀法〕六目其實在畫一棵樹:業是種子,業等起是第一批枝葉,然後這些枝葉自己又長出食素第八、火界又長出時節等起——業不只生一批色,它生的色會再生四五輪。〔所見〕「四轉或五轉」——論主給了一個衰減的數字:業生的色能自我延續四五輪就止。無常不是「馬上沒了」,是「有限地延續,然後盡」。
§03 心之五目——八十九心之四類 → 白話 §3
心(八十九心)・心等起・心緣・心緣食等起・心緣時節等起。八十九心四類:三十二心(欲界八善・十二不善・除意界十唯作・善與唯作二神通心)生色・威儀・表;二十六心(除異熟之餘十色界心・八無色界心・八出世間心)生色與威儀不生表;十九心(欲界十有分・色界五・三意界・一喜俱異熟無因意識界)唯生色;十六心(二五識・一切有情結生心・漏盡者死心・四無色異熟)不生色不生威儀不生表——生色者唯於生剎那(強)非住壞剎那(弱)。心等起=三無色蘊與聲九法・身表・語表・空界・輕快性・柔軟性・適業性・積集・相續十七色;心緣=後生心心所對前生身為緣之四等起色;心緣食等起・時節等起各結成二三轉(白話 §3)。〔讀法〕八十九心分四等:會讓身體做動作又會表達的(三十二)、會動不會表達的(二十六)、只維持身體不動作的(十九)、連身體都不生的(十六)。「表」(身表語表)是心生色裡最像「意志」的一種——只有前三十二心有。〔所見〕「結生心不生色、五識不生色、死心不生色」——三個最關鍵的心都不生色,因為那時心「羸弱」;生色要在心「強有力」的生剎那。這裡藏著一句修行心理學:心弱的時候,連身體都帶不動。
§04 食之五目 → 白話 §4
食(段食)・食等起(段食得執取之業生色為緣、住其中,由已住之食素等起食素第八・空界・輕快性・柔軟性・適業性・積集・相續十四色)・食緣(段食對此身以食緣為緣之四等起色)・食緣食等起(十至十二度轉起)・一日之食可支七日、天之食素一至二月、母食遍胎兒身、塗身之食亦生色、業生食名執取食亦四五轉・食緣時節等起(食等起火界已住生時節等起食素第八);食對食等起為能生,對餘為依止・食・有・不離去(白話 §4)。〔讀法〕「一日所受用的食可以支持到七日」「母親的食遍佈胎兒身體」「塗在身上的食也等起色」——這一節是全單元最貼身的:你吃的東西真的變成你的色,且延續十到十二輪——比業生的四五轉還長。〔所見〕食是四等起裡「你可以動手的」那一個:業是過去的、時節是外在的、心是難把握的,唯有食——所以第一品把資具與省思講得那麼細,落點就在這裡。
§05 時節之五目 → 白話 §5
時節(四等起之火界,熱冷二種)・時節等起(四等起之時節得執取色為緣已住而於身等起聲九法・空界・輕快性・柔軟性・適業性・積集・相續十五色)・時節緣(時節對四等起色之轉起壞滅為緣)・時節緣時節等起(火界已住生另一食素第八,於非執取分中住立長久亦轉)・時節緣食等起(十至十二度);時節對時節等起為能生,對餘為依止・有・不離去。如是見色之生起名「時而思惟色」(白話 §5)。〔讀法〕時節之目多一句別的目沒有的話:「即使在非執取分之中住立長久之時,時節等起也仍然轉起」——屍體、石頭、離身的髮:業心食都停了,時節還在生色。所以「非執取色」也是無常的:只是慢。〔所見〕四目末尾各有一句「這樣看見……的生起」——四句加起來就是「時而思惟色」的定義:思惟色=看見色從四個來源生起、又各自延續幾轉而盡。
§06 無色之生起——八十一心與六門心路 → 白話 §6
思惟無色者當見無色之生起——唯依八十一世間心。結生時依前有所積之業以十九心之分生起(相見緣起解說);自結生心無間起依有分、壽盡時依死、欲界者於六門強所緣依彼所緣。轉起中:眼不壞・色現前・依光明・以作意為因,眼識連同相應法生——唯已住之色於眼淨住剎那擊眼;擊後有分生滅二次;唯作意界於同所緣成轉向作用而生;次見彼色之善不善異熟眼識;次領受之異熟意界;次推度之異熟無因意識界;次確定之捨俱唯作無因意識界;次欲界善不善唯作心之一或捨俱無因心作五或七速行;次欲界有情十一彼所緣心中隨順速行之一為彼所緣;餘門同理,意門更有大心生。如是於六門見無色之生起名「時而思惟無色」。時而色時而無色加三相次第行道,一類瑜伽者成就慧之修習(白話 §6)。〔讀法〕六門心路是南傳阿毘達磨最有名的一張圖:色擊眼→有分二動→轉向→眼識→領受→推度→確定→速行五或七→彼所緣——一次「看見」被拆成十幾個心。看見這一串,就是「看見無色的生起」。〔所見〕注意觀道在這裡要的不是把這串背下來(第十四品已講過),是在自己的看與聽裡真的看見它在跑——那時「心是無常的」不再是句子,是現場。末句「一類瑜伽者成就了慧之修習」——論主老實地說「一類」:有人到這裡就通了,其他人要走下面的色七法無色七法。
給一般讀者
帶走一個比例與一個提醒。比例:一個色的壽命=十六個心的壽命——身體是慢的湧動,心是快的漣漪,每一圈漣漪踩著一片湧動起來;死,就是最後一片色上跑完最後十六個心。提醒:色有四個來源——業、心、食、時節;其中你能動手的是食——一日之食支七日,塗在身上的也生色;你吃的真的變成你的身體,再延續十到十二輪而盡。看見這些,「無常」就不用信,你在看它。
想讀本單元全文:白話 §1–§6 即業生色與心色遲速、業之六目、心之五目與八十九心四類、食之五目、時節之五目、無色之生起與六門心路的全段逐段全譯。
“One comprehending form should see the arising of form”—this unit breaks “arising” down into sixteen mind-moments and every succession produced by four kinds of origination, so that “arising” is no longer one word but a machine whose gears you can see
The Big Picture — From “Saying Impermanent” to “Seeing Arising”: Form’s Four Sources and the Immaterial Six-Door Cognitive Process
The preceding unit ended, “One comprehending form should see the arising of form”; this unit teaches how. Form arises from four causes—kamma, mind, nutriment, and temperature (the general statement in §1). The commentator gives in turn the “six headings under kamma” (§2), “five headings under mind” (§3), “five headings under nutriment” (§4), and “five headings under temperature” (§5). Each is a chart showing where this kind of form comes from and how it produces another succession. Amid them is one crucial observation: form ceases slowly and turns ponderously; mind ceases quickly and turns lightly. While one instance of form remains, the life-continuum mind arises and ceases sixteen times (§1). The discussion then turns to the immaterial: the arising of eighty-one mundane minds—rebirth-linking, life-continuum, death, and registration—and the whole six-door cognitive sequence: adverting, eye-consciousness, receiving, investigating, determining, impulsion, and registration (§6). The closing sentence says that one who comprehends form at one time and the immaterial at another, applies the three characteristics, and proceeds in sequence accomplishes the cultivation of wisdom. 〔What is seen〕 This unit contains no single “doctrine”; it is all anatomical diagram. Yet its purpose is to make rise and fall visible. When you see one material phenomenon arise and remain until the sixteenth mind before ceasing, you need not believe in “impermanence”; you are watching it. This is the flesh of Chapter Twenty’s stage of full understanding as investigation: general characteristics must be applied to what has been seen.
§01 The Arising of Kamma-Originated Form—Thirty Material Phenomena at Rebirth-Linking and the Contrast Between the Speeds of Mind and Form → Vernacular §1
Form arises from four causes beginning with kamma, and first of all from kamma. At a womb-born being’s moment of rebirth-linking, thirty material phenomena arise in three continuities: the base decad, body decad, and sex decad; this occurs at the arising, presence, and dissolution moments of the rebirth-linking mind. Form ceases slowly and turns ponderously, while mind ceases quickly and turns lightly (“I see no other single phenomenon that turns as lightly as mind”). During one material phenomenon’s duration, the life-continuum mind arises and ceases sixteen times. A mind’s arising, presence, and dissolution moments are equal; form’s arising and dissolution alone are equally swift, while its presence moment is long—it passes only after sixteen minds have arisen and ceased. Dependent upon the earlier-born base that arose at the rebirth-linking mind’s arising and has reached presence, the second life-continuum arises; dependent upon the base arisen with it and now in presence, the third arises, and so forth until the lifespan ends. For a dying person sixteen minds arise dependent upon one base in presence. Form arisen at rebirth-linking’s arising moment ceases with the sixteenth succeeding mind; form arisen at its presence moment with the seventeenth mind’s arising; form arisen at its dissolution moment upon the seventeenth mind’s presence. This continues so long as occurrence continues; the spontaneously born being’s seventy forms occur similarly in seven continuities (Vernacular §1). 〔How to read〕 Remember one ratio: the lifespan of one material phenomenon equals the lifespans of sixteen minds. Mind is like ripple after ripple on the water’s surface, form like a slower surge underneath; each ripple arises by stepping on a surge already in motion—“dependent upon an earlier-born base in presence.” 〔What is seen〕 “For a dying person, sixteen minds arise dependent upon a single earlier-born base in presence”: this sentence places death in the same machine. The last sixteen minds run across the final piece of form, and that is death. Impermanence here has no mystery, only gears.
§02 The Six Headings under Kamma → Vernacular §2
Kamma—wholesome and unwholesome volition; kamma-originated—the resultant aggregates and seventy material phenomena such as the eye decad; kamma-conditioned—that same form, with kamma as its support condition; kamma-conditioned and mind-originated—form originated by resultant mind; kamma-conditioned and nutriment-originated—nutritive essence in kamma-originated form, once in presence, produces another nutritive-essence octad, yielding four or five successions; and kamma-conditioned and temperature-originated—the fire element born of kamma, once in presence, produces a temperature-originated nutritive-essence octad, yielding four or five successions. Thus one sees the arising of kamma-originated form (Vernacular §2). 〔How to read〕 The six headings draw a tree: kamma is the seed, kamma-originated form the first branches and leaves; those branches then themselves produce nutritive-essence octads, and their fire element produces temperature-originated forms. Kamma does not produce only one batch of form; the form it produces continues for another four or five generations. 〔What is seen〕 “Four or five successions”: the commentator supplies a number for attenuation. Kamma-born form can perpetuate itself for four or five rounds, then stops. Impermanence does not mean “gone immediately”; it means “continues finitely, then is exhausted.”
§03 The Five Headings under Mind—Four Classes of the Eighty-Nine Minds → Vernacular §3
Mind—the eighty-nine minds; mind-originated; mind-conditioned; mind-conditioned and nutriment-originated; and mind-conditioned and temperature-originated. The eighty-nine minds fall into four classes: thirty-two—the eight sense-sphere wholesome, twelve unwholesome, ten functional excluding mind element, and two direct-knowledge minds, wholesome and functional—produce form, posture, and intimation; twenty-six—the ten remaining fine-material minds excluding resultants, eight immaterial minds, and eight supramundane minds—produce form and posture but not intimation; nineteen—the ten sense-sphere life-continuums, five fine-material minds, three mind elements, and one rootless resultant mind-consciousness element accompanied by joy—produce form only; sixteen—the two sets of five sense consciousnesses, every being’s rebirth-linking mind, the death mind of those whose taints are destroyed, and four immaterial resultants—produce neither form, posture, nor intimation. Form-producing minds do so only at the powerful arising moment, not the weak moments of presence or dissolution. Mind-originated means the three immaterial aggregates and seventeen forms: sound nonad, bodily and verbal intimation, space, lightness, malleability, wieldiness, accumulation, and continuity. Mind-conditioned is fourfold-originated form for which later-born mind and mental factors condition the earlier-born body; the nutriment- and temperature-originated branches each form two or three successions (Vernacular §3). 〔How to read〕 The eighty-nine minds have four ranks: those that move the body and express (thirty-two), move without expressing (twenty-six), merely maintain the body without movement (nineteen), and do not even originate form (sixteen). Intimation—bodily and verbal—is the form originated by mind that most resembles “intention”; only the first thirty-two minds have it. 〔What is seen〕 “The rebirth-linking mind does not originate form, sense consciousness does not originate form, the death mind does not originate form”: three crucial minds do not originate form because mind is then “weak”; form requires the powerful arising moment. A line of practice psychology hides here: when mind is weak, it cannot even move the body.
§04 The Five Headings under Nutriment → Vernacular §4
Nutriment—physical nutriment; nutriment-originated—the fourteen forms comprising the nutritive-essence octad, space, lightness, malleability, wieldiness, accumulation, and continuity, produced by nutritive essence that, having acquired appropriated kamma-originated form as its condition and become established there, has reached presence; nutriment-conditioned—form of fourfold origination conditioned by physical nutriment; nutriment-conditioned and nutriment-originated—ten to twelve successions. Food consumed for one day can support seven days; divine nutritive essence one or two months; a mother’s food pervades the fetus; food smeared on the body also originates form; kamma-born “appropriated nutriment” produces four or five successions. Nutriment-conditioned and temperature-originated means that the fire element of nutriment-originated form, once in presence, produces a temperature-originated nutritive-essence octad. Nutriment conditions nutriment-originated form as producer and the rest by way of support, nutriment, presence, and non-disappearance (Vernacular §4). 〔How to read〕 “One day’s food can support seven days”; “a mother’s food pervades the fetus”; “food smeared on the body also originates form”: this is the unit’s most intimate section. What you eat truly becomes your form and continues ten to twelve rounds, longer than kamma-born form’s four or five. 〔What is seen〕 Among the four origins, nutriment is the one you can directly act upon: kamma is past, temperature external, and mind hard to grasp. This is why Chapter One treats requisites and reflection in such detail; its practical landing point is here.
§05 The Five Headings under Temperature → Vernacular §5
Temperature—the fire element of fourfold origination, divided into hot and cold; temperature-originated—the fifteen forms comprising sound nonad, space, lightness, malleability, wieldiness, accumulation, and continuity, originated in the body when fourfold-originated temperature, with appropriated form as condition, reaches presence; temperature-conditioned—temperature conditions the occurrence and dissolution of fourfold-originated form; temperature-conditioned and temperature-originated—the fire element in presence produces another nutritive-essence octad and continues even when established for a long time in the non-appropriated domain; temperature-conditioned and nutriment-originated—ten to twelve successions. Temperature conditions temperature-originated form as producer and the remainder by support, presence, and non-disappearance. Seeing form’s arising thus is “comprehending form at one time” (Vernacular §5). 〔How to read〕 The temperature section alone adds a sentence absent from the other sources: “temperature-originated form continues even when established for a long time in the non-appropriated domain.” In a corpse, stone, or severed hair, kamma, mind, and nutriment have stopped, but temperature still originates form. Non-appropriated form is impermanent too; it is simply slower. 〔What is seen〕 Each of the four sections closes, “The arising of ... should be seen in this way.” Together these four sentences define “comprehending form at one time”: to comprehend form is to see it arise from four sources, continue for a limited number of successions, and be exhausted.
§06 The Arising of the Immaterial—Eighty-One Minds and the Six-Door Cognitive Process → Vernacular §6
One comprehending the immaterial should see its arising through the eighty-one mundane minds. At rebirth-linking it arises as one of nineteen minds according to kamma accumulated in the preceding becoming—the mode is given in the Explanation of Dependent Origination; after rebirth-linking it arises as life-continuum, at the lifespan’s end as death, and for sense-sphere beings at a strong object through the six doors as registration. During occurrence, eye-consciousness and its associated phenomena arise when the eye is unimpaired, form is present, illumination supports it, and attention serves as cause. Only form in presence strikes eye sensitivity at its presence moment; after the strike, the life-continuum arises and ceases twice; the functional mind element then performs adverting to the same object; next wholesome- or unwholesome-resultant eye-consciousness sees it; resultant mind element receives; resultant rootless mind-consciousness investigates; functional rootless mind-consciousness accompanied by equanimity determines; then a sense-sphere wholesome, unwholesome, or functional mind, or a rootless equanimous mind, performs five or seven impulsions; lastly one of eleven registration minds conforming to the impulsions registers the object. The other doors follow the same method, while sublime minds also arise at the mind door. Seeing the immaterial arise thus at the six doors is “comprehending the immaterial at one time.” Comprehending form at one time and the immaterial at another, applying the three characteristics and proceeding in sequence, one kind of meditator accomplishes the cultivation of wisdom (Vernacular §6). 〔How to read〕 The six-door cognitive process is the best-known diagram of Theravāda Abhidhamma: form strikes the eye → two life-continuum vibrations → adverting → eye-consciousness → receiving → investigating → determining → five or seven impulsions → registration. One act of “seeing” is analyzed into more than ten minds. Seeing that series is “seeing the arising of the immaterial.” 〔What is seen〕 The insight course here does not ask you to memorize the sequence—it was already taught in Chapter Fourteen—but to see it actually running within your own seeing and hearing. Then “mind is impermanent” ceases to be a sentence and becomes the scene before you. The closing says that “one kind of meditator” accomplishes wisdom cultivation here. The commentator is candid: some break through at this point; others need to continue through the sevenfold methods for form and the immaterial below.
For the General Reader
Take away one ratio and one reminder. The ratio: the lifespan of one material phenomenon equals the lifespans of sixteen minds. The body is a slow surge and mind a quick ripple; each ripple rises upon a surge already underway. Death is the last sixteen minds running across the last piece of form. The reminder: form has four sources—kamma, mind, nutriment, and temperature. Of these, nutriment is the one you can act upon. One day’s food supports seven days, and even what is smeared on the body originates form; what you eat becomes your body, then continues ten to twelve rounds before being exhausted. Once this is seen, impermanence need not be believed—you are watching it.
To read this unit in full: Vernacular §§1–6 gives the complete, sequential translation of kamma-originated form and the differing speeds of mind and form; the six headings under kamma; the five headings under mind and the four classes of eighty-nine minds; the five headings under nutriment; the five headings under temperature; and the arising of the immaterial through the six-door cognitive process.
色七法思惟Comprehension of Form by the Sevenfold Method
全文五層 →Full five layers →從「一百年」切到「一步的六分」——色七法是一把越切越細的刀,切到你看見諸行像投入熱鍋的胡麻那樣節節畢剝作響;燈喻告訴你:粗細不同的智,看的是同一盞燈
大局 — 把「無常」從一生的尺度磨到一剎那的尺度
上一單元教「看見色的生起」;本單元給另一類瑜伽者一套系統:色七法——取與捨・年增之滅・食所成・時節所成・業生・心等起・法性色(§1 綱)。第一法把一期百年以結生(取)與死(捨)為界加三相(§1);第二法「年增之滅」把百年切成三時(§2)、十個十年(§3)、二十分・二十五分・三十三分・五十分・百分、一年三時節・六時節、黑白月、晝夜、一晝夜六分(§4)、六威儀、一步之六分(§5)——越切越細,切到「如投入熱鍋之胡麻畢剝作響地諸行破壞」;燈喻總結這六重之細(§6)。第三至五法:食所成依飢飽、時節所成依冷熱、業生依六門(§7);第六法心等起依喜憂——附八偈說「命與自體唯與一心相應」;第七法法性色依無憂樹芽之八位(§8)。〔所見〕本單元是全弧「度遍知」段的主體功夫:同一個三相,用七把刀、幾十種分位反覆貼——不是重複,是把無常從「我知道人會老死」磨到「我看見這一步裡諸界節節破壞」。燈喻說得最好:粗智與細智看的是同一盞燈,只是有人看到油盡燈滅,有人看到一絲一絲在滅。
§01 色七法之綱與第一法——取與捨為界之百年 → 白話 §1
另一類依色七法與無色七法加三相思惟諸行;色七法:取與捨・年增之滅・食所成・時節所成・業生・心等起・法性色(古德偈:依取與捨、依年增之趣滅、依食與時節、依業又依心、依法性色——此七以廣說而觀)。取=結生、捨=死,以此限定百年加三相:其間一切行無常(有生滅之轉・有變異・暫時・遮止常);已生之行到住、住時為老所困、老後必壞故苦(常時逼迫・難堪・苦之事・遮止樂);於「願已生者不到住、已住者不老、已老者不壞」三處無人有自在,空無自在而轉之行相故無我(空・無主・不自在・遮止我)(白話 §1)。〔讀法〕先看每一相的「四個理由」:無常四由(生滅・變異・暫時・遮常)、苦四由(逼迫・難堪・苦事・遮樂)、無我四由(空・無主・不自在・遮我)——這是全書貼三相的標準句法,後面幾十次「無常、苦、無我」都省略了這十二由,讀者要自己填回去。〔所見〕「願已生者不到住、已住者不老、已老者不壞——這三處沒有任何人的自在」——無我在這裡不是哲學,是三個「你希望但辦不到」的願。
§02 年增之滅——初中後三時 → 白話 §2
年增之滅=依年齡增長增大之色的滅沒;百年分初時三十三年・中時三十四年・後時三十三年:初時之色不及中時而滅、中時之色不及後時而滅、後時之色不能去到死後——皆無常苦無我(白話 §2)。〔讀法〕第一刀:把百年切三段。句法從此固定:「在A所轉起的色,不及於B就在那裡滅去」——後面每一節都是這一句換不同的A與B。〔所見〕「凡是無常的就是苦的、凡是苦的就是無我的」——論主在這裡把三相寫成一條鏈子,前面 20-01 §5 已鋪過理由,這裡直接用。
§03 十個十年——自愚鈍十年至臥十年 → 白話 §3
再依十個十年:愚鈍十年(愚鈍輕躁之小兒)・嬉戲十年・美色十年(色處豐滿)・力十年・慧十年(慧善安立;本性慧弱者此時亦生少分慧)・退減十年(嬉戲美色力慧皆退)・前傾十年・曲十年(如犁頭彎曲)・昧鈍十年(做過即忘)・臥十年(百歲多臥)——第一十年之色不及第二而滅……第十之色不及後有而滅,皆無常苦無我(白話 §3)。〔讀法〕這十個名字本身就是一篇人生短文:愚鈍→嬉戲→美色→力→慧→退減→前傾→曲→昧鈍→臥。論主在「慧十年」加了一句慈悲的旁白——「即使本性慧弱的人,那時也還是會生起少分的慧」。〔所見〕觀道把一生切段,不是為了感傷,是為了在每一段之間看見「不及於下一段就滅」——四十歲的色不會活到五十歲,這是可以驗證的無常。
§04 二十至百分・三時節與六時節・黑白月與晝夜 → 白話 §4
再依五年成二十分、四年二十五分、三年三十三分、二年五十分、一年百分;一年三時節(雨季四月・冬季・夏季)、六時節(雨季二月・秋・冬・涼・春・夏);黑分白分;夜與晝;一晝夜六分(午前・午中・午後・初夜・中夜・後夜)——各皆「A之色不及B而滅」加三相(白話 §4)。〔讀法〕這一節是「切刀」加速:從五年一段一路切到一夜三更。讀者不必逐段跟讀,要看的是每一次切細,同一句法都還成立——這是無常「處處皆然」的實證,不是抽象命題。〔所見〕「在黑分所轉起的色,不及於白分」——連月相都拿來當尺,說明論主要的不是某一個特殊的尺度,是任何尺度上都看得見。
§05 六威儀與一步之六分——四界之強弱 → 白話 §5
再依前進・後退・前視・旁視・屈・伸六者加三相;再把一步分舉・移前・移旁・放下・置地・按押六分(舉=提腳、移前=向前、移旁=見樁刺蛇而左右移、放下=降腳、置地=安於地、按押=再舉時與地共壓):舉・移前・移旁時地水二界少弱火風多強,放下・置地・按押時火風少弱地水多強;於此六分加三相——舉時之諸界與所造色不及移前而滅……置地之色不及按押而滅——「在各處節節、結結、分分地,如投入熱鍋之胡麻畢剝作響地諸行破壞」;如是觀節節而轉之諸行者,色之思惟即微細(白話 §5)。〔讀法〕一步六分是全單元的高潮:走一步,六個色聚生滅,每一分裡四界的強弱還在換手(抬腳時火風強、放腳時地水強)。「如投入熱鍋的胡麻那樣畢剝作響」——這是全書寫無常最有聲音的一句。〔所見〕「對這樣觀察節節而轉的諸行的人,色之思惟就變得微細了」——「微細」是這一節的果:不是知道更多,是看得更細。下一節的燈喻正是為這個「細」而設。
§06 燈喻——三人之智之漸細與六重之配 → 白話 §6
邊地人只識木炬草炬未見燈,入城見燈問「這可意的東西是什麼」;一人答:「叫燈,油盡燈心盡時連它去哪的路都不可知」;另一人:「這是粗的——燈心次第燃燒,三分之一處火焰不及別分即滅」;又一人:「這也粗——一指一指、半指半指、一線一線、一絲一絲上,火焰不及別絲即滅;然離絲不能施設火焰」。配:油盡之智=百年取捨之加三相;三分之一=百年三時;一指=十年五年四年三年二年一年;半指=一年三分六分;一線=黑白分晝夜六分;一絲=六威儀與一步六分(白話 §6)。〔讀法〕三個人說的都對,只是粗細不同——觀道沒有「錯的無常」,只有「粗的無常」。邊地人的問句很妙:「這麼可意的東西叫什麼?」——他先被燈吸引;三個城裡人一句比一句冷靜,把「可意」拆到一絲一絲的滅。〔所見〕「離開了絲,火焰是不能被施設的」——最細的那個人多說了一句:火焰不離燈絲而有,正如色不離剎那而有;細到底就碰到「唯有剎那、無有東西」的邊。這是給下一單元(無色七法)與二十一品的伏筆。
§07 食所成、時節所成、業生三法——飢飽、冷熱、六門 → 白話 §7
再把色依食所成等作四分各加三相:食所成依飢飽顯現——飢時之色焦疲如燒焦之樁、如伏於炭籠之烏鴉,飽時飽悅柔軟潤滑有可觸之樂,飢之色不及飽而滅、飽之色不及飢而滅;時節所成依冷熱——熱時焦疲色惡、冷時飽悅潤滑;業生依處門——眼門三十業生色加二十四支持色為五十四,耳鼻舌同,身門四十四,意門五十四,眼門之色不及耳門而滅……身門之色不及意門而滅(白話 §7)。〔讀法〕這三法比前面的「時間切片」多了一個維度:由來——這色是餓出來的、是熱出來的、是業在眼門生的。餓時的臉「像伏在炭籠裡的烏鴉」——論主的譬喻常帶一點笑意。〔所見〕業生色「依門」而分,眼門五十四、身門四十四——與 18-01 §4 那套數字同源;到這裡讀者應當已經不再怕數字:它們只是說「這一堆」與「那一堆」的分法。
§08 心等起與法性色——喜憂之色與無憂樹芽之八位 → 白話 §8
心等起依喜憂——喜時之色潤滑柔軟悅有可觸之樂、憂時焦疲色惡,互不及而滅;於此顯現八偈:命與自體及一切苦樂唯與一心相應、剎那輕疾而轉;住世八萬四千劫之諸天亦不曾以二心相合而住;死者住者所滅之蘊同等——已去不再結生;無間已壞・未來將壞・其間所滅於相無別;未生者不曾生、以現在者而活、由心之壞而世間死——此依第一義之施設;已壞者不入於藏、未來無積聚、已生住立者如錐尖之芥子;已生諸法壞滅在其前、不與舊者相雜;自不可見而來、已壞趣不可見、如空中電起而滅。再於法性色(外在不繫根之色:鐵銅錫鉛金銀珍珠摩尼琉璃螺石珊瑚赤玉瑪瑙地岩山草樹蔓等,自成劫以來所生)依無憂樹芽加三相:淡紅→濃紅→淺紅→嫩葉→熟葉→綠葉→青葉(同分色相續約一年)→黃葉從葉柄折斷墜落——各不及後位而滅;依此思惟一切法性色。如是依色七法加三相思惟諸行(白話 §8)。〔讀法〕八偈是全單元的哲學高峰:「命與自體以及一切苦與樂,唯與一心相應」——你的一生在第一義上只有「這一心」這麼長;「已壞者不入於藏,未來也無積聚」——沒有倉庫存著過去、也沒有倉庫備著未來;「如錐尖之芥子」——現在住立的那一點就這麼小。〔所見〕法性色(外色)也拿來加三相——無憂樹的芽從淡紅到黃葉,這是把觀道從「我的身」推到「一切色」:不只是我無常,鐵銅金銀山岩草樹都無常。從此以後,世界不再是「我在其中無常」的背景,是與我同一律的東西。
給一般讀者
帶走一把刀與一盞燈。刀:「在A所轉起的色,不及於B就在那裡滅去」——A與B可以是三十歲與四十歲、雨季與冬季、黑月與白月、午前與午中、抬腳與放腳;越切越細,切到走一步都聽見諸行像熱鍋裡的胡麻畢剝作響。燈:三個人看同一盞燈,一個看到油盡燈滅、一個看到燈心三分之一在滅、一個看到一絲一絲在滅——沒有錯的無常,只有粗的無常。還有一句偈:「命與自體,以及一切苦與樂,唯與一心相應」——你的一生,在第一義上,只有這一心那麼長。
想讀本單元全文:白話 §1–§8 即色七法之綱與取捨百年、三時、十個十年、二十分至晝夜六分、六威儀與一步六分、燈喻、食時節業三法、心等起八偈與法性色無憂樹芽的全段逐段全譯。
From “a hundred years” down to “six parts of one step”—the sevenfold method for form is a blade that cuts ever finer, until you see formations breaking section by section with the crackle of sesame seeds thrown into a hot pan. The lamp simile tells you that coarse and subtle knowledge see the same lamp
The Big Picture — Honing “Impermanence” from the Scale of a Lifetime to the Scale of a Moment
The preceding unit taught “seeing the arising of form”; this one gives another kind of meditator a system: the sevenfold method for form—taking up and laying down, subsidence of growth in age, nutriment-made, temperature-made, kamma-born, mind-originated, and natural form (the framework in §1). The first method delimits a hundred-year life by rebirth-linking (“taking up”) and death (“laying down”) and applies the three characteristics (§1). The second, “subsidence of growth in age,” cuts the hundred years into three periods (§2); ten decades (§3); twenty, twenty-five, thirty-three, fifty, and one hundred divisions; three and six seasons; dark and bright fortnights; night and day; six parts of a day and night (§4); six postural activities; and six parts of one step (§5). Each cut is finer, until “formations break up section by section, joint by joint, portion by portion, crackling like sesame seeds cast into a hot pan.” The lamp simile gathers up these six levels of refinement (§6). The third through fifth methods treat nutriment-made form through hunger and satiety, temperature-made through cold and heat, and kamma-born through the six doors (§7). The sixth treats mind-originated form through joy and grief, with eight stanzas stating that “life and individual existence are joined to one mind alone.” The seventh treats natural form through the eight stages of an asoka shoot (§8). 〔What is seen〕 This unit is the main practice of the whole arc’s “full understanding as investigation” stage. It applies the same three characteristics repeatedly with seven blades and dozens of divisions. This is not repetition; it hones impermanence from “I know people age and die” into “I see the elements breaking section by section within this one step.” The lamp simile says it best: coarse and subtle knowledge see the same lamp, but one person sees the lamp go out when its oil is exhausted, while another sees it cease fiber by fiber.
§01 Framework of the Sevenfold Method for Form and the First Method—A Hundred Years Bounded by Taking Up and Laying Down → Vernacular §1
Another comprehends formations by applying the three characteristics through the sevenfold methods for form and the immaterial. The seven for form are taking up and laying down, subsidence of growth in age, nutriment-made, temperature-made, kamma-born, mind-originated, and natural form (the Ancients’ stanza says: through taking up and laying down; through growth in age tending to subsidence; through nutriment and temperature; through kamma and mind; through natural form—these seven one contemplates in detail). Taking up is rebirth-linking, laying down death. With these he delimits a hundred years and applies the three characteristics. All formations during it are impermanent because they undergo arising and ceasing, change, are temporary, and preclude permanence. Because arisen formations reach presence, are assailed by aging while present, and necessarily break after aging, they are suffering—constantly oppressed, hard to bear, a basis of suffering, and precluding pleasure. Because no one has mastery in the three cases “May what has arisen not reach presence; may what has reached presence not age; may what has aged not break up,” they occur empty of mastery and are not-self—empty, ownerless, not subject to mastery, and precluding self (Vernacular §1). 〔How to read〕 First see the reasons under each characteristic: four for impermanence—arising and ceasing, change, temporariness, preclusion of permanence; four for suffering—oppression, intolerability, basis of suffering, preclusion of pleasure; and four for not-self—emptiness, ownerlessness, absence of mastery, preclusion of self. This is the book’s standard syntax for applying the characteristics. The dozens of later repetitions of “impermanent, suffering, and not-self” omit these reasons; the reader should supply them. 〔What is seen〕 “May what has arisen not reach presence, what has reached presence not age, what has aged not break up—no one has mastery in these three places”: not-self here is not philosophy but three wishes you cannot make come true.
§02 Subsidence of Growth in Age—The Three Periods of Beginning, Middle, and End → Vernacular §2
Subsidence of growth in age is the subsidence of form grown and enlarged according to age. A hundred years are divided into thirty-three years of the beginning period, thirty-four of the middle, and thirty-three of the end. Form of the beginning period ceases without reaching the middle; middle-period form without reaching the end; final-period form cannot pass beyond death. Each is impermanent, suffering, and not-self (Vernacular §2). 〔How to read〕 The first cut divides a hundred years into three. From here the syntax is fixed: “Form occurring in A ceases right there without reaching B.” Every later section repeats the sentence with a different A and B. 〔What is seen〕 “Whatever is impermanent is suffering; whatever is suffering is not-self”: here the commentator writes the three characteristics as a chain. 20-01 §5 already supplied the reasons; here he uses it directly.
§03 Ten Decades—from the Dull Decade through the Recumbent Decade → Vernacular §3
Next come ten decades: dull (the dull, frivolous child), playful, beautiful (visible appearance at fullness), strong, wise (wisdom well established; even one naturally weak in wisdom develops a little then), declining (play, beauty, strength, and wisdom decline), stooping, bent (like the tip of a plough), confused (forgetting immediately what one has done), and recumbent (a centenarian lies down much). Form in the first decade ceases without reaching the second, and so on; form in the tenth ceases without reaching another becoming. All is impermanent, suffering, and not-self (Vernacular §3). 〔How to read〕 The ten names form a miniature essay on life: dull → playful → beautiful → strong → wise → declining → stooping → bent → confused → recumbent. The commentator adds a compassionate aside in the “wise decade”: “Even one naturally weak in wisdom still develops a little wisdom then.” 〔What is seen〕 Dividing life is not for sentiment but to see at each boundary that one form “ceases without reaching the next.” The form of one’s forties does not survive into one’s fifties; this is verifiable impermanence.
§04 From Twenty to One Hundred Divisions; Three and Six Seasons; Dark and Bright Fortnights; Night and Day → Vernacular §4
Next he divides the hundred years into five-year periods making twenty divisions; four-year periods making twenty-five; three-year periods making thirty-three; two-year periods making fifty; and one-year periods making one hundred. A year is divided into three seasons—four months of rains, winter, and summer—and six seasons—two months of rains, autumn, winter, cool season, spring, summer; then dark and bright fortnights; night and day; and the six parts of a day and night—forenoon, midday, afternoon, first watch, middle watch, last watch. In each case he applies the three characteristics through “form in A ceases without reaching B” (Vernacular §4). 〔How to read〕 This section accelerates the blade, cutting from five-year periods all the way down to one watch of the night. The reader need not plod through every period. See instead that each finer cut leaves the same sentence true. This demonstrates that impermanence is “everywhere thus,” not an abstract proposition. 〔What is seen〕 “Form occurring in the dark fortnight does not reach the bright fortnight”: even the moon’s phase becomes a ruler, showing that the commentator seeks no privileged scale—impermanence is visible at any scale.
§05 Six Postural Activities and the Six Parts of One Step—Strength and Weakness of the Four Elements → Vernacular §5
He next applies the three characteristics through going forward, returning, looking ahead, looking aside, bending, and stretching, then divides a single step into lifting, advancing, shifting aside, lowering, placing, and pressing (lifting the foot, moving it forward, shifting it around a stump, thorn, or snake, lowering it, setting it down, and pressing foot and ground as the other foot lifts). In lifting, advancing, and shifting aside, earth and water are slight and weak while fire and air are abundant and strong; in lowering, placing, and pressing, fire and air are slight and weak while earth and water are abundant and strong. Applying the three characteristics to the six parts, the elements and derived forms of lifting cease without reaching advancing, and so forth, until those of placing cease without reaching pressing. “At each place, section by section, joint by joint, portion by portion, formations break up with a crackling sound like sesame seeds thrown into a hot pan.” For one who observes formations proceeding section by section, comprehension of form becomes subtle (Vernacular §5). 〔How to read〕 The six parts of a step are the unit’s climax: in one step, six clusters of form arise and cease, and within each part the strengths of the four elements exchange places—fire and air strong as the foot rises, earth and water strong as it descends. “Like sesame seeds thrown into a hot pan, crackling”: this is the book’s most audible line about impermanence. 〔What is seen〕 “For one who observes formations occurring section by section, comprehension of form becomes subtle.” Subtlety is this section’s result: not knowing more but seeing more finely. The next section’s lamp simile is designed precisely for this “subtle.”
§06 The Lamp Simile—The Increasing Subtlety of Three Persons’ Knowledge and Its Sixfold Correspondence → Vernacular §6
A border-country man who knew only wooden and grass torches and had never seen a lamp entered the city and asked of a lamp, “What is this delightful thing?” One person answered, “It is called a lamp; when oil and wick are exhausted, even the path by which it went cannot be known.” Another said, “That is coarse—the wick burns progressively, and the flame at each third ceases without reaching another part.” A third said, “That too is coarse—at each finger’s breadth, half-finger’s breadth, thread, and fiber, the flame ceases without reaching another fiber; yet apart from a fiber no flame can be designated.” The correspondences are: exhaustion of oil = applying the characteristics to a hundred years bounded by taking up and laying down; one third = the hundred years’ three periods; a finger’s breadth = divisions by ten, five, four, three, two, and one year; half a finger = the year’s three and six seasons; a thread = dark and bright fortnights and the six parts of night and day; a fiber = the six postural activities and six parts of one step (Vernacular §6). 〔How to read〕 All three people are right; only their degrees of coarseness differ. On the insight path there is no “wrong impermanence,” only “coarse impermanence.” The border man’s question is revealing: “What is this delightful thing?” He is first attracted to the lamp; the three city men grow progressively cooler, analyzing the “delightful” thing into cessation fiber by fiber. 〔What is seen〕 “Apart from a fiber, a flame cannot be designated”: the subtlest person adds one statement. Flame does not exist apart from the wick’s fibers, just as form does not exist apart from moments. At the finest limit one reaches “only moments, no thing.” This prepares the next unit—the sevenfold method for the immaterial—and Chapter Twenty-One.
§07 Nutriment-Made, Temperature-Made, and Kamma-Born—Hunger and Satiety, Cold and Heat, and the Six Doors → Vernacular §7
He next divides form into four beginning with nutriment-made and applies the three characteristics to each. Nutriment-made form appears through hunger and satiety: when hungry, form is scorched and weary, like a burnt stump or a crow crouched in a charcoal basket, ill-colored and misshapen; when sated, it is full, pleasant, soft, smooth, and agreeable to touch. Hungry form ceases without reaching satiety, sated form without reaching hunger. Temperature-made form appears through cold and heat: in heat it is scorched, weary, and ill-colored; in cold, full, pleasant, and smooth. Kamma-born form appears through the bases and doors: at the eye door thirty kamma-born forms plus twenty-four supporting forms make fifty-four; the ear, nose, and tongue are the same; the body door has forty-four, the mind door fifty-four. Eye-door form ceases without reaching the ear door, and so on until body-door form ceases without reaching the mind door (Vernacular §7). 〔How to read〕 These three methods add another dimension to the preceding “time slices”: origin. This form was made by hunger, by heat, or by kamma at the eye door. The hungry face is “like a crow crouched in a basket of charcoal”; the commentator’s similes often carry a trace of humor. 〔What is seen〕 Kamma-born form is divided “by doors”: fifty-four at the eye door, forty-four at the body door. The numbers share their source with 18-01 §4. By now the reader need not fear them; they merely distinguish “this heap” from “that heap.”
§08 Mind-Originated and Natural Form—The Form of Joy and Grief and the Eight Stages of an Asoka Shoot → Vernacular §8
Mind-originated form appears through joy and grief: in joy it is smooth, soft, pleasant, and agreeable to touch; in grief, scorched, weary, and ill-colored. Each ceases without reaching the other. Eight stanzas then become evident: life, individual existence, and every pleasure and pain are joined only to one mind, the moment turning swiftly; even deities living eighty-four thousand aeons never stand through two minds joined; the aggregates that cease in one who dies and one who remains are alike—gone, they do not reconnect; what has just broken, will break in future, and ceases between are no different in characteristic; the unborn never lived, one lives by the present, and the world dies with mind’s breaking—designation in the ultimate sense; what has broken enters no store, the future has no accumulation, and what arises and stands is like a mustard seed on an awl’s point; dissolution stands before arisen phenomena, which do not mingle with the old; they come from the unseen and go to the unseen, like lightning arising and ceasing in the sky. Natural form—external form unconnected with faculties: iron, copper, tin, lead, gold, silver, pearls, gems, beryl, conch, stone, coral, ruby, agate, earth, rock, mountain, grass, tree, creeper, and the rest, arisen since the aeon of evolution—is then treated through an asoka shoot: pale red → deep red → light red → tender leaf → mature leaf → green → blue-green (maintaining similar continuity for about a year) → yellow leaf breaking from the stalk and falling. Each stage ceases without reaching the next; by this method all natural form is comprehended. Thus formations are comprehended through the sevenfold method for form (Vernacular §8). 〔How to read〕 The eight stanzas are the philosophical summit of the unit: “Life and individual existence and all pleasure and pain are joined to one mind alone.” In the ultimate sense, your life is only as long as “this mind.” “What has broken enters no store, the future has no accumulation”: no warehouse stores the past, none stocks the future. “Like a mustard seed on an awl’s point”: the present standing point is that small. 〔What is seen〕 Natural, external form also receives the three characteristics. The asoka shoot moves from pale red to yellow leaf; the insight course extends from “my body” to “all form.” Not only am I impermanent—iron, copper, gold, silver, mountains, rocks, grasses, and trees follow the same law. From here the world is no longer a background within which “I am impermanent”; it obeys the same law as I do.
For the General Reader
Take away one blade and one lamp. The blade: “Form occurring in A ceases right there without reaching B.” A and B may be one’s thirties and forties, rains and winter, dark and bright fortnights, forenoon and midday, lifting and lowering the foot. Cut ever finer until, within one step, you hear formations crackling like sesame seeds in a hot pan. The lamp: three people see one lamp; one sees it go out when oil is exhausted, one sees each third of the wick cease, and one sees it cease fiber by fiber. There is no wrong impermanence, only coarse impermanence. And one stanza: “Life and individual existence, with all pleasure and pain, are joined to one mind alone.” In the ultimate sense your life lasts only as long as this mind.
To read this unit in full: Vernacular §§1–8 gives the complete, sequential translation of the sevenfold framework and the hundred years bounded by taking up and laying down; the three periods; ten decades; twenty divisions through six parts of day and night; six postural activities and six parts of a step; the lamp simile; the nutriment-made, temperature-made, and kamma-born methods; and mind-originated form, the eight stanzas, and the asoka shoot as natural form.
無色七法思惟Comprehension of the Immaterial by the Sevenfold Method
全文五層 →Full five layers →觀色的那個心,也要被下一個心觀——無色七法把刀轉向觀者自己:一雙、一剎那、十個心一串;然後說出全書最誠實的一句:「我在觀」的人,見沒有除;「唯是諸行觀諸行」的人,才有
大局 — 把觀的刀口從所觀轉向能觀,並預告十八大觀
色七法把色切到一步六分;本單元轉向無色——不是另一堆所緣,而是剛才觀色的那些心。七法之本母:以聚・以雙・以剎那・以次第・以見之除・以慢之除・以欣求之盡(§1)。第一法「以聚」:論主錄清淨之說與聖種之說二說,判後者更妥(§1);第二法「以雙」:觀色之心被後一心觀(§2);第三法「以剎那」:連觀四個心(§3);第四法「以次第」:連觀十個心,止於第十——因為到此色無色業處皆熟(§4);第五至七法沒有各別的觀法,是三種「不生」:見不生・慢不生・渴愛不生——論主又錄二說,聖種之說把它們寫成三句名言(§5)。末段預告十八大觀:自壞滅隨觀起依斷遍知所應得,此處先通達一分(§6)。〔所見〕本單元的力量在 §5:觀道最後的敵人不是所觀的東西,是「我在觀」這個念頭本身——執「我在觀」則見不除,執「我觀得好」則慢不除,執「我能夠觀」而味著則欣求不盡。這正是下兩個單元十觀隨染的預演:贗品不在外面,在觀者的態度裡。
§01 無色七法之綱與第一法——以聚;二說之錄與論主之判 → 白話 §1
無色七法之本母:以聚・以雙・以剎那・以次第・以見之除・以慢之除・以欣求之盡。「以聚」=以觸為第五之諸法:清淨之說——於「髮是無常苦無我」乃至「腦是無常苦無我」之思惟中所生以觸為第五之諸法,彼此不相及、節節分分如投熱鍋之胡麻噼啪壞滅,故無常苦無我;聖種之說——於色七法之七處,那以「色是無常苦無我」而轉起的心,再以後一個心思惟「是無常苦無我」,名依聚思惟——更為妥當,餘法依此理趣分別(白話 §1)。〔讀法〕兩說之別:清淨之說觀的是「觀髮時生起的那一團心所」;聖種之說觀的是「剛才那個觀色的心」——後者更直接把刀轉向能觀。論主自判後者妥當,之後六法都照它。〔所見〕「以觸為第五」是名法的代稱(觸受想思識)——18-03 那首偈裡出現過;到這裡它從「被說明的東西」變成「被觀的東西」。
§02 第二法——以雙 → 白話 §2
思惟「取與捨之色是無常苦無我」之後,以後一個心思惟那個心「是無常苦無我」;年增之滅之色・食所成・時節所成・業生・心等起・法性色皆然——名依雙思惟(白話 §2)。〔讀法〕「雙」=一個觀色的心+一個觀那個心的心。這是最小單位的「反身」:你剛才那個「看見色無常」的念頭,本身也無常。〔所見〕色七法的七處在這裡整組被再用一次——論主的體系極省:不另立新所緣,把舊所緣上生起的心當新所緣。
§03 第三法——以剎那 → 白話 §3
思惟取與捨之色已,以第二心思惟第一心、第三思惟第二、第四思惟第三、第五思惟第四「這個也是無常苦無我」;餘六處同——自把握色之心起逐四心而思惟,名依剎那思惟(白話 §3)。〔讀法〕「雙」是一對,「剎那」是一串四個——每一個都在觀前一個。像鏡子對鏡子,但論主停在四個。〔所見〕這裡的「剎那」不是說每個心一剎那(那是常識),是說思惟本身以剎那接續——觀者變成一條鏈子,沒有一個站在鏈子外面的觀者。
§04 第四法——以次第 → 白話 §4
同上而至第十一心思惟第十心;如是觀依次第,整整一日之分亦可思惟;而至第十心之思惟為止,色業處與無色業處已純熟,故應止於第十——名依次第思惟(白話 §4)。〔讀法〕十個心一串,然後停。「就應當止於第十個」——不是不能再多,是再多沒有用:到第十,功夫已熟。〔所見〕論主給了一個「夠了」的界線;觀道的每一法都有它的「熟」,熟了就換下一法,不在一法上無限延長。這與燈喻「粗細皆對」同一精神:夠用就好。
§05 第五至第七法——見之除、慢之除、欣求之盡 → 白話 §5
三者無各別觀法:見前所把握之色與此所把握之無色者,不見色無色之外別有「有情」;有情想除→以其心把握諸行見不生=見已除→以其心把握諸行慢不生=慢已除→以其心把握諸行渴愛不生=欣求已盡(清淨之說)。聖種之說立三本母而顯理趣:執「我在觀、這是我的觀」者無見之除,執「唯是諸行觀諸行、思惟、安立、把握、確定」者有;執「我觀得好、我觀得可意」者無慢之除;以「我能夠觀」味著其觀者無欣求之盡。「假使諸行是我,執為我倒也可以;然而無我而被執為我——故以不自在之義無我、以已有而無之義無常、以生滅所逼之義苦」——如是見者有見之除;「假使諸行是常……無常而被執為常」——見者有慢之除;「假使諸行是樂……苦而被執為樂」——見者有欣求之盡。以無我見者見除、以無常見者慢除、以苦見者欣求盡——觀唯住立於各自之位。至此色無色業處已熟(白話 §5)。〔讀法〕這是全單元、也許是全弧最該背的三句:「我在觀」——見沒有除;「我觀得好」——慢沒有除;「我能夠觀」而味著——欣求沒有盡。 三種病三種藥:無我治見、無常治慢、苦治欣求。〔所見〕「假使諸行是我,執之為我倒也可以」——論主不罵執著,先承認「如果真是我,執著也沒錯」,然後說「可惜不是」。這種講法沒有道德壓力,只有事實。「這樣,這觀就唯住立於它自己各各之位」——三種觀各站各的位置,不混用:無我不能拿去治慢,苦不能拿去治見。這一句是精確的用藥。
§06 十八大觀與其於本位之一分之證 → 白話 §6
色無色業處純熟者,於上面自壞滅隨觀起依斷遍知以一切行相所應得之十八大觀,此處先通達一分而斷相反諸法。十八大觀=以無常隨觀為首之慧:無常隨觀斷常想・苦隨觀斷樂想・無我隨觀斷我想・厭離隨觀斷歡喜・離貪隨觀斷貪・滅隨觀斷集・捨遣隨觀斷取・盡隨觀斷堅厚想・壞隨觀斷積集・變異隨觀斷常恆想・無相隨觀斷相・無願隨觀斷願・空隨觀斷計著・增上慧法觀斷取堅實之計著・如實智見斷迷惑之計著・過患隨觀斷愛著之計著・省察隨觀斷不省察・還滅隨觀斷結縛之計著。其中:已依三相見諸行故無常苦無我三隨觀已通達;「無常隨觀與無相隨觀義一文異、苦隨觀與無願隨觀義一文異、無我隨觀與空隨觀義一文異」故彼三亦通達;增上慧法觀=一切觀、如實智見已為度疑清淨所攝故二者亦通達;餘者有已通達有未通達,後當分別(白話 §6)。〔讀法〕十八大觀是一張「觀道全程的藥單」:每一觀斷一樣東西。論主在此處只認領八樣(三相+三門+增上慧法觀+如實智見)——其餘十樣,論主只說「有已通達、有未通達」,其分別留待後品。這一節是把地圖上「你現在在哪」標出來。〔所見〕注意十八大觀的第九「壞隨觀」(斷積集)與 §6 開頭那個「壞滅隨觀」不是同一個詞:前者是「衰壞」之壞,後者是二十一品那個「壞滅隨觀智」——同一個漢字,兩個巴利詞;本編依既立之先例分讀,讀者見「壞隨觀」在此表中是十八之九,「壞滅隨觀」是二十一品之智。這一單元的最後一句很謙遜:「有的已通達,有的未通達;它們的分別我們將在後面顯示」——論主從不讓讀者以為自己已經到了。
給一般讀者
帶走三句話與一張單。三句話:「我在觀」——見沒有除;「我觀得好」——慢沒有除;「我能夠觀」而暗暗得意——欣求沒有盡。 藥是精確的:無我治見、無常治慢、苦治欣求,不混用。一張單:十八大觀——每一觀斷一樣東西,你現在只拿到其中八樣(三相、三門、增上慧法觀、如實智見),其餘則有已通達、有未通達,論主留待後品分別。還有一個實用的界線:觀那個觀的心,觀到第十個就停——夠了。
想讀本單元全文:白話 §1–§6 即無色七法之本母與以聚二說、以雙、以剎那、以次第、見慢欣求三除之二說、十八大觀與本位一分之證的全段逐段全譯。
The mind that contemplated form must itself be contemplated by a subsequent mind—the sevenfold method for the immaterial turns the blade toward the observer: a pair, a moment, a chain of ten minds; then comes one of the book’s most candid statements: for one who says “I contemplate,” view has not been removed; only for one who says “formations alone contemplate formations” has it been removed
The Big Picture — Turning Insight’s Blade from What Is Observed Toward the Observer, and Foreshadowing the Eighteen Great Insights
The sevenfold method for form divided form down to the six parts of a step; this unit turns to the immaterial—not another heap of objects, but the very minds that just contemplated form. Its framework comprises seven methods: by group, by pair, by moment, by sequence, by removal of view, by removal of conceit, and by exhaustion of delight (§1). Under the first, “by group,” the Commentator records the Account of Purification and the Account of the Noble Lineage, and judges the latter more appropriate (§1). Under the second, “by pair,” the mind contemplating form is contemplated by a subsequent mind (§2). Under the third, “by moment,” four minds are contemplated successively (§3). Under the fourth, “by sequence,” ten minds are contemplated successively, stopping at the tenth because by then the meditation subjects of form and the immaterial have both been mastered (§4). The fifth through seventh methods have no separate ways of contemplating; they are three kinds of “non-arising”: view does not arise, conceit does not arise, and craving does not arise. Here the Commentator again records two accounts, and the Account of the Noble Lineage casts them as three memorable statements (§5). The final section foreshadows the eighteen great insights, which are to be attained beginning with contemplation of dissolution by means of full understanding as abandoning; at this stage only a portion is penetrated (§6). 〔Observation〕 This unit’s force lies in §5: the last adversary on the path of insight is not the thing observed but the very thought “I contemplate”—holding “I contemplate” means that view has not been removed; holding “I contemplate well” means that conceit has not been removed; and savoring the thought “I am able to contemplate” means that delight has not been exhausted. This anticipates the ten corruptions of insight in the next two units: the counterfeit is not outside but in the observer’s attitude.
§01 The Framework of the Sevenfold Method for the Immaterial and the First Method—By Group; Two Accounts Recorded and the Commentator’s Judgment → Vernacular §1
The framework of the sevenfold method for the immaterial is: by group, by pair, by moment, by sequence, by removal of view, by removal of conceit, and by exhaustion of delight. “By group” means the phenomena with contact as the fifth. According to the Account of Purification, the phenomena with contact as the fifth that arise while one contemplates “hair of the head is impermanent, suffering, and not-self,” and so on through “the brain is impermanent, suffering, and not-self,” do not reach one another; they break up part by part and portion by portion, crackling like sesame seeds thrown into a hot pan, and are therefore impermanent, suffering, and not-self. According to the Account of the Noble Lineage, at each of the seven points in the sevenfold method for form, the mind occurring with the contemplation “form is impermanent, suffering, and not-self” is itself contemplated by a subsequent mind as impermanent, suffering, and not-self. This is called comprehension by group and is the more appropriate account; the remaining methods are distinguished according to it (vernacular §1). 〔Reading〕 The two accounts differ in this way: the Account of Purification observes “the group of mental factors arising while one contemplates hair,” whereas the Account of the Noble Lineage observes “the very mind that just contemplated form.” The latter turns the blade more directly toward the observer. The Commentator himself judges it more appropriate, and the six remaining methods follow it. 〔Observation〕 “Phenomena with contact as the fifth” is a designation for mental phenomena—contact, feeling, perception, volition, and consciousness—and appeared in the stanza in 18-03. Here it changes from “something explained” into “something observed.”
§02 The Second Method—By Pair → Vernacular §2
After contemplating “form of taking up and laying down is impermanent, suffering, and not-self,” one contemplates that mind with a subsequent mind as “impermanent, suffering, and not-self.” The same applies to form of the subsidence of growth in age, nutriment-made form, temperature-made form, kamma-born form, mind-originated form, and natural form. This is called comprehension by pair (vernacular §2). 〔Reading〕 A “pair” is one mind contemplating form plus one mind contemplating that mind. This is reflexivity in its smallest unit: the thought that just “saw form as impermanent” is itself impermanent. 〔Observation〕 All seven points of the sevenfold method for form are reused here as one set. The Commentator’s system is extremely economical: it establishes no new object but makes the mind that arose upon an old object into a new object.
§03 The Third Method—By Moment → Vernacular §3
After contemplating form of taking up and laying down, one contemplates the first mind with a second, the second with a third, the third with a fourth, and the fourth with a fifth as “this too is impermanent, suffering, and not-self.” The same applies at the other six points. Thus, starting with the mind that apprehends form, one contemplates through four successive minds; this is called comprehension by moment (vernacular §3). 〔Reading〕 A “pair” is one pair; a “moment” is a chain of four, each contemplating the one before it. It is like mirrors facing mirrors, though the Commentator stops at four. 〔Observation〕 “Moment” here does not mean merely that every mind lasts for a moment, which is assumed. It means that the contemplation itself proceeds moment by moment: the observer becomes a chain, and there is no observer standing outside that chain.
§04 The Fourth Method—By Sequence → Vernacular §4
The same process continues until the eleventh mind contemplates the tenth. One may contemplate in this sequence for the whole course of a day; yet by the contemplation of the tenth mind, both the meditation subject of form and the meditation subject of the immaterial have been mastered, so one should stop at the tenth. This is called comprehension by sequence (vernacular §4). 〔Reading〕 A chain of ten minds, then stop. “One should stop at the tenth” does not mean that more are impossible, but that more serve no purpose: by the tenth, the practice has been mastered. 〔Observation〕 The Commentator supplies a boundary for “enough.” Each method on the path of insight has its point of mastery; once mastered, one moves to the next rather than prolonging a single method without limit. This has the same spirit as the lamp simile’s “coarse and subtle both correspond”: enough is enough.
§05 The Fifth Through Seventh Methods—Removal of View, Removal of Conceit, and Exhaustion of Delight → Vernacular §5
The three have no separate methods of contemplation. One who sees the form apprehended earlier and the immaterial apprehended here sees no “sentient being” apart from form and the immaterial. The perception of a sentient being is removed; when formations are apprehended with that mind, view does not arise and so view has been removed; when formations are apprehended with a mind from which view has been removed, conceit does not arise and so conceit has been removed; when formations are apprehended with a mind from which conceit has been removed, craving does not arise and so delight has been exhausted. This is the Account of Purification. The Account of the Noble Lineage sets out the threefold framework and shows this method: one who holds “I contemplate; this is my contemplation” has no removal of view, while one who holds “formations alone contemplate formations, comprehend them, define them, apprehend them, and delimit them” does; one who holds “I contemplate well; I contemplate agreeably” has no removal of conceit; one who savors contemplation with the thought “I am able to contemplate” has no exhaustion of delight. “If formations were self, it would be proper to apprehend them as self; yet they are not-self and are apprehended as self. Therefore they are not-self in the sense of not being subject to mastery, impermanent in the sense of having been and then not being, and suffering in the sense of being oppressed by arising and cessation.” One who sees thus has removal of view. “If formations were permanent … yet they are impermanent and are apprehended as permanent.” One who sees thus has removal of conceit. “If formations were pleasurable … yet they are suffering and are apprehended as pleasurable.” One who sees thus has exhaustion of delight. Seeing formations as not-self removes view; seeing them as impermanent removes conceit; seeing them as suffering exhausts delight. Each insight stands in its own position. At this point the meditation subjects of form and the immaterial have been mastered (vernacular §5). 〔Reading〕 These are the three lines most worth memorizing in the whole unit, perhaps in the whole arc: “I contemplate”—view has not been removed; “I contemplate well”—conceit has not been removed; savoring “I am able to contemplate”—delight has not been exhausted. Three illnesses and three medicines: not-self treats view, impermanence treats conceit, and suffering treats delight. 〔Observation〕 “If formations were self, it would be proper to apprehend them as self”: the Commentator does not scold attachment but first concedes, “If it really were self, there would be nothing wrong with apprehending it as self,” and then says, “But it is not.” There is no moral pressure here, only fact. “In this way, this insight stands only in each of its own respective positions”: each of the three insights occupies its own place and is not used interchangeably. Not-self does not treat conceit, and suffering does not treat view. This is precise medicine.
§06 The Eighteen Great Insights and the Partial Penetration of Them at This Stage → Vernacular §6
One who has mastered the meditation subjects of form and the immaterial penetrates here a portion of the eighteen great insights that are to be attained in all modes by full understanding as abandoning, beginning above with contemplation of dissolution, and abandons the phenomena opposed to them. The eighteen great insights are kinds of understanding headed by contemplation of impermanence: contemplation of impermanence abandons the perception of permanence; contemplation of suffering, the perception of pleasure; contemplation of not-self, the perception of self; contemplation of disenchantment, delight; contemplation of dispassion, greed; contemplation of cessation, origination; contemplation of relinquishment, grasping; contemplation of exhaustion, the perception of compactness; contemplation of decay, accumulation; contemplation of change, the perception of lastingness; contemplation of the signless, the sign; contemplation of the desireless, desire; contemplation of emptiness, adherence; higher-wisdom insight into phenomena, adherence to substance; knowledge-and-vision as it is, adherence born of delusion; contemplation of danger, adherence through attachment; contemplation of reviewing, non-reviewing; and contemplation of turning away, adherence to bondage. Because formations have already been seen through the three characteristics, the contemplations of impermanence, suffering, and not-self have been penetrated. Because “contemplation of impermanence and contemplation of the signless are one in meaning and differ only in phrasing; contemplation of suffering and contemplation of the desireless are one in meaning and differ only in phrasing; contemplation of not-self and contemplation of emptiness are one in meaning and differ only in phrasing,” those three too have been penetrated. Higher-wisdom insight into phenomena is all insight, and knowledge-and-vision as it is is included in purification by overcoming doubt, so these two too have been penetrated. Of the rest, some have been penetrated and some have not; they will be distinguished later (vernacular §6). 〔Reading〕 The eighteen great insights are a pharmacopoeia for the entire path of insight: each insight abandons one thing. Here the Commentator claims only eight of them—the three characteristics, the three gateways, higher-wisdom insight into phenomena, and knowledge-and-vision as it is. Of the other ten the Commentator says only that some have been penetrated and some have not, leaving the distinction to later units. This section marks “you are here” on the map. 〔Observation〕 Notice that the ninth of the eighteen great insights, “contemplation of decay” (which abandons accumulation), and the “contemplation of dissolution” at the opening of §6 are not the same Pāli term. The Chinese uses the same character in both, but the terms differ: in this edition’s already-established readings, “contemplation of decay” is the ninth item in this list, while “knowledge of contemplation of dissolution” is the knowledge treated in Chapter 21. The unit’s final sentence is modest: “Some have been penetrated and some have not; we shall show their distinction later.” The Commentator never lets readers imagine they have already arrived.
For the General Reader
Take away three sentences and one list. The sentences are these: “I contemplate”—view has not been removed; “I contemplate well”—conceit has not been removed; “I am able to contemplate,” with quiet self-satisfaction—delight has not been exhausted. The medicines are precise: not-self treats view, impermanence treats conceit, and suffering treats delight; they are not interchangeable. The list is the eighteen great insights: each insight abandons one thing. At this point you possess only eight—the three characteristics, the three gateways, higher-wisdom insight into phenomena, and knowledge-and-vision as it is. Of the rest, some have been penetrated and some have not; the Commentator leaves the distinction to later chapters. There is also a practical boundary: when contemplating the mind that contemplated, stop at the tenth mind. Enough.
To read this unit in full: Vernacular §§1–6 gives the complete, paragraph-by-paragraph translation of the framework of the sevenfold method for the immaterial and the two accounts of comprehension by group; comprehension by pair, by moment, and by sequence; the two accounts of the three removals—view, conceit, and delight; and the eighteen great insights together with their partial penetration at the present stage.
生滅智Knowledge of Arising and Passing Away
全文五層 →Full five layers →琴聲在響之前不在哪裡積著、響完了也沒往哪裡去——「不有而有,有已而還無」;看見這一句在五蘊上以五十相顯現,四諦、緣起、四理趣、三相全從那裡冒出來,那叫生滅智;它還年輕,論主叫它「少年觀智」
大局 — 觀道的第一個高原:生滅隨觀
思惟智把三相貼熟了,接下來是生滅隨觀智:於現在諸法之變易隨觀之慧。先略修(§1):把已生名色的生相隨觀為生、變易相隨觀為滅,並以琴聲之喻說出全單元的骨句——不有而有,有已而還無。再廣修(§2):五蘊各由無明・渴愛・業・食(受想行以觸、識以名色代食)四緣之集見其生、四緣之滅見其滅,加生相與變易相,各十相合五十相。由此立「以緣」「以剎那」二門(§3),二門一開,四諦(§4)、順逆緣起與緣生法(§4)、四理趣(一性・異性・無作用・如是法性)與四見之斷、三相與自相與有為相之暫時性(§5)全部顯現。末段:諸行以十二喻常新現起,行者通達滿五十相之生滅隨觀——少年觀智——被稱為「已發起觀者」(§6)。〔所見〕本單元是全弧第一個「高原」:從這裡開始,觀道不再是貼標籤,是看見法在生滅;也正是從這裡開始,危險出現——下一單元的十觀隨染就生於「已發起觀者」。論主給這智取名「少年」,用意深:它強壯、明亮、卻未熟——正是會被光明喜樂騙走的年紀。
§01 生滅之略修——琴聲之喻 → 白話 §1
斷了與無常隨觀等相反的常想等、智已清淨、到了思惟智之彼岸者,著手證生滅隨觀智(聖典:已生色是現在的,其生相是生、變易相是滅、隨觀是智;受想行識眼乃至有皆然);先略:把已生名色之生相(生・生起・新起)隨觀為生、變易相(盡・壞)隨觀為滅;了知:名色未生時無聚無積、正生時非從聚積而來、正滅時不往四方四維、已滅後不在某處以聚積藏而住——如彈琴之聲,生前無積、生時非從積來、滅時不往四方、滅後不積於某處,而緣琴・琴之附具・人之努力,不有而有、有已而還無;一切色法非色法亦如是(白話 §1)。〔讀法〕琴聲之喻是全單元的鑰匙。四個「沒有」:生前沒有倉庫、生時不是從倉庫拿出來、滅時沒有去某個地方、滅後沒有存進哪裡——生滅不是「移動」,是「不有而有、有已而還無」。〔所見〕注意論主先「略」後「廣」——略修只要一句話(看見生、看見滅),廣修才拆成五十相。這是教學的節奏:先讓你嘗到,再讓你精確。
§02 生滅之廣修——五蘊各十相合五十 → 白話 §2
生滅智之分別:由無明之集・渴愛之集・業之集・食之集而有色之集——以緣之集之義見色蘊之生;見生相亦見色蘊之生——五相;由四緣之滅見色蘊之滅、見變易相見色蘊之滅——五相。受蘊以觸代食,想行同受;識蘊以名色代觸。一一蘊生滅各十相合五十相;依此以「色之生也是這樣、色之滅也是這樣、色這樣生起、色這樣滅去」以緣以剎那廣作作意(白話 §2)。〔讀法〕五十相=五蘊×(四緣之生+生相+四緣之滅+變易相)。每一蘊四個「因為什麼而生」、四個「因為什麼而滅」,加上「看見它在生」「看見它在滅」——前者是緣,後者是剎那。〔所見〕食・觸・名色三個代換很精:色以食為緣、受想行以觸為緣、識以名色為緣——這是第十七品緣起的三個接點在觀道裡的回聲。
§03 以緣以剎那二門之立 → 白話 §3
如是作意「原來這些法不有而有、有已而還無」智更明淨;以緣以剎那二門見生滅,諸諦・緣起・諸理趣・諸相之分別顯現。由無明等之集見諸蘊之集、由其滅見諸蘊之滅=以緣見生滅;見生相與變易相見諸蘊之生滅=以剎那見生滅——生相唯在生起之剎那、變易相唯在壞之剎那(白話 §3)。〔讀法〕兩扇門要分清:「以緣」看的是「為什麼」(無明集故色集),「以剎那」看的是「正在」(這一剎那它生、那一剎那它壞)。下面三節全是這兩扇門開出來的東西。〔所見〕「智就更加明淨」——論主用「明淨」形容這一級的智,正是下一單元「光明」隨染的前奏:明淨是真的,但它會被誤認。
§04 四諦與緣起之顯現 → 白話 §4
以緣見生→集諦顯(覺了能生);以剎那見生→苦諦顯(覺了生之苦);以緣見滅→滅諦顯(覺了緣不生則有緣者不生);以剎那見滅→苦諦顯(覺了死之苦);生滅之見本身「此為世間之道」→道諦顯(摧破迷惑)。以緣見生→順緣起顯(此有故彼有);以緣見滅→逆緣起顯(此滅故彼滅);以剎那見生滅→緣生法顯(覺了有為之相:有生滅者有為,有為者緣生)(白話 §4)。〔讀法〕四諦在這裡不是被「教」出來的,是被「看」出來的:看見「因為什麼而生」就看見集諦,看見「正在生」就看見苦諦,看見「因為什麼而滅」就看見滅諦,看見「正在滅」也是苦諦(死苦),而「看見」本身是道諦。四諦是生滅之見的四個面。〔所見〕「凡是他的生滅之見,此為世間之道」——道諦顯現於「見」本身而非於所見,這一句把觀者也放進四諦裡;與 20-05 §5 的「唯是諸行觀諸行」呼應。
§05 四理趣與四相之顯現——四見之斷 → 白話 §5
以緣見生→一性之理趣顯(因果相繫、相續不斷)→更善斷斷見;以剎那見生→異性之理趣顯(新新者之生)→更善斷常見;以緣見生滅→無作用之理趣顯(諸法不自在)→更善斷我見;以緣見生→如是法性之理趣顯(果隨順於緣而生)→更善斷無作用見。以緣見生→無我相顯(諸法無動作而繫於緣以轉);以剎那見生滅→無常相顯(已有而無、前際後際之離)、苦相顯(生滅所逼)、自相顯(為生滅所限)、有為相之暫時性顯(生剎那無滅、滅剎那無生)(白話 §5)。〔讀法〕四理趣配四見:一性治斷見(不是斷掉了,有相續)、異性治常見(不是同一個,是新新者)、無作用治我見(沒有人在做)、如是法性治無作用見(果隨緣而生,不是沒有因果)。前二對治「常/斷」二邊,後二對治「有我/無因果」二邊——四個坑一次填。〔所見〕「一性」與「異性」同時顯現而不矛盾——這是本單元最精微的一點:相續是一(所以不斷),剎那是異(所以不常);「非一非異」在這裡不是玄語,是兩扇門各看到的東西。
§06 諸行之新新——十二喻與少年觀智之得 → 白話 §6
諸諦緣起理趣相之分別已顯,「原來這些法先前未生而生起、生起了就滅去」——諸行常新現起;不只常新:如日出之露珠・水泡・水上之杖畫・錐尖之芥子・電光之生起而暫住;如幻・陽焰・夢・旋火輪・乾闥婆城・泡沫・芭蕉而無實無堅實。至此以「唯衰法生起、生起了就趣於滅」之行相通達滿五十相之生滅隨觀——少年觀智;證得者稱「已發起觀者」(白話 §6)。〔讀法〕十二喻分兩組:前五說「暫」(露珠、水泡、杖畫、錐尖芥子、電光),後七說「無實」(幻、陽焰、夢、旋火輪、乾闥婆城、泡沫、芭蕉;其後之「等」是收語,不另計為喻)。暫,是時間上的無常;無實,是實體上的無我——兩組喻對應兩相。〔所見〕「少年觀智」——不是貶詞,是實話:它已經能見五十相、能顯四諦,但它年輕。「已發起觀者」是它的頭銜,也是下一單元十觀隨染的宿主:論主在本單元最後一句給你戴上這個頭銜,是為了下一句就告訴你危險在哪。
給一般讀者
帶走一句與一個名字。一句:「不有而有,有已而還無」——像琴聲,響之前不在哪裡積著,響完了也沒往哪裡去;你的每一個念頭、每一次心跳都是這樣。從這一句上,四諦、緣起、常斷我無因果四個坑的填法,全都自己冒出來——不是背的,是看的。名字:少年觀智——當你第一次真的看見生滅,那智明亮強壯卻還年輕;論主接下來要說的,就是這年紀最容易被什麼騙走。
想讀本單元全文:白話 §1–§6 即生滅之略修與琴聲喻、五蘊五十相之廣修、以緣以剎那二門、四諦緣起之顯現、四理趣四見與諸相之顯現、十二喻與少年觀智的全段逐段全譯。
Before a lute sounds, its sound is not stored anywhere; after it has sounded, it has not gone anywhere—“not having been, it comes to be; having been, it vanishes.” When this is seen in the five aggregates through fifty aspects, the four truths, dependent origination, the four methods, and the three characteristics all emerge from it: this is knowledge of arising and passing away. It is still young; the Commentator calls it “tender insight knowledge”
The Big Picture — The First Plateau on the Path of Insight: Contemplation of Arising and Passing Away
Knowledge of comprehension has made the three characteristics familiar. Next comes knowledge in contemplation of arising and passing away: wisdom that contemplates change in present phenomena. First comes development in brief (§1): the characteristic of generation in arisen name-and-form is contemplated as arising, and its characteristic of change as passing away. The simile of the lute’s sound then states the unit’s skeletal sentence: not having been, it comes to be; having been, it vanishes. Next comes development in detail (§2): for each of the five aggregates, its arising is seen through the arising of four conditions—ignorance, craving, kamma, and nutriment, with contact substituted for nutriment for feeling, perception, and formations, and name-and-form substituted for contact for consciousness—and its passing away through the cessation of those four conditions; together with the characteristic of generation and the characteristic of change, each aggregate has ten aspects, making fifty. This establishes two approaches, “by condition” and “by moment” (§3). Once those two approaches open, the four truths (§4); dependent origination in forward and reverse order and dependently originated phenomena (§4); the four methods—unity, diversity, non-activity, and suchness of phenomena—and the four views they abandon; and the three characteristics, the individual characteristic, and the temporariness of the conditioned characteristic (§5) all become evident. In the final section, formations appear ever new through twelve similes; the practitioner penetrates contemplation of arising and passing away with its full fifty aspects—tender insight knowledge—and is called “one who has initiated insight” (§6). 〔Observation〕 This unit is the first “plateau” in the whole arc. From this point, the path of insight is no longer a matter of attaching labels but of seeing phenomena arise and pass away. And it is precisely here that danger begins: the ten corruptions of insight in the next unit arise in “one who has initiated insight.” The Commentator’s description of this knowledge as “tender” is profound: it is strong and bright but not yet mature—the very age at which one may be deceived by illumination and happiness.
§01 Development of Arising and Passing Away in Brief—The Simile of the Lute’s Sound → Vernacular §1
One who has abandoned the perception of permanence and the other states opposed to contemplation of impermanence and the rest, whose knowledge is purified, and who has reached the further shore of knowledge of comprehension begins to attain knowledge in contemplation of arising and passing away. The canonical text states: arisen form is present; its characteristic of generation is arising, its characteristic of change is passing away, and contemplation is knowledge; the same applies to feeling, perception, formations, consciousness, the eye, and so on through existence. He begins in brief: he contemplates the characteristic of generation of arisen name-and-form—birth, arising, and newness—as arising, and the characteristic of change—exhaustion and dissolution—as passing away. He understands that before name-and-form arises there is no heap or accumulation; while it arises it does not come from a heap or accumulation; while it ceases it does not go to any cardinal or intermediate direction; and after it has ceased it does not stand in a heap, accumulation, or store anywhere. So too with the sound of a lute: there is no accumulation before it arises, it does not come from an accumulation as it arises, it goes to no direction as it ceases, and it is not stored anywhere after cessation. Dependent on the lute, its appurtenance, and the person’s effort, not having been, it comes to be; having been, it vanishes. All material and immaterial phenomena are the same (vernacular §1). 〔Reading〕 The simile of the lute’s sound is the key to the whole unit. There are four “nots”: there is no warehouse before arising, nothing is taken from a warehouse during arising, nothing travels somewhere during cessation, and nothing is stored anywhere after cessation. Arising and passing away are not “movement”; they are “not having been, it comes to be; having been, it vanishes.” 〔Observation〕 Notice that the Commentator begins “in brief” and then proceeds “in detail.” The brief development needs only one sentence—see arising, see passing away—while the detailed development divides it into fifty aspects. This is the rhythm of instruction: first let the practitioner taste it, then make it exact.
§02 Development of Arising and Passing Away in Detail—Ten Aspects for Each of the Five Aggregates, Fifty in All → Vernacular §2
The analysis of knowledge of arising and passing away proceeds as follows. From the arising of ignorance, craving, kamma, and nutriment comes the arising of form; thus the arising of the form aggregate is seen in the sense of the arising of its conditions. Seeing the characteristic of generation also means seeing the arising of the form aggregate—five aspects. The passing away of the form aggregate is seen through the cessation of those four conditions, and by seeing the characteristic of change—five aspects. For the feeling aggregate, contact replaces nutriment; perception and formations follow feeling; for the consciousness aggregate, name-and-form replaces contact. Ten aspects of arising and passing away for each aggregate make fifty. On this basis, one attends in detail by condition and by moment: “Such is the arising of form; such is its passing away; thus form arises; thus it passes away” (vernacular §2). 〔Reading〕 Fifty aspects equal five aggregates multiplied by four conditions for arising, plus the characteristic of generation, plus four conditions for passing away, plus the characteristic of change. For each aggregate, four answers to “because of what does it arise?” and four to “because of what does it cease?” are joined by “see it arising” and “see it passing away.” The former belong to conditions; the latter belong to moments. 〔Observation〕 The substitutions among nutriment, contact, and name-and-form are precise: form is conditioned by nutriment; feeling, perception, and formations by contact; and consciousness by name-and-form. These are echoes on the path of insight of three joints in the dependent origination of Chapter 17.
§03 Establishing the Two Approaches—By Condition and by Moment → Vernacular §3
As one attends thus—“so it is that these phenomena, not having been, come to be; having been, they vanish”—knowledge becomes clearer. Seeing arising and passing away in two ways, by condition and by moment, makes evident the distinctions among the truths, dependent origination, the methods, and the characteristics. Seeing the arising of the aggregates through the arising of ignorance and the rest, and their cessation through the cessation of ignorance and the rest, is seeing arising and passing away by condition. Seeing the arising and passing away of the aggregates through the characteristic of generation and the characteristic of change is seeing them by moment, for the characteristic of generation occurs only at the moment of arising and the characteristic of change only at the moment of dissolution (vernacular §3). 〔Reading〕 The two doors must be kept distinct: “by condition” sees “why”—with the arising of ignorance comes the arising of form; “by moment” sees “happening now”—at this moment it arises, at that moment it dissolves. Everything in the next three sections opens through these two doors. 〔Observation〕 “Knowledge becomes clearer”: the Commentator describes the knowledge at this level as “clearer,” foreshadowing the corruption called “illumination” in the next unit. The clarity is genuine, but it can be misidentified.
§04 The Manifestation of the Four Truths and Dependent Origination → Vernacular §4
Seeing arising by condition makes the truth of origin evident, because one understands what generates. Seeing arising by moment makes the truth of suffering evident, because one understands the suffering of birth. Seeing passing away by condition makes the truth of cessation evident, because one understands that when a condition does not arise, what is conditioned by it does not arise. Seeing passing away by moment likewise makes the truth of suffering evident, because one understands the suffering of death. Seeing arising and passing away itself is “this mundane path,” so the truth of the path becomes evident because delusion is destroyed. Seeing arising by condition makes dependent origination in forward order evident—“when this exists, that comes to be.” Seeing passing away by condition makes dependent origination in reverse order evident—“with the cessation of this, that ceases.” Seeing arising and passing away by moment makes dependently originated phenomena evident, because one understands the conditioned characteristic: what has arising and passing away is conditioned, and conditioned things are dependently originated (vernacular §4). 〔Reading〕 Here the four truths are not “taught”; they are “seen.” Seeing “because of what it arises” reveals the truth of origin; seeing “it is arising now” reveals the truth of suffering; seeing “because of what it ceases” reveals the truth of cessation; seeing “it is ceasing now” also reveals the truth of suffering, the suffering of death; and the very “seeing” is the truth of the path. The four truths are four faces of seeing arising and passing away. 〔Observation〕 “His seeing of arising and passing away—this is the mundane path”: the truth of the path appears in the seeing itself, rather than in what is seen. This places the observer within the four truths and echoes “formations alone contemplate formations” in 20-05 §5.
§05 The Manifestation of the Four Methods and Four Characteristics—The Abandonment of Four Views → Vernacular §5
Seeing arising by condition makes the method of unity evident—the cause and fruit are connected and the continuity is unbroken—and more thoroughly abandons the view of annihilation. Seeing arising by moment makes the method of diversity evident—ever-new phenomena arise—and more thoroughly abandons the view of eternity. Seeing arising and passing away by condition makes the method of non-activity evident—phenomena do not come under mastery—and more thoroughly abandons self-view. Seeing arising by condition makes the method of suchness of phenomena evident—the fruit arises in conformity with its conditions—and more thoroughly abandons the view of non-action. Seeing arising by condition makes the characteristic of not-self evident—phenomena operate without an agent and in dependence on conditions. Seeing arising and passing away by moment makes evident the characteristic of impermanence—what has been is no more, and the earlier and later limits are separate; the characteristic of suffering—phenomena are oppressed by arising and passing away; the individual characteristic—phenomena are delimited by arising and passing away; and the temporariness of the conditioned characteristic within the individual characteristic—at the moment of arising there is no passing away, and at the moment of passing away there is no arising (vernacular §5). 〔Reading〕 Four methods correspond to four views: unity treats the view of annihilation—there is continuity, not severance; diversity treats the view of eternity—it is not the same thing but an ever-new one; non-activity treats self-view—no one is doing it; and suchness of phenomena treats the view of non-action—fruits arise from conditions, so causality is not absent. The first pair treats the two extremes of eternity and annihilation; the latter pair treats the two extremes of a self and no causality. Four pitfalls are filled at once. 〔Observation〕 Unity and diversity become evident together without contradiction. This is the unit’s subtlest point: the continuity is one, so it is not annihilated; the moments are diverse, so nothing is eternal. “Neither one nor different” is not metaphysical language here; it is what each of the two doors sees.
§06 The Ever-Newness of Formations—Twelve Similes and the Attainment of Tender Insight Knowledge → Vernacular §6
Once the distinctions among the truths, dependent origination, the methods, and the characteristics are evident, formations appear ever new: “These phenomena, never arisen before, arise; having arisen, they cease.” They appear not merely ever new but briefly lasting, like a dewdrop at sunrise, a water bubble, a line drawn on water with a stick, a mustard seed on an awl’s point, and a lightning flash; and devoid of substance and without a core, like an illusion, a mirage, a dream, a whirling firebrand, a city of the gandhabbas, foam, a plantain trunk, and the like. By this point, in the mode “only what is subject to decay arises, and once arisen it proceeds to decay,” one penetrates contemplation of arising and passing away with its full fifty aspects—tender insight knowledge. One who attains it is called “one who has initiated insight” (vernacular §6). 〔Reading〕 The twelve similes form two groups: the first five express “briefness” (dewdrop, bubble, line on water, mustard seed on an awl’s point, lightning), and the latter seven express “insubstantiality” (illusion, mirage, dream, whirling firebrand, city of the gandhabbas, foam, plantain trunk; the closing “and the like” is not counted as a further simile). Briefness is temporal impermanence; insubstantiality is ontological not-self—the two groups correspond to two characteristics. 〔Observation〕 “Tender insight knowledge” is not disparagement but fact. It can already see fifty aspects and make the four truths evident, but it is young. “One who has initiated insight” is both its title and the host of the ten corruptions of insight in the next unit. The Commentator gives you this title in the final sentence of this unit so that the very next sentence can tell you where the danger lies.
For the General Reader
Take away one sentence and one name. The sentence is: “Not having been, it comes to be; having been, it vanishes.” Like the sound of a lute, it was not stored anywhere before sounding, and it does not go anywhere once the sound ends. Every thought and every heartbeat is like this. From this one sentence, the four truths, dependent origination, and the way out of the four pits—eternity, annihilation, self, and absence of causality—all emerge by themselves. They are not memorized; they are seen. The name is tender insight knowledge. When you first truly see arising and passing away, that knowledge is bright and strong but still young. What the Commentator explains next is what most easily deceives knowledge at that age.
To read this unit in full: Vernacular §§1–6 gives the complete, paragraph-by-paragraph translation of the brief development of arising and passing away with the lute-sound simile; its detailed development through fifty aspects of the five aggregates; the two approaches of condition and moment; the manifestation of the four truths and dependent origination; the four methods, four views, and characteristics; and the twelve similes together with tender insight knowledge.
觀之隨染・道非道之確定The Corruptions of Insight and Determining What Is and Is Not the Path
全文五層 →Full five layers →全書最該記的一頁:修觀到少年觀智,會湧出光明、智、喜、輕安、樂、勝解、策勵、現起、捨與一絲微細的欣求——它們大多不是壞的;問題在你會把它們當成「我證道了」;認出「這十樣不是道」,就是道非道智見清淨
大局 — 贗品出現的時刻,與這一弧全書那把尺最精純的一次
上一單元末句給行者戴上「已發起觀者」的頭銜;本單元第一句就說:於此人,十種觀之隨染生起——且唯生於正行道、勤修不懈、已發起觀的善男子,不生於聖弟子、也不生於邪道者與懈怠者(§1)。十名:光明・智・喜・輕安・樂・勝解・策勵・現起・捨・欣求。論主先詳說「光明」——它生起時行者執非道為道、非果為果,捨根本業處而味著光明;光明之量自結跏處至一萬世界,附二長老於黑闇夜見花見魚之事(§2);並錄三位以為自己是阿羅漢的長老,及法施長老以化象試大龍長老、六十年老修行者見象而起身欲逃、方知凡夫、三步而得阿羅漢的故事(§3)。再逐一釋其餘九染(§4),末一「欣求」以愛著而微細寂靜之相生起、甚至不能把握為煩惱。§5 說十染依執成三十(見執・慢執・愛執),不聰慧者於此動搖。§6 是解法:善巧者以慧限定「此光明無常有為緣生……」、隨觀「這不是我的、不是我、不是我的我」,解開三十結,確定「光明等非道;離了隨染已入於路的觀智才是道」——即道非道智見清淨;並收三諦之確定:見清淨定苦諦、度疑清淨定集諦、此清淨定道諦。〔所見〕這一頁是本弧、也是全書減法之尺的引爆點。把它和前面接起來看:第四品禪那的喜樂光明湧出時,論主提醒過那是腳手架不是終點;第九品慈的近敵是一個感覺幾乎一樣的贗品;這裡是同一堂課的最高一層——十隨染裡的光明喜樂幾乎就是第四品那杯酒的觀道版,而真正的染是第十項欣求:對前九的微細貪喜。前九本身不壞,黏上去才壞。道非道清淨的全部功夫就一句話:認出「這十樣不是道;繼續看生滅的無常苦無我,才是道」——連你自己修出來的好境界,都要看穿、不黏、放手。
§01 十觀隨染之名與其所起之人 → 白話 §1
於以少年觀已發起觀者,十種觀之隨染生起——不生於已得通達之聖弟子、不生於行邪道者與捨業處之懈怠者,而於正行道勤修不懈已發起觀之善男子必生。十者:光明・智・喜・輕安・樂・勝解・策勵・現起・捨・欣求(聖典:以無常作意時光明生,「光明是法」而轉向於光明,由此散亂——此即掉舉;心為掉舉所執者不如實了知以無常之現起;苦、無我亦然;智乃至欣求同)(白話 §1)。〔讀法〕先看誰會遇到它:只有修得對、修得勤的人——這是一個安慰也是一個警告:遇到隨染表示你走對了路,但正因走對了才有這個陷阱。聖典把它歸為「法之掉舉」:光明本身不是掉舉,「光明是法」而轉向於它、於是散亂——那才是。〔所見〕十名之中前九皆是好東西的名字(智、喜、樂、念、捨……),只有第十「欣求」是煩惱的名字;論主把它們並列,是要讀者一開始就別急著分好壞——先看它們怎麼把你帶離觀之路。
§02 光明之染——自結跏之處至一萬世界之量 → 白話 §2
光明=觀之光明;生起時瑜伽者執非道為道、非果為果:「我從前不曾有此光明,必已得道得果」——越出觀之路,捨根本業處而味著光明而坐。其量:或唯照結跏處、或室內、室外、全寺、一俱盧舍、半由旬、一由旬乃至自地至色究竟天成一片光明;於世尊照一萬世界。質多羅山雙壁屋中二長老於黑分布薩四方雲覆之夜:一說見塔院師子座上五色花,一說見大海一由旬處之魚龜(白話 §2)。〔讀法〕光明可以真的很大——大到照一萬世界(佛的),大到在黑夜裡看見一由旬深海裡的魚。論主不否認它的真實,只說:它不是道。「越出觀之路」是很準的一句:不是掉進坑,是走岔了——從觀生滅走到看光。〔所見〕二長老在黑夜裡比誰看得更遠——這則小故事沒有一句評語,但兩位比較的正是那個「我的光明」;讀者自己會看出他們在哪裡走岔。
§03 三事之敘——二長老、三長老、法施長老試大龍長老 → 白話 §3
隨染多生於得止觀者:為等至鎮伏之煩惱不現行,故起「我是阿羅漢」之心——如大龍長老、大達多長老、小善意長老。事:住多藍伽羅之法施長老(得無礙解之大漏盡者)思其阿闍梨大龍長老沙門事是否已到頂,見其仍凡夫、知不往則以凡夫命終,飛往問千問,長老一一無滯答之;問證得何時,答六十年前;請運定,請化白象,請令象豎耳直尾納鼻於口作可怖鳴衝來——長老照作,見象疾馳可怖之相,起身欲逃;法施抓其衣角:「漏盡者豈有怯懦?」長老知己凡夫,蹲坐足下求作依怙;法施說業處,長老登經行處第三步得阿羅漢果。彼長老瞋行者。如此比丘亦於光明中動搖(白話 §3)。〔讀法〕這是全書最動人的故事之一:六十年——一個能答一千個問題、能化白象的老修行者,六十年以為自己是阿羅漢;學生用一頭衝過來的象,讓他看見自己還會怕。然後他做了最了不起的一件事:在學生足下蹲坐,說「請作我的依怙」——三步得果。〔所見〕故事的重點不在老師錯了六十年,在他被指出時的乾脆——那乾脆正是他六十年功夫的證明。論主錄此事,是替所有「多分生於得止觀者」的隨染受害者留一條路:被人指出,馬上放下,路還在腳下。
§04 九染之逐一釋——智、喜、輕安、樂、勝解、策勵、現起、捨、欣求 → 白話 §4
智=觀之智:衡量度察色非色時生如帝釋所放金剛勢不可遏之銳利勇猛極明淨之智;喜=觀之喜:小喜・剎那喜・繼起喜・踊躍喜・遍滿喜五喜遍身;輕安=觀之輕安:身心無惱無重無粗無不堪任無病無曲,輕安輕柔堪任極明淨正直,領受非人之樂(偈:入空閑屋心寂靜之比丘正觀於法有非人之樂;隨所思惟諸蘊生滅得喜與悅——知者之不死);樂=觀之樂:遍潤全身極勝妙之樂;勝解=信:與觀相應成心心所極淨之強信;策勵=精進:不緩不過勤善策勵;現起=念:善住善立深入不動如山王之念,所轉向攝持作意省察之一一處皆深入躍入而現起如天眼見他世;捨=觀捨與轉向捨:於一切行中庸之觀捨強力生起,意門轉向捨亦然,如帝釋金剛、如投葉器之熾熱鐵箭勇猛銳利;欣求=觀之欣求:對以光明等所莊嚴之觀生作愛著而微細寂靜之相之欣求,甚至不能把握為煩惱。如光明,於此任一生起時瑜伽者執非道為道非果為果——越出觀之路,捨根本業處味著欣求而坐(白話 §4)。〔讀法〕九染逐一讀,會發現論主每一個都用最高的形容詞:金剛之智、五喜遍身、非人之樂、如山王之念、如熾熱鐵箭之捨——它們是真的好,好到像果。而第十「欣求」的描述最要命:「微細寂靜之相」「甚至不能把握為煩惱」——它偽裝成寂靜。〔所見〕「現起」是念——與 21-08 之後隨順智前的「至出起觀」不同科;這裡是念強到「如天眼見他世」的地步——連念都能成隨染,可見隨染不是「壞東西來了」,是「好東西被抓了」。這與 20-05 §5「我在觀」的病同源。
§05 十染之三十執——見執、慢執、愛執 → 白話 §5
光明等以其為隨染之事而說為隨染,非因其不善;欣求則既是隨染亦是隨染之事。依事十種,依執三十:執「我的光明生起了」=見執;執「光明生起了真可意」=慢執;味著光明=愛執——於光明依見慢渴愛三執,餘同。不善巧不聰慧者於此動搖散亂,把一一隨染隨觀為「這是我的、這是我、這是我的我」。古師偈:於光明於智於喜而動搖,於輕安於樂為此諸法心震動,於勝解於策勵於現起而動搖,於捨之轉向於捨於欣求亦然(白話 §5)。〔讀法〕十乘三等於三十:每一樣好東西都有三種抓法——「我的」(見)、「真可意」(慢)、「味著」(渴愛)。這三個正是 20-05 §5 那三句「我在觀・我觀得好・我能夠觀」的同一組病。〔所見〕「並不是因為它們是不善」——論主替前九樣正名:光明智喜輕安樂信精進念捨都是善法;染的是執。這一句救了很多修行人:你不用害怕光明,只用害怕「我的」。
§06 道非道之確定——三諦之確定與品末 → 白話 §6
善巧賢明聰慧具覺者於光明等生起時以慧限定觀察:「我的此光明生起了;而它無常有為緣生盡法衰法離貪法滅法」;或:「假使光明是我,執為我倒也可以;然而無我而被執為我——故以不自在之義無我、以已有而無之義無常、以生滅所逼之義苦」——依無色七法之理趣廣說;隨觀光明乃至欣求「這不是我的、不是我、不是我的我」——不動搖不震動(古師偈:此十處為其慧所遍知,善巧於法之掉舉而不趣散亂);解開三十隨染之結,確定「光明等非道;離了隨染已入於路的觀智才是道」——知「這是道這不是道」而住立之智=道非道智見清淨。至此亦作三諦之確定:見清淨以名色安立定苦諦、度疑清淨以緣把握定集諦、此清淨以正道確定定道諦——先以世間智定三諦。品末(白話 §6)。〔讀法〕解法只有一個動作:把光明當成任何一個行來觀——它無常、有為、緣生、盡衰離貪滅;它不是我的、不是我、不是我的我。用的正是 20-05 三句與 20-01 七法公式,沒有新法門。「離了隨染、已入於路的觀智才是道」——道不是另一個更高的境界,是把這十樣看穿之後繼續走的那條原路。〔所見〕三諦之確定是本品極漂亮的收筆:三個清淨各定一諦(苦・集・道),滅諦要留給智見清淨。這正是全弧那把尺最精純的一次:連你自己修出來的好境界,都要看穿、不黏、放手——第一品拆的是戒的勳章,第四品是禪的酒,第九品是慈的近敵,這裡是觀的光明。同一堂課,最高一層。
給一般讀者
最該記的一句:你最好的禪修經驗,也不是終點。光明、喜、樂、甚至觀捨與轉向捨與如山王的念,都可能湧出——它們大多是真的好東西,問題在你會把它們當成「我證道了」;黏上去,好東西就成了障。真正的染是第十項那絲微細的欣求,它偽裝成寂靜。解法沒有新招:把光明當成任何一個行來看——無常、有為、緣生;不是我的、不是我、不是我的我。看穿、不黏、繼續走原路。記住那位六十年的老長老:被學生一頭象指出還會怕,蹲坐求教,三步得果——被指出時的乾脆,才是功夫。
想讀本單元全文:白話 §1–§6 即十觀隨染之名與所起之人、光明之染與其量、三長老與法施試大龍之事、九染逐一之釋、三十執、道非道之確定與三諦之確定的全段逐段全譯。
The page most worth remembering in the whole book: when insight reaches tender insight knowledge, illumination, knowledge, rapture, tranquillity, happiness, resolution, exertion, manifestation, equanimity, and a trace of subtle delight surge up. Most are not bad; the problem is that you may take them to mean “I have attained the path.” Recognizing that “these ten are not the path” is purification by knowledge and vision of what is and is not the path
The Big Picture — The Moment the Counterfeit Appears, and This Arc’s Purest Application of the Book’s Measure
The final sentence of the preceding unit gives the practitioner the title “one who has initiated insight.” This unit’s first sentence immediately says that the ten corruptions of insight arise in such a person—and only in a clansman who practices rightly, works diligently, and has initiated insight. They do not arise in a noble disciple, someone on a wrong path, or an indolent person (§1). Their names are illumination, knowledge, rapture, tranquillity, happiness, resolution, exertion, manifestation, equanimity, and delight. The Commentator first treats “illumination” in detail: when it arises, the practitioner takes what is not the path to be the path and what is not the fruit to be the fruit, abandons the root meditation subject, and sits savoring illumination. The extent of illumination ranges from the place where one sits cross-legged to ten thousand worlds, and the text adds a story of two elders seeing flowers and fish on a dark night (§2). It then records three elders who believed themselves arahants and tells how Elder Dhammadinna tested Elder Mahānāga with a conjured elephant: the practitioner of sixty years rose to flee when he saw the elephant, recognized that he was still an ordinary person, and attained arahantship in three steps (§3). The remaining nine corruptions are then explained in turn (§4); the last, “delight,” arises as attachment in a subtle, peaceful guise and cannot even be apprehended as a defilement. Section 5 says that the ten become thirty according to grasping—by view, conceit, and craving—and that an undiscerning person is shaken by them. Section 6 gives the remedy: one endowed with understanding delimits the illumination as “impermanent, conditioned, dependently originated,” contemplates it as “not mine, not I, not my self,” untangles the thirtyfold tangle, and determines: “Illumination and the rest are not the path; insight knowledge free from corruptions and entered upon the course is the path.” This is purification by knowledge and vision of what is and is not the path. The chapter closes by determining three truths: purification of view determines the truth of suffering, purification by overcoming doubt the truth of origin, and this purification the truth of the path. 〔Observation〕 This is the page where the subtractive measure of this arc—and of the whole book—detonates. Read it together with what came before: when the rapture, happiness, and illumination of jhāna surged up in Chapter 4, the Commentator warned that they were scaffolding rather than the destination; the near enemy of loving-kindness in Chapter 9 was a counterfeit with almost the same feeling. Here is the highest level of the same lesson. The illumination, rapture, and happiness among the ten corruptions are almost the insight-path version of Chapter 4’s cup of wine, while the real corruption is the tenth, delight: subtle pleasure in the first nine. The first nine are not themselves bad; attachment makes them bad. The entire work of this purification comes down to one sentence: recognize that “these ten are not the path; continuing to see arising and passing away as impermanent, suffering, and not-self is the path.” Even a good state produced by your own practice must be seen through, not clung to, and released.
§01 The Names of the Ten Corruptions of Insight and the Person in Whom They Arise → Vernacular §1
The ten corruptions of insight arise in one who has initiated insight through tender insight. They do not arise in a noble disciple who has reached penetration, in one following a wrong path, or in an indolent person who has abandoned the meditation subject; they certainly arise in a clansman who is practicing rightly, devoted to the work, and has initiated insight. The ten are illumination, knowledge, rapture, tranquillity, happiness, resolution, exertion, manifestation, equanimity, and delight. The canonical text says: when one attends as impermanent, illumination arises; adverting to illumination with the thought “illumination is a phenomenon” produces distraction, which is agitation. A mind seized by that agitation does not understand the manifestation as impermanent as it actually is; the same applies when attending as suffering or not-self, and the same pattern extends from knowledge through delight (vernacular §1). 〔Reading〕 First notice who encounters these corruptions: only someone who practices rightly and diligently. This is both consolation and warning. Encountering them means you are on the right road, but precisely because you are on the right road, this trap exists. The canonical text classifies it as “agitation about phenomena.” Illumination itself is not agitation; adverting to it with the thought “illumination is a phenomenon” and thereby becoming distracted is agitation. 〔Observation〕 The first nine of the ten bear the names of good things—knowledge, rapture, happiness, mindfulness, equanimity—while only the tenth, “delight,” bears the name of a defilement. The Commentator places them side by side so that the reader does not rush to divide them into good and bad, but first sees how they draw the practitioner away from the course of insight.
§02 The Corruption of Illumination—In Extent from One’s Cross-Legged Seat to Ten Thousand Worlds → Vernacular §2
Illumination is the illumination of insight. When it arises, the meditator takes what is not the path to be the path and what is not the fruit to be the fruit: “I never had such illumination before; I must have attained the path and fruit.” He leaves the course of insight, abandons the root meditation subject, and sits savoring illumination. Its extent may light only the cross-legged seat, or the room, outside the room, the whole monastery, a quarter yojana, half a yojana, one yojana, and so on, even forming one mass of light from earth to the Brahmā world of Akaniṭṭha. The Blessed One’s illumination lit ten thousand worlds. In a double-walled house at Cittalapabbata on a dark-fortnight observance night, with clouds covering every direction, two elders sat in darkness: one said that he saw five-colored flowers on the lion throne in the shrine courtyard; the other said he saw fish and turtles in the ocean a yojana away (vernacular §2). 〔Reading〕 Illumination can truly be immense—large enough to light ten thousand worlds in the Buddha’s case, or to see fish in the deep ocean a yojana away on a dark night. The Commentator does not deny its reality; he only says it is not the path. “Leaving the course of insight” is precise: one has not fallen into a pit but taken a side road—from observing arising and passing away to watching light. 〔Observation〕 The two elders compare who can see farther in the dark. The story offers no explicit comment, yet what they compare is precisely “my illumination.” Readers can see for themselves where the road forked.
§03 Three Accounts—Two Elders, Three Elders, and Elder Dhammadinna’s Test of Elder Mahānāga → Vernacular §3
The corruption mostly arises in those who have attained serenity and insight. Since defilements suppressed by attainment do not occur, the thought “I am an arahant” arises—as with Elders Mahānāga, Mahādatta, and Cūḷasumana. The story: Elder Dhammadinna of Talaṅgara, who had attained the analytical knowledges and was a great one whose influxes were destroyed, wondered whether his teacher Elder Mahānāga’s ascetic task had reached its summit. Seeing that the teacher was still an ordinary person and knowing that without his visit the elder would die as one, he flew there, asked a thousand questions, and received an unhindered answer to each. Asked when he had attained the Dhamma, the elder replied, “Sixty years ago.” Dhammadinna asked him to use concentration, create a white elephant, and make it raise its ears, extend its tail, put its trunk into its mouth, sound a terrifying cry, and charge. The elder did so, but at the sight of the terrifying elephant rushing toward him, he rose to flee. Dhammadinna caught the corner of his robe: “Is there timidity in one whose influxes are destroyed?” The elder recognized that he was an ordinary person, squatted at Dhammadinna’s feet, and asked him to be his refuge. Dhammadinna taught him a meditation subject; the elder mounted the walking path and attained arahantship on the third step. He was of a hating temperament. Bhikkhus of this kind too are shaken by illumination (vernacular §3). 〔Reading〕 This is one of the book’s most moving stories: sixty years—an old practitioner able to answer a thousand questions and conjure a white elephant had believed himself an arahant for sixty years. His student used an elephant charging toward him to show him that fear remained. Then the teacher did the most remarkable thing: he squatted at his student’s feet and said, “Please be my refuge.” Three steps later he attained the fruit. 〔Observation〕 The point is not that the teacher was wrong for sixty years but how cleanly he responded when shown. That clean response proves the work of those sixty years. The Commentator records this story to leave a road open for everyone harmed by corruptions that “mostly arise in those who have attained serenity and insight”: when shown, release it immediately; the road is still beneath your feet.
§04 The Nine Remaining Corruptions Explained One by One—Knowledge, Rapture, Tranquillity, Happiness, Resolution, Exertion, Manifestation, Equanimity, and Delight → Vernacular §4
Knowledge is knowledge of insight: as material and immaterial phenomena are weighed and investigated, sharp, courageous, exceedingly clear knowledge arises with irresistible force like Indra’s released thunderbolt. Rapture is the rapture of insight: the five kinds—minor, momentary, showering, uplifting, and pervading—fill the whole body. Tranquillity is the tranquillity of insight: body and mind are free of distress, heaviness, rigidity, unwieldiness, illness, and crookedness; tranquil, light, malleable, wieldy, exceedingly clear, and upright; they experience superhuman delight. The verse says that a peaceful-minded bhikkhu in an empty dwelling, rightly seeing phenomena, has superhuman delight; whenever he comprehends the aggregates’ arising and passing away, he gains rapture and gladness—the deathless for one who knows. Happiness is the happiness of insight, exceedingly sublime and suffusing the whole body. Resolution is faith, a strong faith associated with insight that is exceptional clarity of mind and mental factors. Exertion is energy, neither slack nor over-strained, but well exerted. Manifestation is mindfulness, well and firmly established, deeply planted, immovable like the king of mountains; whatever one adverts to, gathers, attends to, or reviews becomes manifest to mindfulness like the other world to the divine eye. Equanimity is insight equanimity and equanimity in adverting: the first is forceful neutrality toward all formations, while the second occurs at the mind door and proceeds sharply like Indra’s thunderbolt or a red-hot iron arrow thrown into a leaf receptacle. Delight is delight in insight: toward insight adorned with illumination and the rest, it arises as attachment in a subtle, peaceful guise and cannot even be apprehended as a defilement. As with illumination, when any of these arises, the meditator takes what is not the path for the path and what is not the fruit for the fruit, leaves the course of insight, abandons the root meditation subject, and sits savoring delight (vernacular §4). 〔Reading〕 Read the nine one by one and notice that the Commentator uses the highest descriptors for each: thunderbolt knowledge, five raptures filling the body, superhuman delight, mindfulness like the king of mountains, equanimity like a red-hot iron arrow. They are genuinely good—good enough to resemble the fruit. The description of the tenth, “delight,” is the most dangerous: it has “a subtle, peaceful guise” and “cannot even be apprehended as a defilement.” It disguises itself as peace. 〔Observation〕 “Manifestation” here is mindfulness and belongs to a different category from the “insight leading to emergence” before conformity knowledge after 21-08. Here mindfulness has become as strong as “the other world to the divine eye.” Even mindfulness can become a corruption, showing that corruption does not mean “a bad thing appeared”; it means “a good thing was grasped.” This has the same root as the illness “I contemplate” in 20-05 §5.
§05 The Thirty Graspings of the Ten Corruptions—Grasping by View, Conceit, and Craving → Vernacular §5
Illumination and the rest are called corruptions because they are bases for corruption, not because they are unwholesome; delight is both corruption and basis. As bases there are ten, but as graspings there are thirty: grasping “my illumination has arisen” is grasping by view; grasping “how agreeable that illumination has arisen” is grasping by conceit; savoring illumination is grasping by craving. Thus illumination has three graspings—view, conceit, and craving—and so does each of the rest. An unskillful, undiscerning person is shaken and distracted by them, contemplating each as “this is mine, this I am, this is my self.” The Ancients’ verse says he is shaken by illumination, knowledge, and rapture; his mind trembles because of tranquillity and happiness; he is shaken by resolution, exertion, manifestation, adverting to equanimity, equanimity itself, and delight (vernacular §5). 〔Reading〕 Ten times three equals thirty: each good thing can be grasped in three ways—“mine” is view, “how agreeable” is conceit, and “savoring” is craving. These are the same illnesses as the three statements in 20-05 §5: “I contemplate,” “I contemplate well,” and “I am able to contemplate.” 〔Observation〕 “Not because they are unwholesome”: the Commentator clears the names of the first nine. Illumination, knowledge, rapture, tranquillity, happiness, faith, energy, mindfulness, and equanimity are wholesome phenomena; grasping is the corruption. This sentence rescues many practitioners: you need not fear illumination, only “mine.”
§06 Determining What Is and Is Not the Path—Determining Three Truths and the Chapter’s Close → Vernacular §6
When illumination and the rest arise, a skillful, wise, discerning person endowed with understanding delimits and examines them with wisdom: “This illumination of mine has arisen; yet it is impermanent, conditioned, dependently originated, subject to exhaustion, decay, dispassion, and cessation.” Or: “If illumination were self, it would be proper to apprehend it as self; yet it is not-self and is apprehended as self. Therefore it is not-self in the sense of not being subject to mastery, impermanent in the sense of having been and then not being, and suffering in the sense of being oppressed by arising and passing away.” The method of the sevenfold method for the immaterial should be applied in detail. Illumination through delight is contemplated as “this is not mine, this I am not, this is not my self,” and the practitioner is not shaken. The Ancients’ verse says that when these ten bases are fully understood by wisdom, one is skillful in agitation about phenomena and does not proceed to distraction. Untangling the thirtyfold tangle, one determines: “Illumination and the rest are not the path; insight knowledge free from corruptions and entered upon the course is the path.” Knowledge standing after knowing “this is the path; this is not the path” is purification by knowledge and vision of what is and is not the path. Three truths have now been determined: purification of view determines the truth of suffering through the delimitation of name-and-form; purification by overcoming doubt determines the truth of origin through apprehension of conditions; and this purification determines the truth of the path through determining the right path. Thus three truths are first determined by mundane knowledge. The chapter ends (vernacular §6). 〔Reading〕 The remedy is one action: observe illumination as any other formation—it is impermanent, conditioned, dependently originated, subject to exhaustion, decay, dispassion, and cessation; it is not mine, not I, not my self. This uses the three statements of 20-05 and the sevenfold formula of 20-01; there is no new method. “Insight knowledge free from corruptions and entered upon the course is the path.” The path is not another, higher state; it is the original road continued after seeing through these ten. 〔Observation〕 The determination of three truths is a beautiful close to the chapter: three purifications each determine one truth—suffering, origin, and the path—while cessation remains for purification by knowledge and vision. This is the purest application of the whole arc’s measure: even a good state produced by your own practice must be seen through, not clung to, and released. Chapter 1 dismantles the medal of virtue, Chapter 4 the wine of jhāna, Chapter 9 the near enemy of loving-kindness, and here the illumination of insight. The same lesson at its highest level.
For the General Reader
The sentence most worth remembering is: your best meditation experience is not the destination. Illumination, rapture, happiness, even insight equanimity and equanimity in adverting and mindfulness like the king of mountains can surge up. Most are genuinely good; the problem is that you may take them to mean “I have attained the path.” Attach to them and good things become obstacles. The real corruption is the tenth, that trace of subtle delight, which disguises itself as peace. The remedy is not a new trick: regard illumination as any other formation—impermanent, conditioned, dependently originated; not mine, not I, not my self. See through it, do not cling, and continue on the original road. Remember the old elder of sixty years: when a student used an elephant to show that fear remained, he squatted down for instruction and attained the fruit in three steps. How cleanly you respond when shown—that is the practice.
To read this unit in full: Vernacular §§1–6 gives the complete, paragraph-by-paragraph translation of the names of the ten corruptions of insight and the people in whom they arise; the corruption of illumination and its extent; the three elders and Dhammadinna’s test of Mahānāga; the remaining nine corruptions; the thirty graspings; determining what is and is not the path; and determining the three truths.