妙法蓮華經文句 白話全本 · 冊1

天台法華䟽序 · 1 單元 · 第 16 冊 · 冊目次

天台法華䟽序Preface to the Tiantai Commentary on the Lotus

全文五層 →Full five layers →
白話Vernacular

唐代鏡中沙門神逈作序。

無名之理,隨緣之教

序說:最究竟的真理本來沒有名稱,它的名聲卻流布在四天下;真實的一乘本來不曾動搖,它的作用卻顯現在三界之中。指向證悟的教法就在一切事相中顯現,而真理仍凝然不動;悉檀隨順各種因緣教化眾生,不經造作籌度而自然提引眾人,其功德實在沒有比這更大的了。

《妙法蓮華經》是在佛出現世間之後,為了一大事因緣而說。只是眾生如同不同的藥草樹木,承受同一法雨滋潤之後,成長的結果各有差別;眾生的機緣根性不只一種,領受教法也就各不相同。佛施設權宜時,便有鹿苑所轉的四諦法輪;佛彰顯真實時,便有靈鷲山三次變淨國土之事。

經中意旨深遠,文辭安置凝重;佛的地位尊貴,所證之道高深。它彰明〈壽量品〉中久遠成佛的根本,也會通伽耶近時成道的示現。法雨降下,法螺吹起,法鼓擊動,法義宣演,使昔日所說如捕魚、取兔的工具一般可以放下;眾生經由開、示、悟、入,得到今日教法所要指出的魚與兔。

數如微塵的菩薩,所行之道漸增,剩餘受生漸減;曾停在草庵的聲聞,羞於所取之小而欣求大法。藥王焚燒手臂供養,多寶以完整之身出現而作證明。這圓滿至極的妙理深遠幽微,實在無法用言語說盡。

智者說法,灌頂私記

有一位天台大師,法號智顗。神逈序稱,他昔日在如來座前親自聽受這部經,所居位次是五品。他的聲名振動陳、隋兩朝,不曾循一般講席求學,卻能懸契佛乘;又以陀羅尼之力,具足無窮無盡的樂說辯才。

智者常在陳主的大極殿,面對帝王講說《仁王般若經》。身為萬乘之主的帝王向他屈膝,百官彈指讚歎。只以他的觀心解釋來說,其妙義離開有、無兩邊,以真性為軌範,借助觀照而達到通徹。他敘釋經名、詮明宗旨,與古德不同;又以五義核實義理,處處都扶助聖教。

智者弘法三十多年。在他親自撰述的疏中,只有《維摩疏》是隋朝奉煬帝敕命而作;眼前這部深玄的《法華》文字,乃是灌頂法師私下記錄,合成二十半卷。不是有智慧的人,便不能彈發這樣的妙義;這句話的確可信。

朗和尚條理次第

智者入滅一百多年以後,到了唐代天寶年間的戊子年,東陽郡清泰寺有一位朗和尚。他是法門中高壽的尊宿,也是清涼法池中能作眼目、又能引人前行的人;他對乘與戒都同樣急切,佛法內典與世間外典都能兼收。他如同得到滿慈所受的法器,又如空生安坐石室。

朗和尚每逢講授《文句》,總會默然感歎:『觀察全書的義趣,深深契合佛乘;沿著文字的走勢讀下去,有時次第卻不相順。有的地方文字相續而義理中斷,有的地方文字在後而所說之義反在前;有的長行先開出章目,有的卻從後面直接敘述章義;有的偈頌先舉出數目,有的後文所列名稱又不依先前次第。可是聖者的本意難以測度,只能仰信而已。』

當時許多聽講弟子一再勸請說:『上根的人容易領悟,探索幽深也不會迷失;中根、下根的人卻可能循著文字而失去意旨。倘若和尚再垂慈,把這部文字重新排定次第,那麼它所帶來的弘法利益一定非常廣大。』

朗和尚再三思量,實在不得已,才專心憶念智者大師,祈求冥加,請示這件事可做或不可做。因為夢中有所感應,他才開始整理條理次第。這也只是隨順文情,作合宜方便的安排,確實可以體諒;並不是苟且追求文字相同或不同,便任意在其中增加、刪減。

由文得旨,由橋到寶所

神逈盼望後來的學人明白原來的意旨,能像尋到衣領便索得整件衣裳,像擔取真金便捨棄砂礫;所說是真實之法,說法者不是虛妄之人。如此便能幫助玄妙的教風廣為吹揚,也能完備丹丘年老時的增補與刪削,使百界千如如同官府符契般彼此相合,使化城與寶所都有可以親近的渡口與橋梁。

序文又說,這部文字仰賴彌勒殷勤發問,轉出文殊珍重不輕發的解答;又以六足之論輔助《發智》,以一句精要褒揚《春秋》。

神逈等人共同採集、綜理前文,先在審察真理時得到輕安。他們無不以空王佛所共同發心、十六沙彌都能代為講說的舊事自勉。眼中翳花如遇日光,病苦消除而法珠得以長養;然而神逈仍自愧不及雁門的文筆,又怎敢說已窺見龍嚬那樣深奧的境界?他只盼望探求玄義的人,都能沐浴在佛道的法流中,並且知道這條法流從何處發源。

Preface composed by the Tang monk Shenjiong of Jingzhong.

The Nameless Principle and the Teaching That Follows Conditions

The preface says: the ultimate principle originally has no name, yet its renown circulates throughout the four continents. The real One Vehicle has never moved, yet its functioning appears within the three realms. The teaching that points toward realization manifests amid all phenomena, while the principle itself remains still and unmoving. The siddhānta modes teach beings in accord with their various conditions; without contrivance or calculation, they naturally draw everyone forward. No merit could be greater.

The Sutra of the Lotus Blossom of the Wondrous Dharma was taught after the Buddha appeared in the world, for the sake of the one great cause and condition. Yet beings resemble different medicinal herbs and trees. Although all receive the moisture of the same Dharma rain, each grows differently. Their opportunities and capacities are not of one kind, and so they receive the teaching in different ways. When the Buddha establishes provisional means, there is the turning of the Dharma wheel of the Four Truths at the Deer Park. When the Buddha reveals the real, there are the three transformations that purified the lands at Vulture Peak.

The sutra's purport is profound and its wording grave and carefully set. The Buddha's station is exalted, and the path he realized is deep. The sutra makes clear the distant Origin of buddhahood long ago in “The Lifespan of the Tathāgata,” while integrating it with the recent Trace of awakening at Gayā. The Dharma rain falls, the Dharma conch is blown, the Dharma drum is struck, and the Dharma meaning is proclaimed. What was taught in the past can then be set aside like traps for fish and snares for rabbits; through opening, revealing, awakening to, and entering, beings obtain the fish and rabbit to which today's teaching points.

Bodhisattvas as numerous as dust motes advance upon the path while their remaining births diminish. Śrāvakas who once lodged in a grass hut feel ashamed of what was small in their attainment and gladly seek the great Dharma. Medicine King burns his arms as an offering, while Many Treasures appears with his whole body to bear witness. This consummate and wondrous principle is so deep and subtle that words truly cannot exhaust it.

Zhiyi Teaches; Guanding Privately Records

There was a Tiantai master whose Dharma name was Zhiyi. Shenjiong's preface says that in the past he personally heard this sutra before the Tathāgata and that his station was within the Five Stages. His renown shook the courts of Chen and Sui. Without pursuing study through ordinary lecture halls, he inwardly accorded with the Buddha Vehicle. Through the power of dhāraṇī, he also possessed an inexhaustible eloquence of delight in teaching.

Zhiyi often lectured on the Prajñā of the Benevolent Kings before the sovereign in the Taiji Hall of the Chen ruler. The emperor, lord of ten thousand chariots, bent his knees before him, while the hundred officials snapped their fingers in acclaim. Consider only his interpretation through contemplating the mind: its wondrous meaning leaves behind both existence and nonexistence, takes true nature as its guiding standard, and relies on contemplation to attain thorough penetration. His explanations of the sutra's title and purport differed from those of earlier masters, and through the Five Meanings he examined the principle, everywhere supporting the sacred teaching.

Zhiyi propagated the Dharma for more than thirty years. Among commentaries he personally composed, only his Commentary on the Vimalakīrti Sūtra was written under an edict from Emperor Yang of the Sui. The present profound text on the Lotus, by contrast, was privately recorded by Dharma Master Guanding and compiled into twenty half-fascicles. It is indeed credible that only a person of wisdom could have drawn forth such wondrous meaning.

Master Lang Sets the Text in Order

More than a century after Zhiyi entered extinction, in the wuzi year of the Tang Tianbao era, there was a Master Lang at Qingtai Monastery in Dongyang Commandery. He was a long-lived elder within the Dharma gate, an eye within the clear and cooling Dharma pool, and a guide who could lead others onward. He was equally urgent about the Vehicle and the precepts and embraced both the inner Buddhist canon and the outer writings of the world. He was like one who had received the Dharma vessel bestowed upon Pūrṇa, and like Subhūti seated within his stone chamber.

Whenever Master Lang lectured on the Wenju, he would fall silent and sigh: “When one examines the purport of the whole work, it accords deeply with the Buddha Vehicle. Yet when one follows the movement of the words, the sequence is sometimes out of order. In some places the wording continues while the meaning breaks off; in others the words come later although their meaning has already appeared. Sometimes prose first opens a set of headings; elsewhere later text directly states their meaning. Sometimes a verse first gives a number, while the names subsequently listed do not follow that sequence. Yet the intent of the sage is difficult to fathom. We can only look up to it in trust.”

At that time, many disciples in the audience repeatedly urged him: “Those of superior capacity readily understand and do not lose their way when probing what is deep. Those of middling and lesser capacity, however, may follow the words and lose the purport. If the master would again extend his compassion and reset this text in order, the benefit it would bring to the propagation of the Dharma would surely be immense.”

Master Lang considered the matter again and again. Only when he truly had no alternative did he focus his recollection upon Master Zhiyi, pray for unseen aid, and ask whether the work should or should not be done. Only after receiving a response in a dream did he begin to arrange the textual order. This was simply a fitting accommodation made in accord with the movement of the text and is entirely understandable. It was not a careless pursuit of verbal sameness or difference followed by arbitrary additions and deletions.

From Words to Purport, from the Bridge to the Place of Jewels

Shenjiong hoped that later students would understand the original purport: finding the collar, they could retrieve the whole garment; taking up true gold, they could discard sand and gravel. What is taught is the true Dharma, and the one who teaches is not a false person. In this way, the subtle current of the teaching could be spread abroad, and the additions and deletions made in old age at Danqiu could be brought to completion. The hundred realms and thousand suchnesses would correspond like official tallies, while both the conjured city and the place of jewels would have a ford and bridge by which they could be approached.

The preface further says that this text relies upon Maitreya's earnest questioning to draw forth Mañjuśrī's carefully guarded reply. It also compares the six auxiliary treatises supporting the Jñānaprasthāna with a single incisive phrase praising the Spring and Autumn Annals.

Shenjiong and his companions gathered and ordered the preceding text, first gaining ease while examining the principle. They all encouraged themselves with the old accounts of together arousing the aspiration in the presence of the Buddha King of Emptiness and of the sixteen śrāmaṇeras each teaching in the Buddha's place. It was as though eye-floaters met sunlight: illness was dispelled and the Dharma jewel could grow. Yet Shenjiong still felt ashamed that his writing did not equal that of Yanmen. How, then, could he claim to have glimpsed a profundity like a dragon's frown? He hoped only that all who sought the profound meaning might bathe in the Dharma stream of the Buddha path and know the source from which that stream arose.

Translator · 釋慧鏡 Shi Huijing — with AI-assisted consistency checking

License · CC BY-NC-SA 4.0