清淨道論 白話全本 · 冊8Visuddhimagga · Complete Vernacular · Vol. 8

隨念業處品第八 · 4 單元 · 第 823 冊 · 8. The Recollections as Meditation Subjects · 4 units · Vol. 8 of 23 · 冊目次Volume index

死隨念 — 八種行相Mindfulness of Death — Eight Modes

全文五層 →Full five layers →
白話Vernacular

本單元白話為本編自巴利原典之譯疏(tr. mine),譯自公版 PTS 底本。


§1.1 Maraṇaṃ 死之三義·時死與非時死 〔Vism VIII·pp.229–230〕

第八品

隨念業處釋

一、死隨念

現在,輪到了緊接在〔前品〕¹之後的死隨念(maraṇasati)²之修習的說示。

其中,「死」(maraṇa)是指攝屬於一有之命根(jīvitindriya)³的斷絕。至於阿羅漢們那種名為輪迴之苦斷絕的「斷絕死」(samuccheda-maraṇa),諸行那種名為剎那壞滅的「剎那死」(khaṇika-maraṇa),以及「樹死了」「鐵死了」等等說法中的「世俗死」(sammuti-maraṇa)——這些都不是此處所欲的。而此處所欲的那一種,又有「時死」(kāla-maraṇa)與「非時死」(akāla-maraṇa)兩種。

其中,「時死」由福盡、或由命盡、或由二者俱盡而有;「非時死」則由能斷生命之業(kammupacchedaka-kamma)之力而有。

其中,儘管能生壽命相續之緣仍然具足,卻單由於能生結生之業其異熟已然熟盡而有的死——這名為「由福盡而死」。由於趣、時、食等之具足有所欠缺,如同現今時代的人一般,唯以量約百年之壽命的滅盡而有的死——這名為「由命盡而死」。至於像杜西魔(Dūsīmāra)、迦羅浮王(Kalāburāja)等人那樣,由於能在那一剎那就令〔有情〕從所處之地隕落的業,而使相續被斷絕者的死;或者由於先前之業、或者由於刀刃加害等加行,而使相續正被斷絕者的死——這名為「非時死」。這一切,也都被前面所說的那種命根之斷絕所總攝。


§1.2 Maraṇasati 死隨念之如理作意 〔Vism VIII·p.230〕

如此,對那名為命根斷絕的死之憶念,就是「死隨念」。想要修習它的人,應當到僻靜處獨處退隱,這樣轉起如理作意(yoniso manasikāra):「死將到來,命根將被斷絕」,或者只是「死、死」。因為不如理地轉起〔作意〕的人:憶念可愛之人的死時,生起愁——如同親生的母親憶念愛子之死;憶念不可愛之人的死時,生起喜悅——如同諸怨敵憶念怨敵之死;憶念中庸之人的死時,不生起悚懼(saṃvega)⁴——如同燒屍者見到死屍;憶念自己的死時,生起驚怖——如同怯懦之性的人見到舉刀的殺戮者。而這一切,都是由於缺乏念、悚懼與智而有的。所以,應當觀看各處被殺與已死的有情,並轉念於那些先前曾見其興盛而如今已死的有情之死,配合念、悚懼與智,依「死將到來」等方式轉起作意。這樣轉起的人,就是如理地轉起;意思是以方便而轉起。實則單單這樣轉起,就有某些人的諸蓋⁵被鎮伏,以死為所緣的念得以安住,業處⁶即達於近行〔定〕。⁷


§1.3 Vadhakapaccupaṭṭhānato 如殺者逼近(八行相標目) 〔Vism VIII·pp.230–232〕

但是,對於僅僅這樣還不成的人,就應當依這八種行相隨念死:(一)由殺戮者現前,(二)由興衰,(三)由引比,(四)由身共眾類,(五)由命脆,(六)由無相,(七)由限期,(八)由剎那短促。

其中,(一)「由殺戮者現前」,是說〔死〕像殺戮者一樣現前。譬如殺戮者心想「我要砍下這人的頭」,執刀而在他頸上比劃著,就是現前而立的;死也同樣是現前而立的——應當這樣隨念。為什麼?因為它與〔生〕俱來,也因為它奪去性命。譬如菌菇之蕾必定是頂著泥土而生起的,同樣,諸有情也必定是帶著老死而出生的。因為他們的結生心一生起,隨即到達老,就像從山頂墜落的石頭那樣,與相應的諸蘊一同壞滅——如此,剎那死固然是與〔生〕俱來的;而既已出生就必定要死,所以此處所欲的死也是與〔生〕俱來的。所以,這個有情從出生的時候起,就如同升起的太陽一直朝著落處而去,從已行過的地方連一點也不回轉;又如同山間急流的、能沖走〔所遇之物〕的河水,一直流著、轉著,連一點也不回轉——同樣地,〔他〕連一點也不回轉,只朝著死而去。所以說:

人於母胎中初住一夜, 便如已啟程者而行去,去而不返。

而對這樣行去的人來說,死就是逼近的:如同被暑熱所炙的小河之乾涸,如同其蒂為水液所浸之樹果於清晨之墜落,如同被木槌所擊的陶器之破碎,也如同被日光所觸的露珠之消散。所以說:

晝夜消逝,命亦止息, 諸有死者之壽漸盡,如小河之水。

猶如已熟之果,清晨即有墜落之怖, 如是已生之諸有死者,恆有由死而來之怖。

猶如陶師所作的陶器, 或小或大,已燒的與未燒的, 一切都以破碎為終;有死者之命亦復如是。

猶如草尖上的露珠,向著日出而〔消〕, 人之壽命亦復如是。母親啊,請莫阻攔我。

如此,這與〔生〕俱來的死,就像舉刀的殺戮者;而且它也像那在頸上比劃著刀的殺戮者一樣,必定奪去性命,奪去之後不再回轉。所以,由於它與〔生〕俱來、由於它奪去性命,死也像舉刀的殺戮者一樣是現前而立的——應當這樣「由殺戮者現前」而隨念死。


§1.4 Sampattivipattito 由興盛之敗壞 〔Vism VIII·p.232〕

(二)「由興衰」:此中所謂「興盛」,唯有在敗壞尚未勝過它之時才顯得光彩;而且並沒有哪一種興盛,是能超越敗壞而住立的。正是如此:

曾享盡全部大地、施出百俱胝而得安樂者, 到最後只作了半顆庵摩勒果的主人。

就在那同一個身軀之中,當福已盡時, 那位「無憂」者也趣向於死,而落入了憂愁。

再者,一切健康以病為終,一切少壯以老為終,一切生命以死為終;整個世間的居止都被生所隨逐、被老所遍布、被病所勝伏、被死所擊倒。所以說:

猶如廣大的石山高抵虛空, 從四面輾轉逼來,碾碎四方; 老與死之逼臨有情,亦復如是。 剎帝利、婆羅門、吠舍、首陀羅、旃陀羅、僕吉沙, 它一個也不迴避,一切盡皆碾伏。 那裡沒有象軍的用武之地,沒有車軍,沒有步軍, 也不能以咒術之戰或以財富取勝。

應當這樣確定「生命之興盛以死之敗壞為終」,而「由興衰」隨念死。


§1.5 Upasamharaṇato 以比較 〔Vism VIII·pp.232–235〕

(三)「由引比」,是說把自己與他人相比。此中應當依七種行相引比而隨念死:由名譽之大、由福德之大、由力之大、由神通之大、由智之大、由〔諸〕辟支佛、由〔諸〕正等覺者。怎麼說呢?這個所謂的死,對於有大名譽、有大眷屬、財富與車乘具足的摩訶薩瑪達(Mahāsammata)、曼陀多(Mandhātu)、摩訶須達薩那(Mahāsudassana)、怛黎那彌(Daḷhanemi)、尼彌(Nimi)等人,尚且毫無顧忌地落下,何況我,豈有不落到我身上之理?

  有大名譽的諸勝王,摩訶薩瑪達等,
  他們也落入了死的支配;何況像我這樣的人?

先應當這樣「由名譽之大」隨念。怎樣是「由福德之大」呢?

  樹提迦、闍提羅、鬱伽、民達迦,還有富那迦,
  這些人以及世間其他號稱大福德者,
  全都到達了死;何況像我這樣的人?

應當這樣「由福德之大」隨念。怎樣是「由力之大」呢?

  婆蘇提婆、婆羅提婆、毘摩斯那、優地提羅,
  旃那羅、毘耶提力士,都落入了終結者的支配;
  這些在世間號稱「具如是強力」者,
  也都走向了死;何況像我這樣的人?

應當這樣「由力之大」隨念。怎樣是「由神通之大」呢?

  唯以足拇指便震動毘闍延多〔宮〕者,
  那位神通者中最勝的第二上首弟子,
  也連同諸神通一起進入了可怖的死口,
  如同鹿入獅口;何況像我這樣的人?

應當這樣「由神通之大」隨念。怎樣是「由智之大」呢?

  除了世間怙主之外,其餘所有的有情,
  都不及舍利弗之慧的十六分之一;
  如是有大慧的第一上首弟子,
  也落入了死的支配;何況像我這樣的人?

應當這樣「由智之大」隨念。怎樣是「由〔諸〕辟支佛」呢?就連那些以自己的智力與精進力摧破一切煩惱之敵、證得辟支菩提、如犀牛角一般〔獨行〕的自生者,也不曾從死解脫,何況我,豈能解脫?

  依於種種因相而觀察思擇的諸大仙,
  以自生之智威力而到達漏盡者,
  以獨行獨住而如犀牛之角者,
  他們也未曾超越死;何況像我這樣的人?

應當這樣「由〔諸〕辟支佛」隨念。怎樣是「由〔諸〕正等覺者」呢?就連那位世尊——祂的色身以八十隨形好所莊嚴、以三十二大人相所交飾,祂的法身以一切行相清淨的戒蘊等功德之寶所充實,祂已到達名譽之大、福德之大、力之大、神通之大、智之大的彼岸,無等、無等等、無可匹敵,是應供、正等覺——祂也如同大火聚被大雨所降而〔熄滅〕一般,被死之雨所降,當下就寂滅了。

  如是有大威神的大仙,
  〔死〕既不怖畏、也不羞慚,竟令祂落入死的支配;
  這無慚、離愧、碾伏一切有情者,
  又怎會不勝過像我這樣的有情呢?

應當這樣「由〔諸〕正等覺者」隨念。他這樣依「死之共同性」,把自己與具足名譽之大等的他人相比,隨念「像那些殊勝的有情一樣,我也將死」;如此隨念之時,業處便達於近行〔定〕。應當這樣「由引比」隨念死。


§1.6 Kāyabahusādhāraṇato 身為多者所共 〔Vism VIII·p.235〕

(四)「由身共眾類」:這個身體是與許多〔眾類〕所共的——首先,它是與八十種蟲類所共的。其中,依於外皮的生類啃食外皮,依於內皮的啃食內皮,依於肉的啃食肉,依於筋的啃食筋,依於骨的啃食骨,依於髓的啃食髓;牠們就在那裡出生、衰老、死去、大小便——這個身體正是牠們的產房、病房、墳場、廁所與尿槽。這個身體單由那些蟲類的擾動,就會走向死。而且,正如它與八十種蟲類所共,它也與內在數百種的病、以及外在的蛇、蠍等種種死之緣所共。譬如在四衢大道上所立的箭靶,從四方八面射來的箭、矛、標槍、石塊等都落到它上面;同樣,一切災患也都落到這身上。這個身體單由那些災患的降落,就會走向死。所以世尊說:「諸比丘,這裡,比丘於日已過、夜將臨之時,這樣審思:『我死的因緣實在眾多:蛇可能咬我,蠍可能螫我,蜈蚣可能咬我,由此我便命終,那便成為我的障礙。或者我可能失足跌倒;或者我所吃的食物可能不消化;或者我的膽汁可能發作,或者我的痰可能發作,或者我那如刀之風可能發作,由此我便命終,那便成為我的障礙。』」應當這樣「由身共眾類」隨念死。


§1.7 Āyudubbalato 壽命無力 〔Vism VIII·pp.235–236〕

(五)「由命脆」:所謂壽命,是無力的、脆弱的。因為有情的生命繫於出息與入息,繫於威儀,繫於冷與熱,繫於四大種,也繫於食。這〔生命〕唯有在得到出入息之平衡運轉時才轉起;而當向外呼出的鼻中之風不再入內,或者已入內而不再出來時,就叫作死了。它也唯有在得到四種威儀之平衡運轉時才轉起;而當其中任何一種過度時,諸壽行便被斷絕。它也唯有在得到冷與熱之平衡運轉時才轉起;而被過冷或過熱所勝伏的人,便毀壞了。它也唯有在得到四大種之平衡運轉時才轉起;而由於地界、或水界等之中任何一界的擾動,即使是有力量的人,也會身體僵硬、或因下痢等而身體濕爛腐臭、或為大熱所惱、或關節之繫結崩解,而到達命的滅盡。同樣,唯有在適時得到摶食(kabaliṅkārāhāra)時,生命才轉起;而得不到食物的人,便走向〔生命的〕滅盡。應當這樣「由命脆」隨念死。


§1.8 Animittato 無相·不定 〔Vism VIII·pp.236–237〕

(六)「由無相」,就是「由無定準」;意思是沒有界限可定。因為對有情而言:

  命、病、時、棄身之處與趣:
  這五者在有生之世間中無相,不可知。

其中,先說「命」:由於沒有「只應活這麼久,不能過此」這樣的定準,所以是無相。因為有情在羯羅藍位就死,在頞部曇位、閉尸位、鍵南位⁸,以及一月、二月、三月、四月、五月、十月之時也死,在出胎之時也死,此後在百年之內也死、之外也死。

「病」也由於沒有「有情唯由這種病而死,不由別的」這樣的定準,所以是無相;因為有情由眼病也死,由耳病等之中任何一種也死。

「時」也由於沒有「唯應於此時死,不於別時」這樣的定準,所以是無相;因為有情在上午也死,在正午等之中任何一時也死。

「棄身之處」也由於沒有「將死者的身體唯應倒在這裡,不在別處」這樣的定準,所以是無相;因為生在村內者,其自體也倒在村外;生在村外者,也倒在村內。同樣,生於陸地者〔倒〕於水中、生於水中者〔倒〕於陸地——應當依種種方式廣說。

「趣」也由於沒有「從此處死沒者唯應生在這裡」這樣的定準,所以是無相。因為從天界死沒的也生在人中,從人間死沒的也生在天界等任何一處。如此,世間就像繫在機軸上的牛一樣,在五趣⁹之中輾轉迴旋——應當這樣「由無相」隨念死。


§1.9 Addhānaparicchedato 時限有定 〔Vism VIII·pp.237–238〕

(七)「由限期」:所謂人的壽命,如今並無〔定〕限,其時程也不如〔往昔〕。¹⁰「活得久的,也就是百年,或者稍微過些」——所以世尊說:「諸比丘,人的這壽命短少,來世是必須前往的。應當作善,應當行梵行,已生者沒有不死的。諸比丘,活得久的,也就是百年,或者稍微過些。」……

人壽短少,善士應輕之, 當如頭燃者而行;死之不來,無有是處。

又說:「諸比丘,往昔有一位名叫阿羅迦(Araka)¹¹的師父」——這整部以七種譬喻莊嚴的經,都應當廣說。又說:「諸比丘,凡有比丘這樣修習死隨念:『啊,但願我能活一晝夜,好作意世尊的教法——那樣我所作的就實在多了!』;諸比丘,又有比丘這樣修習死隨念:『啊,但願我能活一日,好作意世尊的教法——那樣我所作的就實在多了!』;諸比丘,又有比丘這樣修習死隨念:『啊,但願我能活到吃完一缽食的那段時間,好作意世尊的教法——那樣我所作的就實在多了!』;諸比丘,又有比丘這樣修習死隨念:『啊,但願我能活到咀嚼吞嚥四五口食物的那段時間,好作意世尊的教法——那樣我所作的就實在多了!』——諸比丘,這些比丘被稱為住於放逸者,為漏盡而遲鈍地修習死隨念。

「而諸比丘,凡有比丘這樣修習死隨念:『啊,但願我能活到咀嚼吞嚥一口食物的那段時間,好作意世尊的教法——那樣我所作的就實在多了!』;諸比丘,又有比丘這樣修習死隨念:『啊,但願我能活到出息之後入息、或入息之後出息的那段時間,好作意世尊的教法——那樣我所作的就實在多了!』——諸比丘,這些比丘被稱為住於不放逸者,為漏盡而銳利地修習死隨念。」如此,生命的時程唯是咀嚼四五口食物那麼一點,不可信賴而短促——應當這樣「由限期」隨念死。


§1.10 Khaṇaparittato 剎那短促 〔Vism VIII·p.238〕

(八)「由剎那短促」:因為就第一義而言,有情生命的剎那極為短促,唯是一心之轉起而已。譬如車輪即使在轉動時也只以輪緣的一點轉動,即使在停住時也只以一點停住;同樣,有情的生命也只是一心剎那¹²的,當那個心一滅去,就說「有情滅了」。如說:「於過去心剎那曾活過,不活,不將活;於未來心剎那不曾活過,不活,將活;於現在心剎那不曾活過,活,不將活。」

  命與自體,以及一切苦樂,
  唯與一心相應;剎那迅速地轉起。

  凡於此處,正死者或正住者所已滅的,
  一切諸蘊都同樣是去而不再結生的。

  由於未生起〔之心〕而未生,由現在〔之心〕而活;
  心一壞滅,世間即死:此是就第一義而立的施設。

應當這樣「由剎那短促」隨念死。


§1.11 Maraṇasati 死隨念之修習與功德 〔Vism VIII·pp.229–239〕

如此,依這八種行相中的任何一種而隨念的人,也由於一再作意,心便得到熟習,以死為所緣的念得以安住,諸蓋被鎮伏,諸禪支¹³顯現。然而,由於所緣是自性法¹⁴,又由於它能引生悚懼,所以禪那不達安止(appanā),只達近行(upacāra)。至於出世間禪那,以及第二、第四無色禪那,雖然〔所緣〕也是自性法,卻由於修習之殊勝而達到安止:因為出世間〔禪〕是依清淨修習之次第而達到安止的,無色〔禪〕則是依超越所緣之修習而達到安止的。而在那裡〔無色禪〕,唯有已達安止之禪那的超越所緣而已;在此處〔死隨念〕,這兩者卻都沒有。所以禪那只達近行。這〔念〕因為是以念之力而生起的,所以就名為「死隨念」。

而且,勤修此死隨念的比丘恆常不放逸,得到於一切有中不喜之想,捨棄對命的愛著,訶責諸惡,不多積蓄,於資具離垢離慳;無常想於他成為熟習,隨此而苦想與無我想也現前。

未修死〔隨念〕的有情,在臨死之時,就像忽然被猛獸、夜叉、蛇、盜賊、殺戮者所勝伏一般,陷入怖畏、驚駭與迷亂;〔修此念的比丘〕則不如此陷入,而是無怖、不迷亂地命終。他即使不能於現法中證得不死,身壞之後也必趣於善趣。

是故賢智者,當常勤行不放逸, 於此大威神之死隨念中。

此即《死隨念》之詳論門。¹⁵


¹ 前品即第七品〈六隨念〉;十隨念之後四者自本品開演。

² 念(sati):憶持所緣而不忘失之心所,論中恆與智、精進、定並行。與今日通行之「正念」一語所指之泛然覺察不同科,宜依本論所立而讀。

³ 命根(jīvitindriya):持一期生命相續之根;論以其斷絕一語總攝時死與非時死之四種。

⁴ 悚懼(saṃvega):緣所觀之境而起之緊迫驚悚,與下文之「驚怖」不同科。

⁵ 諸蓋(nīvaraṇa):障定之五法,其開演在第四品〈地遍〉。

⁶ 業處(kammaṭṭhāna):修定所依之所緣及其修法之通名,論凡列四十業處。

⁷ 近行定(upacāra-samādhi):諸蓋已伏而尚未入安止之一級定;安止定(appanā-samādhi)則心全然入於所緣而不動。

⁸ 羯羅藍・頞部曇・閉尸・鍵南:胎中前四位,取漢傳既有之定名。

⁹ 五趣:有情受生之五處,與四生・七識住・九有情居並為輪迴所涉之域。

¹⁰ 底本此句作壽命「並無定限」;他本則作「如今時程短促」——二者義向相反。今從底本。

¹¹ 阿羅迦(Araka):往昔一師之名,論引其經而以七種譬喻明壽命之短促。

¹² 一心剎那:一心生住滅之極短時分;論就第一義判有情之命唯是此一剎那。

¹³ 禪支(jhānaṅga):禪那之五支,即尋・伺・喜・樂・一境性。

¹⁴ 自性法:有自體可得之法;論以所緣為自性法、又以其能引生悚懼,判此念不入安止。

¹⁵ 詳論門(vitthārakathāmukha):一節詳說既竟之收束定式,「詳」「論」「門」分承 vitthārakathāmukha 三語。

The vernacular of this unit is this edition’s own rendering-with-exposition from the Pāli original (tr. mine), made from the public-domain PTS text.


§1.1 Maraṇaṃ: Three Meanings of Death; Timely and Untimely Death 〔Vism VIII·pp.229–230〕

Chapter Eight

Exposition of Recollection Meditation Subjects

First: Mindfulness of Death

Now comes the exposition of the cultivation of mindfulness of death (maraṇasati)², immediately following [the preceding chapter].¹

Here, “death” (maraṇa) means the cutting off of the life faculty (jīvitindriya)³ belonging to a single existence. The arahants’ “death-as-final-cutting-off” (samuccheda-maraṇa), so called because it cuts off the suffering of the round; formations’ “momentary death” (khaṇika-maraṇa), so called because they break up from moment to moment; and “conventional death” (sammuti-maraṇa) in expressions such as “the tree died” and “the metal died”—none of these is intended here. The death intended here is of two kinds: “timely death” (kāla-maraṇa) and “untimely death” (akāla-maraṇa).

Timely death occurs through the exhaustion of merit, the exhaustion of the life span, or the exhaustion of both; untimely death occurs through the power of life-cutting kamma (kammupacchedaka-kamma).

Death that occurs solely because the result of the kamma that produced rebirth has fully ripened, even though the conditions capable of sustaining the continuity of life are still present, is called “death by exhaustion of merit.” Death that occurs through the exhaustion of a life span measuring about a hundred years, as with people in the present age, because the supporting conditions of destiny, time, food, and so forth are deficient, is called “death by exhaustion of life-span.” Death in which continuity is cut off by kamma capable of making [a being] fall from their present station in that very moment, as with Dūsīmāra and King Kalābu (Kalāburāja), or in which continuity is being cut off through former kamma or through an assault such as a weapon attack, is called “untimely death.” All of these are included under the cutting off of the life faculty described above.


§1.2 Maraṇasati: Proper Attention to Mindfulness of Death 〔Vism VIII·p.230〕

Thus, remembering the death called the cutting off of the life faculty is “mindfulness of death.” A practitioner who wishes to cultivate it should go to a secluded place and withdraw alone, directing proper attention (yoniso manasikāra) in this way: “Death will come; the life faculty will be cut off,” or simply, “Death, death.” For a person directing attention improperly, sorrow arises when they remember the death of someone dear—as when a birth mother remembers the death of her beloved child; gladness arises when they remember the death of someone disliked—as when enemies remember an enemy’s death; urgency (saṃvega)⁴ does not arise when they remember the death of someone neutral—as when a cremator sees a corpse; and terror arises when they remember their own death—as when a timid person sees an executioner with an upraised sword. All of this occurs from the absence of mindfulness, urgency, and knowledge. Therefore, after looking at beings killed or dead in various places and bringing to mind the death of beings whom the practitioner had formerly seen prospering but who are now dead, the practitioner should join mindfulness, urgency, and knowledge and direct attention in such terms as “Death will come.” A practitioner who proceeds in this way proceeds properly; that is, they proceed by a skillful means. Indeed, by proceeding in this way alone, some practitioners suppress the hindrances,⁵ establish mindfulness with death as its object, and bring the meditation subject⁶ to access [concentration].⁷


§1.3 Vadhakapaccupaṭṭhānato: As an Executioner Stands Present (List of the Eight Modes) 〔Vism VIII·pp.230–232〕

But if this much does not bring success, death should be recollected in these eight modes: (1) by way of [death’s] presentation as executioner, (2) by way of fortune-failure, (3) by way of comparison, (4) by way of the body’s being shared with many, (5) by way of the weakness of life, (6) by way of [death’s] signlessness, (7) by way of the limit of duration, and (8) by way of the brevity of the moment.

Here, (1) “by way of [death’s] presentation as executioner” means that [death] stands present like an executioner. Just as an executioner, thinking, “I shall cut off this person’s head,” stands present with sword in hand, testing its path at the person’s neck, so death too stands present: this is how it should be recollected. Why? Because it comes together with birth and because it takes life. Just as a mushroom bud necessarily rises with soil on its cap, beings too are born carrying aging and death. For as soon as their rebirth consciousness has arisen, it reaches aging and, like a rock fallen from a mountain peak, breaks up together with its associated aggregates. In this way momentary death comes together with birth; and because whoever has been born must die, the death intended here also comes together with birth. Therefore, from the time of birth this being, like the risen sun that goes only toward its setting without turning back even slightly from any place it has passed, or like the swift mountain river that carries off what it meets and continues flowing and rolling without turning back even slightly, does not turn back even slightly but goes only toward death. Hence it is said:

On the first night a person dwells in the womb, they set out on the journey, going on without return.

For a person journeying in this way, death draws near like a small river drying up under the summer heat, like fruit whose stem has been soaked with sap falling in the morning, like pottery struck with a wooden mallet breaking apart, and like dewdrops dispersing when touched by sunlight. Hence it is said:

Days and nights pass; life comes to a halt. The life span of mortals drains away like water in a small stream.

As ripe fruit is always in danger of falling at dawn, so beings once born are always in danger from death.

The vessels made by a potter, whether small or large, fired or unfired, all end in breaking; so too the life of mortals.

As a dewdrop on a blade of grass vanishes toward sunrise, so too does human life. Mother, do not hold me back.

Thus death, which comes together with birth, is like an executioner with an upraised sword; and like that executioner testing the sword at the neck, it unfailingly takes life and does not turn back after taking it. Because death comes together with birth and takes life, it stands present like an executioner with an upraised sword: death should be recollected in this way, “by way of [death’s] presentation as executioner.”


§1.4 Sampattivipattito: By Way of Fortune-Failure 〔Vism VIII·p.232〕

(2) “By way of fortune-failure”: here, fortune appears splendid only until failure overcomes it, and there is no fortune that can remain after passing beyond failure. Indeed:

Having enjoyed the whole earth and given away a hundred crores, living happily, in the end he became master of only half an āmalaka fruit.

When merit was exhausted within that very same body, even the “Sorrowless” turned toward death and fell into sorrow.

Moreover, all health ends in illness, all youth ends in aging, and all life ends in death. The entire world’s community is pursued by birth, pervaded by aging, overcome by illness, and struck down by death. Hence it is said:

As vast mountains of rock, rising to the sky, might roll in from every side, crushing the four directions, so aging and death close in upon beings. Khattiyas, brahmins, vessas, suddas, caṇḍālas, and pukkusas— they spare none but crush them all. There is no ground there for elephant troops, no place for chariots or infantry; they cannot be conquered by a battle of spells or by wealth.

Death should be recollected “by way of fortune-failure” by determining that the fortune of life ends in the failure of death.


§1.5 Upasaṃharaṇato: By Way of Comparison 〔Vism VIII·pp.232–235〕

(3) “By way of comparison” means comparing yourself with others. Here death should be recollected by comparison in seven modes: by greatness of fame, greatness of merit, greatness of strength, greatness of psychic power, greatness of wisdom, by reference to the paccekabuddhas, and by reference to the Sammāsambuddha. How? Death has fallen without hesitation even upon people of great fame, great retinues, wealth, and vehicles—Mahāsammata, Mandhātu, Mahāsudassana, Daḷhanemi, Nimi, and others. How could it fail to fall upon me?

  The victorious kings of great fame, Mahāsammata and the rest,
  also fell under death’s dominion; what can be said of someone like me?

First recollect in this way “by greatness of fame.” How is death recollected “by greatness of merit”?

  Jotika, Jaṭila, Ugga, Meṇḍaka, and Puṇṇaka—
  these and others famed in the world for great merit
  all reached death; what can be said of someone like me?

Recollect in this way “by greatness of merit.” How is death recollected “by greatness of strength”?

  Vāsudeva, Baladeva, Bhīmasena, Yudhiṭṭhila,
  Cānura and Piyādi the Wrestler all fell under the Ender’s dominion;
  though famed in the world as endowed with such mighty strength,
  they too went to death; what can be said of someone like me?

Recollect in this way “by greatness of strength.” How is death recollected “by greatness of psychic power”?

  With no more than his great toe he shook the Vejayanta Palace;
  that second chief disciple, foremost among those with psychic power,
  entered death’s dreadful mouth together with his powers,
  like a deer entering a lion’s mouth; what can be said of someone like me?

Recollect in this way “by greatness of psychic power.” How is death recollected “by greatness of wisdom”?

  Apart from the Protector of the World, all other beings
  do not equal even a sixteenth part of Sāriputta’s wisdom;
  yet the first chief disciple, possessed of such great wisdom,
  fell under death’s dominion; what can be said of someone like me?

Recollect in this way “by greatness of wisdom.” How is death recollected “by reference to the paccekabuddhas”? Even those self-awakened sages who, through the strength of their own knowledge and energy, crushed every enemy of defilement, reached paccekabodhi, and lived alone like the rhinoceros horn did not escape death. How then could I escape?

  The great seers who examined and investigated through various signs,
  who reached the exhaustion of the taints through the power of self-arisen knowledge,
  who lived and wandered alone, like the rhinoceros horn—
  even they did not pass beyond death; what can be said of someone like me?

Recollect in this way “by reference to the paccekabuddhas.” How is death recollected “by reference to the Sammāsambuddha”? Even the Blessed One—whose physical body was adorned with the eighty minor characteristics and embellished with the thirty-two marks of a great person; whose Dhamma body was filled with the jewel-like qualities of the aggregate of virtue, purified in every respect, and the rest; who had reached the far shore of greatness of fame, merit, strength, psychic power, and wisdom; who was unequalled, the equal of the unequalled, without a counterpart, the Worthy One, the Fully Awakened One—even he, like a great mass of fire quenched by a downpour, was immediately stilled by the downpour of death.

  Death, neither fearing nor feeling shame,
  brought this great seer of such majestic power under its dominion;
  shameless, without moral dread, crushing every being—
  how could it fail to overcome a being like me?

Recollect in this way “by reference to the Sammāsambuddha.” Having compared themself through the commonality of death with others endowed with greatness of fame and the rest, the practitioner recollects, “Like those distinguished beings, I too shall die”; as they recollect in this way, the meditation subject reaches access [concentration]. Death should be recollected in this way “by way of comparison.”


§1.6 Kāyabahusādhāraṇato: By Way of the Body’s Being Shared with Many 〔Vism VIII·p.235〕

(4) “By way of the body’s being shared with many”: this body is shared with many—first, with eighty families of worms. Creatures dependent on the outer skin eat the outer skin, those dependent on the inner skin eat the inner skin, those dependent on flesh eat flesh, those dependent on sinews eat sinews, those dependent on bones eat bones, and those dependent on marrow eat marrow. There they are born, age, die, urinate, and defecate; this body is their birthing room, infirmary, cemetery, latrine, and urine trough. This body goes to death through the disturbance of those worms alone. And just as it is shared with eighty families of worms, it is also shared with hundreds of internal illnesses and with external conditions for death, such as snakes and scorpions. Just as arrows, spears, javelins, stones, and the rest, shot from the four quarters and eight directions, all fall upon a target set at a crossroads, so every calamity falls upon this body. This body goes to death simply through the fall of those calamities. Therefore the Blessed One said: “Bhikkhus, here, when day has passed and night draws on, a bhikkhu reflects thus: ‘There are indeed many conditions for my death: a snake might bite me, a scorpion might sting me, or a centipede might bite me; through that I might die, and that would be an obstacle for me. Or I might stumble and fall; the food I have eaten might disagree with me; my bile might flare up, my phlegm might flare up, or knife-like winds might flare up; through that I might die, and that would be an obstacle for me.’” Death should be recollected in this way “by way of the body’s being shared with many.”


§1.7 Āyudubbalato: By Way of the Weakness of Life 〔Vism VIII·pp.235–236〕

(5) “By way of the weakness of life”: what is called a life span is powerless and fragile. A being’s life depends upon out-breath and in-breath, posture, cold and heat, the four great elements, and food. [Life] continues only while out-breath and in-breath proceed in balance; when the wind exhaled through the nose no longer enters, or the wind that has entered no longer comes out, the person is called dead. It continues only while the four postures proceed in balance; when any posture becomes excessive, the life formations are cut off. It continues only while cold and heat proceed in balance; a person overcome by excessive cold or heat is destroyed. It continues only while the four great elements proceed in balance; through a disturbance in the earth element, the water element, or any other element, even a powerful person may become rigid-bodied, become sodden and putrid through diarrhea and the like, become tormented by great heat, or have the bonds of the joints break apart, and thus reach the exhaustion of life. Likewise, life continues only when physical food (kabaliṅkārāhāra) is obtained at the proper time; a person who obtains no food reaches exhaustion. Death should be recollected in this way “by way of the weakness of life.”


§1.8 Animittato: By Way of Signlessness and Indeterminacy 〔Vism VIII·pp.236–237〕

(6) “By way of signlessness” means “by way of indeterminacy”; there is no boundary that can be fixed. For beings:

  Life, illness, time, the place where the body is laid down, and destination:
  these five have no sign and cannot be known in the living world.

First, “life” is signless because there is no fixed rule, “A being should live only this long and not beyond.” Beings die in the kalala stage, in the abbuda, pesi, and ghana stages,⁸ and at one month, two months, three months, four months, five months, or ten months; they die at birth, and later they die within a hundred years or beyond it.

“Illness” is signless because there is no fixed rule, “Beings die only from this illness, not another”; beings die from eye disease or from any among ear disease and the rest.

“Time” is signless because there is no fixed rule, “A being must die only at this time, not another”; beings die in the morning or at any time such as midday.

“The place where the body is laid down” is signless because there is no fixed rule, “The body of a dying person must fall only here and nowhere else”; the body of a person born inside a village may fall outside it, and the body of a person born outside may fall inside. Likewise, a land-born being may [fall] in water and a water-born being on land—this should be expanded in many ways.

“Destination” is signless because there is no fixed rule, “A being who dies here must be reborn only there.” A being who dies in a deva realm may be born among humans, and a being who dies in the human world may be born in a deva realm or anywhere else. In this way the world turns round through the five destinations,⁹ like an ox yoked to a machine. Death should be recollected in this way “by way of signlessness.”


§1.9 Addhānaparicchedato: By Way of the Limit of Duration 〔Vism VIII·pp.237–238〕

(7) “By way of the limit of duration”: the human life span now has no [fixed] limit, nor is its duration as [it was in the past].¹⁰ “A person who lives long lives a hundred years, or a little more.” Therefore the Blessed One said: “Bhikkhus, this human life span is short; the future world must be entered. Good should be done, the holy life should be lived; no born being is free from death. Bhikkhus, a person who lives long lives a hundred years, or a little more.” . . .

Human life is short; a good person should hold it lightly. Act as if your head were on fire; there is no chance that death will not come.

He also said, “Bhikkhus, in the past there was a teacher named Araka”¹¹—the whole discourse adorned with seven similes should be expanded. He also said: “Bhikkhus, a bhikkhu may cultivate mindfulness of death in this way: ‘Oh, may I live for a day and a night so that I can attend to the Blessed One’s teaching—then I would have accomplished a great deal!’ Another bhikkhu may cultivate mindfulness of death in this way: ‘Oh, may I live for a day so that I can attend to the Blessed One’s teaching—then I would have accomplished a great deal!’ Another bhikkhu may cultivate mindfulness of death in this way: ‘Oh, may I live for the time needed to eat a single bowl of alms food so that I can attend to the Blessed One’s teaching—then I would have accomplished a great deal!’ Another bhikkhu may cultivate mindfulness of death in this way: ‘Oh, may I live for the time needed to chew and swallow four or five morsels of food so that I can attend to the Blessed One’s teaching—then I would have accomplished a great deal!’—these bhikkhus are said to dwell heedlessly and to cultivate mindfulness of death sluggishly for the exhaustion of the taints.”

“But, bhikkhus, a bhikkhu may cultivate mindfulness of death in this way: ‘Oh, may I live for the time needed to chew and swallow a single morsel of food so that I can attend to the Blessed One’s teaching—then I would have accomplished a great deal!’ Another bhikkhu may cultivate mindfulness of death in this way: ‘Oh, may I live for the time needed to breathe in after breathing out, or to breathe out after breathing in, so that I can attend to the Blessed One’s teaching—then I would have accomplished a great deal!’—these bhikkhus are said to dwell heedfully and to cultivate mindfulness of death keenly for the exhaustion of the taints.” Thus the duration of life is no more than the time needed to chew four or five morsels: it is unreliable and brief. Death should be recollected in this way “by way of the limit of duration.”


§1.10 Khaṇaparittato: By Way of the Brevity of the Moment 〔Vism VIII·p.238〕

(8) “By way of the brevity of the moment”: in the ultimate sense the moment of a being’s life is extremely brief, lasting only for the occurrence of a single mind. Just as a chariot wheel, while turning, turns on only a single point of its rim and, while standing, stands on only a single point, so the life of beings lasts for only a single mind-moment; when that mind ceases, the being is said to have ceased. As it is said: “In the past mind-moment, the being lived, does not live, and will not live; in the future mind-moment, the being did not live, does not live, and will live; in the present mind-moment, the being did not live, lives, and will not live.”

  Life and identity, and all pleasure and pain,
  are joined to a single mind; the moment turns swiftly.

  The aggregates that have ceased here, whether in a dying or surviving person,
  are all alike: gone, never to reconnect in rebirth.

  What has not arisen brings no birth; through the present, the being lives;
  with the mind’s breakup, the world is dead: this designation is made in the ultimate sense.

Death should be recollected in this way “by way of the brevity of the moment.”


§1.11 Maraṇasati: Cultivation and Benefits of Mindfulness of Death 〔Vism VIII·pp.229–239〕

When a practitioner recollects through any of these eight modes, repeated attention familiarizes the mind, establishes mindfulness with death as its object, suppresses the hindrances, and brings the jhāna factors¹³ to manifestation. Yet because the object is a phenomenon with its own nature¹⁴ and because it arouses urgency, the jhāna does not reach absorption (appanā) but reaches only access (upacāra). Although supramundane jhāna and the second and fourth immaterial jhānas also have phenomena with their own nature as objects, they reach absorption through the distinctiveness of their cultivation: the supramundane reaches absorption through the sequence of purification cultivation, and the immaterial reaches absorption through cultivation that transcends the object. There, [in immaterial jhāna], only the object of a jhāna that has already reached absorption is transcended; here [in mindfulness of death], neither condition is present. Therefore, the jhāna reaches only access. Because this [mindfulness] arises through the power of mindfulness, it is called “mindfulness of death.”

Moreover, a bhikkhu devoted to mindfulness of death is constantly heedful, gains the perception of non-delight in all forms of existence, abandons attachment to life, censures evil, does not accumulate much, and is unstained by greed regarding requisites; the perception of impermanence becomes familiar to them, and following it the perceptions of suffering and not-self also become manifest.

Beings who have not cultivated [mindfulness of] death fall into fear, terror, and confusion at the time of death, as if suddenly overcome by a wild beast, yakkha, snake, thief, or executioner. [A bhikkhu who has cultivated it] does not fall into these states but dies fearless and unconfused. Even if the bhikkhu does not attain the deathless in this very life, after the breakup of the body they are destined for a good rebirth.

Therefore let the wise continually practice heedfulness, in this mindfulness of death, so mighty in power.

*This is the detailed exposition of Maraṇānussati.*¹⁵


Notes

¹ The preceding chapter is Chapter 7, “The Six Recollections”; the final four of the ten recollections are explained from this chapter onward.

² Mindfulness (sati): the mental factor that retains its object without forgetting it; in this treatise it consistently operates together with knowledge, energy, and concentration. It is distinct from the broad awareness often meant today by the word “mindfulness,” and should be read according to the treatise’s own definition.

³ Life faculty (jīvitindriya): the faculty that sustains the continuity of a single life; the treatise uses its cutting off to encompass the four forms of timely and untimely death.

⁴ Urgency (saṃvega): the shock and pressing sense of urgency that arise in relation to the contemplated object; it is distinct from the “terror” described below.

⁵ Hindrances (nīvaraṇa): the five states that obstruct concentration; they are explained in Chapter 4, “The Earth Kasiṇa.”

⁶ Meditation subject (kammaṭṭhāna): the general term for the object and method on which the cultivation of concentration depends; the treatise enumerates forty meditation subjects.

⁷ Access concentration (upacāra-samādhi): a level of concentration in which the hindrances have been suppressed but absorption has not yet been entered; in absorption concentration (appanā-samādhi) the mind enters its object completely and remains unmoving.

⁸ Kalala, abbuda, pesi, and ghana: the first four stages in the womb, retained under their established Chinese Buddhist names in the Chinese sister text.

⁹ Five destinations: the five places in which beings take rebirth; together with the four modes of birth, seven stations of consciousness, and nine abodes of beings, they form domains within the round of rebirth.

¹⁰ The base text says that the life span “has no fixed limit”; another recension reads “the duration is now brief”—the two point in opposite directions. This edition follows the base text.

¹¹ Araka: the name of an ancient teacher; the treatise cites his discourse, whose seven similes illustrate the brevity of life.

¹² A single mind-moment: the extremely brief period in which a single mind arises, persists, and ceases; in the ultimate sense the treatise defines a being’s life as only this moment.

¹³ Jhāna factors (jhānaṅga): the five factors of jhāna—applied thought, sustained thought, rapture, pleasure, and one-pointedness.

¹⁴ A phenomenon with its own nature: a phenomenon possessing an intrinsic nature; because the treatise regards the object in this way and because it arouses urgency, it determines that this recollection does not enter absorption.

¹⁵ Detailed exposition (vitthārakathāmukha): the fixed closing formula at the end of a full section; the three elements mean “detailed,” “discussion,” and “opening” respectively.

身至念 — 三十二行Mindfulness of the Body — Thirty-Two Parts

全文五層 →Full five layers →
白話Vernacular

本單元白話為本編自巴利原典之譯疏(tr. mine),譯自公版 PTS 底本。


§2.1 Kāyagatāsati 身至念·序·經證·逐語釋 〔Vism VIII·pp.239–241〕

二、身至念

現在,有這樣一個〔業處〕¹:若非佛陀出世,它從不曾轉起,是一切外道所不能及的境域。世尊在種種經中以許多行相這樣讚歎它:「諸比丘!有一法,若修習、多作,能導向大悚懼²,導向大利益,導向大安穩,導向大念與正知,導向智見之獲得,導向現法樂住,導向明與解脫果之作證。哪一法呢?就是身至念。諸比丘!凡受用身至念的人,他們就受用不死;諸比丘!凡不受用身至念的人,他們就不受用不死。諸比丘!不死已為他們所受用……未受用……已退失……未退失……已錯失……未錯失——凡已策勵身至念的人。」

世尊這樣讚歎之後,又以「諸比丘!身至念如何修習?如何多作,才有大果、有大功德呢?諸比丘!這裡,比丘往阿蘭若……」等方法,依呼吸分、威儀分、四正知分、厭逆作意分、界作意分、九種墓地分——依這十四分³而說示了身至念業處。現在,輪到它的修習解說了。

其中,因為威儀分、四正知分、界作意分這三分是依觀而說的⁴;九種墓地分是唯於諸觀智之中依過患隨觀而說的⁵;而此處在膨脹等〔不淨相〕上或能成就的定之修習,也已經在不淨的解說中說明過了⁶。

至於呼吸分與厭逆作意分,此處唯有這兩分是依定而說的。這兩者當中,呼吸分依入出息念而自成一個獨立的業處。

而那個這樣說示的〔法門〕:「再者,諸比丘!比丘就在這個身上,從腳底以上、髮頂以下、以皮為邊際,觀察它充滿種種不淨:在這個身中有髮、毛……乃至(廣說如前)……尿。」——如此把腦攝在髓之中,依厭逆作意而說示的三十二行相業處⁷:這裡所說的「身至念」,意指的就是它。

此處這個以聖典之釋為先導的修習解說是這樣:「就在這個身上」,是說這個四大所成的臭穢之身。「從腳底以上」,是說從腳底往上。「髮頂以下」,是說從髮端往下。「以皮為邊際」,是說橫向以皮為界限。「觀察它充滿種種不淨」,是說看見「這個身充滿了種種髮等不淨」。怎麼〔看見〕呢?——「在這個身中有髮……乃至(廣說如前)……尿。」

其中,「有」就是存在。「在這個」,是說那個被稱為「從腳底以上、髮頂以下、以皮為邊際、充滿種種不淨」的〔身〕;那「身」,就是身軀——因為身軀是不淨的積聚,又是可厭的髮等以及眼病等百種病的出生處(āya),所以稱為「身」(kāya)。「髮、毛」,這些髮等就是三十二行相。

其中,應當這樣了知它的連結:「在這個身中有髮,在這個身中有毛。」因為,在這個從腳底往上、從髮頂往下、從皮向四周為限的、如此大小的「一尋之身軀」之中,任誰以一切行相去尋找,也看不到有真珠、摩尼、琉璃、沈香、鬱金、樟腦、香粉之類,哪怕微塵那麼一點的清淨之物;他所看到的,唯是極臭、可厭、外觀不吉(assirika)⁸、種種髮毛等類別的不淨而已。所以說:「在這個身中有髮、毛……乃至(廣說如前)……尿。」

這就是此處依語句連結而作的解說。

至於想修習這個業處的初學善男子⁹,應當去到如前所說的善友那裡,從他受取這個業處。而那位為他解說業處的〔阿闍梨〕¹⁰,則應當為他開示七種學取善巧與十種作意善巧。


§2.2 Sattadhā uggahakosallam 七種取相善巧 〔Vism VIII·pp.241–243〕

其中,應當這樣開示七種學取善巧¹¹:以言、以意、以色、以形、以方位、以位置、以界限。因為在這個厭逆作意業處上,即使是通達三藏的人,在作意的時候也應當先以言語誦習。有些人正是在作誦習的時候業處就明顯了,就像在摩羅耶住大天長老座下學取業處的那兩位長老一樣。相傳那位長老被他們請求業處時,就給了他們三十二行相的聖典文句,說:「四個月裡就只作這個誦習。」他們兩位雖然已經精熟了兩三部尼柯耶,卻因為善於恭敬領受,在四個月中只誦習三十二行相,便成了入流者¹²。所以,解說業處的阿闍梨應當對弟子說:「先要以言語作誦習。」

而作誦習的人,應當把皮五法¹³等區分開來,依順、逆兩向而誦習:先說「髮、毛、爪、齒、皮」,然後再逆向說「皮、齒、爪、毛、髮」。緊接著在腎五法上,說「肉、筋、骨、髓、腎」,然後再逆向說「腎、髓、骨、筋、肉、皮、齒、爪、毛、髮」。

其次在肺五法上,說「心、肝、肉膜、脾、肺」,然後再逆向說「肺、脾、肉膜、肝、心、腎、髓、骨、筋、肉、皮、齒、爪、毛、髮」。

其次在腦五法上,說「腸、腸繫、胃中物、糞、腦」,然後再逆向說「腦、糞、胃中物、腸繫、腸、肺、脾、肉膜、肝、心、腎、髓、骨、筋、肉、皮、齒、爪、毛、髮」。

其次在脂六法上,說「膽、痰、膿、血、汗、脂」,然後再逆向說「脂、汗、血、膿、痰、膽、腦、糞、胃中物、腸繫、腸、肺、脾、肉膜、肝、心、腎、髓、骨、筋、肉、皮、齒、爪、毛、髮」。

其次在尿六法上,說「淚、油、唾、鼻涕、關節液、尿」,然後再逆向說「尿、關節液、鼻涕、唾、油、淚、脂、汗、血、膿、痰、膽、腦、糞、胃中物、腸繫、腸、肺、脾、肉膜、肝、心、腎、髓、骨、筋、肉、皮、齒、爪、毛、髮」。

這樣,即使一百次、一千次、十萬次,也都應當以言語誦習。因為以言誦習,業處便在文句上熟練;心不向這裡那裡奔馳;諸身分變得分明,顯現得如同一串手鏈,又如同一排籬柱。

而正如以言,也同樣應當以意作誦習。因為以言的誦習是以意誦習的緣,以意的誦習是通達〔諸〕相的緣。

「以色」,是說應當辨定髮等的顏色。「以形」,是說應當辨定它們的形狀。「以方位」——在這個身軀中,臍以上是上方,臍以下是下方;所以應當這樣辨定方位:「這一身分是在某某方。」「以位置」,是說應當這樣辨定各各的位置:「這一身分安住在某某位置。」「以界限」——界限有二:同類界限與異類界限。¹⁴其中,應當這樣了知同類界限:「這一身分的下、上與橫向,是以某某為界限。」應當依不相混雜而這樣了知異類界限:「髮不是毛,毛也不是髮。」

而在開示這七種學取善巧的時候,還應當知道並且告訴他:這個業處在某經中是依厭逆而說的,在某經中是依界而說的。因為這個〔業處〕在《大念處經》中唯依厭逆而說;在《大象跡喻經》、《教誡羅睺羅大經》、《界分別經》中則依界而說。至於《身至念經》,是就那個以色顯現於他的人而分別了四種禪。其中,依界而說的是觀業處,依厭逆而說的是止業處;而此處的這個就唯是止業處。——這樣開示了七種學取善巧之後,應當再這樣開示十種作意善巧:依次第、不過急、不過緩、依排除散亂、依超越概念、依次第釋放、依安止,以及三經¹⁵。


§2.3 Manasikārakosallam 十種作意善巧·前七 〔Vism VIII·pp.243–246〕

其中,「依次第」:這個〔業處〕從作誦習開始,就應當依照次序作意,不可隔一個〔身分〕。因為隔著作意的人,就像一個不善巧的人爬三十二級的梯子時隔一級而上,身體疲倦而墜落,不能完成攀登;同樣地,他因為得不到由修習成就而來的滋味,心生疲倦而墜落,不能完成修習。

即使依次第作意,也還應當「不過急」地作意。因為過急作意的人,就像一個踏上三由旬路程的人,不留意該轉入與該離開的地方,只顧以快速的奔馳往返一百次——路程固然走完了,卻仍要一路問人才能走到;同樣地,這個業處雖然也走到了終點,卻不分明,不能帶來殊勝。所以應當不過急地作意。

正如不過急,「不過緩」也是一樣。因為過緩作意的人,就像一個想在當天走完三由旬路程的人,在中途的樹下、山邊、水池等處逗留,路程走不完,要用兩三天才能走到;同樣地,業處到不了終點,也不能成為證得殊勝的緣。

「依排除散亂」,是說應當排除那捨棄業處而向外散逸於種種所緣的心之散亂。因為不排除的人,就像一個踏上獨木懸崖之路的人,不留意所踏之處,這裡那裡地張望,腳步一失,就要墜落百人之高的深崖;同樣地,一有向外的散亂,業處就衰退、毀壞。所以應當依排除散亂而作意。

「依超越概念」,是說應當超越「髮、毛」這樣的概念(paññatti)¹⁶,而把心安立在「厭逆」上。譬如在缺水的時節,人們在林中見到一口井,就在那裡繫上棕櫚葉之類的某個記號,依那個記號前來沐浴、飲水;到後來因為往來頻繁,來去之路已經明白了,那時就用不著記號,隨自己所欲的時刻前往沐浴、飲水。同樣地,在前分依「髮、毛」的概念作意時,厭逆之性便明顯了;此後就應當超越「髮、毛」的概念,唯把心安立在厭逆之性上。

「依次第釋放」,是說凡是不現起的身分,就應當把它放掉,如此依次第釋放而作意。因為初學者作意「髮」時,作意行去,只到「尿」這個最後的身分便停住;作意「尿」時,作意行去,只到「髮」這個最初的身分便停住。而在他這樣作意的時候,有些身分現起,有些不現起。因此,凡是現起的,就先在那些上面用功。直到只剩兩個現起,而這兩個之中又有一個現起得更為分明時,對那樣現起的,就應當一再作意,令安止生起。

這裡有一個譬喻:譬如有個獵人,想捉住那住在三十二棵棕櫚樹的棕櫚林中的猴子,就用箭射穿最前一棵棕櫚樹的葉子,並且大喊一聲;於是那隻猴子便依次在一棵又一棵棕櫚樹上落下,一直逃到最末一棵;獵人到了那裡也照樣做,牠又循同樣的方法回到最前一棵。牠這樣一再地被驅趕,每次只在有喊聲的地方跳起,漸漸地落在某一棵棕櫚樹上,緊緊抓住那棵樹正中那尚未開展的棕櫚嫩葉之針,縱使被射也不再跳起了。——這件事應當看作是相符的。

這裡是它的配合:正如棕櫚林中有三十二棵棕櫚樹,這個身中也有三十二身分。猴子如同心,獵人如同瑜伽者。猴子住在三十二棵棕櫚樹的棕櫚林中,如同瑜伽者的心在三十二身分之身上依所緣而遊走。獵人射穿最前一棵棕櫚樹的葉子並且大喊之後,猴子在一棵又一棵棕櫚樹上落下、逃到最末一棵,如同瑜伽者從「髮」開始作意時,心依次前去,只在最後的身分上停住。往回來時,方法也一樣。猴子被一再驅趕而只在有喊聲的地方跳起,如同一再作意時,對於某些現起、某些不現起的〔身分〕,捨掉不現起的,而在現起的上面作預備工作¹⁷。牠漸漸落在一棵棕櫚樹上,緊抓那棵樹正中的棕櫚嫩葉之針,縱使被射也不跳起,如同到最後只剩兩個現起時,取那個現起得更分明的,一再作意而令安止生起。

還有另一個譬喻:譬如一位乞食比丘,依止一個三十二家的村落而住——他在第一家就得到兩份施食,於是往後就捨去一家;第二天得到三份,往後就捨去兩家;第三天在最初一家就得到滿缽,便去到坐處堂食用。這件事也應當看作是相符的。因為:三十二家的村落如同三十二行相;乞食比丘如同瑜伽者;他依止那個村落而住,如同瑜伽者在三十二行相上作預備工作。他在第一家得到兩份而往後捨去一家,以及第二天得到三份而往後捨去兩家,就如同一再作意時捨掉不現起的,而在一個個現起的上面作預備工作,直到只剩兩個身分為止;第三天在最初一家就得到滿缽、坐在坐處堂中食用,就如同在那兩個之中取現起得更分明的,一再作意而令安止生起。

「依安止」:就安止之身分而言,應當了知在髮等一一身分上都有安止。這就是此處的意趣。


§2.4 Tayo ca suttantā 三經·增上心·清涼·覺支善巧 〔Vism VIII·pp.246–248〕

「以及三經」:應當了知「增上心、清涼、覺支善巧」這三經,是為了精進與等持的結合〔而說的〕。這就是此處的意趣。

其中:「諸比丘!勤修增上心的比丘應當時時作意三種相:時時作意等持相,時時作意精勤相,時時作意捨相。諸比丘!假使勤修增上心的比丘唯一向作意等持相,那麼那個心就有可能趨向懈怠。諸比丘!假使勤修增上心的比丘唯一向作意精勤相,那麼那個心就有可能趨向掉舉。諸比丘!假使勤修增上心的比丘唯一向作意捨相,那麼那個心就不能為了諸漏的滅盡而正確地得定。諸比丘!而當勤修增上心的比丘時時作意等持相、精勤相、捨相的時候,那個心就柔軟、堪任、光明,而且不脆弱,能為了諸漏的滅盡而正確地得定。

諸比丘!譬如金匠或金匠的弟子架起爐子,架起爐子之後點燃爐口,點燃爐口之後用鉗子夾起生金放進爐口,時時鼓風,時時灑水,時時旁觀。諸比丘!假使金匠或金匠的弟子對那生金唯一向鼓風,那麼那生金就有可能燒毀;諸比丘!假使金匠或金匠的弟子對那生金唯一向灑水,那麼那生金就有可能冷卻;諸比丘!假使金匠或金匠的弟子對那生金唯一向旁觀,那麼那生金就不能達到正確的成熟。諸比丘!而當金匠或金匠的弟子對那生金時時鼓風、時時灑水、時時旁觀的時候,那生金就柔軟、堪任、光明,而且不脆弱,堪能於作業;他想要哪一種裝飾之物——不論是帶飾、是耳環、是項鍊,還是金鬘——那生金都能滿足他的用途。

諸比丘!同樣地,勤修增上心的比丘……乃至(廣說如前)……為了諸漏的滅盡而正確地得定;並且,不論他為哪一種應以證智作證的法而傾心於以證智作證,只要有其處,他就能於一一之中達到堪能作證。」——應當了知這部經就是「增上心」。

「諸比丘!具足六法的比丘,堪能作證無上的清涼。哪六法呢?諸比丘!這裡,比丘在應當抑制心的時候就抑制心,在應當策勵心的時候就策勵心,在應當令心喜悅的時候就令心喜悅,在應當旁觀心的時候就旁觀心;並且傾向勝妙,樂於涅槃。諸比丘!具足這六法的比丘,堪能作證無上的清涼。」——應當了知這部經就是「無上清涼」。

至於「覺支善巧」:「諸比丘!同樣地,當心昏沉的時候,那個時候就不是修習輕安覺支的時候。」——這在安止善巧的論述中已經說明過了。¹⁸


§2.5 Tacapañcake 皮五法·取相之法·髮毛爪齒皮 〔Vism VIII·pp.248–252〕

這樣好好地學取了這七種學取善巧,又善加辨定了這十種作意善巧之後,那位瑜伽者應當依這兩種善巧而好好地學取業處。

假使他與阿闍梨同住一寺較為方便,那就不必請〔阿闍梨〕詳細解說,而應當好好辨定業處,致力於業處,得到殊勝之後再逐步請他解說。至於想住在別處的人,就應當依前面所說的方式請他詳細解說,一再地反覆,斷除一切結節之處,然後就照地遍解說中所說的方法,捨離不適宜的住處,住在適宜的寺院,斷除小障礙,而在厭逆作意上作預備工作。

作預備工作的時候,應當先在髮上取相。怎麼取呢?拔下一兩根髮,放在掌上,先辨定它的顏色。也可以在剪落之處觀察髮。也可以在水缽或粥缽中觀察,那樣也是可以的。見到黑的時候,就作意「黑」;白的時候,就作意「白」;混雜的時候,則應當依其多者而作意。正如在髮上這樣,在整個皮五法上,也都應當親見了才取相。

這樣取相之後,應當在一切身分上以色、形、方位、位置、界限而辨定,並且以色、形、氣味、所依、位置這五重而辨定其厭逆性。¹⁹在一切身分上,依次的說明是這樣:先說「髮」——依本來的顏色是黑的,如濕的 addāriṭṭhaka 子之色。以形是長而圓的,如秤桿之形。以方位,生在上方。以位置,兩側以耳輪為界,前以額際,後以頸窩為界;包裹頭蓋骨的濕皮就是髮的位置。以界限:髮以那插入包裹頭部之皮中約一蝨頭(vihagga)之深而安住的自身根底為下界,上以虛空,橫以彼此相互為界限;沒有兩根髮是合在一處的——這是同類界限。「髮不是毛,毛不是髮」,如此與其餘三十一身分不相混雜;「髮乃是各別的一個身分」——這是異類界限。這就是髮以色等而作的辨定。

而這是它們以色等而作的五重厭逆辨定:「髮」這東西,以色是厭逆的,以形、依氣味、依所依、以位置也都是厭逆的。就是說:即使在可意的粥缽或飯缽中,人們只要見到什麼髮色的東西,就厭惡地說:「這裡面混了髮!把它拿走!」——這樣,髮以色是厭逆的。就是在夜間吃飯的人,摸到髮形的 akka 皮絲或 makaci 皮絲,也同樣厭惡——這樣,以形是厭逆的。又,髮若沒有塗油、著花、薰香等造作,其氣味便極為可厭;投入火中的就更為可厭。髮或許以色與形不算厭逆,依氣味卻必定是厭逆的。譬如幼兒的糞,以色是薑黃之色,以形也像薑黃的團塊;又如丟棄在垃圾堆上的、膨脹了的黑狗屍體,以色像棕櫚熟果之色,以形像捲起後拋開的 mudinga 鼓之形,牠的犬齒又像素馨花蕾——這兩者以色與形或許不算厭逆,依氣味卻確實是厭逆的;同樣地,髮或許以色與形不算厭逆,依氣味卻必定是厭逆的。

又譬如在不淨之處、由村中污水流出而生的作羹菜葉,為城裡的人所厭惡而不堪食用;同樣地,髮也是從膿、血、尿、糞、膽、痰等的流出而生,所以可厭——這就是它們依所依的厭逆性。而這些髮,就像糞堆上長出的菌蕈一樣,生在三十一身分之堆上;牠們生在不淨之處,如同生在墓地、垃圾堆等處的野菜,又如同生在水溝等處的蓮、睡蓮等花,所以極為可厭——這就是它們以位置的厭逆性。

正如髮,一切身分也都應當以色、形、氣味、所依、位置這五重而辨定其厭逆性;而以色、形、方位、位置、界限,則一切身分都應當一一分別辨定。

其中,先說「毛」:依本來的顏色,不像髮那樣是純黑不雜的,而是帶褐的黑色。以形是尖端下垂的,如棕櫚根之形。以方位,生在兩方。以位置,除了髮所安住的位置以及手掌腳掌之外,大多生在包裹身體其餘部分的皮上。以界限:毛以那插入包裹身體之皮中約一蟣(likhā)²⁰之深而安住的自身根底為下界,上以虛空,橫以彼此相互為界限。沒有兩根毛是合在一處的——這是它們的同類界限;至於異類界限,則一如髮之所說。

「爪」是二十片爪甲的名稱,它們全都以色是白的。以形如魚鱗之形。以方位,腳爪在下方,手爪在上方,如此生在兩方。以位置,安住在諸指的指端背面。以界限:兩方以指端之肉,內以指背之肉,外與端則以虛空,橫以彼此相互為界限;沒有兩片爪是合在一處的。這是它們的同類界限;異類界限則一如髮之所說。

「齒」是齒數圓滿者的三十二枚齒骨,它們以色也是白的。以形則有多種:先說它們下排齒列之中的四枚齒,其形如依次安放在泥團中的葫蘆種子;那四枚的兩側各有一枚,一根一尖,如茉莉花蕾之形;再往外各有一枚,二根二尖,如車之支柱之形;再往外各有兩枚,三根三尖;再往外各有兩枚,四根四尖。上排齒列也是這個方法。以方位,生在上方。以位置,安住在兩顎骨上。以界限:以那安住在下顎骨中的自身根底為下界,上以虛空,橫以彼此相互為界限;沒有兩枚齒是合在一處的。這是它們的同類界限;異類界限則一如髮之所說。

「皮」是包裹整個身軀而住的膜。在它上面有黑、褐、黃等色的表皮(chavi)²¹;那表皮即使從整個身軀上刮聚起來,也只有棗核那麼大。至於皮,以色則唯是白的;它的白色,在表皮因火焰的燒觸、打擊、兵器的擊傷等而毀壞的時候,就顯露出來。以形,就是身軀的形狀。這是此處的略說。

若依廣說:腳趾的皮如蠶繭之形;腳背的皮如包縛式鞋履之形;小腿的皮如盛飯的棕櫚葉包之形;大腿的皮如盛滿米的長袋之形;臀部的皮如盛滿水的濾水布之形;背的皮如覆在板上的皮之形;腹的皮如覆在琵琶槽上的皮之形;胸的皮大體上是四方之形;兩臂的皮如覆在箭筒上的皮之形;手背的皮如剃刀鞘之形,或如梳袋之形;手指的皮如鑰匙袋之形;頸的皮如頸衣之形;面的皮如處處是孔的蟲巢之形;頭的皮如缽袋之形。

而把握皮的瑜伽者,應當從上唇開始,把智轉向上方,先辨定那包覆面部而住的皮。其次是額骨的皮;其次,就像把手伸進袋子與袋中之缽的中間那樣,把智轉進頭蓋骨與頭皮的中間,令皮與骨的相連分開,如此辨定頭皮。其次是肩的皮;其次順、逆地辨定右手的皮;接著以同樣的方法辨定左手的皮;其次辨定背的皮,然後順、逆地辨定右腳的皮,接著以同樣的方法辨定左腳的皮;其次再依次辨定膀胱、腹、心、頸諸處的皮。而在頸的皮之後,辨定下顎的皮,直到下唇為止而告完成。這樣把握粗顯的,細微的也就明顯了。

以方位,生在兩方。以位置,包覆整個身軀而住。以界限:下以安住之底面,上以虛空為界限——這是它的同類界限;異類界限則一如髮之所說。

§2.6 Vakkapañcake 腎五法·肉筋骨骨髓腎 〔Vism VIII·pp.252–256〕

「肉」,就是九百塊肉片。一切肉以色都是赤的,像緊叔迦花那樣。以形則各處不同:小腿肚的肉,形狀像棕櫚葉所包的飯;大腿的肉,像小磨石;臀部的肉,像爐灶的端頭;背上的肉,像棕櫚糖的板;兩脅的肉,像穀倉腹內所塗的一層薄泥;乳部的肉,像搓圓之後拋擲下來的泥團;兩臂的肉,像剝了皮的大鼠折成兩重而放著。這樣把握它粗顯的部分,微細的部分也就明白了。以方位:生於二方。以位置:塗覆在三百二十根骨頭上而住²²。以界限:下以立於骨聚之上的底面,上以皮,橫則彼此互相為限。此即其同類界限;異類界限則一如髮之所說。

「筋」,就是九百條筋。以色:一切筋都是白的。以形則形狀種種。其中,從頸的上部起,有五條大筋束縛著身體,由前面而下行,五條由後面,五條由右面,五條由左面。束縛右手的,也是由手的前面五條、後面五條;束縛左手的也一樣。束縛右足的,也是由足的前面五條、後面五條;束縛左足的也一樣。這樣,名為「持身」的六十條大筋,束縛著身體而下行。它們也叫作「腱」,一切都形狀像 kandala 的蕾。此外還有一些,覆蓋在各各部位上,比前者更細,形狀像線繩;另一些又更細,像腐爛的蔓藤;另一些又更細,像大琴的弦;另一些則像粗線。手背與足背上的筋,形狀像鳥足;頭上的筋,像小兒頭上的網;背上的筋,像曬在日中的濕網。其餘隨著各各肢節而行的筋,形狀像套在身上的網衣。以方位:生於二方。以位置:連結著全身的骨頭而住。以界限:下以立於三百根骨頭之上的底面,上以觸及肉與皮的部位,橫則彼此互相為限。此即其同類界限;異類界限則一如髮之所說。

「骨」,除了三十二根齒骨之外,其餘是:六十四根手骨,六十四根足骨,六十四根依肉而住的軟骨,二根跟骨,每一足各二根踝骨,二根脛骨,一根膝骨,一根股骨,二根髖骨,十八根脊椎骨,二十四根肋骨,十四根胸骨,一根心骨,二根鎖骨,二根肩胛骨,二根上臂骨,兩邊各二根前臂骨,七根頸骨,二根頷骨,一根鼻骨,二根眼骨,二根耳骨,一根額骨,一根頂骨,九根顱骨——這樣共約三百根骨。

一切骨以色都是白的,以形則形狀種種。其中,足趾末節的骨,形狀像 kataka 的種子;接下來的中節骨,像 paṇasa 果的核;根節骨,像 paṇava 鼓。足背骨,像斬碎的 kandala 根之堆。跟骨,像單核棕櫚果的子。踝骨,像成雙相繫的戲球;脛骨立於踝骨之處,像剝了皮的 sindi 嫩筍。小脛骨,像弓桿;大的那根,像枯萎的蛇背。膝骨,像一邊消盡了的泡沫;其中脛骨所立之處,像極尖的牛角端。股骨,像削治得粗劣的斧柄、鑿柄;它立於髖骨之處,像戲球;由它而髖骨所立之處,像截去了尖端的大 puṇṇāga 果。兩根髖骨相連為一,形狀像陶師的爐灶;各別而言,則像鐵匠鎚上的繩結。立於其端的尾骨,像倒過來拿著的蛇頭之扇,在七處有大小孔洞。脊椎骨從內看,像層層相疊的頭巾之捲;從外看,像一串圓環;它們彼此之間各有兩三個像鋸齒那樣的棘。二十四根肋骨中,不圓滿的形狀像不圓滿的刀,圓滿的像圓滿的刀;而一切則像白雞展開的翅膀。十四根胸骨,像朽敗車輿的骨架。心骨,像杓子的面。鎖骨,像小鐵鑿的柄。肩胛骨,像一邊磨損了的師子國之鋤。上臂骨,像鏡子的柄。前臂骨,像成雙的棕櫚根莖。腕骨,像相貼而放著的頭巾之捲。手指的根節骨,像 paṇava 鼓;中節骨,像不圓滿的 paṇasa 核;末節骨,像 kataka 的種子。七根頸骨,像用杖貫穿而依次排列的竹筍圓片。下頷骨,像鐵匠鐵鎚上的繩結;上頷骨,像刮刀。眼窩骨與鼻孔骨,像去了髓的嫩棕櫚核。額骨,像倒放著的螺貝碗之片。耳根骨,像剃髮師的刀鞘。額骨與耳根骨之上、繫頭巾之處的骨,像皺縮而盛滿了酥的膜之碎片。頂骨,像截去口部的彎曲椰子。顱骨,像縫合起來放著的破舊葫蘆殼。

以方位:生於二方。以位置:不加分別則遍住全身;分別而言,則頭骨立於頸骨,頸骨立於脊椎骨,脊椎骨立於髖骨,髖骨立於股骨,股骨立於膝骨,膝骨立於脛骨,脛骨立於踝骨,踝骨立於足背骨。以界限:內以骨髓,上以肉,於端與根則彼此互相為限。此即其同類界限;異類界限則一如髮之所說。

「骨髓」,就是在各各骨頭裡面的髓。它以色是白的。²³以形:在很大的骨頭裡面的,形狀像放進竹管中蒸過的大藤嫩梢;在細小骨頭裡面的,形狀像放進竹節中蒸過的細藤嫩梢。以方位:生於二方。以位置:立於諸骨之內。以界限:以諸骨的內面為限。此即其同類界限;異類界限則一如髮之所說。

「腎」,就是一蒂相連的兩塊肉團。以色:淡赤,像 pālibhaddaka 的核色。以形:像小兒成雙的戲球;也可以說像一蒂相連的兩顆菴婆羅果。以方位:生於上方。以位置:從喉根出來一條粗筋,前行少許便分為二,繫縛著而圍繞心肉住著。以界限:腎以腎的部分為限。此即其同類界限;異類界限則一如髮之所說。


§2.7 Papphāsapañcake 肺五法·心肝肋膜脾肺 〔Vism VIII·pp.256–258〕

「心」,就是心肉。以色:赤,像蓮花瓣背面的顏色。以形:像除去外瓣而倒放著的蓮花苞;外面平滑,裡面則像絲瓜果的內部。有慧的人,心稍稍開放;鈍慧的人,心就只是含苞未開。它裡面有一個凹處,只夠安放一枚 puṇṇāga 的核,那裡存著約半 pasata 之量的血;依於它,意界與意識界才得以轉起。而這血:貪行者²⁴的是赤色,瞋行者的是黑色,癡行者的像洗肉的水,尋行者的像 kulattha 豆汁的顏色,信行者的像 kaṇikāra 花的顏色,慧行者的則明淨、澄澈、無濁、皎白、清淨,看起來像磨治過的上等寶珠一樣有光。以方位:生於上方。以位置:在身體裡面,立於兩乳之間。以界限:心以心的部分為限。此即其同類界限;異類界限則一如髮之所說。

「肝」,就是成雙的肉片。以色:赤而帶黃、不過分赤,像拘物頭花瓣背面的顏色。以形:根部是一片,末端成雙,形狀像 kovilāra 的葉。遲鈍的人只有一片而大,有慧的人則有兩三片而小。以方位:生於上方。以位置:在兩乳之內,依右側而住。以界限:肝以肝的部分為限。此即其同類界限;異類界限則一如髮之所說。

「肋膜」,就是依覆藏與非覆藏之別而有兩種的包裹之肉。這兩種以色都是白的,像 dukūla 布的敝片色。以形:像它所在之處的形狀。以方位:覆藏的肋膜生於上方,另一種生於二方。以位置:覆藏的肋膜覆蓋著心與腎;非覆藏的肋膜則遍於全身,在皮的下面包裹著肉而住。以界限:下以肉,上以皮,橫以肋膜的部分為限。此即其同類界限;異類界限則一如髮之所說。

「脾」,就是腹中的舌肉。以色:青,像 niggundi 花的顏色。以形:長約七指,沒有繫屬,形狀像黑犢的舌。以方位:生於上方。以位置:在心的左側,依胃膜的上側而住;若因打擊而使它脫出於外,有情就會命終。以界限:以脾的自體為限。此即其同類界限;異類界限則一如髮之所說。

「肺」,就是分為三十二片肉的肺肉。以色:赤,像未太熟的優曇婆羅果的顏色。以形:像切得不齊的厚餅之塊。它的裡面,在沒有所食所飲的時候,被升起的業生之火的熱所侵,就像嚼過的稻草團一樣無味無滋養。以方位:生於上方。以位置:在身體裡面兩乳之間,從上覆蓋著心與肝而懸垂著。以界限:以肺的部分為限。此即其同類界限;異類界限則一如髮之所說。


§2.8 Matthalungapañcake 腦五法·腸腸間膜胃中物糞腦 〔Vism VIII·pp.258–260〕

「腸」,就是男子三十二肘長、女子二十八肘長,在二十一處盤曲的腸管。它以色是白的,像砂與石灰的顏色。以形:像斷了頭的蛇盤曲起來放在盛血的槽中。以方位:生於二方。以位置:因為上繫於喉根、下繫於糞道,所以在身體裡面,從喉根一直到糞道的末端。以界限:以腸的盤曲為限。此即其同類界限;異類界限則一如髮之所說。

「腸間膜」,就是在腸的盤曲處的繫縛。它以色是白的,像 dakasītalika 根的顏色;以形也就像 dakasītalika 的根。以方位:生於二方。以位置:像製造鋤斧等的工匠拉動機具時,機繩把機板繫住那樣,又像拭足繩的圓墊中間所縫住的繩那樣,它把腸的盤曲繫在一起而不使散落,住在二十一處盤曲之間。以界限:以腸間膜的部分為限。此即其同類界限;異類界限則一如髮之所說。

「胃中物」,就是在胃中的所食、所飲、所嚼、所嘗之物。以色:像所吞下的食物的顏色。以形:像濾水囊中鬆鬆包著的米。以方位:生於上方。以位置:住在胃中。所謂「胃」,是腸膜的一段,就像兩頭擰絞的濕布中間鼓起來的那個瘤;外面平滑,裡面則像被肉的滓穢所纏裹的、污穢的 pāvāraka 花,也可以說像腐爛的 paṇasa 果的內部。那裡住著分為三十二族的諸蟲——taḷ-koṭakāgaṇḍuppādakātālahīrakāsūcimukhakāpaṭatantukāsuttakā 等等——雜亂紛紜,成群而行。當沒有飲食的時候,它們就跳躍鳴叫,撞擊心肉;而在吞下飲食的時候,它們又仰起頭來,急急忙忙地搶奪最先吞下的兩三口食團。那〔胃〕就是這些蟲的產房、廁所、病室與塚間。

譬如在旃陀羅村門口的污水坑,夏日大雨滴落、雨水沖流的時候,尿、糞、皮、骨、筋的碎片、唾、涕、血等種種屍穢之物被沖入而落在裡面,和泥水攪在一起;經過兩三日就生出蟲群,被日光的熱力所蒸而沸騰,一層層冒出泡沫,成為深青的顏色,極臭可厭,令人不堪走近、不堪目睹,何況去嗅它、嘗它。同樣地,種種飲食被牙齒之杵所碎、被舌與手所翻轉、被唾液所黏濕,就在那一剎那失去了色、香、味等的美好,變得像織工的漿桶、像狗所嘔吐之物,落下去之後,被膽、痰、風所纏裹,被胃火的熱力所蒸而沸騰,蟲群雜亂,一層層冒出泡沫,成為極穢極臭可厭之物而住著。只是聽到這些,對飲食就會生起不悅意,何況以慧眼去觀察。

落在那裡的飲食分為五分:一分為諸蟲所食,一分為胃火所燒,一分成為尿,一分成為糞,一分則化為食味而長養血肉等。以界限:以胃膜與胃中物的部分為限。此即其同類界限;異類界限則一如髮之所說。

「糞」,就是大便。以色:多分就像所吞下的食物的顏色。以形:像它所在之處的形狀。以方位:生於下方。以位置:住在熟藏之中。所謂「熟藏」,是在臍與脊椎根之下、腸的末端,高約八指,像一段竹管。譬如落在高處地面上的雨水流下來,充滿低處而停住;同樣地,凡是落入生藏的飲食,被胃火煮得冒沫、一再煮熟,像用磨石磨過一樣成為細碎之分,經由腸孔一再流下、被壓擠,就像塞進竹節中的黃泥那樣積聚而住著。以界限:以熟藏之膜與糞的部分為限。此即其同類界限;異類界限則一如髮之所說。

「腦」,就是住在頭蓋骨裡面的髓之聚。以色:白,像菌蕈之團的顏色;也可以說像還沒有成酪的敗乳的顏色。以形:像它所在之處的形狀。以方位:生於上方。以位置:在頭蓋骨裡面,依著四條縫合之線,像四團麵團合放在一起那樣聚合而住。以界限:以頭蓋骨的內面與腦的部分為限。此即其同類界限;異類界限則一如髮之所說。


§2.9 Medachakke 脂六法·膽痰膿血汗脂 〔Vism VIII·pp.260–262〕

「膽」有兩種:繫膽與不繫膽。其中,繫膽以色像濃的 madhuka 油的顏色;不繫膽像枯萎的 ākulī 花的顏色。以形:兩者都像它所在之處的形狀。以方位:繫膽生於上方,另一種生於二方。以位置:不繫膽除了髮、毛、齒、爪的離肉之處以及堅硬乾燥的皮以外,遍佈其餘全身而住,像油滴之遍於水。它一擾動,眼睛就發黃、眩暈,身體顫抖發癢。繫膽則在心與肺之間,依著肝肉而立,住在形狀像大絲瓜之莢的膽囊中。它一擾動,有情就發狂,心生顛倒,捨棄慚愧,作不應作的,說不應說的,思不應思的。以界限:以膽的部分為限。此即其同類界限;異類界限則一如髮之所說。

「痰」,就是身體裡面約滿一缽之量的痰。以色:白,像 nāgabalā 葉汁的顏色。以形:像它所在之處的形狀。以方位:生於上方。以位置:住在胃膜之上。在吞下飲食的時候,譬如水上的浮萍苔,木片或瓦礫落下來時就裂開為二,隨後又合攏覆蓋而停住;同樣地,飲食落下來時,它也裂開為二,隨後又合攏覆蓋而停住。若它變得稀薄,胃就像成熟的瘡、像腐爛的雞蛋一樣極為可厭,發出屍臭;由那裡升起的氣味,使噯氣與口都變臭,像腐屍一樣。那個人就會被人說:「走開!你發臭了。」但若它增長而變厚,就像廁所的蓋板那樣,把屍臭封鎖在胃膜之內而停住。以界限:以痰的部分為限。此即其同類界限;異類界限則一如髮之所說。

「膿」,就是由血腐爛而生起的膿。以色:像枯黃葉的顏色;在死屍上則像腐敗而濃稠的米湯的顏色。以形:像它所在之處的形狀。以方位:生於二方。以位置:膿並沒有固定的處所可以積聚而住。凡是身體被木樁、荊棘、兵器、火焰等所傷之處,血停留在那裡而化膿,或者是生起瘡癤等的地方,它就住在那裡。以界限:以膿的部分為限。此即其同類界限;異類界限則一如髮之所說。

「血」有兩種:積聚血與流動血。其中,積聚血以色像煮濃了的紫膠汁的顏色,流動血像清的紫膠汁的顏色。以形:兩者都像它所在之處的形狀。以方位:積聚血生於上方,另一種生於二方。以位置:流動血除了髮、毛、齒、爪的離肉之處以及堅硬乾燥的皮以外,隨著血管之網遍佈一切執受之身而住。積聚血則充滿肝所在之處的下部,約滿一缽之量,一點一點地流注到心、腎、肺的上面,潤濕著腎、心、肝、肺而住。若它不潤濕腎、心等,有情就會口渴。以界限:以血的部分為限。此即其同類界限;異類界限則一如髮之所說。

「汗」,就是由毛孔等流出的水界。以色:像澄清的胡麻油的顏色。以形:像它所在之處的形狀。以方位:生於二方。以位置:汗並沒有像血那樣可以常住的固定處所。但當身體被火熱、日熱、時節變異等所熱惱的時候,它就從一切髮毛孔中流出來,像剛從水中拔起、切得參差不齊的藕、mulāla 與拘物頭之莖的一束那樣。所以它的形狀也應當就髮毛孔而了知。把握汗的瑜伽者,也應當就它充滿髮毛孔而住的樣子來作意。以界限:以汗的部分為限。此即其同類界限;異類界限則一如髮之所說。

「脂」,就是凝固的脂膏。以色:像剖開的薑黃的顏色。以形:肥胖的身體,是像放在皮與肉之間的薑黃色 dukūla 布的敝片;瘦削的身體,則是依著小腿肉、大腿肉、依脊椎的背肉、腹壁肉這些地方,像折成兩重三重而放著的薑黃色 dukūla 布的敝片。以方位:生於二方。以位置:肥者遍於全身,瘦者則依小腿肉等而住。它雖然也算作脂膏,卻因為極其可厭,人們既不拿它塗頭,也不拿它作鼻藥等之用。以界限:下以肉,上以皮,橫以脂的部分為限。此即其同類界限;異類界限則一如髮之所說。


§2.10 Muttachakke 尿六法·淚膏唾涕關節滑液尿 〔Vism VIII·pp.262–265〕

「淚」,就是由眼流出的水界。以色:像澄清的胡麻油的顏色。以形:像它所在之處的形狀。以方位:生於上方。以位置:住在眼窩之中。但它並不像膽囊中的膽那樣,常常積聚在眼窩之中。而是當有情生起喜悅而大笑,或者生起憂惱而哭泣悲號,或者吃了那樣不適的食物,又當他們的眼睛被煙、塵、灰等所侵的時候,它才由這些喜、憂、不適之食與時節而生起,充滿眼窩而住,或者流出來。把握淚的瑜伽者,也應當就它充滿眼窩而住的樣子來把握。以界限:以淚的部分為限。此即其同類界限;異類界限則一如髮之所說。

「膏」,就是融化的脂膏。以色:像椰子油的顏色;也可以說像澆在米湯上的油的顏色。以形:像沐浴的時候在澄清的水面上散開迴旋的油滴。以方位:生於二方。以位置:多分住在手掌、手背、足掌、足背、鼻孔、額頭、肩峰。但它並不常在這些處所融化而住;而是當那些部位因為火熱、日熱、時節不調、界不調而發熱的時候,它才在那裡像沐浴時澄清水面上散開的油滴那樣,這裡那裡地移動。以界限:以膏的部分為限。此即其同類界限;異類界限則一如髮之所說。

「唾」,就是口中與泡沫相混的水界。以色:白,像泡沫的顏色。以形:像它所在之處的形狀;也可以說像泡沫的形狀。以方位:生於上方。以位置:從兩頰之側流下來而住在舌上。但它並不常積聚在那裡而住。而是當有情看見或者憶念那樣的食物,或者把熱的、苦的、辛的、鹹的、酸的什麼東西放進口中,又當他們心口不適,或者對某物生起厭惡的時候,唾才生起,從兩頰之側流下來而停在舌上。它在舌端稀薄,在舌根濃厚。放進口中的乾米片、米粒或者其他任何嚼食,它都能夠潤濕而不至於乾竭,就像河灘沙上所掘的小井中的水一樣。以界限:以唾的部分為限。此即其同類界限;異類界限則一如髮之所說。

「涕」,就是由腦流出的不淨。以色:像嫩棕櫚核之髓的顏色。以形:像它所在之處的形狀。以方位:生於上方。以位置:充滿鼻孔而住。但它並不常積聚在那裡而住。而是像有人用蓮葉包住酪,從下面用刺去穿孔,酪就從那孔流出而墜落於外;同樣地,當有情哭泣,或者因為不適之食與時節而生起界的擾動時,裡面從頭上化為腐痰的腦就流下來,經由上顎頂的孔而降,充滿鼻孔而住,或者流出來。把握涕的瑜伽者,也應當就它充滿鼻孔而住的樣子來把握。以界限:以涕的部分為限。此即其同類界限;異類界限則一如髮之所說。

「關節滑液」,就是身體諸關節裡面黏滑的屍穢之物。以色:像 kaṇikāra 樹脂的顏色。以形:像它所在之處的形狀。以方位:生於二方。以位置:在一百八十個關節裡面,作著替骨節塗油的事而住。誰的滑液少,他在起、坐、前進、後退、屈、伸的時候,骨頭就格格作響,行走起來像彈指作聲一樣;走了一二由旬的路,風界就擾動,肢體疼痛。誰的滑液多,他在起坐等的時候骨頭就不作響,即使走了長路,風界也不擾動,肢體也不疼痛。以界限:以關節滑液的部分為限。此即其同類界限;異類界限則一如髮之所說。

「尿」,以色像 māsa 豆鹼水的顏色。以形:像倒放著的水甕裡面所盛之水的形狀。以方位:生於下方。以位置:住在膀胱裡面。所謂「膀胱」,就是指膀胱之囊。譬如把一個沒有口的甕投進污水坑中,污水坑的水會滲進去,卻看不見它進去的路;同樣地,尿從身體滲入,也看不見它進去的路,而出去的路則是明顯的。當它被尿充滿的時候,有情就生起「我要小便」的努力。以界限:以膀胱的內面與尿的部分為限。此即其同類界限;異類界限則一如髮之所說。


§2.11 Appanā 初禪安止之生·修習功德 〔Vism VIII·pp.265–266〕

這樣以色、形、方位、位置、界限而確定了髮等諸分之後,再依「依次第、不過急」等等的方法,以色、形、氣味、所依、位置這五面而作意「厭逆!厭逆!」——到了超越概念的最後,譬如有眼的人看著用一條線串成的三十二色花鬘,一切花都無前無後地一齊顯現;同樣地,以「此身之中有髮」而觀察此身的人,那一切法也都無前無後地顯現。所以在〈作意善巧〉之說中說:「初學者作意『髮』的時候,作意一路行去,就止在『尿』這最後一分上。」

如果他也把作意轉向外面,那麼當一切分都這樣明顯了以後,來往的人、畜等就會捨去有情之相,只以諸分之聚的樣子而現起;而他們所吞下的飲食,也就像投進諸分之聚中一樣現起。

其後,他依「依次第釋放」等等的方法,一再作意「厭逆!厭逆!」,安止就次第生起。其中,髮等以色、形、方位、位置、界限而現起的,是取相;依一切行相之厭逆而現起的,是似相。²⁵對它習行、修習的人,如同已說的方法,就像在諸不淨業處中那樣,唯以初禪而生起安止。

誰只有一分明顯,或者在一分之中得到安止之後不再於另一分用功,他就只生起一個〔初禪〕。誰有多分明顯,或者在一分之中得禪之後又於另一分用功,他就像摩羅迦長老²⁶那樣,依諸分之數而生起諸初禪。

相傳那位具壽曾握著長部誦者阿婆耶長老的手說:「賢友阿婆耶!你且先受持這個問題。」然後說:「摩羅迦長老於三十二分之中是三十二個初禪的得者。若夜間入一個、白天入一個,要過半個多月才再輪一遍;若每日入一個,則要過一個多月才再輪一遍。」

這個業處雖然是以初禪而成就的,但因為它是依於色、形等之上的念力而成就,所以叫作「身至念」。

修習這身至念的比丘,能耐不樂與樂²⁷,不樂與樂不能勝過他;他一再地征服已生的不樂而住。他能耐怖畏,怖畏不能勝過他;他一再地征服已生的怖畏而住。他能堪忍寒、熱……乃至(廣說如前)……乃至能奪命的〔苦受〕,成為堪忍者。他依髮等的色差別而得四禪,通達六神通²⁸。

  所以智者確實應當不放逸地修習
  這有如此眾多功德的身至念。

此即《身至念》之詳論門。²⁹


¹ 業處(kammaṭṭhāna):修定所依之所緣及其修法之通名,論凡列四十業處。

² 悚懼(saṃvega):緣所觀之境而起之緊迫驚悚,非世間之怖畏。

³ 分(pabba):經文分節之名,非「品」非「節」;本業處依十四分而說。

⁴ 威儀・四正知・界作意三分依觀而說,觀之開演在第十八品,不在本品。

⁵ 過患隨觀之開演在第廿一品,本品唯舉其名。

⁶ 不淨之說示即第六品〈不淨業處〉,論自言膨脹等之安止修習彼處已明。

⁷ 三十二行相業處(dvattiṃsākāra-kammaṭṭhāna):依厭逆作意而觀身之三十二分者。

⁸ 外觀不吉(assirika):此語或作「無光彩」解,此處與極臭、可厭並列,故取吉凶之義。

⁹ 善男子(kulaputta):良家之子,論中為發心修習者之通稱。

¹⁰ 阿闍梨(ācariya):授與業處而為之解說之師。

¹¹ 七種學取善巧(sattadhā uggaha-kosalla):以言・以意・以色・以形・以方位・以位置・以界限七門而學取身分之善巧。

¹² 入流者(sotāpanna):初證聖果而入聖道之流者。

¹³ 皮五法(taca-pañcaka)等六組:三十二身分依五・五・五・五・六・六而分,各以其末一分為組名。

¹⁴ 同類界限(sabhāga-pariccheda)辨一身分自身之上下與橫向所至,異類界限(visabhāga-pariccheda)則辨其與餘分之不相混。

¹⁵ 安止(appanā-samādhi,安止定):心全然入於所緣而不動之定;其前一級為近行定(upacāra-samādhi),諸蓋已伏而尚未全入。

¹⁶ 概念(paññatti):依名言而立之施設;此門謂當越「髮、毛」之名而唯住於厭逆之性。

¹⁷ 「預備工作」(parikamma):安止未生之前於所緣一再作意之修習,亦譯「遍作」。

¹⁸ 〈安止善巧〉之說在第四品〈地遍〉;本節唯迴指之,不重開。

¹⁹ 辨定之五目(色・形・方位・位置・界限)與厭逆之五重(色・形・氣味・所依・位置)不同科,唯色・形・位置三目相共。

²⁰ 蟣(likhā):蝨卵;與上文髮之「一蝨頭」(vihagga)對舉,二喻量異而不相混。

²¹ 表皮(chavi):皮之外層,其色黑褐黃不一;三十二分中之「皮」(taco)則指其內之膜,色唯白。

²² 底本此處作「三百二十」,與下文骨之總數「約三百」不合;今從底本不改。

²³ 底本此處之語不成色名;他本作「白」,文脈亦當如是。今從「白」,底本不改。

²⁴ 貪行等六種性行之開演在第三品〈取業處〉,此處唯就心血之色而舉其名。

²⁵ 取相(uggaha-nimitta)與似相(paṭibhāga-nimitta):定相之二級,二名之定讀在第四品〈地遍〉首遇即立。

²⁶ 摩羅迦長老(Mallaka-tthera):第四品另有同名之事例,二處是否同一人,本編不代考定。

²⁷ 「不樂」(arati)與「樂」(rati):依論之用,不作「怒」與「喜」解。

²⁸ 六神通(cha abhiññā):依四禪而得之六種殊勝智力,本節唯舉其名。

²⁹ 詳論門(vitthārakathāmukha):一節詳說既竟之收束定式,「詳」「論」「門」分承 vitthārakathāmukha 三語。

The vernacular of this unit is this edition’s own rendering-with-exposition from the Pāli original (tr. mine), made from the public-domain PTS text.


§2.1 Kāyagatāsati: Mindfulness of the Body—Introduction, Scriptural Testimony, and Word-by-Word Explanation 〔Vism VIII·pp.239–241〕

Second: Mindfulness of the Body

Now there is a [meditation subject]¹ that, apart from the appearance of a Buddha, has never arisen and lies beyond the domain of all outside systems. In various discourses the Blessed One praised it in many ways: “Bhikkhus, a single quality, when cultivated and repeatedly practiced, leads to great urgency, leads to great benefit, leads to great security, leads to great mindfulness and clear comprehension, leads to the acquisition of knowledge and vision, leads to a pleasant abiding here and now, and leads to realization of the fruit of knowledge and liberation. What single quality? Mindfulness of the body. Bhikkhus, those who enjoy mindfulness of the body enjoy the deathless; bhikkhus, those who do not enjoy mindfulness of the body do not enjoy the deathless. Bhikkhus, the deathless has been enjoyed by them . . . not enjoyed . . . has been lost . . . not lost . . . has been missed . . . not missed—by those who have aroused mindfulness of the body.”

Having praised it in this way, the Blessed One also taught the meditation subject of mindfulness of the body through fourteen sections³—the section on breathing, the section on the postures, the section on the four kinds of clear comprehension, the section on attention to repulsiveness, the section on attention to elements, and the sections on the charnel grounds—beginning: “Bhikkhus, how is mindfulness of the body cultivated and repeatedly practiced so that it has great fruit and great benefit? Here, bhikkhus, a bhikkhu, gone to the forest . . .” Its exposition of cultivation is now due.

Among these, the section on the postures, the section on the four kinds of clear comprehension, and the section on attention to elements are taught by way of insight;⁴ the sections on the charnel grounds are taught, among the kinds of insight knowledge, by way of contemplation of danger alone;⁵ and whatever cultivation of concentration may succeed here on the bloated corpse and the other [foul signs] has already been explained in the exposition of foulness.⁶

Only the section on breathing and the section on attention to repulsiveness are taught here by way of concentration. Of these, the section on breathing constitutes an independent meditation subject by way of mindfulness of breathing.

But the teaching that says, “Again, bhikkhus, a bhikkhu reviews this very body, upward from the soles of the feet, downward from the tips of the head-hairs, bounded by the skin, filled with many kinds of impurity: in this body there are head-hairs, body-hairs . . . pe . . . urine”—the meditation subject of the thirty-two aspects,⁷ which includes the brain under marrow and is taught by way of attention to repulsiveness—is what is meant here by “mindfulness of the body.”

Here the exposition of cultivation, preceded by an explanation of the canonical text, is as follows. “This very body” means this foul body made of the four great elements. “Upward from the soles of the feet” means upward from the soles. “Downward from the tips of the head-hairs” means downward from the tips of the hairs. “Bounded by the skin” means delimited across by the skin. “Reviews it as filled with many kinds of impurity” means seeing, “This body is filled with many kinds of impurity, beginning with head-hairs.” How does the practitioner see this? “In this body there are head-hairs . . . pe . . . urine.”

Here “there are” means “they exist.” “In this” means in what is called “upward from the soles of the feet, downward from the tips of the head-hairs, bounded by the skin, filled with many kinds of impurity.” “Body” means the physical frame: because the physical frame is an accumulation of impurity and a place of origin (āya) for repulsive head-hairs and the rest, as well as for a hundred illnesses such as eye disease, it is called “body” (kāya). “Head-hairs, body-hairs” means these thirty-two aspects beginning with head-hairs.

The connection should be understood in this way: “In this body there are head-hairs; in this body there are body-hairs.” For within this fathom-long frame of such dimensions—upward from the soles of the feet, downward from the tips of the head-hairs, and bounded all around from the skin—a person searching in every way sees no pure thing even the size of a particle of dust, whether pearl, gem, beryl, agarwood, saffron, camphor, scented powder, or anything of the kind. What the person sees is only impurity of many kinds, divided into head-hairs, body-hairs, and the rest, extremely foul-smelling, repulsive, and ill-looking (assirika).⁸ Therefore it is said: “In this body there are head-hairs, body-hairs . . . pe . . . urine.”

This is the explanation here according to the connection of the words.

A beginning clansman⁹ who wishes to cultivate this meditation subject should approach the good friend previously described and receive the meditation subject from that friend. The [teacher]¹⁰ who explains it should teach the beginner seven kinds of skill in learning and ten kinds of skill in attention.


§2.2 Sattadhā uggahakosallam: Seven Kinds of Skill in Learning 〔Vism VIII·pp.241–243〕

The seven kinds of skill in learning¹¹ should be taught as follows: by speech, by mind, by color, by shape, by direction, by location, and by delimitation. In this meditation subject of attention to repulsiveness, even a person who knows the Tipiṭaka should first recite verbally when directing attention. For some practitioners, the meditation subject becomes evident during the very act of recitation, as it did for the two elders who learned the meditation subject under Mahādeva, resident of Malaya. It is said that when they requested a meditation subject, the elder gave them the canonical passage of the thirty-two aspects and said, “For four months, do only this recitation.” Although the two were proficient in two or three Nikāyas, because they received the instruction respectfully and well, they recited only the thirty-two aspects for four months and became stream-enterers.¹² Therefore the teacher explaining the meditation subject should tell the pupil, “First recite it verbally.”

The person reciting should divide the skin pentad¹³ and the other groups and recite them forward and backward. First say, “head-hairs, body-hairs, nails, teeth, skin,” and then in reverse, “skin, teeth, nails, body-hairs, head-hairs.” Immediately afterward, for the kidney pentad, say, “flesh, sinews, bones, marrow, kidney,” and then in reverse, “kidney, marrow, bones, sinews, flesh, skin, teeth, nails, body-hairs, head-hairs.”

Next, for the lungs pentad, say, “heart, liver, membranes, spleen, lungs,” and then in reverse, “lungs, spleen, membranes, liver, heart, kidney, marrow, bones, sinews, flesh, skin, teeth, nails, body-hairs, head-hairs.”

Next, for the brain pentad, say, “bowels, mesentery, stomach-contents, feces, brain,” and then in reverse, “brain, feces, stomach-contents, mesentery, bowels, lungs, spleen, membranes, liver, heart, kidney, marrow, bones, sinews, flesh, skin, teeth, nails, body-hairs, head-hairs.”

Next, for the fat sextad, say, “bile, phlegm, pus, blood, sweat, fat,” and then in reverse, “fat, sweat, blood, pus, phlegm, bile, brain, feces, stomach-contents, mesentery, bowels, lungs, spleen, membranes, liver, heart, kidney, marrow, bones, sinews, flesh, skin, teeth, nails, body-hairs, head-hairs.”

Next, for the urine sextad, say, “tears, grease, spittle, snot, oil-of-the-joints, urine,” and then in reverse, “urine, oil-of-the-joints, snot, spittle, grease, tears, fat, sweat, blood, pus, phlegm, bile, brain, feces, stomach-contents, mesentery, bowels, lungs, spleen, membranes, liver, heart, kidney, marrow, bones, sinews, flesh, skin, teeth, nails, body-hairs, head-hairs.”

In this way it should be recited verbally even a hundred times, a thousand times, a hundred thousand times. Through verbal recitation the wording of the meditation subject becomes familiar, the mind does not run here and there, and the parts become distinct, appearing like a hand-chain and like a row of fence posts.

Just as it is recited by speech, it should also be recited by mind. Verbal recitation is the condition for mental recitation, and mental recitation is the condition for penetrating the characteristics.

“By color” means that the color of head-hairs and the other parts should be determined. “By shape” means that their shapes should be determined. “By direction”: in this physical frame, above the navel is the upper direction and below the navel is the lower direction; therefore determine the direction as, “This part is in such-and-such a direction.” “By location” means determining the location of each as, “This part is established in such-and-such a location.” “By delimitation”: delimitation is of two kinds, homogeneous delimitation and heterogeneous delimitation.¹⁴ Homogeneous delimitation should be understood as, “Below, above, and across, this part is delimited by such-and-such.” Heterogeneous delimitation should be understood through non-mixture as, “Head-hairs are not body-hairs; body-hairs are not head-hairs.”

When teaching these seven kinds of skill in learning, the teacher should also know and explain that this meditation subject is taught by way of repulsiveness in some discourses and by way of elements in others. In the Mahāsatipaṭṭhāna Sutta it is taught solely by way of repulsiveness; in the Mahāhatthipadopama Sutta, Mahārāhulovāda Sutta, and Dhātuvibhaṅga Sutta, by way of elements. In the Kāyagatāsati Sutta, four jhānas are distinguished with reference to a practitioner to whom the subject appears by way of color. Teaching it by way of elements makes it an insight meditation subject, while teaching it by way of repulsiveness makes it a serenity meditation subject; here it is solely a serenity meditation subject. Having taught the seven kinds of skill in learning in this way, the teacher should then teach ten kinds of skill in attention: in sequence, not too quickly, not too slowly, by warding off distraction, by transcending the concept, by successive release, by absorption, and the three discourses.¹⁵


§2.3 Manasikārakosallam: Ten Kinds of Skill in Attention—The First Seven 〔Vism VIII·pp.243–246〕

Here, “in sequence” means that from the beginning with recitation, attention should proceed in order, without skipping a [part]. A person who attends by skipping resembles an unskilled person who climbs every other rung of a thirty-two-rung ladder, grows physically weary, falls, and fails to complete the ascent. In the same way, because the practitioner does not obtain the savor to be gained through success in cultivation, the mind grows weary, falls away, and fails to complete the cultivation.

Even when attending in sequence, the practitioner should attend “not too quickly.” A person who attends too quickly resembles a traveler who sets out on a three-league road without noticing where to turn onto or leave it and merely runs back and forth swiftly a hundred times. Although the traveler covers the distance, the traveler still has to ask directions all along the way to reach the destination. Likewise, although the meditation subject reaches its end, it remains indistinct and brings no distinction. Therefore it should be attended to not too quickly.

As with not too quickly, so too with “not too slowly.” A person who attends too slowly resembles a traveler intending to complete a three-league journey that day but lingering at trees, mountains, ponds, and other places along the way; the journey is not completed and takes two or three days. In the same way, the meditation subject does not reach its end and cannot become a condition for attaining distinction.

“By warding off distraction” means warding off the mind’s distraction outward among diverse objects after abandoning the meditation subject. A person who does not ward it off resembles a traveler on a single-foot-wide path over a precipice who fails to attend to each foothold, looks here and there, misses a step, and falls into a precipice a hundred persons deep. In the same way, when external distraction occurs, the meditation subject declines and is destroyed. Therefore attention should proceed by warding off distraction.

“By transcending the concept” means transcending the concept (paññatti)¹⁶ “head-hairs, body-hairs” and establishing the mind on “repulsiveness.” When water is scarce, people who find a well in a forest tie some marker there, such as a palm leaf, and return by means of that marker to bathe and drink. Later, after frequent travel makes the path there and back clear, they no longer need the marker but go whenever they wish to bathe and drink. Likewise, when attention is initially directed by way of the concepts “head-hairs, body-hairs,” their nature as repulsive becomes evident. Thereafter, the concepts “head-hairs, body-hairs” should be transcended and the mind established only on the nature of repulsiveness.

“By successive release” means letting go of each part that does not appear and attending through successive release. When a beginner attends to “head-hairs,” attention proceeds only as far as the final part, “urine,” and stops there; when the beginner attends to “urine,” attention proceeds only as far as the first part, “head-hairs,” and stops there. While the beginner attends in this way, some parts appear and some do not. Work should first be done on those that appear. Continue until only two appear; when either of those appears more distinctly, the practitioner should attend to that repeatedly and cause absorption to arise.

Here is a simile. A hunter wishing to catch a monkey living in a palm grove of thirty-two palm trees shoots an arrow through a leaf of the foremost tree and gives a shout. The monkey lands on each tree in sequence and flees to the last. When the hunter arrives there and does the same, the monkey returns by the same method to the first tree. Driven again and again in this way and springing up only where the shout is heard, the monkey gradually alights on a particular palm, firmly grasps the needle of the unopened palm leaf at the tree’s center, and no longer springs up even when shot. The correspondence should be understood in this way.

This is the correspondence. Just as there are thirty-two palm trees in the grove, there are thirty-two parts in this body. The monkey is like the mind and the hunter like the practitioner. The monkey’s dwelling in a grove of thirty-two palm trees is like the practitioner’s mind roaming by way of its object through the body of thirty-two parts. After the hunter shoots through a leaf of the foremost tree and shouts, the monkey lands on each tree and flees to the last, just as, when the practitioner begins attending to “head-hairs,” the mind proceeds in sequence and stops only at the final part. The return follows the same method. The monkey, repeatedly driven, springs up only where there is a shout, just as, during repeated attention, the practitioner lets go of the [parts] that do not appear and performs the preliminary work¹⁷ on those that appear. The monkey gradually alights on a particular palm, firmly grasps the needle of the unopened palm leaf at the tree’s center, and does not spring up even when shot, just as, when only two finally appear, the practitioner takes whichever appears more distinctly, attends to it repeatedly, and causes absorption to arise.

Here is another simile. An alms-going bhikkhu lives supported by a village of thirty-two houses. At the first house he receives two portions of alms and then omits a later house; on the second day he receives three portions and omits two later houses; on the third day his bowl is filled at the first house, and he goes to the sitting hall to eat. This correspondence should also be understood. The thirty-two-house village is like the thirty-two aspects; the alms-going bhikkhu is like the practitioner; his dwelling supported by the village is like the practitioner’s preliminary work on the thirty-two aspects. His receiving two portions at the first house and omitting a later house, then receiving three on the second day and omitting two later houses, is like repeatedly attending, releasing those that do not appear, and performing preliminary work on each that does appear until only two parts remain. His receiving a full bowl at the first house on the third day and eating while seated in the sitting hall is like taking whichever of the two appears more distinctly, attending to it repeatedly, and causing absorption to arise.

“By absorption”: with regard to a part for absorption, it should be understood that absorption is available in each part beginning with head-hairs. This is the meaning here.


§2.4 Tayo ca suttantā: The Three Discourses—The Higher Mind, Coolness, and Skill in Awakening Factors 〔Vism VIII·pp.246–248〕

“And the three discourses”: it should be understood that the three discourses on the higher mind, coolness, and skill in awakening factors are [taught] for joining energy with concentration. This is the meaning here.

First: “Bhikkhus, a bhikkhu devoted to the higher mind should from time to time attend to three signs. From time to time the bhikkhu should attend to the sign of concentration, from time to time to the sign of exertion, and from time to time to the sign of equanimity. Bhikkhus, if a bhikkhu devoted to the higher mind were to attend exclusively to the sign of concentration, the mind might tend toward slackness. Bhikkhus, if a bhikkhu devoted to the higher mind were to attend exclusively to the sign of exertion, the mind might tend toward agitation. Bhikkhus, if a bhikkhu devoted to the higher mind were to attend exclusively to the sign of equanimity, the mind might not become rightly concentrated for the exhaustion of the taints. But, bhikkhus, when a bhikkhu devoted to the higher mind attends from time to time to the sign of concentration, the sign of exertion, and the sign of equanimity, the mind becomes malleable, workable, luminous, and not brittle, and becomes rightly concentrated for the exhaustion of the taints.

Bhikkhus, suppose a goldsmith or goldsmith’s apprentice sets up a furnace, lights its mouth, takes raw gold with tongs and places it in the furnace, then from time to time blows on it, from time to time sprinkles it with water, and from time to time looks on. Bhikkhus, if the goldsmith or apprentice were exclusively to blow on the raw gold, it might burn; if exclusively to sprinkle it with water, it might cool; if exclusively to look on, it might not reach proper maturity. But, bhikkhus, when the goldsmith or apprentice from time to time blows on the raw gold, from time to time sprinkles it with water, and from time to time looks on, the raw gold becomes malleable, workable, luminous, and not brittle, and is ready for work. Whatever kind of ornament the goldsmith wishes to make—whether a girdle, earrings, a necklace, or a golden garland—the gold serves that purpose.

In the same way, bhikkhus, a bhikkhu devoted to the higher mind . . . pe . . . becomes rightly concentrated for the exhaustion of the taints; and for whatever quality to be realized by direct knowledge the bhikkhu inclines the mind toward realization by direct knowledge, wherever the requisite basis exists, the bhikkhu becomes capable of realizing it.” This discourse should be understood as “the higher mind.”

“Bhikkhus, a bhikkhu endowed with six qualities is capable of realizing supreme coolness. What six? Here, bhikkhus, a bhikkhu restrains the mind when it should be restrained, exerts the mind when it should be exerted, gladdens the mind when it should be gladdened, and looks on at the mind when it should be looked on at; the bhikkhu is resolved on the sublime and delights in Nibbāna. Bhikkhus, a bhikkhu endowed with these six qualities is capable of realizing supreme coolness.” This discourse should be understood as “supreme coolness.”

As for “skill in awakening factors”: “Bhikkhus, likewise, when the mind is sluggish, that is not the time to cultivate the tranquillity awakening factor.” This has already been explained in the discussion of skill in absorption.¹⁸


§2.5 Tacapañcake: The Skin Pentad—Taking the Sign; Head-Hairs, Body-Hairs, Nails, Teeth, and Skin 〔Vism VIII·pp.248–252〕

Having thoroughly learned these seven kinds of skill in learning and properly determined these ten kinds of skill in attention, the practitioner should learn the meditation subject well through both kinds of skill.

If it is convenient for the practitioner to live in the same monastery as the teacher, there is no need to request a detailed explanation. The practitioner should determine the meditation subject well, devote themself to it, attain distinction, and then request progressive explanation. A practitioner wishing to live elsewhere should ask for a detailed explanation in the manner already stated, turn it over repeatedly, and cut through every knotty point. Then, as described in the exposition of the earth kasiṇa, the practitioner should abandon an unsuitable lodging, live in a suitable monastery, remove minor impediments, and perform the preliminary work in attention to repulsiveness.

When performing the preliminary work, the practitioner should first take the sign in head-hairs. How? Pluck out one or two head-hairs, place them on the palm, and first determine their color. Head-hairs may also be examined where they have been cut off, in a water bowl, or in a rice-gruel bowl. Seeing black, attend to “black”; seeing white, attend to “white”; when colors are mixed, attend according to whichever predominates. As with head-hairs, so too throughout the skin pentad: the sign should be taken only after direct sight.

After taking the sign in this way, each part should be determined by color, shape, direction, location, and delimitation, and its repulsiveness should be determined fivefold by color, shape, odor, support, and location.¹⁹ The sequential explanation for all the parts begins with “head-hairs.” In their natural color they are black, the color of wet addāriṭṭhaka seeds. In shape they are long and round, like the beam of a balance. In direction they arise above. In location they are bounded on both sides by the rims of the ears, in front by the edge of the forehead, and behind by the nape; the wet skin covering the skull is their location. By delimitation: head-hairs are bounded below by the surface of their own roots, which are established about a louse-head’s depth (vihagga) in the skin covering the head; above by space; and across by each other. No two head-hairs are joined together—this is homogeneous delimitation. “Head-hairs are not body-hairs, and body-hairs are not head-hairs”; thus they are not mixed with the other thirty-one parts. “Head-hairs are a separate individual part”—this is heterogeneous delimitation. This is the determination of head-hairs by color and the rest.

This is their fivefold determination as repulsive by color and the rest. Head-hairs are repulsive by color, by shape, by odor, by support, and by location. Even in an agreeable bowl of rice gruel or cooked rice, when people see something the color of head-hairs, they say with disgust, “This has a hair mixed in it! Take it away!” Thus head-hairs are repulsive by color. A person eating at night who touches a thread from akka bark or makaci bark shaped like a hair is likewise disgusted; thus they are repulsive by shape. If head-hairs have not been treated with oil, flowers, perfume, and the like, their odor is extremely repulsive; thrown into a fire, they are still more repulsive. Head-hairs might not be repulsive in color and shape, but by odor they certainly are. A young child’s feces are the color of turmeric and shaped like a lump of turmeric; a bloated black dog’s corpse thrown on a rubbish heap is the color of ripe palm fruit, shaped like a rolled and discarded mudinga drum, with canine teeth like jasmine buds. Both may not be repulsive in color and shape, but certainly are repulsive by odor. Likewise, head-hairs might not be repulsive in color and shape, but certainly are repulsive by odor.

Leaves for curry grown in an impure place from a village’s sewage are repulsive to townspeople and unfit to eat. Likewise, because head-hairs grow from the drainage of pus, blood, urine, feces, bile, phlegm, and the rest, they are repulsive; this is their repulsiveness by support. These head-hairs grow on the heap of the other thirty-one parts like mushrooms on a heap of dung. Because they grow in an impure place, like wild greens in a charnel ground or rubbish heap, or lotus and water-lily flowers in a ditch, they are extremely repulsive; this is their repulsiveness by location.

As with head-hairs, the repulsiveness of every part should be determined fivefold by color, shape, odor, support, and location; every part should also be separately determined by color, shape, direction, location, and delimitation.

First, “body-hairs”: in their natural color they are not unmixed black like head-hairs but brownish black. In shape their tips bend downward like palm roots. In direction they arise in both directions. In location, apart from the place where head-hairs are established and the palms and soles, they grow mostly on the skin covering the rest of the body. By delimitation, body-hairs are bounded below by the surface of their own roots, established about a nit’s depth (likhā)²⁰ in the skin covering the body; above by space; and across by each other. No two body-hairs are joined together—this is their homogeneous delimitation. Their heterogeneous delimitation is as described for head-hairs.

“Nails” is the name for the twenty nail plates. All are white in color and shaped like fish scales. In direction, toenails arise below and fingernails above, so they arise in both directions. In location they are established on the backs of the tips of the digits. By delimitation, on both sides they are bounded by the flesh at the tips of the digits, inside by the flesh on the backs of the digits, outside and at the tips by space, and across by each other. No two nails are joined together. This is their homogeneous delimitation; heterogeneous delimitation is as described for head-hairs.

“Teeth” are the thirty-two tooth-bones of a person with a full set. They too are white in color. Their shapes are varied. First, the four middle teeth in the lower row are like gourd seeds placed in sequence in a lump of clay. On either side of those four is a tooth with a single root and a single point, shaped like a jasmine bud. Farther outward on either side is a tooth with two roots and two points, shaped like the support of a cart; farther outward are two teeth on either side with three roots and three points, then two on either side with four roots and four points. The upper row follows the same method. In direction they arise above. In location they are established in the two jawbones. By delimitation they are bounded below by the surface of their own roots established in the lower jawbone, above by space, and across by each other. No two teeth are joined together. This is their homogeneous delimitation; heterogeneous delimitation is as described for head-hairs.

“Skin” is the membrane that envelops the whole frame. Above it is the outer skin (chavi),²¹ whose colors include black, brown, and yellow; even if scraped together from the entire frame, the outer skin would make a lump only the size of a jujube seed. The skin itself is only white in color. Its whiteness becomes evident when the outer skin is destroyed through burning by a flame, a blow, a weapon strike, or the like. In shape it has the shape of the physical frame. This is the brief account.

In detail: the skin of the toes is shaped like silkworm cocoons; the skin of the tops of the feet like shoes tied as a packet; the skin of the calves like packets of cooked rice in palm leaves; the skin of the thighs like long bags full of rice; the skin of the buttocks like a water-straining cloth full of water; the skin of the back like hide stretched over a board; the skin of the abdomen like skin stretched over the trough of a lute; the skin of the chest is generally square; the skin of both arms like hide stretched over quivers; the skin of the backs of the hands like razor sheaths or comb bags; the skin of the fingers like key bags; the skin of the neck like a neck cloth; the skin of the face like a worm’s nest full of holes; and the skin of the head like a bowl bag.

A practitioner apprehending the skin should begin at the upper lip, direct knowledge upward, and first determine the skin enveloping the face. Next comes the skin of the forehead bone. Then, as though inserting a hand between a bag and a bowl inside it, direct knowledge between the skull and scalp, separate the skin’s attachment to the bone, and determine the scalp. Next determine the skin of the shoulders; then the skin of the right hand forward and backward; the left hand in the same way; the skin of the back; the right foot forward and backward; and the left foot in the same way. Next, in sequence, determine the skin at the bladder, abdomen, heart, and neck. After the skin of the neck, determine the skin of the lower jaw, ending at the lower lip. As the practitioner apprehends the gross parts in this way, the subtle parts also become evident.

In direction, skin arises in both directions. In location it envelops the entire physical frame. By delimitation it is bounded below by the surface on which it rests and above by space—this is its homogeneous delimitation. Heterogeneous delimitation is as described for head-hairs.

§2.6 Vakkapañcake: The Kidney Pentad—Flesh, Sinews, Bones, Marrow, and Kidney 〔Vism VIII·pp.252–256〕

“Flesh” means nine hundred pieces of flesh. All flesh is red like a kiṃsuka flower. Its shape differs by location: the flesh of the calves is shaped like cooked rice wrapped in a palm leaf; thigh flesh like a small grinding stone; buttock flesh like the end of a hearth; back flesh like a slab of palm sugar; flesh on the two sides like a thin layer of clay spread inside a granary; breast flesh like a rounded lump of clay thrown down; and flesh of the two arms like a large skinned rat folded in two and laid down. Apprehending the gross parts in this way makes the subtle parts clear. In direction it arises in both directions. In location it remains plastered over three hundred and twenty bones.²² By delimitation it is bounded below by the surface resting on the collection of bones, above by the skin, and across by each piece. This is its homogeneous delimitation; heterogeneous delimitation is as described for head-hairs.

“Sinews” means nine hundred sinews. In color they are all white, while their shapes vary. From the upper part of the neck, five great sinews bind the body and descend along the front, five along the back, five along the right, and five along the left. Five bind the right hand along its front and five along its back; likewise for the left hand. Five bind the right foot along its front and five along its back; likewise for the left foot. Thus sixty great sinews called “supporters of the body” bind the body and descend. Also called tendons, they are all shaped like kandala buds. Others, spread over their respective regions, are finer and shaped like threads; others finer still, like rotten creepers; others finer still, like strings of a great lute; and others like thick thread. Sinews on the backs of the hands and feet resemble birds’ feet; those on the head a child’s head-net; those on the back a wet net spread in the sun. The rest, following the various limbs, resemble a net coat put on the body. In direction they arise in both directions. In location they bind together the bones throughout the body. By delimitation they are bounded below by the surfaces resting on three hundred bones, above where they touch flesh and skin, and across by each other. This is their homogeneous delimitation; heterogeneous delimitation is as described for head-hairs.

“Bones,” apart from the thirty-two tooth-bones, comprise sixty-four bones of the hands, sixty-four of the feet, sixty-four soft bones supported by flesh, two heel bones, two ankle bones in each foot, two shin bones, a knee bone, a thigh bone, two hip bones, eighteen vertebrae, twenty-four ribs, fourteen breast bones, a heart bone, two collarbones, two shoulder-blade bones, two upper-arm bones, two forearm bones on each side, seven neck bones, two jawbones, a nose bone, two eye bones, two ear bones, a forehead bone, a crown bone, and nine skull bones—about three hundred bones in all.

All bones are white in color and varied in shape. The terminal toe bones resemble kataka seeds; the next middle joints resemble paṇasa seeds; the root joints resemble paṇava drums. The bones on the tops of the feet resemble heaps of chopped kandala roots. The heel bone resembles the seed of a single-seeded palm fruit. The ankle bones resemble paired play balls tied together; where the shin bones rest upon them resembles a skinned sindi shoot. The small shin bone resembles a bow stave, the large bone the back of a withered snake. The knee bone resembles foam worn away on a single side; where the shin bone rests in it resembles the tip of a very sharp cow horn. The thigh bone resembles a roughly hewn axe or adze handle; where it rests in the hip bone resembles a play ball, and where the hip bone rests upon it resembles a large puṇṇāga fruit with the tip cut off. The two hip bones joined together resemble a potter’s furnace; separately, each resembles the rope knot on a smith’s hammer. The tailbone at their end resembles a snake’s hood held upside down, pierced with large and small holes at seven places. From within, the vertebrae resemble superimposed rolls of headcloth; from outside, a chain of rings; between them are two or three spines like saw teeth. Of the twenty-four ribs, the incomplete ones resemble incomplete swords and the complete ones complete swords; together they resemble the spread wings of a white fowl. The fourteen breast bones resemble the frame of a decayed carriage. The heart bone resembles the face of a spoon. The collarbones resemble handles of small iron chisels. The shoulder blades resemble Ceylonese hoes worn down on a single side. The upper-arm bones resemble mirror handles, and the forearm bones paired palm-root stems. The wrist bones resemble rolls of headcloth laid touching each other. The root joints of the finger bones resemble paṇava drums, their middle joints incomplete paṇasa seeds, and their terminal joints kataka seeds. The seven neck bones resemble discs of bamboo shoots pierced by a stick and arranged in sequence. The lower jaw resembles the rope knot on a smith’s iron hammer; the upper jaw a scraping knife. The bones of the eye sockets and nostrils resemble young palm kernels with the marrow removed. The forehead bone resembles a fragment of a conch bowl laid face down. The bones at the roots of the ears resemble a barber’s razor sheath. The bone above the forehead and ear roots, at the place where a headcloth is tied, resembles a fragment of wrinkled membrane filled with ghee. The crown bone resembles a curved coconut with its mouth cut off. The skull bones resemble pieces of an old broken gourd shell stitched together.

In direction bones arise in both directions. In location, without distinction they occupy the whole body; distinguished individually, the skull bones rest on the neck bones, the neck bones on the vertebrae, the vertebrae on the hip bones, the hip bones on the thigh bones, the thigh bones on the knee bones, the knee bones on the shin bones, the shin bones on the ankle bones, and the ankle bones on the bones on top of the feet. By delimitation, they are bounded inside by marrow, above by flesh, and at the tips and roots by each other. This is their homogeneous delimitation; heterogeneous delimitation is as described for head-hairs.

“Marrow” means the marrow inside the various bones. In color it is white.²³ In shape, marrow in the very large bones resembles a large cane shoot steamed inside a bamboo tube; that in the smaller bones resembles a fine cane shoot steamed inside a bamboo joint. In direction it arises in both directions. In location it is established inside the bones. By delimitation it is bounded by the inner surfaces of the bones. This is its homogeneous delimitation; heterogeneous delimitation is as described for head-hairs.

“Kidney” means two lumps of flesh joined at a single stem. In color it is pale red, like the color of pālibhaddaka seeds. In shape it resembles a child’s paired play balls, or two mango fruits attached to a single stem. In direction it arises above. In location, a thick sinew leaves the base of the throat, goes a short way, divides in two, binds it, and surrounds the flesh of the heart. By delimitation the kidney is bounded by the kidney itself. This is its homogeneous delimitation; heterogeneous delimitation is as described for head-hairs.


§2.7 Papphāsapañcake: The Lungs Pentad—Heart, Liver, Membranes, Spleen, and Lungs 〔Vism VIII·pp.256–258〕

“Heart” means the flesh of the heart. In color it is red like the back of a lotus petal. In shape it resembles a lotus bud with its outer petals removed and placed face down: smooth outside, within like the inside of a loofah fruit. In a wise person it is slightly open; in a person of dull wisdom it remains only a closed bud. Within is a hollow large enough to hold a puṇṇāga seed, containing about half a pasata of blood; supported by it, the mind element and mind-consciousness element occur. This blood is red in a person of greedy temperament, black in a person of hating temperament, like meat-washing water in a person of deluded temperament, like kulattha bean broth in a person of speculative temperament, like a kaṇikāra flower in a person of faithful temperament, and clear, bright, unclouded, pale, and pure in a person of wise temperament, appearing luminous like a polished gem of the finest water.²⁴ In direction it arises above. In location it is established inside the body between the two breasts. By delimitation the heart is bounded by the heart itself. This is its homogeneous delimitation; heterogeneous delimitation is as described for head-hairs.

“Liver” means a double slab of flesh. In color it is red tinged with yellow, not excessively red, like the back of a water-lily petal. In shape it is single at the root and double at the tip, like a kovilāra leaf. A dull person has a single large piece; a wise person has two or three small pieces. In direction it arises above. In location it remains inside the two breasts toward the right side. By delimitation the liver is bounded by the liver itself. This is its homogeneous delimitation; heterogeneous delimitation is as described for head-hairs.

“Membranes” means enveloping flesh of two kinds, concealed and unconcealed. Both are white, the color of a worn dukūla cloth. Their shape follows their location. In direction the concealed membrane arises above and the other in both directions. In location the concealed membrane covers the heart and kidneys; the unconcealed membrane extends through the whole body, enveloping the flesh beneath the skin. By delimitation it is bounded below by flesh, above by skin, and across by the portion of membrane. This is its homogeneous delimitation; heterogeneous delimitation is as described for head-hairs.

“Spleen” means the tongue-like flesh in the abdomen. In color it is blue like a niggundi flower. In shape it is about seven fingers long, unattached, and resembles the tongue of a black calf. In direction it arises above. In location it remains to the left of the heart, supported by the upper side of the stomach lining; if a blow forces it outside, the being’s life ends. By delimitation it is bounded by the spleen itself. This is its homogeneous delimitation; heterogeneous delimitation is as described for head-hairs.

“Lungs” means lung flesh divided into thirty-two pieces. In color it is red like a not-quite-ripe udumbara fruit. In shape it resembles an unevenly cut piece of thick cake. When there is no food or drink within it, it is assaulted by the heat of rising kamma-produced fire and becomes flavorless and without nutriment, like a chewed lump of straw. In direction it arises above. In location it hangs inside the body between the two breasts, covering the heart and liver from above. By delimitation it is bounded by the parts of the lungs. This is its homogeneous delimitation; heterogeneous delimitation is as described for head-hairs.


§2.8 Matthalungapañcake: The Brain Pentad—Bowels, Mesentery, Stomach-Contents, Feces, and Brain 〔Vism VIII·pp.258–260〕

“Bowels” means the intestinal tube, thirty-two cubits long in a man and twenty-eight in a woman, coiled at twenty-one places. In color it is white like sand and lime. In shape it resembles a decapitated snake coiled and placed in a trough of blood. In direction it arises in both directions. In location, because it is bound above at the base of the throat and below at the fecal passage, it extends inside the body from the base of the throat to the end of the fecal passage. By delimitation it is bounded by its coils. This is its homogeneous delimitation; heterogeneous delimitation is as described for head-hairs.

“Mesentery” means the binding at the coils of the bowels. In color it is white like the root of dakasītalika; in shape it likewise resembles that root. In direction it arises in both directions. In location it binds the intestinal coils so they do not fall apart and remains among the twenty-one coils, like a machine cord binding machine boards when craftsmen pull a device to make hoes, axes, and the like, or like a cord sewn into the middle of the round pad on a foot-wiping rope. By delimitation it is bounded by the part of the mesentery. This is its homogeneous delimitation; heterogeneous delimitation is as described for head-hairs.

“Stomach-contents” means what has been eaten, drunk, chewed, and tasted in the stomach. Its color is that of the food swallowed. In shape it resembles rice loosely wrapped in a water-strainer. In direction it arises above. In location it remains in the stomach. What is called the “stomach” is a section of intestinal membrane, like a swelling in the middle of a wet cloth twisted at both ends; it is smooth outside, while inside it resembles a filthy pāvāraka flower wrapped in scraps of flesh, or the inside of a rotten paṇasa fruit. There live worms divided into thirty-two families—taḷ-koṭakā, gaṇḍuppādakā, tālahīrakā, sūcimukhakā, paṭatantukā, suttakā, and others—tangled together and moving in swarms. When there is no food or drink, they leap and cry, striking the flesh of the heart; when food and drink are swallowed, they raise their heads and hurriedly seize the first two or three mouthfuls. The [stomach] is these worms’ birthing room, latrine, infirmary, and charnel ground.

Suppose that in the sewage pit at the gate of a caṇḍāla village, when great drops of rain fall in summer and runoff flows, various kinds of corpse-filth—urine, feces, fragments of skin, bones, sinews, spittle, snot, blood, and the rest—are washed in and mixed with muddy water. After two or three days, swarms of worms arise; heated by the sun, the mass boils, gives off layer upon layer of foam and bubbles, becomes deep blue, extremely foul-smelling and repulsive, unfit to approach or look at, much less to smell or taste. In the same way, various foods and drinks are crushed by the pestles of the teeth, turned by the tongue and hands, and moistened by spittle. In that very moment they lose their fine color, odor, taste, and other qualities and become like a weaver’s paste trough or a dog’s vomit. After falling, they are enveloped in bile, phlegm, and wind, boiled by the force of the stomach fire’s heat, filled with swarms of worms, and release layer upon layer of foam and bubbles. They remain as an extremely filthy, foul-smelling, repulsive mass. Merely hearing this establishes distaste for food and drink; how much more seeing it with the eye of wisdom.

Food fallen there divides into five parts: worms eat a part, the stomach fire burns a part, a part becomes urine, a part becomes feces, and a part turns into nutritive essence and sustains blood, flesh, and the rest. By delimitation it is bounded by the stomach lining and the stomach-contents. This is its homogeneous delimitation; heterogeneous delimitation is as described for head-hairs.

“Feces” means excrement. Its color is generally that of the food swallowed. Its shape follows its location. In direction it arises below. In location it remains in the receptacle for digested food. This receptacle lies below the navel and the base of the spine at the end of the bowels, is about eight fingers high, and resembles a length of bamboo tube. Just as rainwater fallen on high ground runs down and fills a low place, food and drink entering the receptacle for undigested food are cooked by the stomach fire until foaming, cooked repeatedly, ground fine as though on a grinding stone, repeatedly pass through the opening of the bowels, and are compressed. They accumulate like yellow clay packed into a bamboo joint. By delimitation feces are bounded by the membrane of the receptacle for digested food and by the feces themselves. This is their homogeneous delimitation; heterogeneous delimitation is as described for head-hairs.

“Brain” means the mass of marrow inside the skull. In color it is white like a lump of mushrooms, or like spoiled milk not yet curdled. Its shape follows its location. In direction it arises above. In location it is gathered inside the skull along four suture lines, like four lumps of dough placed together. By delimitation it is bounded by the inner surface of the skull and by the brain itself. This is its homogeneous delimitation; heterogeneous delimitation is as described for head-hairs.


§2.9 Medachakke: The Fat Sextad—Bile, Phlegm, Pus, Blood, Sweat, and Fat 〔Vism VIII·pp.260–262〕

“Bile” is of two kinds, bound and unbound. Bound bile is the color of thick madhuka oil; unbound bile the color of a withered ākulī flower. The shape of each follows its location. In direction bound bile arises above, the other in both directions. In location unbound bile pervades the rest of the body like drops of oil in water, apart from places where head-hairs, body-hairs, teeth, and nails are separate from flesh and apart from hard, dry skin. When it is disturbed, the eyes turn yellow and dizzy, and the body shakes and itches. Bound bile remains between the heart and lungs in the gall bladder, which is supported by the flesh of the liver and shaped like a large loofah pod. When it is disturbed, beings go mad, their minds become deranged, they abandon shame and moral dread, do what should not be done, say what should not be said, and think what should not be thought. By delimitation bile is bounded by the bile itself. This is its homogeneous delimitation; heterogeneous delimitation is as described for head-hairs.

“Phlegm” means the roughly bowlful of phlegm inside the body. In color it is white like the juice of nāgabalā leaves. Its shape follows its location. In direction it arises above. In location it rests on the stomach lining. When food and drink are swallowed, just as duckweed on water parts in two when a piece of wood or potsherd falls through and then closes and covers the water again, phlegm parts in two as food and drink fall through and afterward closes and covers it again. If it becomes thin, the stomach is extremely repulsive like a ripe sore or rotten egg and emits a corpse-smell; the odor rising from there makes the belch and mouth stink like a rotten corpse. People tell that person, “Go away! You stink.” But if the phlegm increases and grows thick, it seals the corpse-smell inside the stomach lining like the cover-board of a latrine. By delimitation it is bounded by the phlegm itself. This is its homogeneous delimitation; heterogeneous delimitation is as described for head-hairs.

“Pus” means pus arising from putrefied blood. In color it resembles a withered yellow leaf; on a corpse it resembles rotten, thick rice water. Its shape follows its location. In direction it arises in both directions. In location pus has no fixed place where it accumulates and remains. Wherever a part of the body is injured by a stake, thorn, weapon, flame, or the like and blood settles there and festers, or wherever a boil or similar lesion arises, pus remains there. By delimitation it is bounded by the pus itself. This is its homogeneous delimitation; heterogeneous delimitation is as described for head-hairs.

“Blood” is of two kinds, accumulated and circulating. Accumulated blood is the color of thick, well-cooked lac juice, while circulating blood is the color of clear lac juice. The shape of each follows its location. In direction accumulated blood arises above, the other in both directions. In location circulating blood pervades the entire appropriated body through the network of blood vessels, apart from places where head-hairs, body-hairs, teeth, and nails are separate from flesh and apart from hard, dry skin. Accumulated blood fills the lower part of the liver’s location, about a bowlful, and trickles little by little over the heart, kidneys, and lungs, moistening the kidneys, heart, liver, and lungs. If it does not moisten the kidneys, heart, and the rest, beings become thirsty. By delimitation it is bounded by the blood itself. This is its homogeneous delimitation; heterogeneous delimitation is as described for head-hairs.

“Sweat” means the water element flowing from pores and the like. In color it resembles clear sesame oil. Its shape follows its location. In direction it arises in both directions. In location sweat has no fixed place where it always remains as blood does. When the body is heated by fire, sun, seasonal change, and the like, sweat flows from all the pores of head-hairs and body-hairs like a bundle of unevenly cut lotus, mulāla, and water-lily stalks just pulled from water. Its shape should therefore be understood according to the pores. A practitioner apprehending sweat should attend to it as filling and remaining in those pores. By delimitation it is bounded by the sweat itself. This is its homogeneous delimitation; heterogeneous delimitation is as described for head-hairs.

“Fat” means congealed grease. In color it resembles split turmeric. In shape, in a stout body it resembles a worn strip of turmeric-colored dukūla cloth placed between skin and flesh; in a lean body it resembles a worn strip of turmeric-colored dukūla cloth folded double or triple and placed along the calf flesh, thigh flesh, back flesh supported by the spine, and abdominal-wall flesh. In direction it arises in both directions. In location it pervades the entire body of a stout person, while in a lean person it remains supported by calf flesh and the rest. Although classed as grease, it is so repulsive that people take it neither as oil for the head nor for nasal medicine and similar uses. By delimitation it is bounded below by flesh, above by skin, and across by the portion of fat. This is its homogeneous delimitation; heterogeneous delimitation is as described for head-hairs.


§2.10 Muttachakke: The Urine Sextad—Tears, Grease, Spittle, Snot, Oil-of-the-Joints, and Urine 〔Vism VIII·pp.262–265〕

“Tears” means the water element flowing from the eyes. In color they resemble clear sesame oil. Their shape follows their location. In direction they arise above. In location they remain in the eye sockets, but unlike bile in the gall bladder they do not constantly accumulate there. When beings are joyful and laugh loudly, sorrowful and cry and lament, eat unsuitable food, or have their eyes assaulted by smoke, dust, ashes, and the like, tears arise from joy, sorrow, unsuitable food, and season; they fill the eye sockets and remain or flow out. A practitioner apprehending tears should apprehend them as filling and remaining in the eye sockets. By delimitation they are bounded by the tears themselves. This is their homogeneous delimitation; heterogeneous delimitation is as described for head-hairs.

“Grease” means melted fat. In color it resembles coconut oil, or oil poured over rice water. In shape it resembles drops of oil dispersing and circling over clear bathwater. In direction it arises in both directions. In location it remains mostly on the palms, backs of the hands, soles, tops of the feet, nostrils, forehead, and shoulder tips. It does not always remain melted in these places; when these regions heat up through fire, sun, seasonal imbalance, or imbalance of elements, it moves here and there like drops of oil dispersing across clear bathwater. By delimitation it is bounded by the grease itself. This is its homogeneous delimitation; heterogeneous delimitation is as described for head-hairs.

“Spittle” means the water element mixed with foam inside the mouth. In color it is white like foam. Its shape follows its location, or resembles foam. In direction it arises above. In location it descends from the sides of both cheeks and rests on the tongue. It does not constantly accumulate there. When beings see or remember certain food, put something hot, bitter, pungent, salty, or sour into the mouth, feel sick at heart, or become disgusted by something, spittle arises, descends from the sides of both cheeks, and rests on the tongue. It is thin at the tip of the tongue and thick at the root. Like water in a little well dug in riverbank sand, it can moisten dry rice flakes, grains of rice, or any other chewable food put into the mouth without being exhausted. By delimitation it is bounded by the spittle itself. This is its homogeneous delimitation; heterogeneous delimitation is as described for head-hairs.

“Snot” means impurity flowing from the brain. In color it resembles the marrow of a young palm kernel. Its shape follows its location. In direction it arises above. In location it fills and remains in the nostrils, but it does not constantly accumulate there. Suppose a person wraps curds in a lotus leaf and pierces it from below with a thorn so that the curds flow through the hole and fall outside. Likewise, when beings cry, or when disturbance of the elements arises through unsuitable food or season, brain matter inside the head that has become putrid phlegm flows down through the opening at the roof of the palate, fills and remains in the nostrils, or flows out. A practitioner apprehending snot should apprehend it as filling and remaining in the nostrils. By delimitation it is bounded by the snot itself. This is its homogeneous delimitation; heterogeneous delimitation is as described for head-hairs.

“Oil-of-the-joints” means the sticky corpse-filth inside the body’s joints. In color it resembles kaṇikāra resin. Its shape follows its location. In direction it arises in both directions. In location it remains inside the one hundred and eighty joints, performing the function of lubricating the bones. When a person has little joint oil, the bones crack while the person rises, sits, moves forward, moves back, bends, and extends, and walking sounds like snapping fingers; after traveling a league or two, the wind element is disturbed and the limbs hurt. When a person has abundant joint oil, the bones do not crack while rising, sitting, and so forth; even after a long journey the wind element is not disturbed and the limbs do not hurt. By delimitation it is bounded by the oil-of-the-joints itself. This is its homogeneous delimitation; heterogeneous delimitation is as described for head-hairs.

“Urine” is the color of māsa bean lye. In shape it resembles water inside a water pot placed mouth down. In direction it arises below. In location it remains inside the bladder. “Bladder” means the bladder sac. Suppose a mouthless pot is thrown into a sewage pit: liquid from the pit enters it, though the route of entry cannot be seen. Likewise, urine enters from the body though its route of entry cannot be seen, while the route out is evident. When the bladder is full of urine, beings make the effort, “I shall urinate.” By delimitation urine is bounded by the inner surface of the bladder and by the urine itself. This is its homogeneous delimitation; heterogeneous delimitation is as described for head-hairs.


§2.11 Appanā: The Arising of First-Jhāna Absorption and the Benefits of Cultivation 〔Vism VIII·pp.265–266〕

Having determined the parts beginning with head-hairs by color, shape, direction, location, and delimitation, the practitioner attends in five respects—color, shape, odor, support, and location—according to the methods beginning “in sequence, not too quickly,” repeating, “Repulsive! Repulsive!” At the end of transcending the concept, just as all flowers in a garland of thirty-two colors strung on a single thread appear together, neither first nor last, to a person with sight, all those phenomena appear together, neither first nor last, to the practitioner reviewing the body as “In this body there are head-hairs.” Therefore the discussion of skill in attention says: “When a beginner attends to ‘head-hairs,’ attention proceeds and stops only at the final part, ‘urine.’”

If the practitioner also directs attention outward, then once all the parts have become evident in this way, passing humans, animals, and the rest give up the appearance of beings and appear only as heaps of parts. The food and drink they swallow appear as though being thrown into a heap of parts.

Afterward, as the practitioner attends repeatedly to “Repulsive! Repulsive!” by the method of successive release and the rest, absorption arises in sequence. The appearance of head-hairs and the rest by color, shape, direction, location, and delimitation is the learning sign; their appearance as repulsive in every aspect is the counterpart sign.²⁵ For a practitioner who works with and cultivates it, absorption arises only by way of the first jhāna, by the method already stated, as with the foul meditation subjects.

If only a single part is evident to a practitioner, or if the practitioner reaches absorption in a single part and does not work at another, only a single [first jhāna] arises. If many parts are evident, or if after reaching jhāna in a part the practitioner works at another, first jhānas arise according to the number of parts, as they did for Mallaka Thera.²⁶

It is said that the venerable elder took the hand of Abhaya Thera, reciter of the Dīgha Nikāya, and said, “Friend Abhaya, first learn this question.” Then he said, “Mallaka Thera attained thirty-two first jhānas in the thirty-two parts. If he enters a single attainment at night and a single attainment by day, he completes the cycle again in a little more than half a month. If he enters a single attainment each day, he completes the cycle again in a little more than a month.”

Although this meditation subject succeeds by way of the first jhāna, it is called “mindfulness of the body” because it succeeds through the power of mindfulness applied to color, shape, and the rest.

A bhikkhu devoted to mindfulness of the body endures non-delight and delight;²⁷ non-delight and delight do not overcome him, and he dwells repeatedly conquering arisen non-delight. He endures fear and dread; fear and dread do not overcome him, and he dwells repeatedly conquering arisen fear and dread. He endures cold and heat . . . pe . . . becomes capable of enduring [painful feelings] even to the point of taking life. Through differences in the colors of head-hairs and the rest, he gains the four jhānas and penetrates the six direct knowledges.²⁸

Therefore, indeed, a wise person should heedfully cultivate this mindfulness of the body, which has so many benefits.

*This is the opening for the detailed exposition of mindfulness of the body.*²⁹


Notes

¹ Meditation subject (kammaṭṭhāna): the general term for an object supporting concentration and the method of cultivating it; the treatise lists forty meditation subjects in all.

² Urgency (saṃvega): a pressing shock that arises in relation to the contemplated object, distinct from ordinary fear.

³ Section (pabba): the name for a division of a discourse, not a “chapter” or treatise “section”; this meditation subject is taught through fourteen such sections.

⁴ The sections on the postures, the four kinds of clear comprehension, and attention to elements are taught by way of insight; insight is developed in Chapter 18, not here.

⁵ Contemplation of danger is developed in Chapter 21; this chapter gives only its name.

⁶ The exposition of foulness is Chapter 6, “Foul Meditation Subjects”; the treatise itself says that the cultivation of absorption on the bloated corpse and the rest has already been explained there.

⁷ Meditation subject of the thirty-two aspects (dvattiṃsākāra-kammaṭṭhāna): contemplation of the thirty-two parts of the body by way of attention to repulsiveness.

⁸ Ill-looking (assirika): the word may also mean “lacking splendor”; because it occurs here beside “extremely foul-smelling” and “repulsive,” this edition takes it in the sense of an inauspicious appearance.

⁹ Son of good family (kulaputta): literally a son of a good family; in the treatise it is a general designation for a person who has undertaken cultivation.

¹⁰ Teacher (ācariya): the teacher who gives and explains a meditation subject.

¹¹ Seven kinds of skill in learning (sattadhā uggaha-kosalla): skill in learning the body parts through seven approaches—by speech, mind, color, shape, direction, location, and delimitation.

¹² Stream-enterer (sotāpanna): a person who has realized the first noble fruit and entered the stream of the noble path.

¹³ The skin pentad (taca-pañcaka) and the other five groups: the thirty-two parts are divided five, five, five, five, six, and six, with each group named after its final part.

¹⁴ Homogeneous delimitation (sabhāga-pariccheda) distinguishes the reach of a part below, above, and across; heterogeneous delimitation (visabhāga-pariccheda) distinguishes its non-mixture with the remaining parts.

¹⁵ Absorption (appanā-samādhi, absorption concentration): concentration in which the mind fully enters its object without wavering; the preceding level is access concentration (upacāra-samādhi), where the hindrances are suppressed but the mind has not fully entered.

¹⁶ Concept (paññatti): a designation established through language; here the practitioner is to pass beyond the names “head-hairs” and “body-hairs” and remain only with the nature of repulsiveness.

¹⁷ “Preliminary work” (parikamma): repeatedly attending to an object before absorption arises; also called “preparation.”

¹⁸ The discussion of “skill in absorption” occurs in Chapter 4, “The Earth Kasiṇa”; this section only refers back to it and does not reopen it.

¹⁹ The five items of determination (color, shape, direction, location, and delimitation) and the five modes of repulsiveness (color, shape, odor, support, and location) are distinct sets; only color, shape, and location are shared.

²⁰ Nit (likhā): a louse egg; contrasted with the “louse’s head” (vihagga) in the preceding description of head-hairs. The two similes give different measures and should not be conflated.

²¹ Outer skin (chavi): the outer layer of the skin, varying in black, brown, and yellow; “skin” (taco) among the thirty-two parts means the membrane beneath it, which is only white.

²² The base text reads “three hundred and twenty” here, which does not agree with the later total of “about three hundred” bones. This edition retains the base reading unchanged.

²³ The wording in the base text does not yield a color name here; another recension reads “white,” which also fits the context. This edition reads “white” and leaves the base text unchanged.

²⁴ The six temperaments beginning with the greedy temperament are developed in Chapter 3, “Taking a Meditation Subject”; here they are named only in relation to the color of the blood in the heart.

²⁵ Learning sign (uggaha-nimitta) and counterpart sign (paṭibhāga-nimitta): two levels of the concentration sign; their settled renderings are established at their first occurrence in Chapter 4, “The Earth Kasiṇa.”

²⁶ Mallaka Thera (Mallaka-tthera): Chapter 4 contains another episode involving an elder of the same name; this edition does not determine whether they are the same person.

²⁷ “Non-delight” (arati) and “delight” (rati): according to the treatise’s usage, these are not interpreted as “anger” and “joy.”

²⁸ Six direct knowledges (cha abhiññā): six exceptional powers of knowledge attained through the four jhānas; this section gives only their name.

²⁹ Opening for the detailed exposition (vitthārakathāmukha): the fixed closing formula after a section has been explained in detail; “detailed,” “exposition,” and “opening” correspond respectively to vitthāra, kathā, and mukha.

入出息念 — 八階修法與四念處Mindfulness of Breathing — The Eight Stages and Four Foundations

全文五層 →Full five layers →
白話Vernacular

本單元白話為本編自巴利原典之譯疏(tr. mine),譯自公版 PTS 底本。


§3.1 Ānāpānasati 入出息念·序與經證 〔Vism VIII·pp.266–267〕

三 入出息念

現在,世尊如此稱歎而說:「諸比丘,這入出息念之等持(ānāpānasati-samādhi)¹,若已修習、已多修,實為寂靜、殊勝,是純粹的安樂住,並且使已生已生的惡不善法當下消逝、止息。」又如此發問:「諸比丘,入出息念之等持要怎樣修習呢?怎樣多修,它才實為寂靜、殊勝,是純粹的安樂住,並且使已生已生的惡不善法當下消逝、止息呢?」〔而如此開示:〕「諸比丘,這裡有比丘往阿蘭若、往樹下或往空閒處,結跏趺而坐,正身端直,於面前安住其念;他就正念而出息,正念而入息。長出息時,他了知『我在長出息』……乃至(廣說如前)……短出息時……乃至(廣說如前)……短入息時,他了知『我在短入息』。他學:『我要覺知遍身而出息』;他學:『我要覺知遍身而入息』。他學:『我要止息身行而出息』;他學:『我要止息身行而入息』。覺知喜……乃至(廣說如前)……覺知樂……覺知心行……止息心行、覺知心……令心歡喜……令心等持……令心解脫……隨觀無常……隨觀離欲……隨觀滅……他學:『我要隨觀捨遣而出息』;他學:『我要隨觀捨遣而入息』。」

這樣,十六事²的入出息念業處就被開示了。

〔現在〕輪到說它的修習之法。而這〔修習之法〕唯有順著經文之釋義來說,才成為一切行相圓滿的,所以這裡的說示是以經文之釋義為先導的。

其中,先看「諸比丘,入出息念之等持要怎樣修習」一句:這是為了想要詳說入出息念之等持之修習的種種方式而發的問。「諸比丘,入出息念之等持之已修習」,是依種種方式而對所問之法的指示。「怎樣多修……令其止息」一句上,也是同樣的方法。


§3.2 Bhāvito 修習·多作等逐語釋 〔Vism VIII·pp.267–270〕

其中,「已修習」(bhāvito)就是已使生起,或已使增長。「入出息念之等持」:與把握入出息之念相應的等持,或者說在入出息念中的等持,就是入出息念之等持。「已多修」(bahulīkato)就是一再地作。

「實為寂靜、殊勝」:〔其語當讀作〕「唯寂靜、又唯殊勝」——在這兩處,都應當由 ca〔一字〕而知其為限定〔之義〕。這是說什麼呢?不淨業處只是就通達而言為寂靜、為殊勝,而由於所緣粗、所緣厭逆,就所緣而言則既非寂靜,亦非殊勝;這〔入出息念之等持〕卻不像那樣,它無論從哪一面說都不是不寂靜、不殊勝的:由於所緣的寂靜性,它是寂靜的、已止息的、已寂滅的,由於名為通達的諸支的寂靜性,也是這樣;由於所緣的殊勝性,它是殊勝的、令人不生厭足的,由於諸支的殊勝性,也是這樣。因此才說「實為寂靜、殊勝」。

「純粹之安樂住」:這裡的「純粹」(asecanaka)³是說它沒有可摻和的東西,所以是不被摻和的、不被混雜的、各別的、獨特的。這裡並沒有靠遍作或近行才有的寂靜性⁴;從最初的作意起,它就以自己的自性而寂靜、而殊勝——這就是它的意思。也有人說:「純粹」是指不被摻和、有滋味、以自性而甘美。這樣,這〔等持〕既是純粹的,又由於在每一安止⁵的剎那都能引生身樂與心樂,所以應知它是「安樂住」。

「已生已生的」就是未被鎮伏、未被鎮伏的。「惡的」就是下劣的。「不善法」就是由不善巧所生的法。「當下令其消逝」就是剎那間便令其消逝、令其鎮伏。

「令其止息」就是完全地令其寂止;或者說,由於〔它〕是擇分〔之法〕,所以次第地到達聖道的增長而斷除、令其徹底寂止——所說的就是這個意思。

而這裡的略義是:「諸比丘,入出息念之等持要以什麼方式、以什麼行相、以什麼方法而修習呢?要以什麼方式多修,它才實為寂靜……乃至(廣說如前)……令其止息呢?」現在,為了詳說這個意思,〔世尊〕就說了「諸比丘,這裡」等等。

其中,「諸比丘,這裡有比丘」是說:諸比丘,在這教法中的比丘。因為這裡的「這裡」一語,是在顯示:對於那能生起一切方式的入出息念之等持的人來說,教法就是他的所依止;並且是在遮止其他教法有這樣的性質。這是已經說過的:「諸比丘,唯此處有沙門……乃至(廣說如前)……其他外道之說空無沙門。」因此才說「在這教法中的比丘」。

「往阿蘭若……乃至(廣說如前)……或往空閒處」:這是在顯示他選取與入出息念之等持之修習相宜的坐臥處。因為這位比丘的心長時以來在色等所緣上散逸,不肯登上入出息念之等持的所緣,就像套著頑牛的車一樣,只往歧路上奔。所以,譬如牧牛人想要調伏那頭吃了頑母牛的奶而長大的頑犢,就把牠從母牛身邊牽開,在一旁釘下一根大柱,用繩子把牠繫在那裡;於是那頭犢子這裡那裡地掙扎,卻逃不掉,就只好靠著或臥在那根柱子旁邊。同樣地,這位比丘想要調伏自己那長時飲了色等所緣之味而長大的惡心,也應當把它從色等所緣牽開,帶進「阿蘭若……乃至(廣說如前)……或空閒處」,在那裡用念的繩子把它繫在入出息的柱子上。這樣,他的心即使這裡那裡地掙扎,也因為得不到先前所習慣的所緣,切不斷念的繩子而逃不掉,就依近行與安止而在那同一所緣上靠著、臥著。所以古師們⁶說:

  猶如人於此世,為調伏犢牛而繫之於柱,
  也應這樣把自己的心,牢牢地繫在念的所緣上。

這樣,那坐臥處對他就是與修習相稱的。所以說:「這是在顯示他選取與入出息念之等持之修習相宜的坐臥處。」

或者這樣說:這入出息念業處在諸業處的分類中是居先的,是一切知佛、辟支佛、佛弟子們證得殊勝與現法樂住的近因;而由於聲是禪那的刺,所以不捨離那充滿女人、男人、象、馬等聲音的村邊,就不容易修習它。反之,在無村落的阿蘭若中,瑜伽者卻容易把握這個業處,生起入出息〔念〕四法之禪,並以它為近因而思惟諸行,證得最上果阿羅漢〔性〕。因此,世尊為了指示與他相宜的坐臥處,才說了「往阿蘭若」等等。

因為世尊就像相地術之師。祂正如相地術之師察看了城地、好好審視之後,指示說「在這裡建城吧」,而城平安地建成之後,他從王家得到大供養;同樣地,祂審視了與瑜伽者相宜的坐臥處之後,指示說「應當在這裡勤修業處」,後來那位在那裡勤修業處的瑜伽者次第地證得阿羅漢〔性〕時,〔人們便說〕「那位世尊真是正等覺者啊」——祂便得到大供養。

而這位比丘,則被說為像豹一樣。正如大豹王在阿蘭若中依著草叢、林叢或山叢隱伏起來,捕取野水牛、大角鹿、野豬等野獸;同樣地,應當知道:這位在阿蘭若等處勤修業處的比丘,也次第地捕取入流、一來、不還、阿羅漢諸道以及聖果⁷。所以古師們說:

  正如所謂的豹隱伏起來而捕取眾獸,
  這位具足瑜伽、修觀的佛子也是這樣:
  進入阿蘭若,而取得最上之果。


§3.3 Araññagato vā 住阿蘭若等三處·結跏趺坐 〔Vism VIII·pp.270–271〕

因此,世尊為了指示那作為他精進奮迅之地的阿蘭若坐臥處,才說了「往阿蘭若」等等。其中,「往阿蘭若」〔的意思是〕:依「所謂阿蘭若,是出了界柱(indakhīla)⁸以外的一切〔處所〕,這一切都是阿蘭若」,以及「所謂阿蘭若住處,最少也有五百弓」這樣所說之相的諸阿蘭若中,他往任何一處有遠離之樂的阿蘭若去了。

「往樹下」就是到了樹的附近。「往空閒處」就是到了空的、遠離的地方。而且這裡,除了阿蘭若與樹下之外,往其餘七種坐臥處去,也可以說是「往空閒處」。

這樣,〔世尊〕指示了與三時相宜、與界之行相宜、又與入出息念之修習相稱的坐臥處之後,為了指示那不屬怠墮亦不屬掉舉一邊的寂靜威儀,便說了「坐」。接著,為了顯示他坐姿的穩固、出息入息轉起的順適,以及把握所緣的方便,便說了「結跏趺而坐」等等。

其中,「跏趺」就是周匝盤起雙腿的坐法。「結」就是盤結。

「正身端直」就是把上身放正,使十八節脊椎骨節節相對。因為這樣坐的人,皮、肉、腱都不會扭曲;那麼,本來會因為它們扭曲而剎那剎那生起的諸受,也就不生起了。那些〔受〕不生起時,心便一境,業處不退失,而得到增長與廣大。

「於面前安住其念」:「把念安置在朝向業處的方向。或者說:parī 是把握的意思,mukha 是出離的意思,sati 是現起的意思,因此說『於面前之念』。」這裡的意思也應當依《無礙解道》所說的方法來看。其中的略義是:「使念成為已把握出離的。」

「他就正念而出息,正念而入息」:那位比丘這樣坐下、這樣安住了念之後,不捨那念,唯以正念而出息、以正念而入息——所說的就是「他是正念而行者」。

現在,為了指出他是以哪些行相而成為正念而行者,便說了「長出息時」等等。《無礙解道》中說了這段話:「在『他就正念而出息,正念而入息』這一句的分別中,〔他〕以三十二種行相而成為正念而行者:對於依長出息而了知心之一境性、無散亂的人,念便現起;由那念、由那智,他成為正念而行者。依長入息……乃至(廣說如前)……對於依隨觀捨遣之出息、依隨觀捨遣之入息而了知心之一境性、無散亂的人,念便現起;由那念、由那智,他成為正念而行者。」


§3.4 Dīgham vā assasanto 長出息·短出息 〔Vism VIII·pp.271–274〕

其中,「長出息時」就是轉起長的出息。「出息(assāsa)是向外出去的風,入息(passāsa)是向內進來的風」——這是《律義疏》中所說的;而在諸經義疏中,卻是以顛倒的次第而來的。這裡,一切胎生者從母胎出來的時候,先是內部的風向外出去,後來外部的風帶著微細的塵向內進來,觸到上顎而止息——先應當這樣了知出息與入息。至於它們的長短性,則應當依時程來了知。譬如充滿一段空間而住的水或沙,被說為長的水、長的沙,短的水、短的沙;同樣地,出息與入息雖然碎細如粉末,在象身與蛇身中,卻要慢慢地充滿牠們那名為自體的長時程,然後也慢慢地出去,所以被說為長的。在狗、兔等〔的身中〕,很快就充滿了牠們那名為自體的短時程,然後也很快地出去,所以被說為短的。而在人類中,有些人像象、蛇等一樣,依時間之程而長長地出息、入息;有些人則像狗、兔等一樣,短短地〔出息、入息〕。所以應當知道:依時間而言,他們的出息與入息若出入於長的時程,就是長的;若出入於短暫的時程,就是短的。其中,這位比丘以九種行相而長長地出息、入息,並了知「我在長出息、我在長入息」;應當知道:他這樣了知時,就以一種行相成就了於身之身觀念處的修習。

如《無礙解道》所說:「怎樣是長出息時了知『我在長出息』,長入息時了知『我在長入息』呢?他於所謂時程之中出長的出息,於所謂時程之中入長的入息,於所謂時程之中既出又入長的出入息;當他於所謂時程之中既出又入長的出入息時,欲便生起。由於欲,他於所謂時程之中出比先前更微細的長出息;由於欲,〔他於所謂時程之中入〕比先前更微細的長入息……乃至(廣說如前)……於所謂時程之中既出又入長的出入息;當他由於欲而於所謂時程之中既出又入比先前更微細的長出入息時,悅便生起。

由於悅,他於所謂時程之中出比先前更微細的長出息;由於悅,〔他入〕比先前更微細的長入息……乃至(廣說如前)……於所謂時程之中既出又入長的出入息;當他由於悅而於所謂時程之中既出又入比先前更微細的長出入息時,心便從長的出入息轉離,而捨安住。以這九種行相,長的出入息〔就是〕身,〔那是〕現起;念是隨觀,是智。身是現起,不是念;念既是現起,又是念。他以那念、以那智而隨觀那身。因此說:這是於身之身觀念處的修習。」

在「短」一句上也是這個方法。差別只在這裡:那裡說的是「於所謂時程之中〔出〕長的出息」,這裡來的卻是「於所謂短暫之中出短的出息」。所以應當依「短」而一路配合下去,直到「因此說:這是於身之身觀念處的修習」為止。這樣,他依時程與短暫、以這些行相而了知出息與入息,應當知道他就是「長出息時,了知『我在長出息』……乃至(廣說如前)……短入息時,了知『我在短入息』」。而他這樣了知時:

  長的出息、短的〔出息〕,入息也同樣如此,
  這四類〔行相〕唯在比丘的鼻端轉起。

「他學:『我要覺知遍身而出息』……『我要入息』」:使整個出息身的初、中、後為所知、為明了,而學「我要出息」;使整個入息身的初、中、後為所知、為明了,而學「我要入息」。他這樣使〔它們〕為所知、為明了,以與智相應的心而出息、入息,所以說「他學『我要出息、我要入息』」。因為對某一位比丘來說,在碎細如粉末而散布著的出息身或入息身中,只有初是明了的,中與後卻不明了;他只能把握初,在中與後上就疲弱了。對另一位,中是明了的,初與後卻不然。對另一位,後是明了的,初與中卻不然;他只能把握後,在初與中上就疲弱了。對另一位,一切都是明了的;他能把握一切,在任何一處都不疲弱。〔世尊〕為了指示應當成為這樣的人,才說:「他學『我要覺知遍身而出息』……乃至(廣說如前)……『我要入息』。」


§3.5 Sikkhati 學(三學)·初四法之逐語釋 〔Vism VIII·pp.274–277〕

其中,「學」(sikkhati)就是這樣努力、這樣精勤。或者說:那樣的人所有的律儀,這裡就是增上戒學;那樣的人所有的等持,就是增上心學;那樣的人所有的慧,就是增上慧學——這三學,他在那所緣上、以那念、以那作意而學、而習行、而修習、而多修。這裡的意思應當這樣看。

其中,在前面的方法裡,他只須出息、入息,別的什麼都不必作;而從這裡起,卻要在生起智等事上用功。所以在那裡只依現在時而說了「他了知『我在出息』,他了知『我在入息』」這樣的經文;而從這裡起,為了指出應當作的生起智等行相,才以「他學『我要覺知遍身而出息』」等等的方式,依未來時之語而安立了經文——應當這樣知道。

「他學:『我要止息身行而出息』……乃至(廣說如前)……『我要入息』」:他令粗的身行止息、徹底寂止、滅、寂靜,而「學『我要出息、我要入息』」。

在這裡,粗細性與輕安應當這樣了知。這位比丘在先前未把握〔身心〕的時候,身與心都是煩擾的、粗的。身與心的粗性未止息時,出息與入息也是粗的,轉起得更強,鼻子容不下,他就以口出息、入息地待著。可是當他的身與心都被把握了的時候,它們就寂靜了、止息了;它們止息之後,出息與入息便微細地轉起,達到「到底還有沒有」這樣須要審察的狀態。譬如有人奔跑之後、從山上下來之後,或把重擔從頭上卸下之後站在那裡,他的出息與入息是粗的,鼻子容不下,他就以口出息、入息地待著;可是當他除去了那疲勞,洗過、喝過,把濕布敷在心口,臥在清涼的樹蔭下時,他那出息與入息就變得微細,達到「到底還有沒有」這樣須要審察的狀態。同樣地,這位比丘在先前未把握的時候,身……乃至(廣說如前)……達到須要審察的狀態。這是什麼緣故呢?因為他在先前未把握的時候,並沒有「我要止息粗而又粗的身行」這樣的傾注、專注、作意與省察,而在把握了的時候卻有;所以比起未把握的時候,在把握了的時候他的身行就微細了。所以古師們說:

  身與心動搖時,〔身行〕過度地轉起;
  身不動搖時,〔身行〕便微細地轉起。

在把握〔身心〕時也還是粗的,在初禪的近行中則微細;在那裡也還是粗的,在初禪中則微細。在初禪與第二禪的近行中是粗的,在第二禪中微細;在第二禪與第三禪的近行中是粗的,在第三禪中微細;在第三禪與第四禪的近行中是粗的,在第四禪中則極微細,乃至到達不轉起——這先是長部誦師與相應部誦師⁹的看法。中部誦師們卻主張:在初禪中是粗的,在第二禪的近行中微細;這樣,比起下下之禪,在上上之禪的近行中也更微細。不過依一切〔誦師〕的看法,未把握時所轉起的身行,在把握時徹底寂止;把握時所轉起的身行,在初禪的近行中……乃至(廣說如前)……第四禪的近行中所轉起的身行,在第四禪中徹底寂止。

這先是就止而言的方法。至於就觀而言:未把握時所轉起的身行是粗的,在把握諸大種時微細;那也還是粗的,在把握所造色時微細;那也還是粗的,在把握全部色法時微細;那也還是粗的,在把握無色〔法〕時微細;那也還是粗的,在把握色與無色時微細;那也還是粗的,在把握諸緣時微細;那也還是粗的,在見有緣的名色時微細;那也還是粗的,在以〔諸〕相為所緣的觀中則微細;那在羸弱之觀中也還是粗的,在強力之觀中才微細。這裡應當依前面所說的方法,了知前前者由後後者而徹底寂止。這裡的粗細性與輕安,應當這樣了知。

而在《無礙解道》中,連同詰難與解答,這樣說了它的意思:

「怎樣是『他學:我要止息身行而出息』……乃至(廣說如前)……『我要入息』呢?什麼是諸身行?長的出息……〔長的〕入息,這些法是身的、繫屬於身的,〔就是〕諸身行;他令那些身行止息、滅、寂靜而學……乃至(廣說如前)……由於怎樣的身行而有身的曲、屈、傾、引、震、顫、動、搖,〔他就〕學『我要止息〔那樣的〕身行而出息』,學『我要止息〔那樣的〕身行而入息』。由於怎樣的身行而身無曲、無屈、無傾、無引、無震、無顫、無動、無搖,〔他就〕學『我要止息〔那樣〕寂靜微細的身行而出息、而入息』。——〔詰難:〕據說『他學:我要止息身行而出息』,『他學:我要止息身行而入息』;若是這樣,那麼風的覺知便沒有生起,出息與入息也沒有生起,入出息念也沒有生起,入出息念之等持也沒有生起,而且諸智者也不入、不出這個等至了。〔解答:〕據說『他學:我要止息身行而出息、而入息』;若是這樣,那麼風的覺知便有生起,出息與入息也有生起,入出息念也有生起,入出息念之等持也有生起,而且諸智者也入、也出這個等至。

這像什麼呢?譬如敲擊銅鈸時,先是粗的聲音轉起;由於善取、善作意、善憶持了粗聲之相,即使粗聲已滅,隨後微細的聲音仍轉起;由於善取、善作意、善憶持了細聲之相,即使細聲已滅,隨後心仍以細聲之相為所緣而轉起。同樣地,先是粗的出息與入息轉起;由於善取、善作意、善憶持了粗的出息入息之相,即使粗的出息入息已滅,隨後微細的出息與入息仍轉起;由於也善取、善作意、善憶持了微細的出息入息之相,即使微細的出息入息已滅,隨後心以微細的出息入息之相為所緣,也不趣於散亂。若是這樣,那麼風的覺知便有生起,出息與入息也有生起,入出息念也有生起,入出息念之等持也有生起,而且諸智者也入、也出這個等至。止息身行的出息與入息〔就是〕身,〔那是〕現起;念是隨觀,是智。身是現起,不是念;念既是現起,又是念。他以那念、以那智而隨觀那身。因此說:這是於身之身觀念處的修習。」

以上先是這裡依身觀而說的第一四法之逐句釋。

而這裡唯有這第一四法是依初學者的業處而說的,其餘三個四法卻是依在此已得禪那者的受觀、心觀、法觀而說的。所以,想要修習這個業處,並以入出息〔念〕四法之禪為近因的觀而連同無礙解證得阿羅漢〔性〕的初學善男子¹⁰,應當依前面所說的方法作淨戒等一切事,然後在如前所說那樣的阿闍梨面前受取五事之業處。這裡的五事就是:學取、詢問、現起、安止、相。


§3.6 Uggaho · Manasikāravidhi · Gaṇanā 受持等五事·作意八階·數 〔Vism VIII·pp.277–280〕

其中,「學取」(uggaha)就是業處的學取;「詢問」就是業處的詢問;「現起」就是業處的現起;「安止」就是業處的安止;「相」就是業處的相——所說的是:「這業處有這樣的相」,即對業處自性的憶持。

這樣受取五事之業處的人,自己不疲勞,也不惱亂阿闍梨。所以應當請〔阿闍梨〕少少地誦示,長時間地讀誦,這樣受取了五事之業處以後,住在阿闍梨身邊或別處如前所說那樣的坐臥處,斷除了小障¹¹,作完飯食之事,除去食後的昏沉,安樂地坐著,以憶念三寶之德而使心歡悅,對於從阿闍梨處所受取的連一句也不錯亂——這樣來作意這入出息念業處。

其中的作意之法是這樣:「數、隨逐、觸、安住、觀察、還、淨,以及對它們的還照。」其中,「數」(gaṇanā)就是數本身;「隨逐」(anubandhanā)就是隨行;「觸」就是所觸之處;「安住」就是安止;「觀察」就是觀;「還」就是道;「淨」就是果;「對它們的還照」就是省察。

其中,這位初學善男子先應當以「數」來作意這個業處。而數的時候,不應當停在五以下,不應當帶到十以上,不應當在中間顯出殘缺。因為停在五以下的人,心的生起就在狹窄的地方掙扎,像關在狹窄牛欄裡的牛群一樣;帶到十以上的人,心的生起就只是依於數的;在中間顯出殘缺的人,心會動搖:「我的業處到頂了沒有呢?」所以應當避開這些過失而數。而數的時候,先應當以遲緩的數法、以量穀者的數法來數。因為量穀者裝滿了一斗,說一聲「一」而傾出;再裝的時候,看見有什麼雜物,就一邊把它丟掉一邊說:「一、一。」在「二、二」等等上也是這個方法。同樣地,這〔比丘〕也應當在出息與入息中取那現起的一個,從「一、一」開始,直到「十、十」,只就那轉起又轉起的〔息〕加以觀察而數。他這樣數的時候,出去與進來的出息與入息就明了了;這時他應當捨棄那遲緩的數法、量穀者的數法,而以迅速的數法、牧牛者的數法來數。因為善巧的牧牛人把石子等收在衣兜裡,手拿繩與杖,一早就到牛欄去,在牛背上拍打,然後坐在門柱的頂上,只就到了門口又到了門口的牛,一顆一顆地投下石子而數:「一、二。」因為牛群在狹窄的地方過了三更之夜而受苦,出來的時候彼此推擠,急急地成群成群地出來;他就急急地數:「三、四、五,乃至十。」同樣地,這〔比丘〕依前面的方法數的時候,出息與入息也變得明了,急急地一再往來。於是他知道「它們一再往來」,就不取內、也不取外,只取那到了門口又到了門口的〔息〕而數:「一、二、三、四、五;一、二、三、四、五、六;一、二、三、四、五、六、七……乃至(廣說如前)……八……九……十。」就這樣急急地數。因為在繫於數的業處上,正是由數的力量而心成為一境的,就像用篙撐住而使船停在急流中一樣。他這樣急急地數的時候,業處就像不間斷地轉起一樣地現起;這時他知道「它不間斷地轉起」,就不把握內與外的風,而依前面的方法急急地數。因為讓心隨著向內進來的風進去的人,內部就像被風所擊、充滿了脂肪一樣;讓心隨著向外出去的風出去的人,心就向外散亂在種種所緣上。而唯有把念安置在所觸所觸的地方而修習的人,修習才得成就。所以說:不把握內與外的風,而依前面的方法急急地數。

「那麼,這樣數要數多久呢?直到不靠數而念也能在出息入息的所緣上安住為止。」因為數只是為了截斷向外散逸的尋,而使念在出息入息的所緣上安住。這樣以數作意之後,就應當以隨逐來作意。

§3.7 Anubandhanā 隨逐(跛者·門衛·鋸三喻) 〔Vism VIII·pp.280–282〕

所謂「隨逐」(anubandhanā),就是收起數,以念不間斷地隨行出入息;但這並不是以隨行〔息的〕初、中、後的方式而作。因為對於向外出去的風來說,臍是初,心是中,鼻端是後¹²;對於向內進來的風來說,鼻端是初,心是中,臍是後。而隨行這〔初中後〕的人,心陷於散亂,就成為動搖與震動〔之因〕。如說:「以念隨行出息的初、中、後的人,由於心於內散亂,身與心都成為動搖的、震動的、顫動的。以念隨行入息的初、中、後的人,由於心於外散亂,身與心都成為動搖的、震動的、顫動的。」所以,以隨逐而作意的人,不應當依初、中、後而作意,而應當依觸與安住而作意。因為並不像依數與依隨逐那樣,另有一種依觸與依安住的個別作意;只是在一觸再觸之處計數時,他就是既依數而作意、也依觸而作意;就在那同一處收起數,以念隨逐那些〔息〕,並依安止而安置其心時,才說他是依隨逐、依觸、依安住而作意。

這個意思,應當依諸義疏¹³中所說的跛者譬(pangulopamā)與守門人譬(dovārikūpamā),以及《無礙解道》中所說的鋸譬(kakacūpamā)來了知。其中,跛者譬是這樣:譬如有一個跛者,為在鞦韆上遊戲的母子推動了鞦韆之後,就坐在那鞦韆柱的根部,看見那依次來、依次去的鞦韆板的兩端與中間,卻不必為了看見兩端與中間而忙碌;同樣地,比丘以念站在繫縛之柱的根部,推動出入息的鞦韆,就以念坐在那同一個相上,在所觸之處以念隨行那依次來、依次去的出入息的初、中、後,並把心安置在那裡而看見〔它們〕,卻不必為了看見它們而忙碌——這就是跛者譬。

再說守門人譬:譬如守門人不去盤問城內與城外的人——「你是誰?從哪裡來?要到哪裡去?手上拿的是什麼?」——因為那些人不是他的負擔;他只盤問一個一個到達門口的。同樣地,對這位比丘來說,已經進到裡面的風與已經出到外面的風都不是他的負擔,只有一個一個到達門口的才是他的負擔——這就是守門人譬。

至於鋸譬,應當從最初起這樣了知。有這樣的說法:

  相、出息、入息——〔此三〕非一心之所緣;
  不知此三法者,其修習不可得。
  相、出息、入息——〔此三〕非一心之所緣;
  唯知此三法者,其修習乃可得。

「怎麼會這三法不是一心的所緣,而這三法又不是不被知的,心也不趨於散亂,並且勤顯現、行成就、殊勝證得呢?譬如有一棵樹放在平坦的地面上,有人用鋸子鋸它。那人的念是依觸著樹的鋸齒而現起的;他不作意來的或去的鋸齒,而來的或去的鋸齒又不是不被知的;勤顯現、行成就、殊勝證得。如同放在平坦地面上的樹,繫縛之相也是這樣;如同鋸齒,出入息也是這樣。如同那人的念依觸著樹的鋸齒而現起,他不作意來的或去的鋸齒,而來的或去的鋸齒又不是不被知的,勤顯現、行成就、殊勝證得;同樣地,比丘在鼻端或口相上安住其念而坐,他不作意來的或去的出入息,而來的或去的出入息又不是不被知的,勤顯現、行成就、殊勝證得。

「所謂『勤』——什麼是勤?發勤精進者,身與心都成為適於作業的,這就是勤。什麼是行?發勤精進者,諸隨煩惱被斷,諸尋被止息,這就是行。什麼是殊勝?發勤精進者,諸結被斷,諸隨眠終盡,這就是殊勝。這樣,這三法不是一心的所緣,而這三法又不是不被知的,心也不趨於散亂,並且勤顯現、行成就、殊勝證得。」

  凡入出息念圓滿、善修習,
  依次第而習熟,如佛所教示者:
  他照耀此世間,猶如脫離雲翳的月亮。


§3.8 Kakacūpamā 鋸喻竣·修習要領·息漸細 〔Vism VIII·pp.282–286〕

這就是鋸譬。而在這裡應當了知:對他來說,〔此譬的〕用處只在於「不依來了又來的〔息〕而作意」這一點。作意這個業處時,有些人不久相就生起了,而且那以其餘諸禪支所莊嚴的、名為安止的安住也得以成就。但有些人,從依數而作意的時候起,隨著次第,由於粗的出入息止息,身的煩擾寂止下來,身與心都變得輕快,身體就像達到了能在空中飛騰的樣子。譬如身體動搖的人坐在床上或椅上時,床椅會下陷、會作響,鋪具會起皺;而身體不動搖的人坐下時,床椅既不下陷,也不作響,鋪具也不起皺,床椅就像塞滿了木棉絮一樣。為什麼呢?因為不動搖的身是輕的。同樣地,從依數而作意的時候起,隨著次第,由於粗的出入息止息,身的煩擾寂止下來,身與心都變得輕快,身體就像達到了能在空中飛騰的樣子。他的粗出入息滅了以後,心就以細的出入息之相為所緣而轉起;那也滅了以後,心又一再地以比它更細、更細的相為所緣而轉起。

怎麼說呢?譬如有人用大鐵棒敲擊銅盤,一擊之下生起大聲,他的心便以粗的聲為所緣而轉起;粗聲滅了以後,其後便以細聲之相為所緣;那也滅了以後,心又一再地以比它更細、更細的聲之相為所緣而轉起——應當了知就是這樣。

也有這樣的說法:「譬如敲擊銅器時」——其詳〔如前所引〕。因為其餘的業處是越往上越明顯的,這個業處卻不是這樣:這個業處對越往上修習的人反而趨於細微,甚至不趨於現起。而在它這樣不現起的時候,那位比丘不應當從座位起來,抖一抖皮座具¹⁴就走開。該怎麼做呢?不應當想著「我要去問阿闍梨」,或「我的業處現在失去了」而起座。因為破壞威儀而走開的人,業處就變成一再從頭〔開始〕的了;所以應當就照原樣坐著,從那處所把它取回來。

其中,取回的方法是這樣:那位比丘知道業處不現起,就應當這樣思察:「這些所謂的出入息,在哪裡有,在哪裡沒有?是誰有,是誰沒有?」這樣思察時,他知道:這些息在母胎之內沒有,沉在水中的人沒有,同樣地,無想者、死者、入第四禪者、具色界無色界之有者、入滅盡定者也都沒有¹⁵——於是應當這樣自己責問自己:「智者啊!你既不在母胎之內,不是沉在水中,不是無想者,沒有死,沒有入第四禪,不是具色界無色界之有者,也沒有入滅盡定;你的出入息確實是有的,只是由於慧鈍,才不能把握住它罷了。」然後他應當依平常所觸〔之處〕安置其心,令作意轉起。因為這些息,對長鼻的人是觸著鼻翼而轉起的,對短鼻的人則是觸著上唇。所以他應當這樣安立其相:「它們觸著的是這個地方。」正是緣於這個道理,世尊才說:「諸比丘,我不說失念者、不正知者有入出息念的修習。」

雖然任何業處都只有對具念者、正知者才成就,但除此以外的〔業處〕,對作意的人是明顯的。而這個入出息念業處是鄭重的¹⁶、要鄭重修習的,唯是佛、辟支佛、佛子這些大丈夫的作意之地;它既不是輕淺的,也不是輕淺的有情所能親近修習的。越是作意,它就越是寂靜、越是細微;所以在這裡,應當要有強力的念與慧。

譬如縫補細布的時候,針也要細,而穿針孔之物更要比它細;同樣地,修習這個如同細布的業處時,如針之相的念,以及如穿針孔之物之相而與它相應的慧,都應當是強力的。而具足了這念與慧的比丘,不應當在平常所觸的處所以外去尋求那些出入息。

再說,譬如農夫耕完了地,把牛解開,讓牠們去吃草,自己坐在樹蔭下休息;這時他的那些牛快步進入了林中。若是個熟練的農夫,想再捉住牠們套上軛,他就不會跟著牠們的足跡走進林中到處找尋,而是拿起繩索與刺棒,一直走到牠們下水的渡口那裡,或坐或臥;等那些牛遊蕩了大半天,下到渡口,洗過、喝過又上來站著時,他一看見就用繩索繫住牠們,用刺棒刺著牽回來套上軛,再去做工。同樣地,那位比丘不應當在平常所觸的處所以外去尋求那些出入息,而應當拿起念的繩索與慧的刺棒,把心安置在平常所觸的處所,令作意轉起。因為他這樣作意,那些息不久就會現起,像〔回到〕渡口的那些牛一樣。然後他應當用念的繩索繫住〔它們〕,就在那個處所套上軛,用慧的刺棒刺著,一再地策修這個業處。他這樣策修,不久相就現起了。

但這個〔相〕對一切人並不相同;有些人說:對某些人,它生起樂觸,像木棉絮、像棉花絮,又像風流一樣地現起。

而諸義疏中的決擇則是這樣:這個〔相〕對某些人像星形、像寶珠、像珍珠一樣地現起;對某些人成為粗觸,像棉子、像木心之針;對某些人像長的瓔珞線、像花鬘、像煙焰;對某些人像張開的蛛絲、像雲層、像蓮花、像車輪、像月輪、像日輪一樣地現起。¹⁷而這件事,就像許多比丘誦完一部經而坐著時,有一位比丘問:「這部經對你們是現成什麼樣子而現起的?」一位說:「對我,它像一條大山河一樣地現起。」另一位說:「對我,像一片森林。」又一位說:「對我,像一棵有清涼樹蔭、枝葉繁茂、果實累累的樹。」因為對他們來說,同一部經由於想的不同而現起為種種樣子。同樣地,同一個業處也由於想的不同而現起為種種樣子;因為這〔相〕是想所生的、以想為因緣、以想為根源的。所以應當了知:由於想的不同,它現起為種種樣子。

而在這裡,以出息為所緣的心是一個,以入息為所緣的是另一個,以相為所緣的又是另一個。凡是沒有這三法的人,他的業處既不到達安止,也不到達近行;而有這三法的人,唯有他的業處才到達近行與安止。有這樣的說法:

  相、出息、入息——〔此三〕非一心之所緣;
  不知此三法者,其修習不可得。
  相、出息、入息——〔此三〕非一心之所緣;
  唯知此三法者,其修習乃可得。


§3.9 Nimittam 似相之起·白師·守護·安止善巧 〔Vism VIII·pp.286–287〕

相這樣現起以後,那位比丘應當到阿闍梨那裡去稟告:「尊者,我〔的相〕現起的是這樣的形態。」而阿闍梨不應當說「這是相」,也不應當說「這不是相」;應當說「賢友,就是這樣的」,然後告訴他:「你要一再地作意。」因為若說「這是相」,他可能就此中止;若說「這不是相」,他可能失望而沉淪。所以兩者都不說,只令他從事作意——長部誦師先是這樣說。而中部誦師則說:應當告訴他:「賢友,這就是相。善士啊,你要一再地作意這個業處。」然後他應當只把心安置在相上;這樣,從此以後他的修習就成為依安住而作的了。古師們有這樣的說法:

  置心於相,令種種行相顯明,
  堅固者將自己的心繫於出入息。

從相這樣現起的時候起,他的諸蓋就被鎮伏了,諸煩惱平息了,念現起了,心也以近行定而等持了。

然後他不應當依色而作意那個相,也不應當依特相而觀察它。而應當像剎帝利大后〔守護〕轉輪王之胎那樣,像農夫〔守護〕稻麥之胎那樣,避開住處等七種不隨順,親近那七種隨順,好好地守護它。

然後這樣守護它,依一再的作意令它增長、廣大,並應當成就十種安止善巧,令精進均等。¹⁸他這樣努力,就依地遍中所說的同一次第,在那個相上生起四五禪¹⁹。而在這裡,這樣生起了四五禪的比丘,若想要依觀察與還而增長業處、到達淨,就以五種行相令那個禪成為自在熟練,然後確定名色,開始修觀。

怎麼說呢?他從等至出來,看見:出入息的集起是業生身²⁰與心。譬如鼓動鐵匠的風箱時,緣於皮囊與人的相應努力而風流動;同樣地,出入息也是緣於身與心〔而有〕。然後他確定:出入息與身是色,心與和它相應的諸法是非色。

這裡只是略說;至於名色的確定,其詳將在後面顯明。²¹這樣確定了名色以後,他尋求它的緣;尋求而見到了它,就對名色在三世中的轉起度過了疑惑。

度過疑惑以後,他依聚思惟而提起三相;捨斷了生滅隨觀的前分所生起的光等十觀染²²;確定那脫離隨煩惱的道跡智²³是道;捨斷生起,而到達壞滅隨觀;由於不斷地以壞滅隨觀,一切行都顯現為壞滅,他於是厭離、離貪、解脫;依次第到達四聖道,安立於阿羅漢果,到達十九分省察智的邊際²⁴,成為包括諸天在內的世間的最上應施者。


§3.10 Itaresu tīsu catukkesu 餘三四法·第二第三四法(受·心隨觀) 〔Vism VIII·pp.287–290〕

到此為止,他那以數為始、以還照為終的入出息念之等持的修習就完成了——這就是一切行相的第一四法之解釋。

至於其餘三個四法,由於並沒有另立的業處修習法,所以應當就依逐句解釋的方法來這樣了知它們的意義:「覺知喜」——就是令喜被覺知、令〔它〕明顯——「我將出息、我將入息」,這樣學。

其中,喜由二種行相而被覺知:依所緣,以及依無癡。怎樣是依所緣而覺知喜呢?他入具喜的二禪;在他入定的剎那,由於得到禪,就依所緣而覺知了喜——因為所緣已被覺知的緣故。怎樣是依無癡呢?他入具喜的二禪,出定以後,依盡、依壞而思惟那與禪相應的喜;在他修觀的剎那,由於通達〔諸〕相,就依無癡而覺知了喜。《無礙解道》中有這樣的說法:「依長出息而了知心的一境性、不散亂時,念便現起;由那個念、由那個智,那喜就被覺知。依長入息……依短出息……依短入息……依覺知遍身的出入息、依止息身行的出入息而了知心的一境性、不散亂時,念便現起;由那個念、由那個智,那喜就被覺知。由轉向而那喜被覺知;由了知、由見、由觀察、由心的決意、由信的勝解、由精進的策勵、由念的現起、由心的等持、由慧的了知,由〔證知〕應證知的……〔遍知〕應遍知的……〔斷〕應斷的……〔修〕應修的、由作證應作證的,那喜就被覺知。這樣,那喜就被覺知。」

其餘的句也應當依這同一方法從義理上了知。而在這裡只有這一點不同:「覺知樂」應當依〔前〕三禪來了知,「覺知心行」則應當依四禪都可以來了知。「心行」就是以受為首的二蘊。而在「覺知樂」一句中,為了顯示觀地,《無礙解道》中說:「樂有二種:身樂與心樂。」「止息心行」的意思是:令粗的心行止息、令〔它〕滅;其詳應當依身行處所說的同一方法來了知。再者,在這裡:喜之句是以喜為首而說受,樂之句是以受自身之形而說,在心行的二句中,則依「想與受是心所法;這些法繫屬於心,是心行」這句話而說與想相應的受——應當這樣了知:這個四法是依受隨觀的方法而說的。

在第三四法中,「覺知心」也應當依四禪來了知。

「令心歡喜」——就是令心喜悅、令心歡悅、令心欣笑、令心極欣笑——「我將出息、我將入息」,這樣學。其中,歡喜由二種行相而有:依定與依觀。怎樣是依定呢?他入具喜的二禪;在他入定的剎那,以相應的喜令心喜悅、歡悅。怎樣是依觀呢?他入具喜的二禪,出定以後,依盡、依壞而思惟那與禪相應的喜;這樣,在修觀的剎那,他以那與禪相應的喜為所緣而令心喜悅、歡悅。這樣行道的人,才說他是「令心歡喜,我將出息、我將入息」這樣學。

「令心等持」——就是依初禪等而把心平等地安置於所緣、平等地安立;或者,入了那些禪出定以後,依盡、依壞而觀那與禪相應的心,在修觀的剎那由於通達〔諸〕相而生起剎那心一境性。他也依這樣生起的剎那心一境性而把心平等地安置於所緣、平等地安立,才說他是「令心等持,我將出息、我將入息」這樣學。

「令心解脫」——就是以初禪令心從諸蓋解脫、脫離,以第二禪從尋與伺,以第三禪從喜,以第四禪從樂與苦令心解脫、脫離;或者,入了那些禪出定以後,依盡、依壞而思惟那與禪相應的心。他在修觀的剎那,以無常隨觀令心從常想解脫、脫離,以苦隨觀從樂想,以無我隨觀從我想,以厭離隨觀從喜貪,以離欲隨觀從貪,以滅隨觀從集,以捨遣隨觀從執取,令心解脫、脫離,而出息、入息。因此說他是「令心解脫,我將出息、我將入息」這樣學。應當這樣了知:這個四法是依心隨觀的方法而說的。


§3.11 Catutthacatukke 第四四法·法隨觀·結頌 〔Vism VIII·pp.290–293〕

而在第四四法中,「隨觀無常」一句裡,先要了知無常(aniccam),要了知無常性(aniccatā),要了知無常隨觀(aniccānupassanā),要了知隨觀無常者(aniccānupassī)。其中,無常就是五蘊。為什麼呢?因為〔它們〕有生、滅、異的性質。「無常性」就是那些〔五蘊〕的生、滅、異;或者說,是已生起者的不存在。意思就是:不以那同一行相住立,而以剎那壞滅而破散。「無常隨觀」就是依那無常性而於色等〔諸法〕作「無常」的隨觀。「隨觀無常者」就是具足了那隨觀的人。所以應當了知:這樣的人在出息、入息時,就是這裡所說的「隨觀無常,我將出息、我將入息」這樣學。

而在「隨觀離欲」一句中,離欲有二種:盡離欲與究竟離欲。其中,「盡離欲」就是諸行的盡壞,「究竟離欲」就是涅槃。「離欲隨觀」就是依見這二者而轉起的觀與道。應當了知:具足了這二種隨觀而出息、入息的人,就是「隨觀離欲,我將出息、我將入息」這樣學。

在「隨觀滅」一句中,方法也是這樣。

「隨觀捨遣」一句中也有二種捨遣:捨棄之捨遣與奔入之捨遣。捨遣本身就是隨觀,所以〔叫作〕捨遣隨觀;這是觀與道的稱謂。因為觀是依彼分〔斷〕而連同諸蘊與〔諸〕行一起捨棄諸煩惱,又由於見到有為法的過患而傾向於與它相反的涅槃,因此奔入〔涅槃〕——所以說它既是捨棄之捨遣,也是奔入之捨遣。道是依正斷而連同諸蘊與〔諸〕行一起捨棄諸煩惱,並以〔涅槃〕為所緣而奔入涅槃——所以也說它既是捨棄之捨遣,也是奔入之捨遣。而這二者,都由於隨著前面諸智而一再地隨觀,所以叫作隨觀。應當了知:具足了這二種捨遣隨觀而出息、入息的人,就是「隨觀捨遣,我將出息、我將入息」這樣學。

這第四四法是純依觀而說的;而前面三個〔四法〕則是依止與觀而說的。應當這樣依四個四法來了知十六事的入出息念之修習。

而這樣依十六事,這入出息念就有大果、有大利。其中,依「諸比丘,這入出息念之等持修習、多作,實為寂靜、殊勝」等語,應當也從〔它的〕寂靜性等來了知它的大利;也從〔它〕能截斷尋來了知。因為這個等持是寂靜的、殊勝的、純粹的安樂住,所以它截斷了心由於作障礙的諸尋而東奔西馳,令心只朝向入出息這個所緣。正因如此才說:「應當修習入出息念,為了截斷尋。」

又,也應當從「〔它〕是明與解脫之圓滿的根本」這一點來了知它的大利。因為世尊有這樣的說法:「諸比丘,入出息念修習、多作,圓滿四念處;四念處修習、多作,圓滿七覺支;七覺支修習、多作,圓滿明與解脫。」

再者,也應當從「〔它〕能令最後的出入息成為被知的」這一點來了知它的大利。因為世尊有這樣的說法:「羅睺羅,入出息念這樣修習、這樣多作時,連那些最後的出入息也是被知了才滅的,不是不被知〔而滅〕。」其中,依滅而有三種最後:有最後、禪最後、死最後。因為在諸有之中,出入息在欲有中轉起,在色有與無色有中不轉起,所以那些是有最後。在諸禪之中,〔它們〕在前三禪中轉起,在第四禪中不轉起,所以那些是禪最後。至於那些在死心之前與第十六心一同生起、而與死心一同滅去的,就叫作死最後。這裡所指的就是這些最後〔之息〕。據說,策修這個業處的比丘,由於善加把握了入出息這個所緣,在死心之前第十六心生起的剎那,若轉向〔它們的〕生,它們的生也明顯;若轉向住,它們的住也明顯;若轉向壞,它們的壞也明顯。

因為修習此外的業處而得阿羅漢的比丘,他的壽命有時是被限定了的,有時是未被限定的;而修習這十六事的入出息念而得阿羅漢的比丘,他的壽命就一定是被限定了的。他知道「我的壽行現在只轉起這麼多,不會再多了」,就依自己的法性,做完照料身體、著下衣、著上衣等一切事務,然後閉上眼睛——就像拘吒山寺住的帝須長老那樣,像大迦蘭闍寺住的大帝須長老那樣,像天子大國的乞食帝須長老那樣,也像支帝羅山寺住的二兄弟長老那樣。

其中有這樣一則事例:據說二兄弟長老中的一位,在滿月布薩日誦完波羅提木叉,由比丘僧圍繞著回到自己的住處,站在經行處上望著月光,審察了自己的壽行,就對比丘僧說:「你們曾經見過比丘是怎樣般涅槃的?」其中有些人說:「我們曾經見過坐在座上就般涅槃的。」有些人說:「我們〔曾見過〕在空中結跏趺坐〔而般涅槃〕的。」長老說:「我現在就讓你們看看在經行中般涅槃的。」於是在經行處上劃了一道線,說:「我從經行處的這一端走到那一端,回轉過來,一到這道線就般涅槃。」說完就走下經行處,走到那一邊,回轉過來,就在一隻腳踏上那道線的剎那般涅槃了。

  所以智者實應不放逸,
  常常策修這有種種利益的入出息念。

  這就是入出息念的詳論門²⁵。


¹ 等持(samādhi):心平等持於一所緣而不散之定;「入出息念之等持」即與把握入出息之念相應之定。

² 十六事(solasavatthuka):入出息念之十六目,四目為一四法,凡四四法。

³ 底本於本段末句作無首音 a- 之形,與同段前文之自釋相違;他本作 asecanako。今從文脈之 a- 形,底本不改。

⁴ 近行(upacāra-samādhi,近行定):諸蓋已伏而尚未入安止之一級定;「遍作」則指其前之預備作意。

⁵ 安止(appanā-samādhi,安止定):心全然入於所緣而不動之定。

⁶ 古師(Porāṇā):論主所承之前代師說,其偈非論主自作。

⁷ 入流・一來・不還・阿羅漢四聖道之開演在第廿二品,本節唯舉其名。

⁸ 界柱(indakhīla):村界所立之標柱;此語另有「因陀羅柱」「門限」之讀,此處取直譯。

⁹ 長部誦師・相應部誦師・中部誦師:各專誦持一部聖典之師承;論並記其說而不自判其一。

¹⁰ 初學善男子(ādikammika kulaputta):初入修習之良家子。

¹¹ 小障(khuddaka-palibodha):髮爪之長、衣鉢之待理等瑣事之礙;十障之目在第三品〈取業處〉。

¹² 本句二處之「鼻端」,底本皆印作「臍之端」,與同節之語及文脈相違,他本亦作「鼻端」。今從「鼻端」,底本不改。

¹³ 諸義疏(Aṭṭhakathā):論主所承之古注書;此處所引為其說,非論主自出。

¹⁴ 皮座具(cammakhaṇḍa):僧所用之皮製坐具。

¹⁵ 第四禪・色無色有・滅盡定三名之開演分在第四品・第十品・第廿三品,不在本品。

¹⁶ 「鄭重」(garuka)與「輕淺」(ittara):二語對舉,前者謂其法之重,後者謂其淺短。

¹⁷ 此處所列似相之種種現起,論凡舉十四喻。

¹⁸ 十種安止善巧與精進均等之目,及四五禪生起之次第,皆在第四品〈地遍〉;本節唯迴指之。

¹⁹ 「四五禪」:四分法之四禪與五分法之五禪二計並舉。

²⁰ 業生身(karaja-kāya):由業所生之色身。

²¹ 名色之辨其詳在第十八品,論自標「後當明」。

²² 聚思惟與十觀染之開演在第二十品。

²³ 道跡智(paṭipadāñāṇa):脫離隨煩惱之行道之智;此處不引後品之全名。

²⁴ 壞滅隨觀以至十九分省察智之開演在第廿一・廿二品。

²⁵ 詳論門(vitthārakathāmukha):一節詳說既竟之收束定式,「詳」「論」「門」分承 vitthārakathāmukha 三語。

The vernacular of this unit is this edition’s own rendering-with-exposition from the Pāli original (tr. mine), made from the public-domain PTS text.


§3.1 Ānāpānasati: Mindfulness of Breathing—Introduction and Scriptural Testimony 〔Vism VIII·pp.266–267〕

Third: Mindfulness of Breathing

Now the Blessed One praised it in these words: “Bhikkhus, when this concentration through mindfulness of breathing (ānāpānasati-samādhi)¹ has been cultivated and repeatedly practiced, it is indeed peaceful and excellent, an unadulterated abiding in ease, and it makes evil unwholesome states vanish and become still on the spot whenever they arise.” He then asked: “Bhikkhus, how is concentration through mindfulness of breathing cultivated? How is it repeatedly practiced so that it is indeed peaceful and excellent, an unadulterated abiding in ease, and makes evil unwholesome states vanish and become still on the spot whenever they arise?” [And he taught as follows:] “Here, bhikkhus, a bhikkhu who has gone to the forest, to the root of a tree, or to an empty place sits down, folds the legs crosswise, sets the body erect, and establishes mindfulness to the fore. Mindfully the bhikkhu breathes out, and mindfully breathes in. Breathing out long, the bhikkhu understands, ‘I breathe out long’ . . . pe . . . breathing out short . . . pe . . . breathing in short, the bhikkhu understands, ‘I breathe in short.’ The bhikkhu trains: ‘Experiencing the whole body, I shall breathe out’; the bhikkhu trains: ‘Experiencing the whole body, I shall breathe in.’ The bhikkhu trains: ‘Tranquillising the bodily formation, I shall breathe out’; the bhikkhu trains: ‘Tranquillising the bodily formation, I shall breathe in.’ Experiencing rapture . . . pe . . . experiencing pleasure . . . experiencing the mental formation . . . tranquillising the mental formation, experiencing the mind . . . gladdening the mind . . . concentrating the mind . . . liberating the mind . . . contemplating impermanence . . . contemplating fading-away . . . contemplating cessation . . . the bhikkhu trains: ‘Contemplating relinquishment, I shall breathe out’; the bhikkhu trains: ‘Contemplating relinquishment, I shall breathe in.’”

Thus the meditation subject of mindfulness of breathing in sixteen items² has been taught.

[Now] the method of its cultivation is due to be explained. Since this [method of cultivation] becomes complete in every aspect only when explained in accordance with the interpretation of the canonical text, the exposition here is therefore led by an interpretation of the canonical text.

First, in the phrase “Bhikkhus, how is concentration through mindfulness of breathing cultivated?” this is a question asked out of a wish to explain in detail the various modes of cultivating concentration through mindfulness of breathing. “Bhikkhus, concentration through mindfulness of breathing, when cultivated” indicates in various ways the quality that was asked about. The method is the same for the phrase “How is it repeatedly practiced . . . so that it becomes still?”


§3.2 Bhāvito: Word-by-Word Explanation of “Cultivated,” “Repeatedly Practiced,” and the Rest 〔Vism VIII·pp.267–270〕

Here, “cultivated” (bhāvito) means produced or made to grow. “Concentration through mindfulness of breathing” means concentration associated with the mindfulness that apprehends the out-breath and in-breath, or concentration within mindfulness of breathing; thus it is concentration through mindfulness of breathing. “Repeatedly practiced” (bahulīkato) means done again and again.

“Indeed peaceful and excellent”: [the words should be read as] “only peaceful and also only excellent”—in both places the word ca should be understood as imposing a restriction. What does this mean? The meditation subject of foulness is peaceful and excellent only in respect of penetration; because its object is coarse and repulsive, however, in respect of the object it is neither peaceful nor excellent. This [concentration through mindfulness of breathing] is not like that: from no perspective is it unpeaceful or unexcellent. Because its object is peaceful, it is peaceful, stilled, and quenched; and it is likewise peaceful because the factors called penetration are peaceful. Because its object is excellent, it is excellent and never wearies the practitioner; and it is likewise excellent because its factors are excellent. Therefore it is called “indeed peaceful and excellent.”

“An unadulterated abiding in ease”: here “unadulterated” (asecanaka)³ means that nothing is to be admixed with it, so it is unadmixed, unmixed, distinct, and unique. Its peacefulness does not depend on preliminary work or access⁴; from the very first directing of attention, it is peaceful and excellent by its own nature—this is the meaning. Some also say: “‘Unadulterated’ means unadmixed, full of savor, and naturally sweet.” Thus this [concentration] is unadulterated and, because it brings bodily and mental ease at each moment of absorption,⁵ it should be understood as an “abiding in ease.”

“Whenever they arise” means whenever they have not been suppressed. “Evil” means base. “Unwholesome states” means states born of unskillfulness. “Makes them vanish on the spot” means that it makes them vanish and suppresses them in an instant.

“Makes them still” means that it thoroughly stills them; or, because [this concentration] belongs to the part of penetration, it gradually reaches the development of the noble path, cuts them off, and brings them to complete stilling—this is what is meant.

The meaning in brief is this: “Bhikkhus, in what manner, in what aspect, and by what method is concentration through mindfulness of breathing cultivated? In what manner is it repeatedly practiced so that it is indeed peaceful . . . pe . . . and makes them still?” Now, to explain this meaning in detail, [the Blessed One] said “Here, bhikkhus,” and so forth.

Here, “Here, bhikkhus, a bhikkhu” means: bhikkhus, a bhikkhu in this Dispensation. For the word “here” shows that the Dispensation is the support for a person who produces concentration through mindfulness of breathing in all its modes, and it denies that any other teaching has this character. As has been said: “Bhikkhus, only here is there an ascetic . . . pe . . . other outside teachings are empty of ascetics.” Therefore it is said, “a bhikkhu in this Dispensation.”

“Gone to the forest . . . pe . . . or to an empty place” shows the selection of a lodging place suited to cultivating concentration through mindfulness of breathing. For a long time this bhikkhu’s mind has wandered among visible forms and other objects; it refuses to mount the object of concentration through mindfulness of breathing and, like a cart yoked to a stubborn ox, runs only onto a wrong road. Suppose a cowherd wanted to tame a stubborn calf raised on the milk of a stubborn cow. The cowherd would lead it away from its mother, drive a great post into the ground off to the side, and tie it there with a rope. The calf would struggle this way and that but, unable to escape, would finally sit or lie beside that very post. In the same way, a bhikkhu who wishes to tame the unruly mind, raised for so long on the savor of visible forms and other objects, should lead it away from those objects and take it into “the forest . . . pe . . . or an empty place,” then bind it there with the rope of mindfulness to the post of the out-breath and in-breath. Though the mind struggles this way and that, it cannot obtain the objects to which it was formerly accustomed or cut the rope of mindfulness and escape; by access and absorption it therefore comes to sit and lie upon that very object. Thus the Ancients⁶ said:

Just as a person in this world would tie a calf to a post in order to tame it, so should the practitioner firmly bind their own mind to the object of mindfulness.

That lodging place is thus suited to the bhikkhu’s cultivation. Therefore it is said: “This shows the selection of a lodging place suited to cultivating concentration through mindfulness of breathing.”

It may also be put in this way. Among the various meditation subjects, this meditation subject of mindfulness of breathing is foremost: it is the proximate cause by which omniscient Buddhas, Paccekabuddhas, and disciples of Buddhas attain distinction and a pleasant abiding here and now. Since sound is a thorn to jhāna, it is not easy to cultivate without leaving the edge of a village filled with the sounds of women, men, elephants, horses, and so forth. In a forest without a village, by contrast, a meditator can readily apprehend this meditation subject, produce the jhānas of the breathing tetrad, and, making them the proximate cause, contemplate formations and attain the supreme fruit, arahantship. Therefore, in order to indicate a lodging place suitable for the bhikkhu, the Blessed One said, “gone to the forest,” and so forth.

For the Blessed One is like a master geomancer. Just as a master geomancer examines a site for a city, inspects it thoroughly, and directs, “Build the city here,” and after the city has been built safely receives great honor from the royal family, so the Blessed One, after examining a lodging place suitable for the meditator, directs, “The meditation subject should be pursued here.” Later, when the meditator who pursues the meditation subject there gradually attains arahantship, people say, “That Blessed One is indeed Fully Awakened”—and he receives great honor.

This bhikkhu, moreover, is said to be like a leopard. Just as a great leopard-king hides in a thicket of grass, forest, or mountain and catches wild buffalo, antlered deer, wild boar, and other beasts, so it should be understood that a bhikkhu who pursues the meditation subject in the forest and similar places gradually catches the paths of stream-entry, once-return, non-return, and arahantship, together with the noble fruits.⁷ Thus the Ancients said:

Just as the creature called a leopard hides and catches wild beasts, so too does this Buddha’s child, yoked to meditation and cultivating insight: entering the forest, the practitioner gains the supreme fruit.


§3.3 Araññagato vā: The Three Places—Forest, Root of a Tree, or Empty Place—and Sitting Cross-Legged 〔Vism VIII·pp.270–271〕

Therefore, to point out the forest lodging that is the ground for the bhikkhu’s energetic advance, the Blessed One said “gone to the forest,” and so forth. Here, “gone to the forest” means that the bhikkhu has gone to any forest offering the ease of seclusion among the forests characterized in such statements as: “What is called forest is everything outside the boundary post (indakhīla); all of it is forest,”⁸ and “A forest lodging is at least five hundred bow-lengths away.”

“Gone to the root of a tree” means arrived in the vicinity of a tree. “Gone to an empty place” means arrived at an empty, secluded place. Here, moreover, a person who has gone to any of the other seven kinds of lodging besides the forest and the root of a tree may also be said to have “gone to an empty place.”

Having thus indicated a lodging place suited to the three seasons, suited to the temperament of the elements, and appropriate for cultivating mindfulness of breathing, [the Blessed One] said “sits” to indicate a calm posture belonging neither to the side of sluggishness nor to the side of agitation. Then, to show the stability of the posture, the ease with which the out-breaths and in-breaths proceed, and the means of apprehending the object, he said “having folded the legs crosswise,” and so forth.

Here, “cross-legged” means the seated posture in which the legs are folded all around. “Having folded” means having bent them into position.

“Sets the body erect” means placing the upper body straight, with the eighteen vertebrae aligned end to end. When a person sits in this way, the skin, flesh, and sinews do not twist; consequently, the feelings that would otherwise arise moment after moment because of their twisting do not arise. When those [feelings] do not arise, the mind becomes one-pointed, the meditation subject does not fall away, and it reaches growth and fullness.

“Establishes mindfulness to the fore”: “The practitioner places mindfulness in the direction facing the meditation subject. Alternatively, parī means apprehension, mukha means deliverance, and sati means manifestation; therefore it is called ‘mindfulness to the fore.’” The meaning here should also be understood according to the method stated in the Paṭisambhidāmagga. Its meaning in brief is: “Having made mindfulness apprehend deliverance.”

“Mindfully the bhikkhu breathes out, and mindfully breathes in”: having sat down in this way and established mindfulness in this way, the bhikkhu does not abandon that mindfulness but breathes out only with mindfulness and breathes in only with mindfulness—what is meant is that “the bhikkhu acts mindfully.”

Now, to point out the aspects by which the bhikkhu acts mindfully, the text says “breathing out long,” and so forth. The Paṭisambhidāmagga says: “In the analysis of the phrase ‘Mindfully the bhikkhu breathes out, and mindfully breathes in,’ the bhikkhu acts mindfully in thirty-two aspects. Mindfulness becomes manifest in a person who, by means of a long out-breath, understands one-pointedness of mind and non-distraction; through that mindfulness and that knowledge, the person acts mindfully. By means of a long in-breath . . . pe . . . mindfulness becomes manifest in a person who, by means of the out-breath while contemplating relinquishment and the in-breath while contemplating relinquishment, understands one-pointedness of mind and non-distraction; through that mindfulness and that knowledge, the person acts mindfully.”


§3.4 Dīgham vā assasanto: Breathing Out Long and Breathing Out Short 〔Vism VIII·pp.271–274〕

Here, “breathing out long” means producing a long out-breath. “The out-breath (assāsa) is the wind that goes outward; the in-breath (passāsa) is the wind that enters inward”—this is stated in the Vinaya Commentary; in the Sutta Commentaries, however, the order is reversed. When any womb-born being emerges from the mother’s womb, first the wind within goes outward; afterward the wind outside, carrying fine dust, enters inward, strikes the palate, and becomes still. This is how the out-breath and in-breath should first be understood. Their longness or shortness should be understood by duration. Water or sand occupying a stretch of space is called long water or long sand, short water or short sand. In the same way, although the out-breaths and in-breaths are broken into particles as fine as powder, in the bodies of elephants and snakes they slowly fill the long duration called their own bodily existence and then slowly go out; therefore they are called long. In the bodies of dogs, rabbits, and the like, they quickly fill the short duration called their own bodily existence and then quickly go out; therefore they are called short. Among human beings, some breathe out and breathe in for a long span of time, like elephants, snakes, and the like; others do so briefly, like dogs, rabbits, and the like. It should therefore be understood that, in terms of time, their out-breaths and in-breaths are long when they go out and come in over a long duration, and short when they go out and come in over a brief duration. Here this bhikkhu breathes out and breathes in long in nine aspects and understands, “I breathe out long; I breathe in long.” It should be understood that when the bhikkhu understands in this way, the cultivation of the foundation of mindfulness as contemplation of the body in the body is fulfilled in a single aspect.

As the Paṭisambhidāmagga says: “How is it that, breathing out long, the bhikkhu understands ‘I breathe out long,’ and, breathing in long, understands ‘I breathe in long’? The bhikkhu breathes out a long out-breath over what is reckoned as a duration, breathes in a long in-breath over what is reckoned as a duration, and both breathes out and breathes in a long out-breath and in-breath over what is reckoned as a duration. While both breathing out and breathing in a long out-breath and in-breath over what is reckoned as a duration, desire arises. Because of that desire, the bhikkhu breathes out a long out-breath subtler than before over what is reckoned as a duration; because of that desire, [the bhikkhu breathes in] a long in-breath subtler than before . . . pe . . . both breathes out and breathes in a long out-breath and in-breath over what is reckoned as a duration. While, because of desire, both breathing out and breathing in a long out-breath and in-breath subtler than before over what is reckoned as a duration, gladness arises.

Because of gladness, the bhikkhu breathes out a long out-breath subtler than before over what is reckoned as a duration; because of gladness, [the bhikkhu breathes in] a long in-breath subtler than before . . . pe . . . both breathes out and breathes in a long out-breath and in-breath over what is reckoned as a duration. While, because of gladness, both breathing out and breathing in a long out-breath and in-breath subtler than before over what is reckoned as a duration, the mind turns away from the long out-breath and in-breath, and equanimity becomes established. In these nine aspects, the long out-breaths and in-breaths are the body; that is the manifestation. Mindfulness is contemplation and knowledge. The body is the manifestation, but not mindfulness; mindfulness is both the manifestation and mindfulness. With that mindfulness and that knowledge the bhikkhu contemplates that body. Therefore it is said: this is the cultivation of the foundation of mindfulness as contemplation of the body in the body.”

The method is the same in the passage on “short.” The only difference is that there it says, “breathes out a long out-breath over what is reckoned as a duration,” while here it says, “breathes out a short out-breath over what is reckoned as a brief duration.” The entire passage should therefore be adapted to “short,” down to “Therefore it is said: this is the cultivation of the foundation of mindfulness as contemplation of the body in the body.” The bhikkhu thus understands the out-breaths and in-breaths by duration and brevity, in these aspects, and should be understood as “breathing out long, the bhikkhu understands, ‘I breathe out long’ . . . pe . . . breathing in short, the bhikkhu understands, ‘I breathe in short.’” And when the bhikkhu understands in this way:

Long is the out-breath, and short; the in-breath is likewise; these four kinds proceed only at the tip of the bhikkhu’s nose.

“The bhikkhu trains: ‘Experiencing the whole body, I shall breathe out’ . . . ‘I shall breathe in’”: making the beginning, middle, and end of the whole out-breath body known and clear, the bhikkhu trains, “I shall breathe out”; making the beginning, middle, and end of the whole in-breath body known and clear, the bhikkhu trains, “I shall breathe in.” Because the bhikkhu breathes out and breathes in with a mind associated with knowledge while making them known and clear in this way, it is said: “The bhikkhu trains, ‘I shall breathe out; I shall breathe in.’” For a certain bhikkhu, among the out-breath body or in-breath body dispersed in particles as fine as powder, only the beginning is clear, while the middle and end are not; the bhikkhu can apprehend only the beginning and grows weary at the middle and end. For another bhikkhu, the middle is clear, but not the beginning and end. For another, the end is clear, but not the beginning and middle; the bhikkhu can apprehend only the end and grows weary at the beginning and middle. For another, everything is clear; that bhikkhu can apprehend everything and grows weary nowhere. To show that the practitioner should become such a person, [the Blessed One] said: “The bhikkhu trains, ‘Experiencing the whole body, I shall breathe out’ . . . pe . . . ‘I shall breathe in.’”


§3.5 Sikkhati: Training—The Three Trainings and the Word-by-Word Explanation of the First Tetrad 〔Vism VIII·pp.274–277〕

Here, “trains” (sikkhati) means that the bhikkhu strives and makes an effort in this way. Alternatively, the restraint belonging to such a person is here the training in higher virtue; the concentration belonging to such a person is the training in the higher mind; the wisdom belonging to such a person is the training in higher wisdom. The bhikkhu trains, practices, cultivates, and repeatedly practices these three trainings upon that object, with that mindfulness and that attention. The meaning here should be understood in this way.

In the earlier method the bhikkhu need only breathe out and breathe in, without doing anything else; from this point onward, however, effort must be made to produce knowledge and the rest. Therefore the canonical text in the former passage is stated only in the present tense: “The bhikkhu understands, ‘I breathe out’; the bhikkhu understands, ‘I breathe in.’” From this point onward, in order to point out such actions to be performed as the production of knowledge, the canonical text is established in the future tense in the form “The bhikkhu trains, ‘Experiencing the whole body, I shall breathe out,’” and so forth. This is how it should be understood.

“The bhikkhu trains: ‘Tranquillising the bodily formation, I shall breathe out’ . . . pe . . . ‘I shall breathe in’”: stilling, thoroughly tranquillising, causing to cease, and quieting the coarse bodily formation, the bhikkhu “trains, ‘I shall breathe out; I shall breathe in.’”

Here, coarseness and subtlety, together with tranquillity, should be understood as follows. Before this bhikkhu has apprehended [body and mind], both body and mind are agitated and coarse. While the coarseness of body and mind has not subsided, the out-breaths and in-breaths are also coarse and proceed more forcefully; the nose cannot contain them, and the bhikkhu remains breathing out and breathing in through the mouth. But when the body and mind have been apprehended, they become peaceful and still. Once they are still, the out-breaths and in-breaths proceed subtly, reaching a state in which they must be examined to determine whether they exist at all. Suppose a person stands after running, coming down from a mountain, or lowering a heavy burden from the head: the person’s out-breaths and in-breaths are coarse, the nose cannot contain them, and the person remains breathing out and breathing in through the mouth. But once the person has dispelled that fatigue, bathed, drunk, placed a wet cloth over the chest, and lain down in the cool shade of a tree, the out-breaths and in-breaths become subtle, reaching a state in which they must be examined to determine whether they exist at all. In the same way, before this bhikkhu has apprehended [body and mind], the body . . . pe . . . reaches a state in which it must be examined. Why is that? Before apprehension, the bhikkhu has no inclination, focusing, attention, or reviewing directed toward “I shall tranquillise successively coarser bodily formations,” but after apprehension these are present. Therefore the bodily formation is subtler after apprehension than before apprehension. Thus the Ancients said:

When body and mind are strained, [the bodily formation] proceeds excessively; when the body is not strained, [the bodily formation] proceeds subtly.

At the time of apprehension it is still coarse, while in access to the first jhāna it is subtle; there too it is coarse, while in the first jhāna it is subtle. In the first jhāna and in access to the second jhāna it is coarse, while in the second jhāna it is subtle; in the second jhāna and in access to the third jhāna it is coarse, while in the third jhāna it is subtle; in the third jhāna and in access to the fourth jhāna it is coarse, while in the fourth jhāna it is extremely subtle, even reaching non-occurrence. This, first, is the opinion of the Dīgha- and Saṃyutta-reciters.⁹ The Majjhima-reciters, however, maintain that it is coarse in the first jhāna and subtle in access to the second jhāna, and in this way subtler in access to each successively higher jhāna than in the jhāna immediately below. According to all [the reciters], however, the bodily formation that proceeds before apprehension becomes thoroughly tranquillised at apprehension; the bodily formation that proceeds at apprehension becomes thoroughly tranquillised in access to the first jhāna . . . pe . . . and the bodily formation that proceeds in access to the fourth jhāna becomes thoroughly tranquillised in the fourth jhāna.

This is the method with respect to serenity. With respect to insight, the bodily formation proceeding before apprehension is coarse, while it is subtle when the great elements are apprehended; that too is coarse, while it is subtle when derived materiality is apprehended; that too is coarse, while it is subtle when all materiality is apprehended; that too is coarse, while it is subtle when the immaterial is apprehended; that too is coarse, while it is subtle when materiality and the immaterial are apprehended; that too is coarse, while it is subtle when conditions are apprehended; that too is coarse, while it is subtle when mentality-materiality together with its conditions is seen; that too is coarse, while it is subtle in insight that takes the characteristics as its object; that too is coarse in weak insight, while it is subtle in strong insight. In each case the earlier should be understood to become thoroughly tranquillised by the later, according to the method already stated. This is how coarseness and subtlety, together with tranquillity, should be understood here.

The Paṭisambhidāmagga, together with a challenge and its resolution, explains the meaning as follows:

“How does the bhikkhu train: ‘Tranquillising the bodily formation, I shall breathe out’ . . . pe . . . ‘I shall breathe in’? What are the bodily formations? The long out-breath . . . [the long] in-breath: these states are bodily, bound up with the body, and [are] bodily formations. Tranquillising, causing to cease, and stilling those bodily formations, the bhikkhu trains . . . pe . . . The bhikkhu trains, ‘Tranquillising the bodily formation because of which there is bending, flexing, inclining, extending, trembling, quivering, moving, and shaking of the body, I shall breathe out’; the bhikkhu trains, ‘Tranquillising [that bodily formation], I shall breathe in.’ The bhikkhu trains, ‘Tranquillising the peaceful, subtle bodily formation because of which there is no bending, no flexing, no inclining, no extending, no trembling, no quivering, no moving, and no shaking of the body, I shall breathe out and breathe in.’—[Challenge:] It is said, ‘The bhikkhu trains: “Tranquillising the bodily formation, I shall breathe out”; the bhikkhu trains: “Tranquillising the bodily formation, I shall breathe in.”’ If so, there is no manifestation of the wind, no manifestation of the out-breaths and in-breaths, no manifestation of mindfulness of breathing, no manifestation of concentration through mindfulness of breathing, and the wise neither enter nor emerge from this attainment. [Resolution:] It is said, ‘The bhikkhu trains: “Tranquillising the bodily formation, I shall breathe out and breathe in.”’ If so, there is manifestation of the wind, manifestation of the out-breaths and in-breaths, manifestation of mindfulness of breathing, manifestation of concentration through mindfulness of breathing, and the wise both enter and emerge from this attainment.

What is this like? When a bronze cymbal is struck, a coarse sound occurs first. Because the sign of the coarse sound has been well apprehended, well attended to, and well retained, after the coarse sound has ceased a subtle sound still occurs. Because the sign of the subtle sound has been well apprehended, well attended to, and well retained, even after the subtle sound has ceased, the mind continues with the sign of the subtle sound as its object. In the same way, coarse out-breaths and in-breaths occur first. Because the sign of the coarse out-breaths and in-breaths has been well apprehended, well attended to, and well retained, after the coarse out-breaths and in-breaths have ceased, subtle out-breaths and in-breaths still occur. Because the sign of the subtle out-breaths and in-breaths has likewise been well apprehended, well attended to, and well retained, even after the subtle out-breaths and in-breaths have ceased, the mind takes the sign of the subtle out-breaths and in-breaths as its object and does not go to distraction. If so, there is manifestation of the wind, manifestation of the out-breaths and in-breaths, manifestation of mindfulness of breathing, manifestation of concentration through mindfulness of breathing, and the wise both enter and emerge from this attainment. The out-breaths and in-breaths that tranquillise the bodily formation are the body; that is the manifestation. Mindfulness is contemplation and knowledge. The body is the manifestation, but not mindfulness; mindfulness is both the manifestation and mindfulness. With that mindfulness and that knowledge the bhikkhu contemplates that body. Therefore it is said: this is the cultivation of the foundation of mindfulness as contemplation of the body in the body.”

This completes the word-by-word explanation of the first tetrad, spoken here by way of contemplation of the body.

Only this first tetrad is stated here as the meditation subject for a beginner; the remaining three tetrads are stated by way of contemplation of feeling, mind, and phenomena for a person who has already attained jhāna through this practice. Therefore a beginning clansman¹⁰ who wishes to cultivate this meditation subject and, through insight having the jhānas of the breathing tetrad as its proximate cause, attain arahantship together with the analytical knowledges, should perform all the tasks beginning with purification of virtue according to the method previously stated, and then receive the meditation subject’s five matters from a teacher of the kind described earlier. The five matters here are learning-grasp, inquiring, manifestation, absorption, and characterisation.


§3.6 Uggaho · Manasikāravidhi · Gaṇanā: The Five Matters Beginning with Learning-Grasp; the Eight Stages of Attention; Counting 〔Vism VIII·pp.277–280〕

Here, “learning-grasp” (uggaha) is the learning-grasp of the meditation subject; “inquiring” is inquiry into the meditation subject; “manifestation” is the manifestation of the meditation subject; “absorption” is the absorption of the meditation subject; “characterisation” is the characterisation of the meditation subject—what is meant is the retention of the meditation subject’s own nature in the form, “This meditation subject has such a character.”

A person who receives these five matters of the meditation subject neither tires themself nor troubles the teacher. The person should therefore ask [the teacher] to recite a little at a time, recite it personally for a long time, and receive the meditation subject’s five matters in this way. Then, while living near the teacher or elsewhere in a lodging place of the kind described earlier, having cut off minor obstacles,¹¹ completed the business of the meal, dispelled post-meal drowsiness, and seated themself at ease, the person should gladden the mind by recollecting the qualities of the Triple Gem and attend to this meditation subject of mindfulness of breathing without confusing even a single phrase received from the teacher.

The method of attention here is this: “counting, following, touching, settling, observing, turning-away, purification, and looking-back.” Here “counting” (gaṇanā) is counting itself; “following” (anubandhanā) is following; “touching” is the place touched; “settling” is absorption; “observing” is insight; “turning-away” is the path; “purification” is fruition; “looking-back” is reviewing them.

Here, the beginning clansman should first attend to this meditation subject by counting. When counting, the practitioner should not stop below five, go beyond ten, or show a break in the middle. For a person who stops below five, the arising of the mind struggles in a narrow space, like a herd of cattle confined in a cramped pen. For a person who goes beyond ten, the arising of the mind comes to depend only on the count. For a person who shows a break in the middle, the mind wavers: “Has my meditation subject reached its peak or not?” Therefore the practitioner should avoid these faults and count. At first, the practitioner should count slowly, in the manner of a grain measurer. A grain measurer fills a measure, says “one,” and empties it. While filling it again, on seeing some rubbish the measurer casts it aside while saying, “One, one.” The method is the same for “two, two,” and so forth. In the same way, taking whichever of the out-breath and in-breath becomes manifest, this [bhikkhu] should begin with “one, one” and count up to “ten, ten,” simply observing each successive occurrence. While counting in this way, the out-breaths and in-breaths going out and coming in become clear. The practitioner should then abandon slow counting in the manner of a grain measurer and count quickly, in the manner of a cowherd. A skillful cowherd gathers pebbles and the like in the fold of a garment, takes rope and staff in hand, goes to the cattle pen early in the morning, strikes the backs of the cattle, and sits atop the gatepost. Counting only each cow as it arrives at the gate, the cowherd drops the pebbles individually: “One, two.” Because the herd has suffered through the three watches of the night in a cramped place, on coming out the cattle jostle each other and emerge rapidly in groups. The cowherd counts them rapidly: “Three, four, five, up to ten.” In the same way, while this [bhikkhu] counts according to the former method, the out-breaths and in-breaths become clear and repeatedly travel back and forth in quick succession. Knowing “They repeatedly travel back and forth,” the bhikkhu does not take what is inside or outside, but counts only each [breath] that reaches the gate: “One, two, three, four, five; one, two, three, four, five, six; one, two, three, four, five, six, seven . . . pe . . . eight . . . nine . . . ten.” The bhikkhu should count rapidly in this way. For in a meditation subject tied to counting, it is through the power of counting itself that the mind becomes one-pointed, as a boat is held steady in a swift current by bracing it with a punt pole. As the bhikkhu counts rapidly, the meditation subject appears to proceed without interruption. Knowing “It proceeds without interruption,” the bhikkhu does not apprehend the wind inside or outside, but counts rapidly according to the former method. For a person who sends the mind inward together with the wind entering within feels as if the inside had been struck by wind and filled with fat; a person who sends the mind outward together with the wind going out has the mind scattered outside among various objects. Cultivation succeeds only for a person who places mindfulness at each point of contact and cultivates. Therefore it is said: without apprehending the wind inside or outside, the practitioner should count rapidly according to the former method.

“How long should the practitioner count in this way? Until mindfulness becomes established on the object of the out-breath and in-breath without relying on counting.” Counting is solely for cutting off thoughts scattered outward and establishing mindfulness on the out-breath and in-breath as its object. After attending by counting in this way, the practitioner should attend by following.

§3.7 Anubandhanā: Following—the Similes of the Cripple, the Gatekeeper, and the Saw 〔Vism VIII·pp.280–282〕

“Following” (anubandhanā) means putting aside counting and continuously following the out-breaths and in-breaths with mindfulness; but this is not done by following their beginning, middle, and end. For the wind going outward, the navel is the beginning, the heart is the middle, and the tip of the nose is the end;¹² for the wind entering inward, the tip of the nose is the beginning, the heart is the middle, and the navel is the end. A person’s mind becomes distracted when following this [beginning, middle, and end], causing strain and agitation. As it is said: “For a person who follows the beginning, middle, and end of an out-breath with mindfulness, the body and mind become strained, agitated, and trembling because the mind is distracted internally. For a person who follows the beginning, middle, and end of an in-breath with mindfulness, the body and mind become strained, agitated, and trembling because the mind is distracted externally.” Therefore a person attending by following should not attend by way of beginning, middle, and end, but by way of touching and settling. There is no separate mode of attention by touching or by settling, distinct from attention by counting and following. Rather, while counting at the repeated point of contact, the practitioner attends by counting and by touching; then, at the same place, after putting aside counting, continuously following the [breaths] with mindfulness, and settling the mind by absorption, the practitioner is said to attend by following, touching, and settling.

This meaning should be understood through the cripple simile (pangulopamā) and gatekeeper simile (dovārikūpamā) stated in the Commentaries,¹³ and the saw simile (kakacūpamā) stated in the Paṭisambhidāmagga. Here the cripple simile is as follows. Suppose a cripple sets a swing in motion for a mother and child playing on it, then sits at the foot of the swing-post. The cripple sees the swing-board’s two ends and middle as they come and go in sequence, but need not bustle about in order to see its two ends and middle. In the same way, a bhikkhu stands by means of mindfulness at the foot of the post of binding and sets the swing of the out-breaths and in-breaths in motion. Sitting with mindfulness upon that same sign, at the point touched the bhikkhu follows with mindfulness the beginning, middle, and end of the out-breaths and in-breaths as they come and go in sequence, settles the mind there, and sees them without bustling about in order to see them. This is the cripple simile.

Then there is the gatekeeper simile. Suppose a gatekeeper does not question people inside and outside the city—“Who are you? Where have you come from? Where are you going? What are you carrying in your hand?”—because those people are not the gatekeeper’s responsibility. The gatekeeper questions only each person who reaches the gate. In the same way, for this bhikkhu the winds that have entered inside and the winds that have gone outside are not the bhikkhu’s responsibility; only those that reach the gate are the bhikkhu’s responsibility. This is the gatekeeper simile.

The saw simile should be understood from the beginning as follows. It is said:

Sign, out-breath, and in-breath—these three are not the object of a single mind; cultivation cannot be found in a person who does not know these three states. Sign, out-breath, and in-breath—these three are not the object of a single mind; cultivation can be found only in a person who knows these three states.

“How are these three states not the object of a single mind, yet not unknown, while the mind does not go to distraction, effort becomes manifest, exertion is accomplished, and distinction is attained? Suppose a tree were laid on level ground and a person were to cut it with a saw. The person’s mindfulness is manifest through the teeth of the saw that touch the tree; the person does not attend to the teeth as they come or go, yet the teeth as they come or go are not unknown; effort becomes manifest, exertion is accomplished, and distinction is attained. As the tree laid on level ground, so is the sign of binding; as the saw’s teeth, so are the out-breaths and in-breaths. Just as the person’s mindfulness is manifest through the saw’s teeth that touch the tree, while the person does not attend to the teeth as they come or go, yet the teeth as they come or go are not unknown, effort becomes manifest, exertion is accomplished, and distinction is attained, so a bhikkhu sits after establishing mindfulness at the tip of the nose or at the sign of the mouth. The bhikkhu does not attend to the out-breaths and in-breaths as they come or go, yet the out-breaths and in-breaths as they come or go are not unknown; effort becomes manifest, exertion is accomplished, and distinction is attained.”

“What is called ‘effort’—what is effort? For a person who has aroused energy, body and mind become workable: this is effort. What is exertion? For a person who has aroused energy, the defilements are abandoned and thoughts are stilled: this is exertion. What is distinction? For a person who has aroused energy, the fetters are abandoned and the latent tendencies come to an end: this is distinction. Thus these three states are not the object of a single mind, yet are not unknown, while the mind does not go to distraction, effort becomes manifest, exertion is accomplished, and distinction is attained.”

A person whose mindfulness of breathing is complete and well cultivated, familiarized in due sequence, just as the Buddha taught, illuminates this world like the moon freed from cloud.


§3.8 Kakacūpamā: Completion of the Saw Simile; Essential Practice; the Breath Growing Subtle 〔Vism VIII·pp.282–286〕

This is the saw simile. Here it should be understood that its use for the practitioner lies only in not attending to the [breaths] by way of their repeated coming. For some people attending to this meditation subject, before long the sign arises and the settling called absorption, adorned with the remaining jhāna factors, is accomplished. But for some, beginning from the time of attention by counting and proceeding in sequence, the coarse out-breaths and in-breaths cease, bodily agitation subsides, body and mind become light, and the body seems capable of leaping into the air. When a person whose body is strained sits on a bed or chair, the bed or chair sinks and creaks, and the covering wrinkles; when a person whose body is not strained sits down, the bed or chair neither sinks nor creaks, and the covering does not wrinkle—the bed or chair seems filled with kapok. Why? Because a body that is not strained is light. In the same way, beginning from the time of attention by counting and proceeding in sequence, the coarse out-breaths and in-breaths cease, bodily agitation subsides, body and mind become light, and the body seems capable of leaping into the air. Once the coarse out-breaths and in-breaths have ceased, the mind proceeds with the sign of the subtle out-breaths and in-breaths as its object; when that too ceases, the mind proceeds again and again with a sign subtler and still subtler than the preceding sign as its object.

How so? Suppose a person strikes a bronze plate with a great iron bar. A loud sound arises with a single blow, and the person’s mind proceeds with the coarse sound as its object. When the coarse sound ceases, it proceeds afterward with the sign of the subtle sound as its object. When that too ceases, the mind proceeds again and again with the sign of a sound subtler and still subtler than the preceding sound as its object. This is how it should be understood.

It is also said: “Suppose a bronze vessel were struck”—the full passage is as cited above. Other meditation subjects become progressively clearer, but this meditation subject is not like that: for a person who cultivates it to higher and higher levels, it becomes progressively subtler and even ceases to become manifest. When it does not become manifest in this way, the bhikkhu should not rise from the seat, shake out the leather sitting-cloth,¹⁴ and leave. What should be done? The bhikkhu should not rise from the seat thinking, “I shall ask my teacher,” or “My meditation subject is now lost.” For a person who breaks posture and leaves, the meditation subject must be begun anew again and again. The bhikkhu should therefore remain seated just as before and recover it from that place.

The method of recovery is as follows. Knowing that the meditation subject has ceased to become manifest, the bhikkhu should reflect: “Where do these out-breaths and in-breaths exist, and where do they not? Who has them, and who does not?” On reflection the bhikkhu understands that these breaths do not occur inside the mother’s womb or in people submerged in water; likewise they do not occur in unconscious beings, the dead, those who have entered the fourth jhāna, beings possessing existence in the form or formless realm, or those who have entered the attainment of cessation.¹⁵ The bhikkhu should then admonish themself: “Wise person! You are not inside the mother’s womb, are not submerged in water, are not an unconscious being, are not dead, have not entered the fourth jhāna, do not possess existence in the form or formless realm, and have not entered the attainment of cessation. Your out-breaths and in-breaths certainly exist; you simply cannot apprehend them because your wisdom is dull.” The bhikkhu should then place the mind according to the usual point of contact and set attention in motion. For these breaths proceed touching the nose-wing of a long-nosed person and the upper lip of a short-nosed person. The bhikkhu should therefore establish the sign in this way: “They touch this place.” It was precisely because of this meaning that the Blessed One said: “Bhikkhus, I do not say that a person who has lost mindfulness and lacks clear comprehension cultivates mindfulness of breathing.”

Although every meditation subject succeeds only for a person with mindfulness and clear comprehension, other meditation subjects become evident to a person who attends to them. This meditation subject of mindfulness of breathing, however, is weighty¹⁶ and must be cultivated weightily; it is the field of attention only for the great persons who are Buddhas, Paccekabuddhas, and children of the Buddhas. It is neither slight nor cultivated by slight beings. The more it is attended to, the more peaceful and subtle it becomes; therefore strong mindfulness and wisdom are required here.

When fine cloth is mended, the needle must be fine, and the implement that passes through the eye of the needle must be finer still. Likewise, when cultivating this meditation subject, which is like fine cloth, both the mindfulness resembling the needle and the wisdom associated with it, resembling the implement that passes through the needle’s eye, must be strong. A bhikkhu endowed with such mindfulness and wisdom should not seek the out-breaths and in-breaths anywhere outside their usual point of contact.

Further, suppose a farmer finishes plowing, unyokes the oxen and lets them graze, then sits resting in the shade of a tree. The oxen swiftly enter the forest. If the farmer is skillful and wishes to catch and yoke them again, the farmer does not follow their tracks and wander through the forest searching everywhere. Instead the farmer takes a rope and goad, goes straight to the ford where the oxen descend to the water, and sits or lies there. After wandering for most of the day, the oxen descend to the ford, bathe and drink, then come back up and stand. As soon as the farmer sees them, the farmer binds them with the rope, drives them back with the goad, yokes them, and returns to work. In the same way, the bhikkhu should not seek the out-breaths and in-breaths anywhere outside their usual point of contact. Taking the rope of mindfulness and the goad of wisdom, the bhikkhu should place the mind at the usual point of contact and set attention in motion. When the bhikkhu attends in this way, before long the breaths become manifest, like the oxen [returning] to the ford. The bhikkhu should then bind them with the rope of mindfulness, yoke them at that very place, and, prodding with the goad of wisdom, pursue this meditation subject again and again. Pursuing it in this way, the sign appears before long.

But this [sign] is not the same for everyone. Some say that for certain people it produces a pleasant touch and appears like a tuft of kapok, like a tuft of cotton, or like a current of air.

The Commentaries, however, decide as follows. For some people this [sign] appears like a star, a gem, or a pearl; for some it becomes a coarse touch, like a cotton seed or a needle made of heartwood; for some it appears like a long necklace-cord, a garland, or a plume of smoke; for some like a spread-out cobweb, a bank of clouds, a lotus flower, a cartwheel, the disk of the moon, or the disk of the sun.¹⁷ This is like the case of many bhikkhus sitting after reciting a discourse, when a bhikkhu asks, “In what form does this discourse become manifest to you?” A bhikkhu says, “To me it becomes manifest like a great mountain river.” Another says, “To me, like a forest.” Yet another says, “To me, like a tree with cool shade, abundant branches and leaves, and a heavy load of fruit.” For them the same discourse becomes manifest in various forms because their perceptions differ. In the same way, the same meditation subject becomes manifest in various forms because perceptions differ. For this [sign] is born of perception, has perception as its condition, and has perception as its source. It should therefore be understood that it becomes manifest in various forms because perceptions differ.

Here, the mind with the out-breath as its object is distinct, the mind with the in-breath as its object is distinct, and the mind with the sign as its object is yet another. For a person who lacks these three states, the meditation subject reaches neither absorption nor access; only for a person who has these three states does the meditation subject reach access and absorption. Thus it is said:

Sign, out-breath, and in-breath—these three are not the object of a single mind; cultivation cannot be found in a person who does not know these three states. Sign, out-breath, and in-breath—these three are not the object of a single mind; cultivation can be found only in a person who knows these three states.


§3.9 Nimittam: Arising of the Sign; Reporting to the Teacher; Guarding It; Skill in Absorption 〔Vism VIII·pp.286–287〕

When the sign has appeared in this way, the bhikkhu should go to the teacher and report: “Venerable sir, [my sign] appears in such-and-such a form.” The teacher should not say, “This is the sign,” nor say, “This is not the sign.” The teacher should say, “Friend, it is just so,” and instruct the bhikkhu, “Attend to it again and again.” For if the teacher says, “This is the sign,” the bhikkhu may stop there; if the teacher says, “This is not the sign,” the bhikkhu may become discouraged and sink. The teacher therefore says neither, but directs the bhikkhu only to continue attending—this, first, is what the Dīgha-reciters say. The Majjhima-reciters, however, say that the teacher should tell the bhikkhu: “Friend, this is the sign. Good person, attend to this meditation subject again and again.” The bhikkhu should then place the mind only on the sign; from that point onward the cultivation is performed by way of settling. Thus the Ancients said:

Placing the mind upon the sign and making its various aspects clear, the steadfast practitioner binds their own mind to the out-breaths and in-breaths.

From the time the sign appears in this way, the hindrances are suppressed, the defilements subside, mindfulness becomes manifest, and the mind becomes concentrated by access concentration.

The bhikkhu should not attend to the sign by way of its color, nor examine it by way of its characteristic. Instead, as a chief queen of warrior caste [guards] the embryo of a Wheel-Turning Monarch, or as a farmer [guards] the germ of rice and barley, the bhikkhu should avoid the seven unsuitable conditions beginning with lodging and resort to the seven suitable conditions, guarding it well.

Having guarded it in this way, the bhikkhu should make it grow and expand by repeated attention, perfect the tenfold absorption-skill, and balance energy.¹⁸ As the bhikkhu strives in this way, the jhānas of the fourfold and fivefold systems¹⁹ arise on that sign in the same sequence described under the earth kasiṇa. Here, a bhikkhu who has thus produced the jhānas of the fourfold and fivefold systems and wishes to develop the meditation subject by observing and turning-away until reaching purification makes that jhāna mastered and proficient in five ways, then determines mentality-materiality and sets insight in motion.

How? Having emerged from the attainment, the bhikkhu sees that the origin of the out-breaths and in-breaths is the kamma-born body²⁰ together with the mind. When a smith’s bellows is blown, air moves dependent on the leather bag and the corresponding effort of a person; in the same way, the out-breaths and in-breaths occur dependent on body and mind. The bhikkhu then determines that the out-breaths, in-breaths, and body are materiality, while the mind and the states associated with it are immaterial.

This is only a brief account; the detailed determination of mentality-materiality will be made clear later.²¹ Having determined mentality-materiality in this way, the bhikkhu seeks its conditions; seeking and seeing them, the bhikkhu crosses beyond doubt about the occurrence of mentality-materiality in the three times.

Having crossed beyond doubt, the bhikkhu raises the three characteristics through comprehension by groups; abandons the ten corruptions of insight, beginning with illumination, that arise in the former part of contemplation of rise and fall;²² determines that knowledge of the course, freed from the corruptions,²³ is the path; abandons rise and reaches contemplation of dissolution. As all formations appear as dissolution through uninterrupted contemplation of dissolution, the bhikkhu becomes disenchanted, fades away from lust, and is liberated; in sequence the bhikkhu reaches the four noble paths, becomes established in the fruit of arahantship, reaches the limit of the nineteenfold reviewing knowledge,²⁴ and becomes the supreme recipient of gifts in the world with its deities.


§3.10 Itaresu tīsu catukkesu: The Remaining Three Tetrads—the Second and Third Tetrads, Contemplation of Feeling and Mind 〔Vism VIII·pp.287–290〕

At this point, the bhikkhu’s cultivation of concentration through mindfulness of breathing, beginning with counting and ending with looking-back, is complete. This is the explanation of the first tetrad in all its aspects.

As for the remaining three tetrads, since there is no separately established method for cultivating the meditation subject, their meaning should be understood by the method of word-by-word explanation as follows. “Experiencing rapture” means making rapture experienced and clear; the bhikkhu trains, “I shall breathe out; I shall breathe in.”

Here, rapture is experienced in two aspects: by the object and by non-delusion. How is rapture experienced by the object? The bhikkhu enters the two jhānas accompanied by rapture. At the moment of attainment, through gaining jhāna, rapture is experienced by the object, because the object has been experienced. How is it experienced by non-delusion? The bhikkhu enters the two jhānas accompanied by rapture and, after emerging, comprehends the rapture associated with jhāna as ceasing and passing away. At the moment of insight, through penetrating the characteristics, rapture is experienced by non-delusion. The Paṭisambhidāmagga says: “When a person understands one-pointedness of mind and non-distraction by means of a long out-breath, mindfulness becomes manifest; through that mindfulness and that knowledge, that rapture is experienced. By means of a long in-breath . . . by means of a short out-breath . . . by means of a short in-breath . . . when a person understands one-pointedness of mind and non-distraction by means of out-breaths and in-breaths that experience the whole body and out-breaths and in-breaths that tranquillise the bodily formation, mindfulness becomes manifest; through that mindfulness and that knowledge, that rapture is experienced. Through adverting that rapture is experienced; through knowing, seeing, observing, resolving the mind, resolving through faith, exerting energy, making mindfulness manifest, concentrating the mind, and understanding with wisdom; by [directly knowing] what should be directly known . . . [fully understanding] what should be fully understood . . . [abandoning] what should be abandoned . . . [cultivating] what should be cultivated, and realizing what should be realized, that rapture is experienced. In this way that rapture is experienced.”

The remaining clauses should be understood in meaning according to the same method. The only differences here are these: “experiencing pleasure” should be understood by way of the [first] three jhānas, while “experiencing the mental formation” should be understood by way of all four jhānas. “The mental formation” means the two aggregates beginning with feeling. In the clause “experiencing pleasure,” to show the ground of insight, the Paṭisambhidāmagga says: “There are two kinds of pleasure: bodily pleasure and mental pleasure.” “Tranquillising the mental formation” means tranquillising and causing the coarse mental formation to cease; the details should be understood according to the same method stated for the bodily formation. Further, here the rapture clause speaks of feeling under the heading of rapture; the pleasure clause speaks of feeling in its own form; and the two clauses on the mental formation speak of feeling associated with perception, in accordance with the statement, “Perception and feeling are mental factors; these states are bound up with the mind and are mental formations.” It should therefore be understood that this tetrad is spoken by way of contemplation of feeling.

In the third tetrad, “experiencing the mind” should likewise be understood by way of all four jhānas.

“Gladdening the mind” means gladdening the mind, making it rejoice, making it smile, and making it smile exceedingly; the bhikkhu trains, “I shall breathe out; I shall breathe in.” Here the mind is gladdened in two aspects: by concentration and by insight. How by concentration? The bhikkhu enters the two jhānas accompanied by rapture; at the moment of attainment, the bhikkhu gladdens and delights the mind with the associated rapture. How by insight? The bhikkhu enters the two jhānas accompanied by rapture and, after emerging, comprehends the rapture associated with jhāna as ceasing and passing away. Thus at the moment of insight the bhikkhu gladdens and delights the mind by taking that rapture associated with jhāna as the object. A practitioner who proceeds in this way is said to train, “Gladdening the mind, I shall breathe out; I shall breathe in.”

“Concentrating the mind” means evenly placing and establishing the mind upon the object by means of the first jhāna and the rest; alternatively, after entering and emerging from those jhānas, the bhikkhu contemplates the mind associated with jhāna as ceasing and passing away, and at the moment of insight momentary one-pointedness of mind arises through penetration of the characteristics. By means of the momentary one-pointedness of mind arisen in this way, the bhikkhu also evenly places and establishes the mind upon the object, and is therefore said to train, “Concentrating the mind, I shall breathe out; I shall breathe in.”

“Liberating the mind” means freeing and liberating the mind from the hindrances by means of the first jhāna, from applied and sustained thought by means of the second, from rapture by means of the third, and from pleasure and pain by means of the fourth. Alternatively, after entering and emerging from those jhānas, the bhikkhu comprehends the mind associated with jhāna as ceasing and passing away. At the moment of insight, the bhikkhu frees and liberates the mind from the perception of permanence through contemplation of impermanence, from the perception of pleasure through contemplation of suffering, from the perception of self through contemplation of not-self, from delight through contemplation of disenchantment, from greed through contemplation of fading-away, from origination through contemplation of cessation, and from grasping through contemplation of relinquishment, while breathing out and breathing in. Therefore the bhikkhu is said to train, “Liberating the mind, I shall breathe out; I shall breathe in.” It should be understood that this tetrad is spoken by way of contemplation of mind.


§3.11 Catutthacatukke: The Fourth Tetrad—Contemplation of Phenomena and the Concluding Verses 〔Vism VIII·pp.290–293〕

In the fourth tetrad, in the clause “contemplating impermanence,” impermanent (aniccam) should first be understood, impermanence (aniccatā) should be understood, contemplation of impermanence (aniccānupassanā) should be understood, and a contemplator of impermanence (aniccānupassī) should be understood. Here, the impermanent is the five aggregates. Why? Because they have the nature of arising, ceasing, and alteration. “Impermanence” is the arising, ceasing, and alteration of those [five aggregates], or the nonexistence of what has arisen. The meaning is that they do not remain in the same mode, but break apart through momentary dissolution. “Contemplation of impermanence” is contemplation of materiality and the other states as “impermanent” by way of that impermanence. “A contemplator of impermanence” is a person endowed with that contemplation. It should therefore be understood that such a person, while breathing out and breathing in, is the person spoken of here as training, “Contemplating impermanence, I shall breathe out; I shall breathe in.”

In the clause “contemplating fading-away,” fading-away is of two kinds: exhaustion-fading-away and ultimate fading-away. Here, “exhaustion-fading-away” is the exhaustion and dissolution of formations, while “ultimate fading-away” is Nibbāna. “Contemplation of fading-away” is insight and path that proceed through seeing these two. It should be understood that a person endowed with these two kinds of contemplation, while breathing out and breathing in, trains, “Contemplating fading-away, I shall breathe out; I shall breathe in.”

The method is the same in the clause “contemplating cessation.”

In the clause “contemplating relinquishment,” relinquishment is also of two kinds: relinquishment as giving up and relinquishment as entering into. Relinquishment itself is contemplation, and so it is called contemplation of relinquishment; this is a designation for insight and path. For insight gives up the defilements together with the aggregates and volitional formations by substitution, and, because it sees the danger in conditioned states, inclines toward and enters into their opposite, Nibbāna. Thus it is called both relinquishment as giving up and relinquishment as entering into. The path gives up the defilements together with the aggregates and volitional formations by full cutting off, and, by taking [Nibbāna] as its object, enters into Nibbāna. Thus it too is called both relinquishment as giving up and relinquishment as entering into. Both are called contemplation because they repeatedly contemplate in continuity with the preceding knowledges. It should be understood that a person endowed with these two kinds of contemplation of relinquishment, while breathing out and breathing in, trains, “Contemplating relinquishment, I shall breathe out; I shall breathe in.”

This fourth tetrad is stated solely by way of insight, whereas the preceding three [tetrads] are stated by way of serenity and insight. The cultivation of mindfulness of breathing in sixteen items should be understood in this way, according to the four tetrads.

When cultivated in this way according to the sixteen items, mindfulness of breathing has great fruit and great benefit. Its great benefit should be understood from its peacefulness and the rest, according to the statement, “Bhikkhus, when this concentration through mindfulness of breathing is cultivated and repeatedly practiced, it is indeed peaceful and excellent,” and so forth; it should also be understood from its ability to cut off applied thought. Because this concentration is peaceful, excellent, and an unadulterated abiding in ease, it cuts off the mind’s running here and there under the influence of obstructive thoughts and directs the mind solely toward the out-breath and in-breath as its object. Therefore it is said: “Mindfulness of breathing should be cultivated for the cutting off of applied thought.”

Its great benefit should also be understood from its being “the root of the fulfillment of true knowledge and liberation.” For the Blessed One said: “Bhikkhus, mindfulness of breathing, when cultivated and repeatedly practiced, fulfills the four foundations of mindfulness; the four foundations of mindfulness, when cultivated and repeatedly practiced, fulfill the seven factors of awakening; the seven factors of awakening, when cultivated and repeatedly practiced, fulfill true knowledge and liberation.”

Further, its great benefit should be understood from the fact that “it makes the final out-breaths and in-breaths known.” For the Blessed One said: “Rāhula, when mindfulness of breathing is cultivated and repeatedly practiced in this way, even those final out-breaths and in-breaths cease only when known, not when unknown.” Here there are three kinds of finality by cessation: final in an existence, final in jhāna, and final at death. Out-breaths and in-breaths occur in sensual existence but not in form or formless existence, so they are final in an existence. Among the jhānas, they occur in the first three jhānas but not in the fourth, so they are final in jhāna. Those that arise together with the sixteenth mind before death-consciousness and cease together with death-consciousness are called final at death. It is these final [breaths] that are intended here. It is said that, because a bhikkhu who pursues this meditation subject has thoroughly apprehended the out-breath and in-breath as the object, at the moment when the sixteenth mind before death-consciousness arises, their arising is clear if the bhikkhu adverts to arising; their presence is clear if the bhikkhu adverts to presence; and their dissolution is clear if the bhikkhu adverts to dissolution.

For a bhikkhu who attains arahantship after cultivating some other meditation subject, the span of life is sometimes delimited and sometimes not. For a bhikkhu who attains arahantship after cultivating mindfulness of breathing in sixteen items, however, the span of life is always delimited. Knowing “My life-formations will now proceed only this much, no further,” the bhikkhu, by the natural order of things, completes all duties such as attending to the body and putting on the lower and upper robes, then closes the eyes—like Tissa Thera resident at Koṭapabbata Monastery, Mahā-Tissa Thera resident at Mahākarañjiya Monastery, the alms-going Tissa Thera in the great realm of Devaputta, and the two brother elders resident at Cittalapabbata Monastery.

Here is a case-illustration. It is said that, on a full-moon uposatha day, one of the two brother elders completed the recitation of the Pātimokkha and, surrounded by the community of bhikkhus, returned to his own lodging. Standing on the walking path, he looked at the moonlight, examined his own life-formations, and asked the community of bhikkhus: “How have you seen bhikkhus attain parinibbāna?” Some said, “We have seen bhikkhus attain parinibbāna while sitting on their seats.” Others said, “We [have seen them] sitting cross-legged in the air [and attaining parinibbāna].” The elder said: “I will now show you parinibbāna while walking.” He drew a line on the walking path and said: “I shall walk from this end of the path to the other end, turn back, and attain parinibbāna the instant I reach this line.” Having spoken, he stepped onto the walking path, went to the far end, turned back, and attained parinibbāna at the very moment one foot stepped on the line.

Therefore the wise should indeed remain heedful, continually pursuing mindfulness of breathing with its many benefits.

This is the detailed exposition of mindfulness of breathing.²⁵


Notes

¹ Concentration (samādhi): the mind’s even maintenance upon a single object without distraction; “concentration through mindfulness of breathing” is concentration associated with the mindfulness that apprehends the out-breath and in-breath.

² Sixteen items (solasavatthuka): the sixteen steps of mindfulness of breathing, arranged as four tetrads of four steps each.

³ At the end of this passage, the base text prints a form without the initial a-, contradicting the passage’s own preceding explanation; other texts read asecanako. This edition follows the contextual a- form without altering the base text.

⁴ Access (upacāra-samādhi, access concentration): the level of concentration at which the hindrances have been suppressed but absorption has not yet been entered; “preliminary work” refers to the preparatory attention that precedes it.

⁵ Absorption (appanā-samādhi, absorption concentration): concentration in which the mind is fully immersed in its object and unmoving.

⁶ The Ancients (Porāṇā): teachers of earlier generations whose teachings the author inherits; their verses are not the author’s own compositions.

⁷ The four noble paths of stream-entry, once-return, non-return, and arahantship are explained in Chapter 22; this section only names them.

⁸ Boundary post (indakhīla): a marker erected at a village boundary; the term can also be read “Indra’s pillar” or “threshold,” but here it is rendered literally.

⁹ The Dīgha-, Saṃyutta-, and Majjhima-reciters: lineages devoted to preserving the recitation of the respective Nikāyas; the treatise records their positions without deciding among them.

¹⁰ Beginning clansman (ādikammika kulaputta): a person of good family just beginning the practice.

¹¹ Minor obstacle (khuddaka-palibodha): such small impediments as overgrown hair and nails or robes and bowl needing attention; the ten obstacles are listed in Chapter 3, “Receiving a Meditation Subject.”

¹² The two occurrences of “tip of the nose” in this sentence are both printed as “tip of the navel” in the base text, contrary to the wording of the same section and to the context; other texts likewise read “tip of the nose.” This edition follows “tip of the nose” without altering the base text.

¹³ Commentaries (Aṭṭhakathā): the ancient commentarial works inherited by the author; the account cited here is theirs, not the author’s own.

¹⁴ Leather sitting-cloth (cammakhaṇḍa): a leather seat used by monastics.

¹⁵ The fourth jhāna, form and formless existence, and the attainment of cessation are explained respectively in Chapters 4, 10, and 23, not in this chapter.

¹⁶ “Weighty” (garuka) and “slight” (ittara): the two terms are contrasted; the former describes the weightiness of the practice, the latter what is shallow and slight.

¹⁷ The treatise gives fourteen similes here for the sign’s various appearances.

¹⁸ The tenfold absorption-skill, the balancing of energy, and the sequence in which the jhānas of the fourfold and fivefold systems arise are all explained in Chapter 4, “The Earth Kasiṇa”; this section only refers back to them.

¹⁹ “The jhānas of the fourfold and fivefold systems”: the four jhānas of the fourfold system and the five jhānas of the fivefold system are named together.

²⁰ Kamma-born body (karaja-kāya): the material body produced by kamma.

²¹ The detailed analysis of mentality-materiality is given in Chapter 18; the treatise itself marks it as “to be explained later.”

²² Comprehension by groups and the ten corruptions of insight are explained in Chapter 20.

²³ Knowledge of the course (paṭipadāñāṇa): knowledge of the course of practice freed from the corruptions; the complete name used in a later chapter is not introduced here.

²⁴ The development from contemplation of dissolution through the nineteenfold reviewing knowledge is explained in Chapters 21 and 22.

²⁵ Detailed exposition (vitthārakathāmukha): the fixed closing formula at the end of a detailed section; “detailed,” “exposition,” and the close-formula respectively render vitthāra, kathā, and mukha.

寂止隨念Recollection of Peace

全文五層 →Full five layers →
白話Vernacular

本單元白話為本編自巴利原典之譯疏(tr. mine),譯自公版 PTS 底本。


§4 Upasamānussati 寂止隨念 〔Vism VIII·pp.293–294〕

四、寂止隨念

想要修習緊接在入出息念之後所列舉的寂止隨念的人,應當到僻靜處獨處退隱,這樣憶念那名為一切苦之寂止的涅槃之德:「諸比丘,凡所有法,或有為或無為,離欲被稱為那些法中最上的,也就是:慢憍之摧滅、渴之調伏、執著之根除¹、輪迴之斷絕、渴愛之滅盡、離欲、滅、涅槃。」

其中,「凡所有」(yāvatā)就是「有多少」。「法」(dhammā)就是諸自性。「有為或無為」,就是由眾緣和合會聚所造作的、或非所造作的。「離欲被稱為那些法中最上的」,就是說:在那些有為與無為之法中,離欲被稱為最上——說它是最勝的、最高的。

其中,「離欲」並不只是貪的不存在而已,而是如「也就是:慢憍之摧滅……乃至(廣說如前)……涅槃」所說:凡是那個得到「慢憍之摧滅」等名字的無為法,就應當被認定為「離欲」。因為緣於它,一切慢憍、丈夫憍等憍都被摧滅、成為無憍而消失,所以稱之為「慢憍之摧滅」。又因為緣於它,一切欲之渴都趣於調伏、趣於滅沒,所以稱之為「渴之調伏」。又因為緣於它,對五欲功德的執著都趨於根除,所以稱之為「執著之根除」。又因為緣於它,三界的輪迴被斷絕,所以稱之為「輪迴之斷絕」。又因為緣於它,便全然走向渴愛之滅盡,離欲,而滅,所以稱之為「渴愛之滅盡、離欲、滅」。又因為那渴愛在四生、五趣、七識住與九有情居之中,為著一再地〔受〕有而編織、繫縛、縫綴,所以得到「織」(vāna)這個稱呼;而它出離、出脫、離繫於那渴愛,所以稱之為「涅槃」(nibbāna,即「離織」)。就這樣,應當依「慢憍之摧滅」等諸德,隨念那名為涅槃的寂止。

或者,世尊在「諸比丘,我要為你們說無為……〔說〕真實、彼岸、極難見、不老、常恒、無戲論、不死、吉祥、安隱、希有、無災、無惱害、清淨、洲渚、庇護所、避難所——諸比丘,我要為你們說〔這些〕」等等諸經中,也說了其餘的寂止之德;也應當依它們而隨念〔寂止〕。

他這樣依「慢憍之摧滅」等德憶念寂止之時,「那時他的心不為貪所纏,不為瞋……不為癡所纏;那時他的心緣於寂止而正直。」如佛隨念等處所說的方法²,在諸蓋被鎮伏的同時,諸禪支即於一剎那生起。然而,由於寂止諸德甚深,或由於勝解於憶念種種德,禪那不達安止,只達近行。³此〔禪那〕因憶念寂止之德而生起,所以就名為寂止隨念。

又,如同六隨念一樣,這〔寂止隨念〕也唯為聖弟子(ariyasāvaka)所成就。雖然如此,敬重寂止的凡夫(puthujjana)也應當作意〔它〕;因為即使只是依聽聞,心也會於寂止澄淨。而且,勤修此寂止隨念的比丘睡得安樂,醒得安樂,諸根寂靜,意亦寂靜,具足慚愧,令人淨信,勝解於勝妙,為諸同梵行者所敬重、所尊崇。他即使不能再作更上的通達,也必趣於善趣。

是故明察者,當不放逸而修習, 如是有眾多功德之聖寂止之念。

此即《寂止隨念》之詳論門。

如是,於為令善人歡喜而造之《清淨道論》中, 於〈定修習品〉中, 名為〈隨念業處釋〉者, 為第八品。


¹ 「執著」(ālaya):黏著、愛著之所依;此處謂於五欲功德之黏著。取其本義而譯,不用音譯之形。

² 佛隨念等六隨念之開演在第七品;本節唯迴指其伏蓋之式與「唯聖弟子成就」之斷,不重開。

³ 近行定(upacāra-samādhi):諸蓋已伏而尚未入安止之一級定;安止定(appanā-samādhi)則心全然入於所緣而不動。

The vernacular of this unit is this edition’s own rendering-with-exposition from the Pāli original (tr. mine), made from the public-domain PTS text.


§4 Upasamānussati, Recollection of Peace 〔Vism VIII·pp.293–294〕

Fourth: Recollection of Peace

A practitioner who wishes to cultivate recollection of peace, listed immediately after mindfulness of breathing, should go into seclusion and withdraw alone, recollecting in this way the qualities of Nibbāna, reckoned as the stilling of all suffering: “Bhikkhus, among all states, whether conditioned or unconditioned, fading-away is declared the foremost; that is, the crushing of vanity, the removal of thirst, the uprooting of attachment,¹ the cutting-off of the round, the destruction of craving, fading-away, cessation, Nibbāna.”

Here, “among all” (yāvatā) means “however many there are.” “States” (dhammā) means individual natures. “Whether conditioned or unconditioned” means made by the coming together and concurrence of conditions, or not made. “Fading-away is declared the foremost of those states” means that, among those conditioned and unconditioned states, fading-away is declared foremost—said to be the best and highest.

Here, “fading-away” is not merely the absence of greed. Rather, as stated in “that is, the crushing of vanity . . . pe . . . Nibbāna,” the unconditioned state that receives the names beginning with “the crushing of vanity” should be recognized as “fading-away.” Because through recourse to it all forms of intoxication, such as the intoxication of pride and the intoxication of manhood, are crushed, become devoid of intoxication, and vanish, it is called “the crushing of vanity.” Because through recourse to it every thirst for sensual pleasure proceeds to removal and disappearance, it is called “the removal of thirst.” Because through recourse to it attachments to the five strands of sensual pleasure are uprooted, it is called “the uprooting of attachment.” Because through recourse to it the round of the three planes is cut off, it is called “the cutting-off of the round.” Because through recourse to it craving goes entirely to destruction, fades away, and ceases, it is called “the destruction of craving, fading-away, cessation.” And because craving received the designation “weaving” (vāna) by weaving, binding, and sewing beings into repeated becoming among the four wombs, five destinies, seven stations of consciousness, and nine abodes of beings, while Nibbāna has gone forth from, escaped, and become disjoined from that craving, it is called “Nibbāna” (nibbāna, that is, “the un-weaving”). In this way, peace reckoned as Nibbāna should be recollected through its qualities beginning with “the crushing of vanity.”

Alternatively, in discourses where the Blessed One said, “Bhikkhus, I shall teach you the unconditioned . . . [I shall teach] the truth, the far shore, the very-hard-to-see, the unaging, the stable, the undiffused, the deathless, the auspicious, the secure, the wonderful, the unailing, the unafflicted, purity, the island, the shelter, and the refuge—bhikkhus, I shall teach you [these],” and so forth, other qualities of peace were also stated; peace should likewise be recollected through them.

When the practitioner thus recollects peace through its qualities beginning with “the crushing of vanity,” “at that time the mind is not obsessed by greed, not by aversion . . . not obsessed by delusion; at that time the mind is upright with reference to peace.” As in the method stated under recollection of the Buddha and the rest,² the jhāna factors arise in a single moment when the hindrances are suppressed. Yet because the qualities of peace are profound, or because the practitioner is resolved upon recollecting qualities of many kinds, the jhāna does not reach absorption and reaches only access.³ Since this [jhāna] arises through recollecting the qualities of peace, it is called recollection of peace.

Further, like the six recollections, this [recollection of peace] succeeds only for a noble disciple (ariyasāvaka). Even so, an ordinary person (puthujjana) who esteems peace should also attend to it, for the mind becomes serene in peace even by mere hearing. A bhikkhu devoted to recollection of peace sleeps happily, wakes happily, has peaceful faculties and a peaceful mind, is endowed with conscience and moral shame, inspires confidence, is resolved upon the sublime, and is respected and esteemed by companions in the holy life. Even without penetrating anything higher, the bhikkhu is bound for a happy destination.

Therefore the discerning should cultivate heedfully, mindfulness of noble peace, so rich in benefits.

This is the detailed exposition of recollection of peace.

Thus, in the Path of Purity, composed for the gladness of good people, in the Division on the Cultivation of Concentration, the eighth chapter is called the “Discussion of the Recollection Meditation-Subjects.”


Notes

¹ Attachment (ālaya): an abode of clinging or attachment; here it means attachment to the five strands of sensual pleasure. This edition translates the word’s primary sense and does not use a transliterated form.

² The six recollections beginning with recollection of the Buddha are expounded in Chapter 7; this section only refers back to the formula for suppressing the hindrances and the statement that they “succeed only for noble disciples,” without expounding them again.

³ Access concentration (upacāra-samādhi): the level of concentration at which the hindrances have been suppressed but absorption has not yet been entered; in absorption concentration (appanā-samādhi), the mind is fully immersed in its object and does not move.

Translator · 釋慧鏡 Shi Huijing — with AI-assisted rendering, translator-ruled

License · CC BY-NC-SA 4.0